我想要一些twilight中的经典台词（归纳一下）
1. Yes, it is enough. Enough for forever. (Edward) 够，永远够了。
2. Surely it was a good way to die, in the place of somee else, somee I loved. Noble, even. That ought to count for something. (Bella) 这无疑是个不错的死法，死在别人——我所钟爱的人的家里，甚至可以说，轰轰烈烈。
这应该算是死得其所。
3. When life offers you a dream so far beyd any of your expectations, it’s not reasonable to grieve when it comes to an end. (Bella) 当生活给了你一个远远超过你期望的美梦，那么，当这一期结束时，也就没有理由再去伤心。
4. Sometimes I wondered if I was seeing the same things through my eyes that the rest of the world was seeing through theirs. Maybe there was a glitch in my brain. (Bella) 有时候，我在想我眼里所看到的和世上所有其他人眼里所看到的是不是同样的东西。
也许，我脑袋里哪里短路了。
5. So did you stab Edward Cullen with a pencil or what? I’ve never seen him act like that. (Mike) 那你有没有用铅笔什么的刺了Edward Cullen一下
我从来没有见过他那样。
6. Forks was literally my personal hell on earth. (Bella) Forks对我而言，简直就是一座人间地狱。
7. Once people start throwing wet stuff I go inside. (Bella) 人们只要一开始扔湿东西，我就往屋里钻。
8. Edward Cullen is staring at you. (Jessica) Edward Cullen在盯着你看呢。
9. He unleashed the full, devastating power of his eyes on me, as if trying to communicate something crucial. (Bella) 他把那双眼睛的全部魅力都释放在我身上了，好像试图跟我说某件至关重要的事情似的。
10. I wasn’t interesting. And he was. Interesting…and brilliant…and mysterious…and perfect…and beautiful…and possibly able to lift full-sized vans with one hand. (Bella) 我没有意思，他有。
有意思……才华横溢……神秘莫测……完美无缺……仪表堂堂，而且还能够单手举起大型客货两用车。
11. Bella it’s not my fault if you are exceptionally unobservant. (Edward) 这可不能怪我，谁叫你这么不小心。
12. I thought you were suppose to be pretending I don’t exist, not irritating me to death. (Bella) 我看你是在装着没看见我在你后面，这没把我给气死。
13. Stupid, shiny volvo owner. (Bella) 蠢货，这个开闪亮的VOLVO的家伙。
14. It was hard to believe that someone so beautiful could be real. I was afraid that he might disappear in a sudden puff of smoke, and I would wake up. (Bella) 很难相信居然真的有这么美的人。
我害怕他会突然像一缕青烟一样消失掉，而我就像做了一场梦一样。
15. I decided as long as I was to hell, I might as well do it thoroughly. (Edward) 我想好了，反正是下地狱，我还不如来他个一不做二不休。
（ 16. I had been vacillating during the last month between Bruce Wayne and Peter Parker. There was no way I was to own up to that. (Bella) 上个月我一直认为他不是蝙蝠侠Bruce Wayne，就是蜘蛛侠Peter Parker，老在这两人中犹豫不决。
我要坦白承认，那是绝对不可能的。
17. What if I’m not a superhero? What if I’m the bad guy? 要是我不是呢
要是我是个坏蛋呢
18. So you faint at the sight of blood? (Edward) 这儿说，你看到血就发晕
19. You scared me for a minute there. I thought Newton was dragging your dead body off to bury it in the woods. (Edward) 你在那儿可把我吓坏了好一会，我还以为Newton拖着你的尸体，要把你埋到树林里去呢。
20. Honestly-I’ve seen corpses with better color. I was concerned that I might have to avenge your murder. (Edward) 不瞒你说——我见过颜色更好看的尸体。
我当时一心想做的，就是我可能得报复杀害你的凶手
Good job这个词对外国人来说意味着什么
是冷淡人的意思吗
是老外在夸奖别人做得的口语。
意思是：做得好但是里面老师有讽刺他没有做到最好的意思excellent, great 等词语表示“做得好”一般这些词都是褒义，但有时候反讽会有贬义
电影《鸟人》到底讲了什么内涵
CUT TO: 74 INT. RECEPTION ROOM \\\/ D-DECK - DAY Ruth is having tea with NOEL LUCY MARTHA DYER-EDWARDES, the COUNTESS OF ROTHES, a 35ish English blue-blood with patrician features. Ruth sees someone coming across the room and lowers her voice. RUTH Oh no, that vulgar Brown woman is coming this way. Get up, quickly before she sits with us. Molly Brown walks up, greeting them cheerfully as they are rising. MOLLY Hello girls, I was hoping I'd catch you at tea. RUTH We're awfully sorry you missed it. The Countess and I are just off to take the air on the boat deck. MOLLY That sounds great. . I need to catch up on the ssip. Ruth grits her teeth as the three of them head for the Grand Staircase to up. TRACKING WITH THEM, as they cross the room, the SHOT HANDS OFF to Bruce Ismay and Captain Smith at another table. ISMAY