我要一篇在小学毕业典礼上的演讲稿，哪位大侠出手相助一下吧
尊敬的各位领导、老师，亲爱的同学们：大家好! 首先请允许我代表高关小学2011届全体毕业生向六年来含辛茹苦、关心、教导过我们的所有领导、老师表示最衷心的感谢和最崇高的敬意!(起立，敬礼!) 六年的岁月，二千一百九十多个日日夜夜，听起来似乎是那么的漫长，一心盼望着毕业，而当我们今天真正面对离别，又觉得它是那么的短暂。
此刻，我不知用什么词来形容我烂漫美好的小学生涯，仿佛昨天才步入小学的大门，今天又奏起了别离的笙箫。
一片真情，两行热泪，四季苦读，载着我们五彩的梦，结束了六年的小学生活。
此时此刻，除了前进，我们没有别的方向，除了坚持，我们没有别的信念，除了感谢，我们没有别的语言。
六年的时光，我们从懵懂走向成熟，从无知走向理智，从浅薄走向充实。
也正因如此，记忆中留下了那么多生动的细节，那么多精彩的片断。
怎能忘记学校为提高我们的综合素质而开展的丰富多彩的活动：体能训练，我们挥汗如雨;运动场上，我们飒爽英姿;校园艺术节中，我们轻歌曼舞;怎能忘记我们全体师生为赢得各项比赛的胜利积极准备时忙碌的情景：怎能忘记教室中同学们孜孜不倦的身影;敬爱的老师，怎能忘记课堂上您那谆谆无诲的教导;怎能忘记伤心时您亲切的话语;怎能忘记受伤时您送来的创口贴：怎能忘记炎热的夏天您撒在地上的片片清水：怎能忘记落后时您热情的鼓励„„一切的一切都将成为我们刻骨铭心的记忆。
也许我们曾经任性，让您难过，也许我们曾经调皮，让您伤心，但请原谅我们，那是我们经历儿童，走过成长的真实故事。
同学温馨的笑容、老师慈爱的目光、班级温暖的氛围，让我们都走过来了。
如今我们学会了去爱、去坚持。
学习是我们生命的重要组成部分，我们一定会保持母校的优良学风，不断地充实自己。
“阳光总在风雨后”我想所有拼搏的汗水与理想的希冀，都会化做频传的捷报，如期而至，飞到你们的案前。
我知道，那是对你们无私奉献最好的回报„„ 现在，我向高关六年级全体同学发出倡议，让我们怀着一颗感恩的心，向我们最敬爱的领导、老师们表示感谢，感谢您，六年来的谆谆教导。
同学们，让我们一起说一声：“老师，谢谢您!”
3分钟演讲稿
青春的誓言 老师，同学们： 你们好
很荣幸，今天能站在这里演讲，我演讲的题目是青春的誓言。
作为新一代的我们理想是丰满的，我们对未来充满激情，但是我们却不得不承认，现实是骨感的
因为青春不仅仅需要激情，同时也需要一颗求实进取的心
每一个人都有自己的梦想，然而梦想总是离现实相隔万里。
有些人梦想成为教书育人的人民教师，有些人梦想成为救死扶伤的白衣天使，有的人梦想成为保家卫国的人民子弟兵，有的人梦想成为人类社会发展的工程师„„不管是教师，医生、战士还是工程师，只要对国家、对社会实现了自己的价值，那么就到达了梦想的彼岸，青春也将永不褪色
青春是我们现在所拥有的最宝贵的财富，我们的生活应该充满激情
青春，充满了梦想，然而我们的生活中有着许许多多的无奈，当我们经历了越来越多的坎坷，我们是否会对未来产生一丝迷茫呢，我相信答案是肯定的
但是这并不是我们可以失败的理由啊，也绝不是我们就此沉沦的原因，青春应该充满朝气，记得奥斯特洛夫斯基的这篇著作中，有这么一段话:生活赋予我们一种巨大的和无限高贵的礼品,这就是青春:充满着力量,充满着期待,充满着求知和斗争的志向,充满着希望和信心的青春! 的确如此，青，是绿色，是生命的颜色，春，是季节，是成长的季节，青春是人生最美好的季节,青春是人生最铿锵的篇章,青春是摧枯拉朽的豪情,青春是旭日东升力量,青春的我们意气风发,青春的我们敢
关于“歌剧”的英语短篇演讲稿，求英语达人出手相助
The Chinese opera is a traditional form of stage entertainment, weaving together elements of mime, dance, song, dialogue, swordplay, and acrobatics into one fluid continuous flow. Gestures, movements and expressions incorporated within each performer's script come together to bring forth an impressive performance. In contrast to Western stage entertainment, which is subdivided into different categories such as opera, drama and sketches, Chinese opera has remained faithful to its original format over the centuries. Although sharing a common ancestry, Chinese opera boasts over 300 various distinct forms - taking their names from their places of origin. These forms are generally discernible by their use of local dialects and distinct 'melodies'. Beijing opera is considered by most to be the most refined. Also widespread are Pingju Opera, Kunqu Opera, Shaoxing Opera, Henan Opera, Sichuan Opera, Shanxi Opera, Huangmei Opera, Huagu Opera and Yangko Opera. Some Chinese ethnic minority groups have some local form of operas. ------------English Renaissance drama grew out of the established Medieval tradition of the mystery and morality plays (see Medieval English Drama). These public spectacles focused on religious subjects and were generally enacted by either choristers and monks, or a town's tradesmen (as later seen lovingly memorialized by Shakespeare's 'mechanicals' in A Midsummer Night's Dream).At the end of the fifteenth century, a new type of play appeared. These short plays and revels were performed at noble households and at court, especially at holiday times. These short entertainments, called Interludes, started the move away from the didactic nature of the earlier plays toward purely secular plays, and often added more comedy than was present in the medieval predecessors. Since most of these holiday revels were not documented and play texts have disappeared and been destroyed, the actual dating of the transition is difficult. The first extant purely secular