请用两百字写一篇“冰河世纪2”的影评，必须原创
在《冰河世纪2》里，我们仍可以看到那只痴迷松果的小松鼠对这个冰川世界的巨大影响。
两部下来，它已完全成为了我心目中的CUTL角色。
它一出现，电影里就有着一种黑色喜剧的感觉。
屡屡在坚果得手之际便引发世界大乱，一脸惊诧无奈时，我总会不由自主地想起吴镇宇。
这两个可爱家伙的神经质有点相似。
虽然这样相比十分地扯，但就是觉得这种CUTL气质十分地相近。
话说回来，小松鼠在《冰河世纪2》里的戏份明显增多，应该是制作方已清楚这家伙不可抵挡的魅力和人气吧。
不过小松鼠在这一部里的建设明显要大于破坏，两次的‘坚果破冰行动’一次提前带来灾难，一次救世。
在它第二次‘坚果破冰’时，电影镜头里远远的一点，站在冰川上的松鼠，和上帝无异。
十分地喜欢这个角色。
猛犸象和以为自己是地鼠的母象间的情絮，是电影里的主线，和那对十分爱玩的地鼠兄弟一样，这只以为自己是地鼠的母猛犸象也一样的贪玩好动。
它的加入，个人感觉没有必要，反而令电影稍稍表现出来的末日图腾与意味变得不伦不类，但人家大象也是要谈恋爱的呀。
而它与猛犸象在各种意见上的不一致，也可以看为男女性之间对同一问题的不同见解。
特别在最后大家冲往那艘诺亚方舟时，两者间的不同决定。
猛犸象在求生面前的‘勇往直前’对于母猛犸象的‘绕路走’来说，似是在暗讽男性在生命关头热血上脑的不理智。
只是电影追求的是不落口实的平衡，所以安排了母猛犸象在绕道走的途中遇上了自己解决不了的困难，仍是需要男士的勇力来解救。
电影里这次的灾难是因为全球变暖冰川溶化而引起，有着直指现状之嫌，但这一个问题对于我们来说，已是一个不争的事实。
突升的气温，入春后冰火两重天的气候，沿海城市面临的海水倒灌，夏季海上漂流着的浮冰，这些都已成这几年里的事实。
但我们都只会对眼前发生的灾难感兴趣，比起慢慢入潜的灾难，瘟疫更容易引起我们恐慌。
如果我说南北极的冰块快要融化，大灾难就在不远处这种话，肯定会让各位笑我杞人忧天，但说说又何妨
在这种情形下，我们个人努力又能改变什么
就算全部人在此时有了这种意识并努力来改变现状，仍已是于事无补了。
各项数据与迹象表明，这是大势所趋。
我不需要诺亚方舟，若是那日能够到来的话，我只会感到无比兴奋。
关于《冰河世纪3》的看后感想
剧情简介 · · · · · 随着大片冰轰然倒塌，冰河时代终究成历史
而我们的诸角们也开始组建自己的家庭。
但树懒席德永远是树懒席德，只要他出手没有不出事的
他竟然弄来了几颗恐龙蛋
这下可好，一只巨型恐龙不知从那里杀出来，席德立马就变成俘虏。
为了自己患难与共的好友，“四人帮”的其他三位告别老婆孩子，再度踏上解救席德的旅途。
可是这回的麻烦远远地超乎他们的想象，原来席德被带入了一个神奇的地下世界，这里与世隔绝，空气湿润、气候温暖。
它阻挡了冰河世纪凛冽的寒风，于是一大群凶恶的恐龙出现在了众人面前……
急需一篇冰河世纪的观后感（英文）
《时代3》的成功是生的必然结果——观后感 和第二集相比，《冰河时代3》虽然在观赏有所提高，但这个系列电影总体质量上还是呈下滑的趋势，希望制作方就此打住，还是另外进行新的创意吧，不过人家肯定不会听我的，圈钱运动还会如火如荼地进行的。
抛开电影本身主题思想的优劣和剧情安排的合理与否，单从技术层面上讲，人家这钱赚得叫人心服口服。
可以说以《冰河时代3》为代表的一大批好莱坞动画电影所创造的光怪陆离色彩纷呈的童话世界用“叹为观止”形容一点都不过分，但是我看《冰河时代3》最大的感触不仅在此，我更折服于好莱坞动画电影的制作理念，在强大的技术支持下这种理念几乎达到了化境。
由于动画电影普遍具有拟人化和奇幻色彩，在创作上几乎不受时间、空间、角色的限制，地球上甚至宇宙间的任何物种都可以进入动画电影中，并且开口说话，进行人类所能进行的一切活动。
从这个角度上讲，动画电影的取材无比宽泛，相对于真人电影，人们对其剧情合理性的要求也宽松很多。
但是这并不意味着编导们就可以胡说八道，人家不胡来，基本上还要给你把故事讲圆满了，叫你看了笑了轻松了，人家把钱拿走，完事。
《冰河时代3》令人很直观地看到好莱坞动画编导们讲故事的几大法宝，说白了，就是一条制作流水线，按照这个套路生产基本上没跑，差也差不到哪里去。
法宝一：角色的成人性 《冰河时代》系列都以对坚果无比执着的松鼠作为影片的一个重要线索，这几乎成了这个系列电影的一个招牌，《冰河时代3》也不例外，只不过又安排进了一个雌性松鼠。
首先，在这只母松鼠的造型上，我们看到的是一个成熟美女的形态，雄松鼠看雌松鼠那色迷迷的神情，以及两只松鼠的结合和矛盾的产生，无不是按照成人的思想和生活演进的。
这样的创作手法，在好莱坞的动画电影中几乎随处可见。
动画电影本来的主要观众是儿童，但是正因为在这些“儿童形象”中加入了成人的表现要素，在形式与内容的巨大反差下，产生了很强的娱乐趣味，因而影片也变得老少咸宜了。
反观我们的动画电影，在很大程度上，都局限在儿童的世界里，不敢大胆地引进成人思维，使得我们的动画片看起来都很“弱智”，只适合儿童观看，大人们要是成天盯着《海尔兄弟》看，恐怕要被人当“弱智”了。
当然这种情况近年来有所改观，但是还是放不开手脚。
法宝二：题材的广泛性 好莱坞的那帮大仙们，凭着天马行空的想象力，几乎把世间万物都纳入了他们的创作之中，小到《霍顿与无名氏》中的微生物，大到《冰河时代》中的恐龙猛犸象，从《寻找尼姆》中的深海汪洋到《WALL-E》中的浩瀚宇宙，从《马达加斯加》中美国纽约中央公园到《狮子王》中广袤的非洲草原，从阿拉伯传说《阿拉丁》到中国故事《花木兰》等等，可以说只要你能想到的领域，几乎都被好莱坞动画涉及。
这样一来，只要技术许可，好莱坞动画的题材就无穷无尽，而技术保障又恰恰是最不是问题的问题。
正是这种题材创造上的广泛性，保证了好莱坞动画电影永远充满了神奇，永远都有你想不到的故事出现，而且这些题材的广泛性足以包容全球文化，这个咱就得佩服美国文化的软实力和其背后强大的技术支持了。
而我们国内的动画电影总是逃不出传统的题材，一部《大闹天空》几十年来一直成为一个难以逾越的高峰，这不是荣耀，而恰恰是悲哀。
有人会说我们的动漫技术不成熟，这个是事实，那么我们在3D领域没有优势，在平面动画方面技术上应该不成问题了吧
日本的好多优秀动画电影都是平面的，可见内容永远大于形式。
《灰太狼与喜洋洋》似乎叫我们看到了一丝曙光，但愿这不是昙花一现。
法宝三：内容的娱乐性 当然好莱坞动画最大的卖点就是它娱乐性。
