武汉导游词
武汉导篇一汉地接导游词欢迎大家来到美丽的武观游览。
感受到武汉火一样的热情没
大家肯定听过：大武汉、江城武汉、火炉武汉、武汉三镇这些说法，大家肯定知道知音的故事，黄鹤楼的故事，大家肯定也听过“天上九头鸟，地上湖北佬”这句是地球人都知道的话，今天我就从这些大家听过的说法入手给大家讲讲武汉，讲讲武汉人。
说到武汉人们通常在前面会加一个大字，称大武汉。
武汉如何大我这么给大家说吧，大家看车窗外，有湖北产的富康的士车，用这种车以每小时50公里的时速从武汉的最南边跑到最北边要3个小时，从最东边跑到最西边要两个半小时，而且不算堵车和红绿灯消费的时间。
由此可以看出武汉确实大，准确点说，武汉东西最大横距134公里，南北最大纵距155公里，面积为8467平方公里。
在这个范围内分布的有12个区，这是大武汉的第一个大，面积大。
刚才我说到横穿武汉不算堵车的时间，要二个半小时，武汉人听了肯定会笑，因为不堵车在武汉人眼里本身就是一个笑话，在这里不是堵不堵而是堵多久。
这就涉及到武汉的第二大，人口基数大，武汉市现有人口831万，是华中最大的城市，也是湖北省的省会。
武汉又被称为江城，长江边多的是城市但号称江城的仅有武汉，武汉的这个雅称并不是仅仅因为它处在长江边面而得名。
唐朝大诗人李白，一生留下了很多千古传诵的诗篇，但在仕途上却历经坎坷，安史之乱时他在李林的帐下做食客，后受李林的牵连，在五十九岁时被流放到夜郎
求一篇关于武汉滨江滨湖特色的导游词。
谢谢大家了
武汉是中国古代繁华的商埠，近代民主革命的中心，保存着十分丰富的历史文化遗产，形成了独特的方言“汉腔”。
武汉又是一座历史悠久而又富有光荣革命传统的城市，历史文化积淀深厚，1986年被国务院列为国家历史文化名城。
位于武汉市北郊的商代盘龙城遗址，可以证明武汉城市发展的历史大约有3500年。
经古代文明孕育，至东汉末年时，龟山、蛇山筑有军事城堡，奠定了汉阳、武昌城市的基础。
至明成化年间，汉口镇开始形成，遂完成三镇鼎立格局，并以其优越的地理条件和独特的经济地位蜚声国内外。
又经近代风云激荡，武汉数度成为全国政治、军事、文化中心，在中国革命史上写下了光辉灿烂的篇章。
江城胜景、楚风汉韵，源远流长；山水风光、人文景观，美不胜收。
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我需要一份关于解说“归元寺”的导游词
中英文如下： 归元寺英文导游词 Guiyuan Temple Chinese Buddhist temples are never single buildings. They always consist of a group buildings following a fundamental patter, which can, however, be modified. The main buildings and their symmetrically corresponding secondary buildings form individual groups and courtyards. The entire temple complex is spacious. The building inside the complex are usually single-storied and the main halls are sometimes decorated with a double roof. The towers, pavilions and halls can be multi-storied structures. The Chinese temple complex has been subject to great structural changes throughout the centuries. But temple architects follow the basic principles of secular structures from the Tang Dynasty onwards. The complexes stand on a central axis, usually a north-south axis: east-west only as an exception. (Guiyuan Temple is just the very exception.) The main buildings are strung along this central axis, their broadest sides facing south or east. The most important and most frequently presented building inside a Buddhist temple complex are the main entrance gate, the bell and drum towers, the Hall of the Heavenly Kings, the Hall of the Buddha and a pagoda. Buddhism is said to be founded in India in the 6th century BC by Siddatha Gautama (BC565 –BC486), the son of a nobleman and member of the Kshatriya caste near the present borders of India and Nepal. Buddhism advocates that all the people are created equal and turns against the caste system of Brahmanism, so it was popular with the common