So you've not lit the last four boilers then? SMITH No, but we're making excellent time. ISMAY (impatiently) Captain, the press knows the size of Titanic, let them marvel at her speed too. We must give them something new to print. And the maiden voyage of Titanic must make headlines! SMITH I prefer not to push the engines until they've been properly run in. ISMAY Of course I leave it to your good offices to decide what's best, but what a glorious end to your last crossing if we get into New York Tuesday night and surprise them all. (Ismay slaps his hand on the table) Retire with a bang, eh, E.J? A beat. Then Smith nods, stiffly. CUT TO: 75 EXT. A DECK PROMENADE - DAY Rose and Jack stroll aft, past people lounging on deck chairs in the slanting late-afternoon light. Stewards scurry to serve tea or hot cocoa. ROSE (girlish and excited) You know, my dream has always been to just chuck it all and become an artist... living in a garret, poor but JACK (laughing) You wouldn't last two days. There's no hot water, and hardly ever any caviar. ROSE (angry in a flash) Listen, buster... I hate caviar! And I'm tired of people dismissing my dreams with a chuckle and a pat on the head. JACK I'm sorry. Really... I am. ROSE Well, alright. There's something in me, Jack. I feel it. I don't know what it is, whether I should be an artist, or, I don't know... a dancer. Like Isadora Duncan.... a wild pagan spirit... She leaps forward, lands deftly and whirls like a dervish. Then she sees something ahead and her face lights up. ROSE ...or a moving picture actress! She takes his hand and runs, pulling him along the deck toward-- DANIEL AND MARY MARVIN. Daniel is cranking the big wooden movie camera as she poses stiffly at the rail. MARVIN You're sad. Sad, sad, sad. You've left your lover on the shore. You may never see him again. Try to be sadder, darling. SUDDENLY Rose shoots into the shot and strikes a theatrical pose at the rail next to Mary. Mary bursts out laughing. Rose pulls Jack into the picture and makes him pose. Marvin grins and starts yelling and gesturing. We see this in CUTS, with music and no dialogue. SERIES OF CUTS: Rose posing tragically at the rail, the back of her hand to her forehead. Jack on a deck chair, pretending to be a Pasha, the two girls pantomiming fanning him like slave girls. Jack, on his knees, pleading with his hands clasped while Rose, standing, turns her head in bored disdain. Rose cranking the camera, while Daniel and Jack have a western shoot-out. Jack wins and leers into the lens, twirling an air moustache like Snidely Whiplash. CUT TO: 76 EXT. A DECK PROMENADE \\\/ AFT - SUNSET Painted with orange light, Jack and Rose lean on the A-deck rail aft, shoulder to shoulder. The ship's lights come on. It is a magical moment... perfect. ROSE So then what, Mr. Wandering Jack? JACK Well, then logging got to be too much like work, so I went down to Los Angeles to the pier in Santa Monica. That's a swell place, they even have a rollercoaster. I sketched portraits there for ten cents a piece. ROSE A whole ten cents?! JACK (not getting it) Yeah; it was great money... I could make a dollar a day, sometimes. But only in summer. When it got cold, I decided to go to Paris and see what the real artists were doing. ROSE (looks at the dusk sky) Why can't I be like you Jack? Just head out for the horizon whenever I feel like it. (turning to him) Say we'll go there, sometime... to that pier... even if we only ever just talk about it. JACK Alright, we're going. We'll drink cheap beer and go on the rollercoaster until we throw up and we'll ride horses on the beach... right in the