新东方教育企业文化是什么
新东方愿景和使命 Our Vision and Our Mission 成为优秀的教育机构 培养成就中国的精英 推动中西文化的融合 Becoming an Outstanding Educational Organization Educating the Next Generation of Chinese Leaders Promoting Cultural Exchange between China and the World 新东方口号 Our Motto 语言就是力量
Language Is Power! 新东方校训 Our School Credo 追求卓越，挑战极限，从绝望中寻找希望，人生终将辉煌
Hew out of the mountain of despair a stone of hope and you can make your life a splendid one. 新东方精神 Our Ethos 新东方一直致力于阐扬一种朝气蓬勃、奋发向上的精神，一种从绝望中义无反顾地寻找希望的精神。
当世界上的一切都成为如烟往事，惟一能够珍藏心中的是我们在今天的奋斗中所得到的精神启示。
在将来的岁月里，我们的心灵将引导我们，使我们能够潇洒地对待生活中的成功与失败，并在成功与失败时做出更奋发的努力，取得最终的辉 The New Oriental School strives with all its energy for constant improvement. It embodies a pioneer spirit, boldly looking forward, and pushing ahead without looking back. We believe that, as everything in this ephemeral world fades into the oblivion of the past, the only thing that remains treasured in our heart is that which we earn with our hard work today. In the years to come, using our heads but guided by our hearts, learning from past failures and successes alike, we shall apply ourselves towards an ultimate brilliant success.
莎士比亚戏剧选读书笔记10篇
经典语录：1. Frailty, your name is woman!（仅剧情需要，不代表所有:脆弱啊，你的名字是女人
）2. To be or not to be，that'sa question。
（，那是个值得思考的问题。
）3. 放弃时间的人，时间也会放弃他。
4. 成功的骗子，不必再以说谎为生，因为被骗的人已经成为他的拥护者，我再说什么也是枉然。
5. 人们可支配自己的命运，若我们受制于人，那错不在命运，而在我们自己。
6 美满的爱情，使斗士紧绷的心情松弛下来。
7 太完美的爱情，伤心又伤身，身为江湖儿女，没那个闲工夫。
8 嫉妒的手足是谎言
9 上帝是公平的，掌握命运的人永远站在天平的两端，被命运掌握的人仅仅只明白上帝赐给他命运
10 一个骄傲的人，结果总是在骄傲里毁灭了自己。
11 爱是一种甜蜜的痛苦，真诚的爱情永不是一条平坦的道路的。
12 因为她生的美丽，所以被男人追求；因为她是女人，所以被男人俘获。
13 如果女性因为感情而嫉妒起来那是很可怕的。
14 不要只因一次挫败，就放弃你原来决心想达到的目的。
15 女人不具备笑傲情场的条件。
16 我承认天底下再没有比爱情的责罚更痛苦的，也没有比服侍它更快乐的事了。
17 新的火焰可以把旧的火焰扑灭，大的苦痛可以使小的苦痛减轻。
18 聪明人变成了痴愚，是一条最容易上钩的游鱼；因为他凭恃才高学广，看不见自己的狂妄。
19 愚人的蠢事算不得稀奇，聪明人的蠢事才叫人笑痛肚皮；因为他用全副的本领，证明他自己愚笨。
20 外观往往和事物的本身完全不符，世人都容易为表面的装饰所欺骗。
21 黑暗无论怎样悠长，白昼总会到来。
22 勤劳一天，可得一日安眠；勤奋一生，可永远长眠。
24 金子啊，,你是多么神奇。
你可以使老的变成少的，丑的变成美的，黑的变成白的，错的变成对的……25 目眩时更要旋转，自己的悲伤，以别人的悲伤，就能够治愈
26 爱情就像是生长在悬崖上的一朵花，想要摘就必需要有勇气。
27 全世界是一个巨大的舞台，所有红尘男女均只是演员罢了。
上场下场各有其时。
每个人一生都扮演着许多角色，从出生到死亡有七种阶段。
28 在自己还得不到幸福的时候，不要靠橱窗太近，盯着幸福出神29 人类是一件多么了不得的杰作
多么高贵的理性
多么伟大的力量
多么优美的仪表
多么文雅的举动
在行动上多么像一个天使
在智慧上多么像一个天神
宇宙的精华
万物的灵长
\\\\30 人不过一个行走的影子。
31 过于匆忙，也同迟缓一样，会导致可悲的结果32 斧头虽小，但经过多次劈砍，终能将一棵最坚硬的橡木砍倒33 行动应如想象同样伟大——以行践言，以言符行34 品行是一个人的内在，名誉是一个人的外貌35 谁要是能够把悲哀一笑置之，悲哀也会减弱它咬人的力量 正文： （一）对于来说，他的悲剧似乎比喜剧更加有名，但是对于我来说还是喜欢从高兴开始。
可以算是有史以来世界上出色的戏剧家。
就当我翻开时。
印象是打开了一部悲剧。
但好像的所有的高兴似乎是在悲剧之后才能诞生，余秋雨说过真正伟大的不是悲剧，也不是喜剧，而是那些悲喜剧，让人留着眼泪血含着笑读完。
就这点而言欧亨利似乎更像，但是他那是短篇小说，比起的戏剧要逊色许多，一开始就看到了一对夫女的争执赫蜜雅，赫蜜雅（下简称赫）一心要跟莱珊德共同捍卫自己的爱情，可他封建的父亲伊（简称）执意要让他嫁给小贵族第米特律。
对于赫对自己爱情的诠释。
父亲找到了希修斯大公，来辩解。
留给这对情侣的只有无情的雅典法律。
他说：你的父亲对于你应当是一尊神明；你的美貌是他给与的，你就像在他手中捏成的一块蜡像，他可以保全你，也可以毁灭你。
狄米特律斯是一个很好的绅士呢。
但是赫辩解道：我情愿这样开、这样谢这样自生自灭殿下，也不能把我宝贵的贞操奉献给什麼主人。
假使他的主权我的灵魂怎麼也不愿承认。
幼稚的赫就这样最好了最坏的准备。
披上尼姑的道服，终生幽闭在阴沉的庵院中，向着凄凉寂寞的明月唱着暗淡的圣歌，做一个孤寂的修道女了此一生。
可是他全然不懂如何去评价一个人的好坏。
这似乎也适应现在的格局。
好些女孩子，被一个人花言巧语几句就准本以身相许，这种冲动真的很可怕。
巧言令色鲜已仁。
我真的不明白为什么几句花眼就值得你们如此的投入，以致将一生相许，不知他们是否看到了在花言的背后那个角落里的阴笑。
当冲动平静，心情安详以后，我们可能会发现昨天的自己是多么的愚蠢，差点误了自己，真的生命属于自己，为何不多给生命一些时间去思考，少一些冲动，多一些思考，答案让你满意的。
赫就这样准备和莱，游走天下，浪迹天涯。
（二）西修斯的婚礼又要开始了，昆斯还在训练他临时组建的戏剧团，从头到尾，我觉得他们最怕的就是怕西修斯把他们吊死，似乎这一切的一切都是在了为了生存的争斗，好像莎士比亚一直在和那种封建的法律和思想做斗争。
越往下看里面感情的交织似乎越乱，暂且理一下里面的各种关系。
希修斯 夫妻关系 喜玻丽妲赫蜜雅 情人关系 莱珊德奥勃朗 夫妻关系 蒂妲尼霞奥勃朗 爱 喜玻丽妲蒂妲尼霞 爱 希修斯海伦娜 爱 第米特律第米特律 爱 赫蜜雅太复杂了，好不容易整明白了。
就当第米特律爱赫如痴如醉的时候，另一个女孩在，海伦娜也以同样的爱在对待第米特律。