people. It was said that Buddhism was spread to China in 2 BC. At the beginning, it was only regarded as a kind of witch. About 200 AD, Chinese version of Buddhist s criptures began to appear, and thus, Buddhist doctrines began to emerge with traditional Chinese religious thought. From 2nd century to late 6th century, translation and research of Buddhist sects with Chinese characteristics were becoming more and more popular and many temples were built, which reached its peak in Sui Dynasty (581AD-617AD) and Tang Dynasty (618-907). Some Buddhist sects with Chinese characteristics came into being. Buddhism exerts a great influence on Chinese philosophy, literature, art and folk customs. What is presented before our eyes is a copper statue of a famous bodhisattva in Hynayana Buddhism. Bodhisattva is a tittle which is only next to Buddha. This statue is the image of Avalokitesvara, which has been popular with Chinese people or more than 1,000 years. She is called the Goddess of Mercy cordially by Chinese and is regarded as the symbol of kindness, mercy and benevolence. When we visit the Avalokitesvara Pavilion after a while, I will give a detailed introduction about her. This copper statue was sent to Guiyuan Temple by Taiwan Buddhists in September 1990. It shows that all Chinese, whether in the mainland or in Taiwan, are eager for the reunion of the country, even including religion believers. The building we see now is the Buddha Hall where one certain Buddha and his two assistant bodhisattvases are worshiped. This Buddha is Amitabha Buddha. Amitabha means incomparable brightness. According to Buddhism, time and space is limitless and thus there are many many Buddhas in different spaces and times. But in a certain space or in a certain period of time, there is only one certain Buddha who is in charge of instructing all living creatures. Amitabha Buddha is the Buddha who presides over the Land of Ultimate Bliss in the west, which will come in the future. Buddhist s criptures describe the Land of Ultimate Bliss as a wonderland, in which no pain exists and the people enjoy their lives. In one word, it’s very attractive. Some people will think it must be very difficult to enter such a world. How can I go to such a paradise? Maybe I have to work hard and bear a lot of sufferings. In fact, it’s very easy to enter the world. He only need often murmur ‘May Buddha preserve us’ sincerely. It’s enough. You see, the statue in the middle is the very Buddha. On his left is the Goddess of Mercy. On his right is the other