surf... but you have to ride like a cowboy, none of that side-saddle stuff. ROSE You mean one leg on each side? Scandalous! Can you show me? JACK Sure. If you like. ROSE (smiling at him) I think I would. (she looks at the horizon) And teach me to spit too. Like a man. Why should only men be able to spit. It's unfair. JACK They teach you that in finishing school? Here, it's easy. Watch closely. He spits. It arcs out over the water. JACK Your turn. Rose screws up her mouth and spits. A pathetic little bit of foamy spittle which mostly runs down her chin before falling off into the water. JACK Nope, that was pitiful. Here, like this... you hawk it down... HHHNNNK!... then roll it on your tongue, up to the front, like thith, then a big breath and PLOOOW!! You see the range on that thing? She goes through the steps. Hawks it down, etc. He coaches her through it (ad lib) while doing the steps himself. She lets fly. So does he. Two comets of gob fly out over the water. JACK That was great! Rose turns to him, her face alight. Suddenly she blanches. He sees her expression and turns. RUTH, the Countess of Rothes, and Molly Brown have been watching them hawking lugees. Rose becomes instantly composed. ROSE Mother, may I introduce Jack Dawson. RUTH Charmed, I'm sure. Jack has a little spit running down his chin. He doesn't know it. Molly Brown is grinning. As Rose proceeds with the introductions, we hear... OLD ROSE (V.O.) The others were gracious and curious about the man who'd saved my life. But my mother looked at him like an insect. A dangerous insect which must be squashed quickly. MOLLY Well, Jack, it sounds like you're a good man to have around in a sticky spot-- They all jump as a BUGLER sounds the meal call right behind them. MOLLY Why do they insist on always announcing dinner like a damn cavalry charge? ROSE Shall we go dress, mother? (over her shoulder) See you at dinner, Jack. RUTH (as they walk away) Rose, look at you... out in the sun with no hat. Honestly! The Countess exits with Ruth and Rose, leaving Jack and Molly alone on deck. MOLLY Son, do you have the slightest comprehension of what you're doing? JACK Not really. MOLLY Well, you're about to go into the snakepit. I hope you're ready. What are you planning to wear? Jack looks down at his clothes. Back up at her. He hadn't thought about that. MOLLY I figured. CUT TO: 77 INT. MOLLY BROWN'S STATEROOM Men's suits and jackets and formal wear are strewn all over the place. Molly is having a fine time. Jack is dressed, except for his jacket, and Molly is tying his bow tie. MOLLY Don't feel bad about it. My husband still can't tie one of these damn things after 20 years. There you go. She picks up a jacket off the bed and hands it to him. Jack goes into the bathroom to put it on. Molly starts picking up the stuff off the bed. MOLLY I gotta buy everything in three sizes 'cause I never know how much he's been eating while I'm away. She turns and sees him, though we don't. MOLLY My, my, my... you shine up like a new penny. CUT TO: 78 EXT. BOAT DECK \\\/ FIRST CLASS ENTRANCE - DUSK A purple sky, shot with orange, in the west. Drifting strains of classic music. We TRACK WITH JACK along the deck. By Edwardian standards he looks badass. Dashing in his borrowed white-tie outfit, right down to his pearl studs. A steward bows and smartly opens the door to the First Class Entrance. STEWARD Good evening, sir. Jack plays the role smoothly. Nods with just the right degree of disdain. CUT TO: 79 INT. UPPER LANDING \\\/ GRAND STAIRCASE AND A-DECK Jack steps in and his breath is taken away by the splendor spread out before him. Overhead