但我从莎士比亚那激情而悲伤的口吻感觉到，第米特律的为人貌似很有问题。
不知道为什么，或者或这是一个通病，好像所有的女孩在都有一个很无知的冲动，也许当他们敬下心来，往往会说：被骗了。
正如我刚才想到了一句话，为什么我们不可以在爱的热火朝天的同时静一静，那么是给自己一点时间摆脱那种已经习惯的思维方式，躲到镜子的旁边，去看看那个人的背影，有时会发现一个表面如何灿烂的人，它的背后是充满了黑暗的鬼脸，这种突发事件往往会给人以吃惊，有些人不愿去接受着这正无情的打击，当我们把窗户打开，阳光总会进来，什么都不必怕，毕竟苦海无涯，回头是岸。
奥勃朗和喜玻丽妲的吵架又在耳边响起，他们的对话，响彻森林，有一个小人却在中间游走，他叫好人儿罗宾，我们可以看看整个中国历史，又太多的名士身旁暗藏着一个个小人，不管是苏轼还是王安石都未逃过，可以说小人的手牵着大师的手，而大师的手却牵着历史的手，甚至整个世界的手，只有那个小人动作过大，力量的传导，很可能导致历史从写。
而他们又往往能逃过历史的惩罚，将罪名洗刷的一干二净，恨不得找不到半点污渍，我倒要提醒一下，没有人的身上不会有半点泥土，一眼看去，那些干净的已经不能再干净的人，走进嗅嗅，他们身上一定散发着腐朽的气息，这种令人恶心的气味，无法改变，只能就加剧，这种人也很好骗那些无知的少女，一眼望去如此完美无缺，一尘不染。
且当等等，再看去。
答案就不必我说了吧。
虽然还没有看完，但仍要说感谢莎士比亚，感谢他的仲夏夜之梦能给以我生命的沉思，我想今晚一定会看完。
（三）越往后看，越感觉到莎士比亚的伟大，如果将他的这篇戏剧分成10份，敢说即使你看了其中的9段，你也猜不出最后的结果，那种剧情的曲折让人深感佩服，好像所有的戏剧都是在他的手掌上表演，他稍微动一根手指，整个剧情就会发生翻天覆地的变化，“好人儿罗宾”在他的主人奥勃朗的指示下，将一种仙液（滴在谁的眼睛上，当他睁开眼睛时，看到谁，就会不惜一切的爱上谁）滴到了蒂妲尼霞和莱珊德的眼睛上，结果莱珊德睁眼看到了海伦娜，蒂妲尼霞睁眼看到了正在为西修斯大公排练戏剧的线团儿，这下关系更乱了，“好人儿罗宾”误解了奥博朗的意思，这样一来有情的变无情，薄情的仍然薄情。
后来罗宾又将仙水涂到了迪米特率的眼上，可惜他一睁眼也看到了海伦娜，这下剧情完全颠倒，开始时是两个人是情敌，都在追赫蜜雅，可这下以来仍是情敌，可是在追海伦娜。
而可恶的罗宾却藏到了一旁，看这个他亲手制造，天下最荒唐的喜剧。
这下所有的人都乱了，赫蜜雅想不明白，而海伦娜更弄不明白，以为是他们在一起合伙，开她的玩笑，我也有些疑问
这还是喜剧马
不知道失乱的让人高兴还是，还是什么，但至少，这种感情的移花接木让人有辛酸，盗用下西厢记的那句话：“愿天下有情人，终成眷属。
”这只是一个愿望罢了。
“好人儿罗宾”的错误，总是弄得天下大乱，自己却与中间进退自若，毫不作怪，还好它的主人算是心底善良，用计谋，分开了第米特律和莱珊德之间的争斗，然后又将仙液滴到了他们的眼睛上，有些害怕想，如果哪天人类的感情，也可以这样的被一个事物和一个人，玩弄于股掌之间，那就太可怕了，感情问题一直是每个人的主观问题，这要是再能被不知不觉地控制，那人类和高等机器人又有什么区别，还好这些事情的发生也只是在莎士比亚的笔下，只是我们的一种假象。
最后莎士比亚还是缔造了这世上最美的三件婚事——希修斯 夫妻关系 喜玻丽妲赫蜜雅 夫妻关系 莱珊德奥勃朗 夫妻关系 蒂妲尼霞海伦娜 夫妻关系 第米特律（四）这几天以开始看。
理应在这里做个收尾。
莎士比亚真的是一座文化上的高峰。
而且是戏剧史上不可逾越的一座高峰，他对剧情的控制可以说了然于心，看完这部剧曾说过：“半本喜剧谓之悲剧”这样令人匪夷所思的话。
真的当你看到一半的时候完全可以说这是一部不折不扣的悲剧，几对情人被无情的拆开，在的错误下被无情的重新组合，而对于他们就好像一场无尽头的梦，当他们每个人醒来，什么都不知道，只以为自己睡了一觉，摸摸眼角确是湿的。
喜与悲我总是在想他们是否可以比喻成一个物质，思来想起总认为我们可以将喜剧比作这世界上最高的山峰，可以将悲剧比喻成这世界上最深的海沟马里亚纳海沟如果从平地算起到珠峰的峰顶也只有8844。
试想如果从最深的海沟前往最高的山峰，这段世界中19844。
在心中产生的震撼要绝对大于8844，和欲扬先抑，欲褒先贬大概同出一辙。
正如从大悲到大喜是那种无与伦比的兴奋，我想这也是莎士比亚的伟大。
感谢的他喜剧带给人淡淡的一笑，虽然曾经哭过。
有巨人的力量固然好，但像巨人那样滥用力量就是一种残暴行为。
——I’ll pray athousand prayers for thy death but no word to save thee. (Measure for Measure3.1) 我要千遍祷告让你死，也不祈求一字救你命。
——O, what may man within him hide, though angel on the outward side!(Measure for Measure 3.2) 唉
一个人外表可以装得像天使，但却可能把自己掩藏在内心深处
——Beauty, wit, high birth, vigour of bone, desert in service, love,friendship, charity, are subjects all to envious and calumniating time.(Troilus and Cressida 3.3) 美貌、智慧、门第、臂力，事业、爱情、友谊和仁慈，都必须听命于妒忌而无情的时间。
——You gods divine! Make Cressida’s name the very crown of falsehood, if ever she leave Troilus.(Troilus and Cressida 4.2) 神明啊
要是有一天克瑞西达背叛特罗里斯，那么就让她的名字永远被人唾骂吧
——Beauty! Where is thy faith? (Troilus and Cressida 5.2) 美貌
你的真诚在何方
——Take but degree away, untune that string, and, hark, what discord follows!(Troilus and Cressida 1.3) 没有了纪律，就像琴弦绷断，听吧
刺耳的噪音随之而来
——《特洛伊罗斯与克瑞西达》要一个骄傲的人看清他自己的嘴脸，只有用别人的骄傲给他做镜子；倘若向他卑躬屈膝，不过添长了他的气焰，徒然自取其辱。
——《特洛伊罗斯与克瑞西达》O, she dothe teach the torches to burn bright! (Romeo and Juliet1.5) 啊
火炬不及她那么明亮。
—— My only love sprung from myonly hate ! (Romeo and Juliet 1.5) 我唯一的爱来自我唯一的恨。
——What’s in a name?That which we call a rose by any other word would smell as sweet. (Romeo andJuliet 2.2) 名字中有什么呢
把玫瑰叫成别的名字，它还是一样的芬芳。
——名称有什么关系呢
玫瑰不叫玫瑰，依然芳香如故。
Young men’s love then lies not truly in their hearts, but in their eyes.(Romeo and Juliet 2.3) 年轻人的爱不是发自内心，而是全靠眼睛。
——《罗密欧与朱丽叶》It is the east, and Juliet is the sun. (Romeo and Juliet 2.2) 那是东方，而朱丽叶就是太阳。