bodhisattva who follows the Buddha. It is said that he can save all the living creatures from three kinds of terrible disasters. Now, let’s step into the Buddhist s criptures Pavilion where the s criptures of Buddhism are kept. But I ‘m afraid what attracts our attention at the first sight must be this snow-white statue. It is a statue of Sakyamuni, the founder of Buddhism. This statue was carved out of a big piece of jade which is 2-meter-tall and weighs 3 tons. It was carved by Myanmar handicraftsmen and donated to the temple by the Rangoon Buddhists in 1935. If we watch the statue, we may sense that the peaceful expression on the Buddha’s face has brought us to a quiet and harmonious state. The last building we will visit is the Avalokitesvara Pavilion in the north yard. When we entered the yard just now we saw a statue of her. Now I’d like to introduce her carefully. As a goddess, she swore that she would not become a Buddha until all the living creatures suffering from pains were saved. So she became a bodhisattva who is most popular among the people and attracts the most believers of all the gods and goddesses in Buddhism. It was said that one would be saved from trouble and disaster as long as he (she) chanted her name and if it was heard by her. Thus she is called Guanshiyin, which means ‘hearing or looking on the voices of the suffering’. Because of her kind heart and benevolence she got another title ‘the Goddess of Mercy’. According to Buddhism, bodhisattvases have no distinction of sex, that is, they are neither male nor female, because they are immortals. But it’s very strange and interesting that most of bodhisattvases were engraved or carved in the images of various kinds of men in human society. Changes didn’t take place until an emperor’s mother thought it was inconvenient to worship a male bodhisattva in her bedroom. From then on, Guanshiyin, the bodhisattvas began to appear before her believers in the image of a beautiful and elegant lady. We’ll pay a visit to a very serious, sacred place. Generally, the place is regarded as the most holy by Buddhists. It is the Grand Hall, where the founder of Buddhism, Sakyamuni is worshiped. It is always the center of a Buddhist temple in construction and in Buddhists’ mind. The statue in the middle is Sakyamuni. According to Buddhism his mother gave birth to him in a garden. He belonged to Kshatreya Caste. He married his cousin when he was 16 or 17 years old. At the age of 29, he was confronted with the sights of an old man, a sick man, a corpse, and a