is the enormous glass dome, with a crystal chandelier at its center. Sweeping down six stories is the First Class Grand Staircase, the epitome of the opulent naval architecture of the time. And the people: the women in their floor length dresses, elaborate hairstyles and abundant jewelry... the gentlemen in evening dress, standing with one hand at the small of the back, talking quietly. Jack descends to A deck. Several men nod a perfunctory greeting. He nods back, keeping it simple. He feels like a spy. Cal comes down the stairs, with Ruth on his arm, covered in jewelry. They both walk right past Jack, neither one recognizing him. Cal nods at him, one gent to another. But Jack barely has time to be amused. Because just behind Cal and Ruth on the stairs is Rose, a vision in red and black, her low-cut dress showing off her neck and shoulders, her arms sheathed in white gloves that come well above above the elbow. Jack is hypnotized by her beauty. CLOSE ON ROSE as she approaches Jack. He imitates the gentlemen's stance, hand behind his back. She extends her gloved hand and he takes it, kissing the back of her fingers. Rose flushes, beaming noticeably. She can't take her eyes off him. JACK I saw that in a nickelodeon once, and I always wanted to do it. ROSE Cal, surely you remember Mr. Dawson. CAL (caught off guard) Dawson! I recognize you. (studies him) Amazing! You could almost pass for a gentlemen. CUT TO: 80 INT. D-DECK RECEPTION ROOM CUT TO THE RECEPTION ROOM ON D DECK, as the party descends to dinner. They encounter Molly Brown, looking good in a beaded dress, in her own busty broad-shouldered way. Molly grins when she sees Jack. As they are going into the dining saloon she walks next to him, speaking low: MOLLY Ain't nothin' to it, is there, Jack? JACK Yeah, you just dress like a pallbearer and keep your nose up. MOLLY Remember, the only thing they respect is money, so just act like you've got a lot of it and you're in the club. As they enter the swirling throng, Rose leans close to him, pointing out several notables. ROSE There's the Countess Rothes. And that's John Jacob Astor... the richest man on the ship. His little wifey there, Madeleine, is my age and in a delicate condition. See how trying to hide it. Quite the scandal. (nodding toward a couple) And over there, that's Sir Cosmo and Lucile, Lady Duff-Gordon. She designs naughty lingerie, among her many talents. Very popular with the royals. Cal becomes engrossed in a conversations with Cosmo Duff-Gordon and Colonel Gracie, while Ruth, the Countess and Lucille discuss fashion. Rose picots Jack smoothly, to show him another couple, dressed impeccably. ROSE And that's Benjamin Guggenheim and his mistress, Madame Aubert. Mrs. Guggenheim is at home with the children, of course. Cal, meanwhile, is accepting the praise of his male counterparts, who are looking at Rose like a prize show horse. SIR COSMO Hockley, she is splendid. CAL Thank you. GRACIE Cal's a lucky man. I know him well, and it can only be luck. Ruth steps over, hearing the last. She takes Cal's arm, somewhat coquettishly. RUTH How can you say that Colonel? Caledon Hockley is a great catch. The entourage strolls toward the dining saloon, where they run into the Astor's going through the ornate double doors. ROSE J.J., Madeleine, I'd like you to meet Jack Dawson. ASTOR (shaking his hand) Good to meet you Jack. Are you of the Boston Dawsons? JACK No, the Chippewa Falls Dawsons, actually. J.J. nods as if he's heard of them, then looks puzzled. Madeleine Astor appraises Jack and whispers girlishly to Rose: MADELEINE It's a pity we're both spoken for, isn't it?