——《罗密欧与朱丽叶》A little more than kin, and less than kind. (Hamlet 1.2) 超乎寻常的亲族，漠不相关的路人。
—— Frailty, thy name is woman! (Hamlet 1.2) 脆弱啊，你的名字是女人
——This above all: to thine self be true. (Hamlet 1.3) 最重要的是，你必须对自己忠实。
——《哈姆雷特》The time is out of joint –O, cursed spite, that ever I was born to set it right! (Hamlet1.5) 这是一个礼崩乐坏的时代，唉
倒霉的我却要负起重整乾坤的责任。
——《哈姆雷特》Brevity is the soul of wit. (Hamlet 2.2) 简洁是智慧的灵魂，冗长是肤浅的藻饰。
\\\/言贵简洁。
——《哈姆雷特》There are more things in heaven and earth, Horatio, than are dreamtof in your philosophy. (Hamlet 1.5) 天地之间有许多事情，是你的睿智所无法想象的。
——《哈姆雷特》\\\/在这天地间有许多事情是人类哲学所不能解释的。
There is nothing either good or bad, but thinking makes it so.(Hamlet 2.2) 世上之事物本无善恶之分，思想使然。
——《哈姆雷特》\\\/没有什么事是好的或坏的，但思想却使其中有所不同。
To be or not to be: that is a question. (Hamlet 3.1) ，这是个值得考虑的问题。
——《哈姆雷特》There’s a specialprovidence in the fall of a sparrow. (Hamlet 5.2) 一只麻雀的生死都是命运预先注定的。
——《哈姆雷特》The rest is silence. (Hamlet 5.2) 余下的只有沉默。
——《哈姆雷特》Keep up your bright swords, for the dew will rust them. (Othello1.2) 收起你们明晃晃的剑，它们沾了露水会生锈的。
——《奥赛罗》O, beware, my lord, of jealousy; it is the green-eyed monster whichdoth mock the meat it feeds on. (Othello 3.3) 主帅啊，当心你会嫉妒，那可是一只绿眼的妖魔，它惯于耍弄爪下的猎物。
——《奥赛罗》Good name in man and woman, dear my lord, is the immediate jewel oftheir souls: Who steals my purse steals trash; tis something, nothing. (Othello3.3) 无论男人女人，名誉是他们灵魂中最贴心的珍宝，如果有人偷走了我的钱袋，他不过偷走了一些废物，那不过是些毫无价值的东西罢了。
——《奥赛罗》O, curse of marriage, that we can call these delicate creaturesours, and not their appetites! (Othello 3.3) 啊
婚姻的烦恼
我们可以把这些可爱的人儿据为己有，却无法掌控她们的各种欲望。
——《奥赛罗》We cannot all be masters, nor all masters cannot be truly followed.(Othello 1.3) 不是每个人都能做主人，也不是每个主人都能值得仆人忠心的服侍。
——《奥赛罗》Nothing will come of nothing. (King Lear 1.1) 一无所有只能换来一无所有。
——《李尔王》Love’s not lovewhen it is mingled with regards that stands aloof from th’entire point. (King Lear 1.1) 爱情里面要是搀杂了和它本身无关的算计，那就不是真的爱情。
——《李尔王》How sharper than a serpent's tooth is to have a thankless child.(King Lear 1.4) 逆子无情甚于蛇蝎。
我没有路，所以不需要眼睛；当我能够看见的时候，我也会失足颠仆，我们往往因为有所自恃而失之于大意，反不如缺陷却能对我们有益。
Blow, winds, and crack cheeks! Rage! Blow! (King Lear 3.2) 吹吧
风啊
吹破你的脸颊，猛烈地吹吧
——《李尔王》‘Tis this times’plague, when madmen lead the blind.(King Lear 4.1) 疯子带瞎子走路，这就是这个时代的病态。
——《李尔王》Why should a dog, a horse, a rat, have life, and thou no breath atall? (King Lear 5.3) 为什么一条狗，一匹马，一只耗子都有生命，而你却没有一丝的呼吸。
——《李尔王》Fair is foul, and foul is fair. (Macbeth 1.1) 美即是丑，丑即是美。
——《麦克白》I fear thy nature; it is too full o’the milk of human kindness. (Macbeth) 我为你的天性担忧，它充满了太多的人情乳臭。
——《麦克白》Whats done cannot be undone. (Macbeth 5.1) 做过的事情不能逆转。
——《麦克白》覆水难收。
Out, out, brief candle, life is but a walking shadow. (Macbeth) 熄灭吧，熄灭吧，瞬间的灯火。
人生只不过是行走着的影子。
——《麦克白》黑暗无论怎样悠长，白昼总会到来。
——《麦克白》世界上还没有一个方法，可以从一个人的脸上探察他的居心。
——《麦克白》Cowards die many times before their deaths; the valiant never tasteof death but once. Julius Caesar 2.2）懦夫在未死以前就已经死了好多次；勇士一生只死一次，在一切怪事中，人们的贪生怕死就是一件最奇怪的事情。
——《凯撒大帝》\\\/《英雄叛国记》行为胜于雄辩，愚人的眼睛是比他们的耳朵聪明得多的。
——《凯撒大帝》\\\/《英雄叛国记》Men’s judgmentsare a parcel of their fortunes; and things outward do draw the inward qualityafter them, to suffer all alike. (Antonyand Cleopatra 3.13) 智慧是命运的一部分，一个人所遭遇的外界环境是会影响他的头脑的。
——《安东尼和克里奥帕特拉》Do not , for one repulse , give up the purpose that you resolved toeffect . 不要只因一次失败，就放弃你原来决心想达到的目的。
英语作文：关于网络学习的感受