就拿《冰河时代3》中的树獭希德来讲，这是一个油嘴滑舌、见风使舵但有一颗善良的心灵的市井小混混形象，他几乎就是《冰河时代》系列的灵魂人物，也是这个系列的最大的娱乐点。
他有着普通人类的一切弱点，但是又有着普通人类的基本人性，正是这种草根性，保证了影片整体上的亲民性，所以人们再怎么给电影挑刺，你看完了都得笑一笑，你一笑，钱没了，那电影就算成功了。
有意思的几乎好莱坞所有的动画电影中都有一两个类似希德的角色，比如《史莱克》系列中的驴子、《花木兰》系列里的木须龙、《狮子王》系列中的大猩猩和后来出现的那个那两个活宝——丁满和彭彭，这些角色的出现极大的增强了影片的娱乐色彩，有的甚至反客为主，成为人们心目中印象极深的“主角”。
这就要归功于好莱坞动画制作者善于制造和贩卖娱乐的能力了，这种能力几乎已经工业化，形成了生产流水线。
角色的基本套路已经确定，只要创造一个角色按照这个套路走，基本就成功了。
只要逗乐了大家，你还能说什么
你看得不就是一个乐呵吗
法宝四：情节的拟人性 个人觉得这一点几乎是动画电影的灵魂，拟人化这个工作做好了，出来的东西就可能是精品。
《冰河时代3》中出现了一个类似于堂吉诃德式的人物——鼬鼠巴克，这个角色身上体现的是人类身上更深层次的东西，那就是一种追求，一种具有自我牺牲精神的追求，虽然角色荒诞，但是我们又不能不承认这种精神确实在人类身上可以找到。
好莱坞动画最值得称道地方在于，能把某些道理在嬉笑怒骂的娱乐之中讲出来，叫你笑过之后，还得回味，而不是机械地说教。
叫我至今印象深刻的地方是在《狮子王》中，刀疤望着逃离的小辛巴的影子，阴沉地对土狼（如果我没记错的话）说：“杀了他
”——这一情景活脱脱地是一副动画版的黑社会老大的样子，叫人玩味无穷。
在《霍顿与无名氏》中，最后的结局表明真理往往是掌握在少数人手上，片中的宏观世界和微观世界最终归于美好，但是现实中却往往难以达到这样一种皆大欢喜的结果，因此使得影片整体上的内涵更加深刻。
《WALL-E》中更是把人类的末世情节和对爱的渴望淋漓尽致地运用到了机器人的身上，观看本片几乎成了一次心灵升华的过程。
反观我国的动画电影，总是免不了说教，更可笑的是我们进行传统文化教育、品德情操教育、爱国主义教育也往往是临时的说教，而不懂得潜移默化寓教于乐才是王道。
除此之外就是在动画技术上的领先性，这个是有目共睹的，无需再说。
《冰河时代3》不能算一部经典的动画片，但它有着好莱坞动画电影的所有特点，动画效果逼真、老少咸宜、温情脉脉、娱乐十足。
可以说好莱坞动画电影产业已经形成流水线作业规模，只要剧本搞定，技术保障是毫无问题的。
近几年来好莱坞的动画电影，尽管质量上有高低，但几乎鲜有彻底失败的例子。
因为从流水线上出来的东西，都具备上述几个为人们所认可的特点，只是在这几个特点的整合上有高低之分，但这足以保证未出场已经稳操胜券了，剩下的不过是赚钱多少的问题了。
因此《冰河时代3》拍得未必多成功，但赚钱赚得高明，这种高明之处需要中国动画电影人多多学习。
Ice Age 3 and the inevitable result of success is the assembly line - Feedback And compared to Episode II, Ice Age 3 In the view of somewhat improved, but the overall quality of this series of films on the downward trend is still hope that producers stop there, or another bar for new ideas, but the people will certainly not listen to me, means for misappropriating campaign will be carried out in full swing. Cast aside the theme of the film itself, the merits and the plot arrangements, reasonable or not, just from the technical level, painfully convinced people that make money. It can be said of Ice Age 3 is represented by a large number of Hollywood animated film created by the bizarre color scene of the fairy tale world of amazing to describe is not at too much, but I see Ice Age 3 the greatest feeling, not only in Here, I am more impressed by the Hollywood animated film production concepts with strong technical support of this concept has almost reached Transformation. As animated films generally have anthropomorphic and fantasy colors, almost from the creation time, space, role constraints, Earth and even the universe can be of any species into the animated film, and to speak, human beings can be carried out in all its activities. From this point of view, extremely broad drawn animated films, as opposed to live-action film, it is reasonable for its story demands much more relaxed. But this does not mean