谁能给我一篇《爆裂鼓手》观后感，500字以上。
励志方面的
《爆裂鼓手》观后感片子毋庸置疑，是通过师徒间的对话，展现社会对人性的扭曲--一定要争第一，一定要为了那些奖状、虚名而忍耐磨练至疯狂。
我在电影群中说，这故事就是专业版的《霸王别姬》，核心只有一句话:人得自个儿成全自个儿。
倒是片中魔鬼老师弗莱彻对音乐一些严酷到近乎变态的标准让我印象深刻，比如，他能在众多乐器一起演奏时分辨出哪个乐器在哪个音上跑调，对于男猪的架子鼓，那就是能听出节奏时长的错误。
我半途而废的学过一些吉他与架子鼓，身边的朋友也有不少是专攻音乐的，知道达到这样的水准是一种什么难度抛开弗莱彻人性扭曲的一面，我觉得这个细节体现了他的专业化。
当时弗莱彻正通过高压心理战术排除走调人员:有人走调了，他要自己站出来，因为他站不出来，说明问题更大--一个搞音乐的连自己走没走调都听不出来?言下之意，他认为没达到这个条件的人将来以音乐为生几乎是不可能的，是对职业的侮辱，将音乐的职业水准提高到流行音乐之上也是本片的一个主导思想，这从男猪桌子上贴着的一张相片也可以看出来。
“少壮不努力，老大搞摇滚”，影片认为，在音乐这一行，即便是打鼓也应该在经典领域占有一席之地，以登上林肯中心为荣，而不是当个街头地下室的摇滚乐队鼓手，永远隐藏在主唱与吉他的后头，在歌曲编曲中处于弱势与配角的地位，即便是一个节奏从头打到尾也能顶个英伦摇滚的招牌到处晃。
极速蜗牛英文介绍 （必须英文）
TurboDirected by David SorenProduced by Lisa StewartWritten by David SorenRobert SiegelDarren LemkeStory by David SorenStarring Ryan ReynoldsPaul GiamattiMichael PeñaSnoop DoggMaya RudolphMichelle RodriguezSamuel L. JacksonMusic by Henry JackmanCinematography Chris StoverWally Pfister (visual consultant)Editing by James RyanStudio DreamWorks AnimationDistributed by 20th Century FoxRelease dates June 24, 2013 (2013-06-24) (CineEurope, Barcelona)July 17, 2013 (2013-07-17) (United States)Running time 96 minutesCountry United StatesLanguage EnglishBudget $127 millionBox office $282,570,682Turbo is a 2013 American 3D computer-animated comedy sports film produced by Dream Works Animation and distributed by 20th Century Fox. It is based on an original idea by David Soren, who also directed the film. The film features an ordinary garden snail whose dream to become the fastest snail in the world comes true. The film was released on July 17, 2013.Along with Ryan Reynolds, who stars as the eponymous character, the film also features Paul Giamatti, Michael Peña, Snoop Dogg, Maya Rudolph, Michelle Rodriguez and Samuel L. Jackson. The film has been followed by a television series, titled Turbo FAST (Fast Action Stunt Team), which first aired on Netflix on December 24, 2013.PlotIn a suburban San Fernando Valley garden, Theo, a.k.a Turbo, is a snail who dreams of being the greatest racer in the world, just like his hero, 5-time Indianapolis 500 champ, Guy Gagné. His obsession with speed and all things fast has made him an oddity and an outsider in the slow and cautious snail community, and a constant embarrassment to his cautious older brother, Chet. Turbo desperately wishes he could escape the slow-paced life he's living, but his one chance to live proves a near fatal disaster when he tries to recover a prize tomato and needs to be rescued by Chet.Demoralized, Theo wanders onto a freeway to admire the traffic and wishes on the very first star (which is actually an airplane light), I wish...I wish I was fast. Suddenly, he gets into a freak accident when he gets sucked into the supercharger of a drag racer, fusing his DNA with nitrous oxide on a street race. The next day, when Theo wakes up from unconsciousness, his incident the night before finds himself vested with the power of incredible speed and accuracy, as well as some of the characteristics of an actual car, such as eyes that light up like headlights, and a shell that blinks red like taillights and makes car sounds and music from a radio.Unfortunately, Theo's first attempt to show this power off ends with him crashing a Big Wheel tricycle into the garden, getting himself and Chet fired from the garden crew. As the siblings quarrel over Theo's problems, Chet is snatched by a crow, but is pursued and rescued by Theo at a run down strip mall where they are then captured by Tito, a Dos Bros taco truck driver and is brought to race with other snails. Theo astounds both human and snail alike with his speed and earns the respect of the snails, led by Whiplash, with his crew Smoove Move, Burn, Skidmark, and White Shadow, who have impressive skills of their own.Inspired by this extraordinary snail, Tito dreams to revive the strip mall with Theo as an attraction, and eventually with the help of the snails who manage to divert and strand a tour bus and drum up impressive business. At this success, Theo convinces Tito to try to enter the snail in Indianapolis 500 as a competitor. While Tito's brother, Angelo, still declines to support him, the neighbors agree to put up the entrance fee and accompany them to Indianapolis. Once there, Tito is refused entry into the race, but a chance meeting with Guy Gagné gives Turbo a chance to show off his speed which astounds the race track at the snail qualifying for the race.This impossible feat soon becomes a sensation on social media and the owner of the race gives in to the pressure, egged