Last week I attended an on-line class recommended by my friends and as follows, I'd like to share how I feel. First of all, it makes it convenient to attend lectures given by first-class teachers. Secondly, with the help of visual aids and advanced teaching equipment alike, we are able to learn with a higher efficiency. However, it is a pity that we cannot consult the teachers face to face. Provided on-line communication forum, I believe this kind of teaching will be more effective.
鲁滨孙漂流记内容简介100字英文版
1Stop me if you’ve heard this one before: A lion and his friends rule the zoo at night, after all the people have gone home. When one of their own ends up missing, the animals escape from the zoo, travel around the urban jungle, and then wind up on a jungle island where they have to adapt to the… Heard it before? Yet despite its extreme similarities to Madagascar, Walt Disney Studios’ The Wild is a very different picture. Sure the storyline may be very close, at least until the animals get on the island (which, granted, is the bulk of the film) but Disney takes a far different approach to the story that Dreamworks released last year. The most obvious difference is the visual approach to the movie. While Madagascar went with a heavily stylized, cartoonish feel, Disney takes a more realistic approach to its film. The result is stunning at times, with lush jungles and furry animals that look almost lifelike. The CGI animation is quite impressive most of the time, with one downfall. Because the animals are made to look so real, they lose some of their expressiveness. The extremely talented vocal abilities of the cast make up for the lost visual, but it is still a loss for the movie. The second difference is that this is not a buddy picture like its predecessor. The story here centers around a father and son set of lions who can’t seem to communicate properly, leading to the son running off in an attempt to discover his inner roar by traveling to “the wild.” This element takes the story in a very usual Disney direction, focusing on a character (or characters) who are trying to find their place in the world. Because of that, the movie carries elements of Disney’s biggest animated hit, The Lion King. Some people will tell you Disney’s just ripping off as many pictures as they can with this film, but I think the nods to The Lion King are strong points for this film, and an element that really separates it from Madagascar. The film goes in an interesting direction for the cast, handing roles over to very non-Disney style actors like Kiefer Sutherland, Janeane Garofalo, and most notably, Eddie Izzard. The actors do a marvelous job of bringing very strong characters to life. I had great concerns from the trailers that the movie would try to set Izzard’s koala character up to be that annoying breakout character for the film. The truth is the film sets all of the characters up that way. There isn’t a character here that doesn’t serve a purpose for the story and really get a chance to shine, with unique personalities and performances for all. Besides, where else are you going to get a film with Izzard and William Shatner? Disney’s The Wild is a fun movie with fun characters, entertaining visuals, and a Disney style-story that most people will be able to relate to. So what if it bears a striking similarity to