wandering ascetic. With eyes opened to aspects of life newly revealed to him, he broke from the material world and became an ascetic. Six years later, he gave up mystic concentration that at last brought him enlightenment under a bo tree. He then founded an order of mendicants and spent his next 45 years preaching his ideas until his death. These two statue beside the Buddha are his two disciples. The one on the right was said to be Sakyamuni’s cousin and he had good memory so that he could remember all the Buddha told his disciples. The one on the left was said to be the lord of Brahmnism and he once was Sakyamuni’s tutor. But afterwards he was convinced by Buddhism after long-term debate between Buddhism and other religions and he accepted Sakyamuni as his tutor. Thus he became the eldest one of all Sakyamuni’s disciples. Next, we’ll pay a visit to the Ahrat Hall in the south court. The Ahrat Hall is an important structure in a Buddhist temple. But not all temples have an Ahrat Hall, especially, well-kept Ahrat Halls are very rare in China. This one is among them, and what’s more, it has its own unique characteristics. Generally, an Ahrat Hall is a square building. The building is subdivided into four small square courts so that the hall can get enough sunlight. This kind of structure show some lucky implies in Chinese Buddhist culture. Another characteristic about the hall lies in these sculptures themselves. They were neither made up of wood, nor stone, nor clay. A special way was taken in making them, which could prevents them from being burned, being soaked or being eaten by insects. All the sculptures were floating in water while Wuhan was flooded in 1954, but, surprisingly, they were sound and safe after the flood had receded. It was really a wonder. Ahrats are the immortals in Buddhism. But when you have a look around the sculptures, you may find from the expressions on their faces that they are so familiar to you. That’s only because they were molded on the basis of the people in the reality, so they are human beings in our daily life rather than immortals. Ahrats are the symbols of harmony, happiness, and good luck, so the Wuhan natives have got used to counting ahrats since ancient time to pray for peace. There are a few ways of counting ahrats. We can count from the first ahrat from left to right or from right to left, when we just enter the hall. We can also choose any ahrat as our starting point, and count in the same way, left to right or right to left. We should base counting on our own ages