that they can be written and directed nonsense, others do not mess things up, basically you should be given to the successful stories in, and tell you to read the laugh easily, and people put money away, bin. Ice Age 3 It is very intuitive to see that the Hollywood animated story books written and directed several major magic weapon, put it plainly, is a production line, according to the routine production, virtually no run, where the poor are poor not to go. Magic one: the role of adult sexual , Ice Age series are extremely persistent in pairs of squirrel nuts, as the film an important clue, which is almost become a sign of this series of films, Ice Age 3 is no exception, but also arranged into a female squirrel. First of all, only on the mother squirrel shape, we see is a mature form of beauty, male squirrel to see female squirrel that Indecent expression, as well as the combination of two squirrels and contradictions of having no not according to adult the evolution of thought and life. This creative approach, in the Hollywood animated film almost everywhere. Animated films have been the main audience is children, but precisely because of these image of the child, which incorporates elements of the adult's performance, in the form and content of great contrast given rise to a strong entertainment tastes, and thus film has become young and old salt Yi had. In contrast to our animated feature films, to a large extent, are confined to the children's world, not daring to introduce adult thinking, makes our animation looks very mental handicap and is only suitable for children, adults all day long if staring at Haier Brothers Look, I am afraid we have to be as mental handicap had. Of course, this situation has improved in recent years, but still can not relax hands and feet. Magic 2: the broad themes Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, Horton and Anonymous in the micro-organisms, large ice age in the dinosaur mammoth Like, from the In Search of Nimes in the deep ocean to the WALL-E in the vastness of the universe, from the Madagascar in New York's Central Park to The Lion King in the vast grasslands of Africa, from the Arabic legend Aladdin China Story Mulan and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a row sky for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. Gray Wolf and the radiant seems to tell us a ray of hope, I hope this is not a flash in the pan. Magic 3: Content of entertaining Of course, Hollywood's biggest selling point is its animated entertainment. Take the Ice Age 3 in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is Ice Age series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as Shrek series