another picture released in the last year? That shouldn’t keep you from enjoying it, possibly even more than the other film.2Movie studios are notorious for pushing uninspired remakes, movies which borrow heavily from successful films, and sequels made for the sole purpose of turning a quick profit onto unsuspecting audiences. But with The Wild, the filmmakers have just pushed things too far. There’s nothing original here. Hardly a single character, scene or storyline in this unappealing and surprisingly lifeless animated movie is something we haven't seen done before - and done better. The Wild is more of the same old thing, wrapped in a just barely whisper-thin disguise.I don’t know who had the idea first – the filmmakers behind Madagascar or The Wild. Frankly I don’t care and neither should audiences. What does matter is that The Wild feels like a warmed over version of Madagascar and that film is recent enough (it was released in May 2005) that it’s still relatively fresh in our minds. Audiences will immediately notice the striking similarities between the two family films and justifiably feel as though they're watching an alternate cut of Madagascar rather than a film that stands on its own.A scene from the animated animal movie, The Wild.© Walt Disney PicturesBoth films feature New York Zoo animals. Both movies have a lion and a giraffe in prominent roles. Madagascar and The Wild also have rebellious penguins and zoo occupants who party once the people leave. The heroes of both films break out of their zoo enclosures and make their way through the streets of New York, although only in The Wild is the Times Square sequence so jarringly full of product placement. The main characters in both films ultimately wind up on a boat the animals commandeer in order to get to the wild. The similarities don’t end once the characters crash into land. In both movies, the New York Zoo creatures are met by dancing animals led by a bizarre ruler. Madagascar and The Wild even try and teach the same basic lessons.As for the voice cast, I admire Kiefer Sutherland (and I’m addicted to 24) but there’s not enough warmth in his voice as Samson, the father lion forced to travel to the wild to retrieve his young son. Sutherland’s vocal performance is basically a one note affair. He never connects emotionally and that's absolutely mandatory when bringing an animated character to life.Sutherland’s not the only member of the voice cast who fails to make much of an impression. Eddie Izzard is a wise-cracking Koala who generates the film’s few laughs. Izzard pushes the comedy toward a PG rating but apparently wasn't allowed to take the final step. Jim Belushi was just okay as a squirrel in love with a giraffe. And speaking of the giraffe, I had no idea she was voiced by Janeane Garofalo until I read through the credits after watching the movie. Is that a good thing? Not in this case. Garofalo’s biting wit wasn’t included in the character’s personality. Had it been, The Wild may have wound up a little edgier and not the total snorefest it turned out to be.To sum it up, The Wild is pointless. There are only a couple of good chuckles, the animation is beautiful yet detached, and the plot is Madagascar all over again with a little Finding Nemo sprinkled in for good measure. Even if