whatever we take. For example, I’m 25, so I should stop in front of the 25th ahrat from the starting ahrat. The sculpture in front of which I stop is my lucky ahrat. My lucky ahrat will accompany me to spend a peaceful and lucky year. Wouldn’t you like to have a try now? If you need, I can explain connotation of some ahrats. That’s all for the explanation to Guiyuan Temple. Thank you for your cooperation and understanding. You will have another 30 minutes to have a look around the temple. If you have any problems, do let me know. I would like to repeat our bus number, A3074. Please don’t forget. See you later. 各位游客朋友们： 我代表我们××旅行社欢迎大家的到来。
我姓张，大家就叫我小张好了
就好像人们常说的那样，相逢就是缘分。
能和大家相逢在美丽的江城武汉并和大家一起度过这段美好的时光，我感到非常荣幸。
这位是我们的司机倪师傅，驾驶经验非常丰富，所以各位在旅游途中可以放心地欣赏窗外武汉的美景。
今天就由我们两个为大家服务，大家有什么问题可以尽管提出来，我们将尽力为您解决。
希望能用我们的热心、耐心和细心换来你的放心、开心。
归元寺 归元寺位于武汉市内，是清顺治十五年(1658)浙江僧人白光、主峰来此创建的。
1983年被国务院确定为汉地全国重点佛教寺院。
现为湖北省佛教协会和武汉市佛教协会的所在地。
这里古树参天，花木繁茂，泉清水绿，曲径通幽，是“汉西一境”。
归元寺由北院、中院和南院三个各具特色的庭院组成，拥有藏经阁、大雄宝殿、罗汉堂三组主要建筑，占地面积17500多平方米。
北院的主要建筑是藏经楼，是一座两侧五开间的楼阁式建筑，高约25米，顶为大脊，鱼角搬爪，飞栱飞檐，古朴玲珑；当面为四柱通天，双凤朝阳，五龙戏珠。
整个建筑精巧壮观，金碧辉煌。
这里藏有许多佛教文物，除藏经外，还有佛像、法物、石雕、书画碑帖及外文典籍，是国内收藏佛像较多的一个佛寺。
1935年太虚法师出访缅甸时，仰光的佛教徒赠他一尊1吨多重的玉石雕成的释迦牟尼佛像，就供奉在这里。
这种佛像在我国只有三尊，其他二尊分别列供于北京和上海。
藏经阁里收藏的佛经有：清代《龙藏》一部，宋代影印本《碛砂藏》一部，清末民初上海印《频伽藏》一部。
另外还有两件珍品：一是清光绪元年(1875)，湖南衡山69岁老人李舜千书写的“佛”字。
“佛”字是在长宽不超过6寸的纸上，由《金刚经》和《心经》原文共5424个字组成。
每个字只有芝麻大，肉眼分辨不清。
用30倍放大镜看，笔力挺秀，是书法珍品。
另一件是武昌僧人妙荣和尚刺血调和金粉抄成的《华严经》和《法华经》，字体娟秀，堪称精品。
中院的主体建筑是大雄宝殿。
该殿初建于清顺治十八年(1661)，后经多次维修。
现大雄宝殿是清光绪三十四年(1908)重修。
大殿正中供奉着释迦牟尼坐像，两侧为其弟子阿难和迦叶像。
释迦偏袒左肩，结跏趺坐，庄严静穆。
佛像后背是用樟木雕刻而成的“五龙捧圣”的图案。
佛像前还有韦驮、弥勒、地藏像。
佛像后是一组海岛观音像。
只见海岛观音赤足站立，左右侍立着一龙女和童子，背后是一面高达八尺的泥塑悬崖峭壁，足下碧波万顷，怒涛汹涌。
整个塑像向前倾覆。
人们仰视上去，只见观音衣袖似在飘动，正在汹涌的波涛上迎面向你走来，增加了宗教艺术的感染力。
佛像前的供桌，是一件不可多得的木刻珍品。
供桌高4丈8尺，横阔1丈2尺，深宽2.5尺，前嵌垂栏，宽1.5尺，高0.6尺，其间分为五格，深画镂空。
图案描绘的是唐玄奘取经回长安时，君民夹道欢迎的场面：有唐僧、孙悟空、猪八戒、沙和尚等《西游记》人物，有李世民以下文武百官、侍卫、庶民百姓；有亭院殿墙，车马山水，幢幡宝盖，香炉蜡台等一应俱全。
综观全图，繁复活泼，盛况空前。
垂栏下沿为五龙云彩，周围匝绕，以四虎腿支地，生动有力。
相传这一樟木雕刻由十人历时一年才完成。
大雄宝殿前的韦驮殿内，供奉着一尊木雕韦驮像，身着铠甲，手持宝杵，威武挺立，用我国古代武将形象表达了古印度神话中“四大天王三十二将”之首的护法神形象。
这座木雕系用整块樟木雕成，线条刀法都是唐朝风格，是归元寺的艺术珍品，也是我国雕刻艺术品中的一件宝贵遗产。
归元寺属曹洞宗，又称归元禅寺，它与宝通寺、溪莲寺、正觉寺今称为武汉的四大丛林。
希望大家旅途愉快，谢谢。
武汉户部巷导游解说词300字
户部巷，“汉味小吃第一巷”位于中国著名的历史文化名城武汉市武昌自由路，是一条长150米的百年老巷，其繁华的早点摊群20年经久不衰。
户部巷汉味风情街位于武昌司门口，东靠十里长街（解放路），面临浩瀚长江，南枕“天下江山第一楼”——黄鹤楼，北接都府堤红色景区，是一处由名街名楼名景名江环绕而成的美食天堂，自古钟灵毓秀人杰地灵。
于明代形成，清代因毗邻藩合衙门（对应京城的户部衙门）而得名。
武汉人将用早点，称为“过早”。
这最初来自了清代的一首《汉口竹子枝词》。
后在别的城市被敷衍甚至忽略的早餐，被武汉人随意而隆重的提升“过年”般“过”的位置。
以“小吃”闻名的户部巷，就是武汉最有名的“早点一条巷”。
户部巷汉味风情街位于武昌司门口，东靠十里长街（解放路），面临浩瀚长江，南枕黄鹤楼，北接都府堤红色景区，是由名街名楼名景名江环绕而成的一块方寸之地，自古钟灵毓秀人杰地灵。
户部巷于明代形成，清代因毗邻藩合衙门（对应京城的户部衙门）而得名。