in the ass, Mulan in the series of wood to be long, The Lion King series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the hero. This would be good thanks to Hollywood animation producers the ability to manufacture and trafficking in entertainment, and this ability is almost industrialization, forming a production line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do? Magic four: the plot to be human Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. Ice Age 3 and there was a Don Quixote-like figure similar toMagic 2: the broad themes Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, Horton and Anonymous in the micro-organisms, large ice age in the dinosaur mammoth Like, from the In Search of Nimes in the deep ocean to the WALL-E in the vastness of the universe, from the Madagascar in New York's Central Park to The Lion King in the vast grasslands of Africa, from the Arabic legend Aladdin China Story Mulan and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a row sky for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. Gray Wolf and the radiant seems to tell us a ray of hope, I hope this is not a flash in the pan. Magic 3: Content of entertaining Of course, Hollywood's biggest selling point is its animated entertainment. Take the Ice Age 3 in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is Ice Age series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as Shrek series in the ass, Mulan in the series of wood to be long, The Lion King series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the hero. This would be good thanks to Hollywood animation producers the ability to manufacture and trafficking in entertainment, and this ability is almost industrialization, forming a production line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do? Magic four: the plot to be human Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. Ice Age 3 and there was a similar to the Don Quixote-like figure - weasel Buck, this role is to embody a deeper level of what the human body, it is a pursuit, a kind of self-sacrifice the spirit of the pursuit, although the role of absurd, but we must admit that this spirit can be found in humans did. The most commendable parts of Hollywood animation is able to in the subject of ridicule in some token of entertainment among the speak out, tell you to laugh over later, have to aftertaste, rather than mechanically preaching. Impressed me so far are found in The Lion King, the Scar Simba looking to escape the shadow of a small, murky against coyotes (if I remember correctly) said: Kill him! -- This scenario is an animated version of Huo Tuotuo to underworld boss looks like and tells the people