Madagascar didn't exist, The Wild wouldn't be worth the price of a ticket. It’s a movie that, if it absolutely had to be made, should have gone straight to DVD. Rent almost any other recent animated movie, make your own popcorn, and save yourself some money.3Antz” and “A Bug’s Life.” “Deep Impact” and “Armageddon.” It’s been a while since major Hollywood studios have come out with competing films that were alike in concept. Now renewing the feud, Disney releases “The Wild,” a picture so similar to Dreamworks’ “Madagascar” that it’s shocking there hasn’t been a major lawsuit involved. Like “Madagascar,” “The Wild” begins in New York’s Central Park Zoo. Lion cub Ryan (Greg Cipes), born in the zoo, lives in the shadow of his wild-born father Samson (Kiefer Sutherland). Unable to roar ferociously, Ryan runs away and finds himself inadvertently loaded on a shipment heading to Africa. Feeling responsible, Samson sets out to find his son and bring him home, but not without the help of some oddball friends, including a giraffe, a koala, a snake and a squirrel.Like most animated features, “The Wild” features some impressive voice talent. Along with Kiefer “Jack Bauer” Sutherland, other actors lending their voices to characters include Janeane Garafalo as Britney the Giraffe, a surprisingly funny James Belushi as Benny the Squirrel, and William Shatner as the evil Wildebeest Kazar. All put in good performances, but Eddie Izzard stands out as the hilarious Koala Nigel, who is inexplicably English and not Australian.The similarities to “Madagascar” are too abundant to mention, but there are some differences. For one thing, the story has a little more heart. The father\\\/son bonding story in “The Wild” is more akin to “Finding Nemo,” another Disney picture, but made by Pixar. Also, the romantic subplot between odd couple Bridget the Giraffe and Benny the Squirrel is quite humorous.Although not a Pixar creation, “The Wild” is beautifully animated; especially in its darker moments. The effects are almost too perfect, however. The characters in the film are so lifelike that sometimes their visages lack the ability to convey a suitable amount of emotion, which ultimately hurts one’s ability to properly relate to them. But some of the effects are quite affective, specifically those of the opening dream sequence of the film, which are some of the most inspired in quite a while. “The Wild” is a slight improvement over “Madagascar” (if only because the characters are a little less annoying), but the film still falls short of being anything other than box office filler. Although the idea of having the prey become predator (wildebeest hunting lions) is an interesting one, the basic story and characters are nothing new, and the action of the film is actually a little tedious. Kids may enjoy this as a DVD rental, however.4The Wild, the latest feature cartoon from the Walt Disney Studio, starts out with a few strikes against it, including a story suspiciously similar to last year's not-so-hot Madagascar. But The Wild, as it turns out, is better than its zoo-escape rival. It has a good director, snazzy visuals and some really funny animals, and that's at least half the battle.Directed by visual effects specialist Steve Spaz Williams, Wild is about a group of New York City zoo chums