亚历山大大帝说过的话
亚历山大大帝是欧洲历史上最伟大的军事天才，马其顿帝国最富盛名的征服者，堪称“千古一帝”。
怎样
满意望采纳
谢谢~
求教：关于亚历山大大帝的名言
把财富分给别人,把希望留给自己,她将带给我无穷无尽的财富.——亚历山大大帝 山不走到我这里来,我就到它那里去——亚历山大大帝
柏拉图的名言或亚历山大大帝的名言
柏拉图格言二十条 01；不知道自己无知，乃是双倍的无知。
02；真正的爱就要把疯狂的或是近于淫荡的东西赶得远远的。
03；只有驱谴人以高尚的方式相爱的那种爱神才美丽，才值得颂扬。
04；若是一个人不知真理，只在人们的意见上捕风捉影，他所做出来的文章就显得可笑，而且不成艺术了。
05；为着品德而去眷恋一个情人，总是一件很美的事。
06；真实的善是每个人的心灵所追求的，是每一个人作为他一切行为的目的地。
07；爱人至少要在心灵方面没有欠缺，如果只是身体的欠缺，那还不失其为可爱。
08；爱情只有爱情，可以使人敢于为所爱的人献出生命，这一点，不但男人能做到，而且女人也能做到。
09；决定一个人心情的不在于环境，而在于他的心境。
10；美，节奏好，和谐，都由于心灵的聪慧和善良。
11；应该学会把心灵的美看得比形体的美更加珍贵。
12；凡是带欺骗性的东西，总是起一种魔术般的迷惑作用。
13；没有肮脏欲望的爱，才是真正的，高尚的爱。
14； 与其不受教育，不知不生，因为无知是不幸的根源。
15；每个恋爱中的人都是诗人。
16；正像空容器发出的声音最大，智力最低者最善于唠叨不休。
17；制造不公比承受不公更可耻。
18；过度快感可以扰乱心智。
19；意志不纯正，则学识足以为害。
20；向往爱情的人没有错，有错的是污辱了爱情这两个字的人。
亚历山大大帝名言有哪些
来自马其顿却震撼世界的吼声
把财富别人，把希望留给自己，她给我无穷无尽的财富—亚历山大大帝 山到我这里来，我就到它那里去——亚历山大大帝 把世界当作自己的故乡——亚历山大大帝 当正意之剑挥出之时,听到作恶者的哭嚎是必然的! ——亚历山大大帝 士兵们，以往四千年历史在它后面瞠目注视着你们。
——亚历山大大帝 “狮子率领的羊群战斗力远胜由绵羊率领的狮子” ——亚历山大大帝 战胜恐惧，就能战胜死亡——亚历山大大帝在高加米拉大战之前
亚历山大大帝说过一句话，如果我不做皇帝就去做一个思想家 请问是谁
第欧根尼“如果我不是亚历山大，我愿做第欧根尼”至于第欧根尼何许人物，楼主百度即可
跪求亚历山大大帝的英文影评，大约400字左右
Aristotle hailed tragedy as the highest form of art. It is only fitting that Oliver Stone's Alexander be presented in the dramatic fashion of the ancients. Homeric like verse flows through the characters marvelously and effortlessly. The dialogue is rich with symbolism and wit, and the actors' voices soar with a raging intensity. The players seem to move within a world too mythically august to be real, yet too gritty to be false.The triumph of the film rests on the wonderful cast, ravishing scenery, and the tragic tale of victory, loss, and infamy. Alexander is a wonderful myriad of renegade film making, splendor, and humanity. The film stays with one long after one has left the theater, because of the its surreal visions and the multitude of philosophical questions it raises. Throughout the film one is bombarded by a fury of engrossing and bizarre imagery; haunting memories and breathtaking places. The majesty of the most flowering artistic period of all time is explored in detailed fantasy, giving us a glimpse into the past, when Homer was the Bible, and art was overwhelmingly prominent and celebrated. The glory of Babylon, Macedonia, and India shine in luminous color and depth. The pacing of the film is drunken and chaotic, emulating what is true in life; sometimes unfocused, confused, as it seeks to illuminate the conflicted Alexander. The audience is presented with Alexander's nightmare, through his eyes, an unusual, but fulfilling and new approach the the epic genre. Mary Renault's literary masterpieces of the fictitious and historical Alexander are obvious influences, as scenes from Alexander's childhood are reminiscent of those in Fire From Heaven. The focus is on Alexander's personal exploits, and influences, which are fascinating and highly stirring. Stone paints the portrait of Alexander the tragic and human hero, rather than Alexander the epic hero. Unlike the vapid portrayal of ancient heroes in film's like Troy, Alexander is a rounded, heartbreaking, and realistic hero. Alexander, played brilliantly by the talented Colin Farrell is a tortured soul, lusting for glory, desperate for love, and in dire need of fulfillment. Alexander's drunken brute of a father, played flawlessly by Val Kilmer, and his overbearing mother Olympias, played with equal gusto by Angelina Jolie tear their son in two with their expectations. Alexander's internal struggle between being the man his father wants, and the boy cherished by this mother is the central development of Alexander's character. He eventually becomes a man, but still remains a shining youth, wide eyed and full of ideals. We are confronted with Alexander the human being. He writhes in grief and burns with passion. His success as a leader stems from his ability as a general and king, fighting side by side with his men, rousing their spirits with his glorious speeches, and treating his comrades as equals, imperative to his mission. The combination of youthful enthusiasm and stubborn will made for a winning combination as Alexander the Great was never defeated. The film only includes two of Alexander's numerous battles and victories. The first battle at Gaugamela is an accomplishment in film making. Dust swirls and blinds, an eagle soars above the masses giving one a breathtaking birds eye view of the battle, the camera shakes, one loses his senses, and all becomes chaos. The reality of the battle is stunning and honest. Darius, Alexander's Persian adversary is shown as a powerful figure in battle, but the audience does not get to know the character, as Alexander himself did not know his own enemy. War becomes a gray area, the good vs. the bad is unclear as it often is in reality. The second battle takes place in India, and the adversaries are even more unclear and frightening. Elephants boom through the jungle and stand on their hind legs to challenge Alexander's horses. Beautiful shades of red and yellow soak the jungle floor and ceiling as Alexander nears death. Stone chose to make Alexander's bisexuality a focus in Alexander. Homoerotic imagery is prevalent, as sensuous men in short skirts and eyeliner flit across the screen in a fog of insatiable beauty. The endless imagery of smoldering male youths lends accordingly to the Greek sensibilities of the time. Hephaistion (Jared Leto) heats up the screen with his flirtatious, impossible blue eyes, that run like silver arrows through Alexander's heart (as well as the audience's). Some of the most loin igniting moments come from scenes involving the duo, who's chemistry is undeniable. Hephaistion is clearly illustrated as Alexander's soulmate and most cherished lover, as they consummate their love in touching declarations and heart melting exchanges. Hephaistion's boyish awe and calm stabilizes Alexander's stubborn idealism, and vice versa. Leto plays the role of Alexander's most trusted companion in a way that is so convincing, the need for a love scene is unnecessary. His lustful glares are overt, his voice soothing, and his love true and all encompassing. Their relationship certainly was up to snuff with the heroic lovers they worshiped, Achilles and Patroclus, and in the name of tragedy their end was just as heartbreaking.