pondering infinity. In Horton and Anonymous, the final outcome shows that truth is often rests in the hands of the few in the film world and the micro-macro eventually attributed to a better world, but in reality are often difficult to achieve such a happy outcome, thus making video more profound meaning as a whole. WALL-E has even more in the end of the world of human desire for love plot and vividly applied to the robot's shoulders, watching film seems to have become a spiritual sublimation process. In contrast China's animated films, were always going to preach, even more ridiculous is that we have the traditional culture and education, moral sentiments of education, patriotic education is often temporary preaching, rather than know how to nurture learning fun, is kingly. In addition is the leading technology of animation, this is for all to see, no talk. Ice Age 3 can not be considered an animated classic, but it has all the characteristics of the Hollywood animated films, animation realistic, young and old, sentimental, entertainment full. Can be said that the Hollywood animated film industry has formed the scale of pipeline operations, as long as the script without getting technical support is without question. In recent years, Hollywood's animated films, even though there are high or low quality, but almost a complete failure few examples. Because out of things on the line, all with a few of the above-mentioned characteristics of the people recognized only in the integration of these features have a level of points, but it is not sufficient to guarantee that appeared certain to win, and the rest is just profit how much money a problem. Therefore, Ice Age 3 They are not necessarily more successful, but the money earned clever, this genius of animated film, the Chinese people need to learn as much as
听冰河世纪3主题曲歌词的感想
《躲避的爱》让我喜欢上了你,你却开始后悔.我不是你想像中那个人.在别人眼中我是微不足道的.当每天给我的爱更多,我就是越在痛苦之中.!面对我,你没有勇气,真的没有想去伤害我,现在你除了对我说对不起,你还能说些什么?难道说我真的爱过你,我的宝贝?呵呵～‘堕落咖啡下雨勒...在抽泣的自己像个傻瓜似的,为什么,这么讨厌明媚的阳光,喜欢黑色的人就是缺乏安全感.讨厌阳光,喜欢躲避在阴暗的地方对,如果有人认出我,问我为什么伤心流泪.我不会告诉他我讨厌这样这样的生活,我讨厌这样迷失的自我.我习惯这样躲避眼光拼命的努力在奔跑,但是没有躲避的地方真的很想马上忘掉你.可是自己无论怎样努力,最终还是于是无补.回忆过去你的微笑.曾经抚摩过我两双手,看倦了思念.疲惫勒在去想你,掩埋在人群中,有说有笑.好想忘记你.但是眼泪狂流,却是无声无息.我要躲避太阳的照射.我拼命的奔跑但是太阳为什么总在你我头上,我真的很想把你忘的一干二净.但是映在我的心里.怎么也无法抹去.朋友们都认为我已经忘勒你.但是我快要崩溃的自己很想忘记你,想把记忆抹去.但力不从心.很想扎在痛里的一根针一根刺.在伤口撒白盐,痛的麻痹自己,,但是你的影子还是挥之不去.回忆死去的爱情.就好象现在还在一起.如果,眼泪能够传到你的心里.哪怕我宁可一直这样哭泣,哪怕海水眼水汇成海水.我也会选择忘记继续好好活下去.其实我想这样继续唱下去,但是一点忍不住勒我想说:盼盼...我真的好爱你.我真的没有办法去忘记你.要我怎么做,你才能回到我的身边?你说过不会放弃我的..你说过会爱我一辈子的.为什么到最后你还是选择离去?我说过我可以为你改变的.为什么你连我一次机会都不给我?你说你很喜欢小孩.我答应你.不抽烟不喝酒.你说我不懂事我可以改,为什么你说分手的时候是那么坚决.我哭的如此伤心,你都不再理会我.除了在手上的烟疤..我想起我们以前的日子.走遍每一个地方.我真的好想你..我打电话给你时.拿勒又放下.拿勒又放下天天晚上睡不着觉.求你别离开我.我真的爱你..