who wind up in the jungles together and find that living there, while sometimes a blast, can be hazardous to their health. For them, a world full of predatory beasts isn't necessarily preferable to a city full of Yankees fans and occasional muggers.If that story sounds a lot like Madagascar, it may be because there aren't that many ideas circulating around Hollywood these days. In any case, The Wild sends its zoo crew, headed by star lion Samson (Kiefer Sutherland), back to the jungle and presents them with an unnerving foe-- a gang of over reaching wildebeests, prodded by their bullying leader Kazar (William Shatner), who wants them all to rise up on the food chain.Madagascar, with its similar setup, wasn't a very good movie. If you enjoyed it, it was probably because you dug the all-star vocal cast (Chris Rock as the zebra, Ben Stiller as the lion, David Schwimmer as the giraffe and Jada Pinkett Smith as the sensuous hippo) and the bows to the great minimalist style of Looney Tunes maestros Chuck Jones and Friz Freleng.The Wild is better, mostly because it has some truly spectacular animation and because the cast is just as likable--even, in some cases, preferable.Sutherland's Samson, whom I like as a lion better than Stiller as Alex, is the zoo's big sports star (in a weird sport called turtle-curling, involving actual turtles) and also the overly boastful dad of teenage cub Ryan (Greg Cipes of Deadwood), who has been beguiled by Dad's tales of the old veld battles and wants to see for himself. So he does, after getting wrongly boxed up for shipment, with his would-be rescuers Samson and his buddies chasing through New York, its alligator-infested sewer system and eventually across the ocean.If Sutherland's lion edges Stiller's (on leonine sincerity alone), I'd say Janeane Garofalo also easily wins the giraffe sweepstakes over Schwimmer's sad-sack Melman. As the sexy and resourceful Bridget, the unlikely love object of a fast-talking, bossy little squirrel named Benny (Jim Belushi), she's a giraffe you'd like to spend time with. There's also a friendly but dopey 21-foot anaconda named Larry (Richard Kind). And the film's funniest character is Nigel the sarcastic, shaggily British koala voiced--and apparently largely improvised--by Eddie Izzard.Because Izzard made so much of his stuff up, Nigel has a living, breathing quality, coming across as a mixture of some dithering old British character actor and the acerbic Simon Cowell of American Idol. When Nigel gets adopted as a deity, in a scene reminiscent of Sid's ascension in Ice Age: The Meltdown, it's a top-of-the-world-Ma moment, especially played alongside the megalomaniac Kazar (a very ingeniously cast Shatner, whose villainy is as overstated as his heroism).There are a lot of wisecracks in The Wild, but the script is less vital than the visual virtuosity. Celebrated for his smashing computer effects in The Abyss (the water funnel) and The Mask (that wolf-whistle), Williams here creates backdrops so dense, you can all but feel them pressing in--filled with characters so detailed they look as three-dimensional as the dolls and toys that we know will eventually be made from them. Especially impressive: the 6 million separate hairs computer animators claim to have put into Samson's wavy mane and coat.