on by Gagné himself, to let the snail compete. However, the night before the race, Turbo is demoralized when his hero, Gagné, sneers at his attempt to race while Chet confesses that he cannot bear to see his brother endanger himself. Undeterred, Turbo enters the race the next day, but the dangerous racetrack and the far more experienced competition leaves him trailing in last place.At a pitstop, Whiplash and his crew give Turbo a vital pep talk, advising him to stop racing like a car. Back in the race, Turbo realizes what they mean and uses his small size to maximum advantage with maneuvers around and under the competition that no human racer can emulate. With the snail rapidly gaining in the standings, Gagné starts racing dirty and manages to knock Turbo against the circuit wall, damaging his shell and weakening his speed powers. Eventually, in the final stretch with Turbo in the lead, Gagné tries a desperate maneuver to beat the snail and gets into a major crash that snares most of the competitors in a major pileup. Similarly, Turbo is thrown, waking up once again from unconsciousness with his shell punctured and his speed all but gone.Alarmed at seeing Turbo giving up and retreating into his shell barely a few feet from the finish line, Chet puts himself into incredible dangers to meet up with Whiplash's crew to get to the racer. Seeing his brother and friends arrive riding crows to encourage him to continue, Turbo resumes the race. Unfortunately, Gagné, refusing to lose, singlemindedly pursues him by dragging his wrecked car after the snail and attempts to crush him. At the last second, Chet tells Turbo to tuck and roll into his shell at Gagné's last blow and the force allows him to tumble past the finish line to win.At this victory, the strip mall becomes a major attraction with all the businesses becoming spectacular successes including extremely elaborate snail races with Whiplash's crew getting special propulsion aids for their shells, while Chet is content as the track referee. As for Turbo, he becomes happier discovering that his shell has healed, and with that, his superspeed has returned.Voice castRyan Reynolds as Theo aka Turbo, a garden snail who dreams of becoming a racer and the next Indy 500 champion.Paul Giamatti as Chet, Turbo's brotherMichael Peña as Tito Lopez, a Dos Bros taco truck driver who finds and befriends Turbo.Snoop Dogg as Smoove Move, a snailMaya Rudolph as Burn, a snailMichelle Rodriguez as Paz, a car mechanicSamuel L. Jackson as Whiplash, the leader of the Starlight Plaza Snail crew.Luis Guzmán as Angelo Lopez, Tito's brother and a Dos Bros taco truck driver.Bill Hader as Guy Gagné, a French-Canadian Indy 500 championRichard Jenkins as Bobby, a shopkeeper who makes custom snail shells.Ken Jeong as Kim-Ly, a manicuristBen Schwartz as Skidmark, Whiplash's feisty #2.Kurtwood Smith as Indy CEOMichael Patrick Bell as White ShadowDario Franchitti as Scottish Anchor, Male TouristWill Power as Australian AnchorMario Andretti as an Indianapolis Motor Speedway traffic directorPaul Page as a booth announcerProductionTurbo was directed by first-time director, David Soren, who also came up with the idea for the film. It all started when DreamWorks Animation organized a competition for all employees to pitch a one page idea. The night before, Soren conceptualized Fast & Furious with snails, and won the competition. The studio bought the idea, and let it simmer for more than five years. When Soren and his family moved into a new home with a backyard infested with snails, he pushed for the idea and got it back on the fast track. Soren explained why he chose snails: For me, it was less about trying to make a racing movie and more about finding an underdog that I could really latch onto. I think that a snail is inherently an underdog. It's smashed, eaten by people, the butt of slow jokes around the world. It just seemed loaded with obstacles. Obviously, the opposite of slow is fast, and that's where racing came into the picture. For the racing side of the film, Soren was inspired by his six-year-old son's fascination with race cars.DreamWorks Animation partnered with Hulman & Company, parent company of the Indianapolis Motor Speedway and Indy Racing League, LLC (the organisation that sanctions the IZOD IndyCar Series) to make the racing as authentic as possible. Dario Franchitti, four-time IZOD IndyCar Series champion, was a technical consultant on the film, giving advice how Turbo should navigate the speed and competition through the eyes of a snail.