《冰河世纪》2的读后感
冰河世纪观后感英文The movie was totally funny and the graphics was superb.Especially,Sid the Sloth was the funniest of all and his voice was also funny.My favorite characters were Diego and Soto because of their Saber tooth and they were so superb in the movie.Manny and Scrat were also funny.All the Scrat scenes were so funny.The last scene was also cool.The baby was very cute and that is also favorite character.When Sid says to Manny that I can take care of the baby,that scene was also funny.Even,the Rhinos were superb.The Voice of Soto and Diego,was superb and it was a harsh voice given by the people.The melon scene and the sliding scene were funny.I should Really appreciate the creators of Ice Age.
请用两百字写一篇“冰河世纪2”的影评，必须原创
在《冰河世纪2》里，我们仍可以看到那只痴迷松果的小松鼠对这个冰川世界的巨大影响。
两部下来，它已完全成为了我心目中的CUTL角色。
它一出现，电影里就有着一种黑色喜剧的感觉。
屡屡在坚果得手之际便引发世界大乱，一脸惊诧无奈时，我总会不由自主地想起吴镇宇。
这两个可爱家伙的神经质有点相似。
虽然这样相比十分地扯，但就是觉得这种CUTL气质十分地相近。
话说回来，小松鼠在《冰河世纪2》里的戏份明显增多，应该是制作方已清楚这家伙不可抵挡的魅力和人气吧。
不过小松鼠在这一部里的建设明显要大于破坏，两次的‘坚果破冰行动’一次提前带来灾难，一次救世。
在它第二次‘坚果破冰’时，电影镜头里远远的一点，站在冰川上的松鼠，和上帝无异。
十分地喜欢这个角色。
猛犸象和以为自己是地鼠的母象间的情絮，是电影里的主线，和那对十分爱玩的地鼠兄弟一样，这只以为自己是地鼠的母猛犸象也一样的贪玩好动。
它的加入，个人感觉没有必要，反而令电影稍稍表现出来的末日图腾与意味变得不伦不类，但人家大象也是要谈恋爱的呀。
而它与猛犸象在各种意见上的不一致，也可以看为男女性之间对同一问题的不同见解。
特别在最后大家冲往那艘诺亚方舟时，两者间的不同决定。
猛犸象在求生面前的‘勇往直前’对于母猛犸象的‘绕路走’来说，似是在暗讽男性在生命关头热血上脑的不理智。
只是电影追求的是不落口实的平衡，所以安排了母猛犸象在绕道走的途中遇上了自己解决不了的困难，仍是需要男士的勇力来解救。
电影里这次的灾难是因为全球变暖冰川溶化而引起，有着直指现状之嫌，但这一个问题对于我们来说，已是一个不争的事实。
突升的气温，入春后冰火两重天的气候，沿海城市面临的海水倒灌，夏季海上漂流着的浮冰，这些都已成这几年里的事实。
但我们都只会对眼前发生的灾难感兴趣，比起慢慢入潜的灾难，瘟疫更容易引起我们恐慌。
如果我说南北极的冰块快要融化，大灾难就在不远处这种话，肯定会让各位笑我杞人忧天，但说说又何妨
在这种情形下，我们个人努力又能改变什么
就算全部人在此时有了这种意识并努力来改变现状，仍已是于事无补了。
各项数据与迹象表明，这是大势所趋。
我不需要诺亚方舟，若是那日能够到来的话，我只会感到无比兴奋。