大学英语语法如何提升
语法是对语言的规则的，有人说学了语言后自会语法有人说，先法再学语言。
在中国，由于国情的限制，语法涉及到了考试与升学，这是必须学习的。
从你的问题来看，说明英语语法给你带来了不少的麻烦。
寻求一劳永逸的捷径是不可取的，毕竟过目不忘的人还是少数中的 少数。
学习英语的语法，起码本族语言的语法要弄明白，知道两者区别在哪里，通过相同点，和不同点，来分别掌握，重要在于领会、运用，而不是记忆。
当然，单纯学语法是学不好语法的。
必须眼观六路，耳听八方。
1.单词：没有单词，不懂单词的用法，语法只能是无源之水，无本之木。
2.听力：正确的发音很重要，从单词发音开始，反复听一盒磁带，一定要听得烂熟于心，否则，你听不懂，说不好，有语法也白搭。
3.百科知识：在阅读，写作中，我们会发现只有词汇和语法，没有百科知识，是读不快，写不好的。
一般说来，床头应有三个代表：一本词汇表，我推荐星火词汇，星火词汇有很多优点，有图画，辨析，真题，最重要的是：错误最少，现在有很多词汇表，吹得不得了，但竟然有许多错误。
一本开卷有趣，开卷有益的迷你阅读书。
没有大量的闲书阅读，是绝对学不好语言的，英语如此，汉语也是如此。
阅读我推荐外研社的“书虫”品牌。
学语法有门道，“短期强化、反复实践”。
利用寒假或暑假，通读一本语法，获得整体轮廓，再在平时阅读或写作中，反复查阅，做到熟能生巧。
我个人的做法是拿到一篇短文，首先读一遍，会意；再读一遍，挑长句难句，进行语法分析，久而久之，语法规则烂熟于心，就会获得所谓的语感。
工欲利其事，必先利其器。
要学好语法，必须要有一本与时俱进的语法书。
语法书一定要有趣，否则不能持久。
我推荐东华大学出版社的《中级英语语法》，当当有售。
该书（可能）是迄今为止最有趣的英语语法书，比薄冰、张道真有趣得多，可以维持你学习的兴趣。
作者说，举凡幽默、笑话、名言、谚语、诗歌、谜语、广告、台词、遗言、奇闻、逸事、妙译、修辞……，只要足够有趣，则毫不手软，一网打尽
所有例句都配有精彩译文，有的甚至比原文还精彩。
总之，作者衷心希望读者打开本书，觉得引人入胜；合上本书，觉得获益良多。
具体而言特点有三—— 精选的例句：I like your hairs—all three of them. 我喜欢你的头发——三根都喜欢。
P. 2Of your picture only my eyes could be the frames. P. 8惟有我的双目才是收藏你玉照的最佳镜框。
He said: This coffee isn’t fit for a pig!She said: No problem, I’ll get you some that is. P. 40他说：这样的咖啡猪也不能喝
她说：没问题，我会给你弄些猪能喝的。
All happy families are alike, but each unhappy family is unhappy in its own way. (Tolstoy) P. 41幸福的家庭都是相似的，不幸的家庭却各有各的不幸。
托尔斯泰Behind every famous man is a woman, who says there is a woman behind every famous man. P. 259每个成功男人的背后都有一个女人说：每个成功男人的背后都有一个女人。
精彩的注释：One man, no man. 个人是渺小的。
（翻译成“一个人，不算\\\/是人”是不可取的，可笑的）The early bird catches the worm, but the second mouse gets the cheese. P. 25早起的鸟儿逮到虫子，但第二只老鼠得到奶酪。
(友情提示：第一只老鼠被夹住了，第二只老鼠捡了个大便宜。
正所谓懒人有懒福
来得早不如来得巧
)The monuments of noble men are their virtues. Euripides P. 27高尚者的美德是高尚者的纪念碑。
（参照中国诗人北岛的诗句：高尚是高尚者的墓志铭，卑鄙是卑鄙者的通行证。
）精妙的翻译：Homer sometimes nods. (English Proverb) P. 3荷马也有打盹的时候。
\\\/智者千虑，必有一失。
\\\/孔明大意失荆州。
英国谚语It’s very beautiful over there. T. Edison (last words) P. 46风景那边独好。
托马斯•爱迪生（遗言）A diamond is forever. P. 68钻石恒久远，一颗永流传。
《雾都孤儿》经典语句，要英文，带翻译
疯狂英语，，，，，，，，勤奋，无捷径。
努力吧。