由于历史和地理的原因，很早就以经营汉味早点而闻名，热干面、糊汤粉、牛肉面粉、面窝、稀饭等独特汉味早点经营，经久不衰。
2002年以来，武昌区政府在重塑历史文化名城的过程中，按照“汉味早点第一巷”的定位，对户部巷进行整体打造。
经过多年的建设改造，户部巷已由原来的147米长、3米宽、12家小吃经营户的小巷，发展成为由户部巷老巷、自由路和民主路西段组成，集小吃、休闲、购物、娱乐为一体的年接待游客逾千万的汉味特色风情街区，各类经营门点约达340个，其中从事小吃经营160余户，经营品种170有余。
“汉味早点第一巷”扬名以后，吸引了一批百年老字号小吃企业扎堆于此，如四季美汤包、蔡林记热干面、德华酒楼、老谦记豆丝等；还有近几年来已声名远播的汉味小吃品牌，如精武鸭脖、周黑鸭、新农牛肉、盈喜客中式快餐等也来此安家落户，以及户部巷本土孕育的石记热干面、陈记牛肉面、徐嫂糊汤粉、李桃烧麦、今楚汤包、真味豆皮等数十个汉味小吃品牌使户部巷成为了汉味小吃的代名词，也是登名楼、逛名街、品名吃、观名景的老武昌的新天地。
洪秀全的导游词
黄鹤楼游客朋友们，你们好，首先我代表武汉旅行社欢迎大家的到来
能和大家相逢在这美丽的江城并和大家一起度过这段美好的时光我感到十分的荣幸。
我是武汉旅行社导游员**，大家可以叫我小李或李导，这是我们司机王师傅，王师傅开车十几年，有很高的水平和丰富的经验，大家可以放心欣赏窗外的风景。
在接下来的时间将由我们两个为大家服务，我一定会尽力安排好各位的行程，大家如果在旅途过程中有什么问题，可以尽管提出来，我们会尽量想办法替您解决。
希望我和王师傅的服务使您在这次旅途中感到开心，愉快。
今天我们要去的地方，就是号称天下第一楼的黄鹤楼。
黄鹤楼，位于长江南岸，武昌蛇山之巅，始建于三国时期吴黄武二年，即公元223年，距今天已有1700多年历史了。
黄鹤楼虽然历史悠久却是历经沧桑，屡建屡毁，历史上最后一座黄鹤楼也叫同治楼于清光绪十年即1884年毁于火灾。
我们今天要去的黄鹤楼，是于1981年动工修建，以清朝同治楼为蓝本，用钢筋混泥土框架仿木结构的现代工艺和现代材料于1985年6月建成开放的，说到这楼可以用五个字概括其特点：高、奇、险、美、妙。
高就高在山高楼更高，上刺青云与云霞比翼：奇就奇在神仙驾鹤，神化流传；险就险在临江而立；美就美在武汉风光尽收眼底；妙就妙在文人墨客，逸事流传。
说了这么多，我想大家也有点迫不及待了吧。
正好，大家看，窗外就是黄鹤楼景区了，请大家随我一同下车去游览。
各位游客朋友们，在游览完黄鹤楼公园南区的景点，品味了黄鹤楼深厚的文化底蕴之后，我们到了黄鹤楼的内部大厅。
黄鹤楼的内部设计颇具匠心，五个大厅具有不同的文化层面，分别由神话传说、历史沿革、人文荟萃、传统风韵，三楚精神构成。
黄河楼第一层楼大厅的艺术主题是“神话”。
我们可以看到，大厅分前后两厅，前厅迎面的这副壁画名为《白云黄鹤图》，此副壁画取材于《驾鹤登仙》的古代神话，兼取唐诗“昔人已乘黄鹤去”之意。
大家请看，在画面上有一位仙者驾着黄鹤腾空而起，他口吹玉笛，俯视人间，好象离去，又似归来。
画面下方绘有清代形制的黄鹤楼，楼前人群浮动，或把酒吟诗，或载歌载舞，有如送别，又似接风。
天上人间，浑然一体，洋溢着神奇而浪漫的气氛。
好，现在请大家随我继续往上参观。
我们现在所在的位置并非二楼，而是一楼与二楼之间的夹层，俗称跑马廊。
这样的跑马廊每两层之间都有，大家可以算一下，黄鹤楼本有五层，再加上每两层之间的跑马廊，内部一共有九层，因此，黄鹤楼又有了外五内九的建筑结构。
这里陈列着历史上的名人字画，大家可以欣赏一下。
神话传说固然美妙，但历史却是主宰黄鹤楼命运的真正动力，请大家随我上二楼参观，二楼大厅主要介绍的是黄鹤楼的历史，这边墙壁上是《黄鹤楼记》，它镶嵌在崇阳县出产的大副青石板上，有唐代的阎伯理撰写，当代书法家王遐举书。
二楼大厅中还陈列有唐、宋、元、明、清及现代黄鹤楼的六座模型。
黄鹤楼素有“千古名楼”、“天下绝景”之誉，不同的时代，由于社会生活的需要不同，科学技术的不同，自然会产生不同的建筑形式和风格。
您瞧，这座唐朝的黄鹤楼，一楼和城相连，外看只有两层，整体结构比较简洁粗犷，给人一种古朴雄浑的感觉。
再看一下宋代的楼，由楼、台、轩、廊四部分构成，每层翘首重檐，飞达四敞，展现了宋代精致俊逸的艺术风格。
元代的形式延续了宋代的风格，明代则依然是两层。
请看这边清朝的黄鹤楼，它分三层，第一层有12个檐，代表着一天的12个时辰，第二层12个檐，代表着一年有12个月，第三层有24个檐，代表着一年的24个节气。
能将中国的天文历法融入其中，是它最神奇之处了。
最后一座就是现在的黄鹤楼了。
任何一件艺术品或者文物，都离不开人文的气息，黄鹤楼当然也不例外。
现在我们就到黄鹤楼三楼大厅来品位它的人文主题。
大厅内陈列着一组大型陶瓷壁画《人文荟萃流千古》，再现了历史上著名人物来黄鹤楼吟诗作赋的情景。
看到如此众多的著名诗人环立在侧，如真人大小，神态栩栩如生，大家一定都会感到黄鹤楼真不愧人文荟萃、百家争鸣吧
看了这么多优美的文学作品，您一定还沉浸在悠远的意境中吧
请大家走出思路，继续我们的游览。
“欲穷千里目，更上一层楼”，我们现在到了黄鹤楼的最高处五楼的跑马廊。
从这里放眼望去，西面长江浩浩荡荡直奔东海，长江汉水泾渭分明，江对岸汉口重镇高楼林立，呈现一片繁荣景象；北面京广铁路大动脉穿越城市，武昌江滩美景也尽收眼底；南面是长江第一桥-武汉长江大桥，车流涌动，传流不息，让我们感受到了城市的热情；东面武昌大街小巷一览无余，甚至于市井生活都皆有感受，所以我们不得不说，只有登上了黄鹤楼，你才能把握武汉的脉搏，只有登上了黄鹤楼，你才真正的理解武汉人的生活。
美好的时光总是让人感到如此的短暂，我们今天的黄鹤楼之行到这里就结束了。
在这次旅行过程中，我的工作还有很多应该做好而没有做好的地方，我能够向大家说的只有—谢谢，谢谢大家对我的大力支持和帮助。
如果来年我们有缘再次相会，我愿为大家提供更好的服务。
最后祝大家身体健康，万事如意
谢谢大家,再见