play, Henry Medwall's Fulgens and Lucres, was performed at the household of Cardinal Morton, where the young Thomas More was serving as a page. Early Tudor interludes soon grew more elaborate, incorporating music and dance, and some, especially those by John Heywood, were heavily influenced by French farce. Not only were plays shifting emphasis from teaching to entertaining, they were also slowly changing focus from the religious towards the political. John Skelton's Magnyfycence (1515), for example, while on the face of it resembling the medieval allegory plays with its characters of Virtues and Vices, was a political satire against Cardinal Wolsey. Magnyfycence was so incendiary that Skelton had to move into the sanctuary of Westminster to escape the wrath of Wolsey. The first history plays were written in the 1530's, the most notable of which was John Bale's King Johan. While it considered matters of morality and religion, these were handled in the light of the Reformation. These plays set the precedent of presenting history in the dramatic medium and laid the foundation for what would later be elevated by Marlowe and Shakespeare into the English History Play, or Chronicle Play, in the latter part of the century. Not only was the Reformation taking hold in England, but the winds of Classical Humanism were sweeping in from the Continent. Interest grew in the classics and the plays of classical antiquity, especially in the universities. Latin texts were being Englysshed and latin poetry and plays began to be adapted into English plays. In 1553, a schoolmaster named Nicholas Udall wrote an English comedy titled Ralph Roister Doister based on the traditional Latin comedies of Plautus and Terence. The play was the first to introduce the Latin character type miles gloriosus (braggart soldier) into English plays, honed to perfection later by Shakespeare in the character of Falstaff. Around the same time at Cambridge, the comedy Gammer Gurton's Needle, possibly by William Stevens of Christ's College, was amusing the students. It paid closer attention to the structure of the Latin plays and was the first to adopt the five-act division.Writers were also developing English tragedies for the first time, influenced by Greek and Latin writers. Among the first forays into English tragedy were Richard Edwards' Damon and Pythias (1564) and John Pickering's New Interlude of Vice Containing the History of Horestes (1567). The most influential writer of classical tragedies, however, was the Roman playwright Seneca, whose works were translated into English by Jasper Heywood, son of playwright John Heywood, in 1589. Seneca's plays incorporated rhetorical speeches, blood and violence, and often ghosts; components which were to figure prominently in both Elizabethan and Jacobean drama. The first prominent English tragedy in the Senecan mould was Gorboduc (1561), written by two lawyers, Thomas Sackville and Thomas Norton, at the Inns of Court (schools of law). The play is also important as the first English play in blank verse. Blank verse, non-rhyming lines in iambic pentameter, was introduced into English literature by sonneteers Wyatt and Surrey in the 1530's. Its use in a work of dramatic literature paved the way for Marlowe's mighty line and the exquisite poetry of Shakespeare's dramatic verse. With a new ruler on the throne, Queen Elizabeth I, who enjoyed and encouraged the theatrical arts, the stage was set for the body of dramatic literature we today call Elizabethan Drama.
