福克纳不是一个能让所有人喜欢的作家，单单是对于时间线的解构已经险些让初读者崩溃；也不是所有人喜欢用非理性的叙述手法去描绘一个人的心理状态本身。加之在意识飘荡的过程中，作者喜好将所有的标点抹去，或是将处在思维间断点的两句话拼凑在一起，长句复合句充斥在文本中，尽管结构精巧，用词精妙，却无法抓住部分读者的心。但是我仍想推荐福克纳的这本《喧哗与骚动》，希望有更多的人感受到文字流动在不断变换的时间和空间之上的美感，更多的了解到那个文学上著名的虚构地点——约克纳帕塔法世系的世界。
意识流流并非流派，而是Stream，在文学上指描绘人物意识流动状态的文学作品。
有两大特征：
一、时空和记忆场景切换的频繁与无序；
二、所有流程都由当下的某种感觉和事物触动。
线性与非线性简单来说，数学上一次函数是线性的，其余的都称得上非线性的；而叙事的线性与非线性则看是否打乱了故事原有的时间顺序，形成一种非直线性的时间轴。
坦言说没有读懂《喧哗与骚动》。想要写这篇半
这让我想起了卡尔维诺所说的，支撑桥梁的并非这块或者那块石头，而是由石块形成的桥拱支撑的；但是脱离了石头桥拱便不复存在。碎片感在第一个主时间篇章上显得尤为强烈；这是由于第一部分是以康普生家族的小儿子班吉明，一个年满33岁，却只有3岁智商的已去势之人为主视角讲述的。在初读时，很容易迷失在这座时间“迷宫”里。一座突然出现在眼前的小屋，炉壁里闪烁着的火光，班吉明姐姐Caddy身上散发出的雨后树叶的清香，就能让时间线不断的在1898年到1928年之间随着班吉明所闻所见所想而发生着频繁的跳跃。上一句还在1928年的高尔夫球场上，下一句便已经来到1898年班吉明外婆去世的夜晚，而在读者还未反应过来时，时间线又逃回了原来的时间点或是下一个未知的时间线上去。第一遍读时，最好别去阅读译者出于好意所写的几百个注释，那样极度败坏阅读体验，而缕清时间线和各个时间点上发生的事件，反而也是极具趣味的。
说第一篇章以班吉明的视角来写是相当高明的，是因为从字面上来讲，恰巧是与标题高度契合的：标题名来自莎士比亚的名篇《麦克白》的
至于书名中“喧哗”与“骚动”究竟代表了什么，康普生家族究竟是如何在黑奴制下一步步凋零，“时间”这一究极哲学问题能在这本书中得以如何的诠释，就交给去翻开这本书的读者你了。
The book is the author of Faulkner, who is not a great master in the literary world, who will be able to withstand the nature of the book, read such a book "full of malicious readers", Faulkner's omnipresent stream of consciousness, handover and handover of conscious or carefully arranged scenes. It is destined that this book is not read, read two times, even read three times to read the flavor. It is such a stream of consciousness, no punctuation all over the whole piece, and the sentence sometimes has no grammar to say, but after I read it, I really admire Faulkner. This admiration is a respect for a real writer. Such people are just like the Pilgrims who crawl around, looking for temples that may not exist at all. And Faulkner is such a kind of person, and this temple may be the palace of literature.
The story of the novel takes place in the Kang Pusheng family of Jefferson town in the southern United States, depicting the history of the decline of the Kang Pusheng family. This is a prominent family who has been prominent for a while. There were many fields in the family, and the black slaves were in groups. Now there is only a dilapidated house, and the black servant is left with the old lady dilsi and her grandson. Mr. Kang Pusheng, the chief of the family, died in 1912. He was a lawyer when he was alive, but he never met with his business. He was drunk all day long, and he made a lot of cynical remarks and spread the pessimism to his elder son Quentin. Mrs. Kang Pusheng was selfish and cold and groaning. She always felt that she was losing her temper, but in fact she was dragging herself down and torturing her whole family. She does not forget the identity of the south, so that she is only a "identity" incarnation, and she does not have the warmth of her mother and wife. No one in her family can get love and warmth from her. Daughter Katie can be said to be the center of the whole book. The decline of the family and the decadent and indifferent atmosphere in the family changed her from a "Southern lady" to a frivolous and dissipated woman. The fall of Katie gave his family a devastating effect on her three brothers.
In the initial stream of consciousness without continuity, I am afraid that every reader will feel how difficult it is to read rough pages. The character consciousness is not restricted by time and space at all, the big segment jumps from one consciousness to a consciousness, only in some places with different fonts to give you hints, or, with some smell, something to give a hint, these random, unordered stream of consciousness, very strange, in reading, although it makes sense. It feels quite boring, but when you read it patiently, you will find a strange phenomenon: the problem in the process of reading, at the end, turns into a vivid picture that makes people feel so impressed. Faulkner completely abandoned the traditional realistic writing techniques, that is, the transition from the outside world to the inner world when the character was carved, and he did it in the way of consciousness, leading the reader to take part in the author's creative intention in the process of reading, and finally, he made a wonderful pen. Open up the fog and let us come to the sunshine. In the large space of consciousness, all kinds of field shadows are constantly interlaced with the inner consciousness of the characters, and the surface looks completely disorderly, but after the end of the reading, these scenes are like the superposition color of the oil painting layer after layer, showing a rich and bright level.
The most impressive one was the daughter of the family, Katie. Although the whole book does not separate chapters from her perspective, she is closely related to the actions of every character. The elder son, Quentin, desperately embraced the so-called old tradition in the south, because Katie's romantic nature, love and hate, grief and indignation drowned suicide. Mrs. komp was a selfish and cold "patient". She must be concerned only with herself. She never forgot the identity of the southern lady, dragged the whole family, and accelerated the decline of the Compson family. Katie lived in the repressed darkness, free from the bondage of the "boudoir", but walked over the head, was dissolute, was pregnant with the boys, and married another man. But she could not escape the discarded fate. Poor is the private girl, also called Quentin. Ridiculous parents did not ask her advice, gave birth to her, pain and sorrow was doomed to accompany her life. After the disillusionment, as the article says, "born in pain, grew up in the pain of disease, and died in decay."
放下书，我仿佛看到了我那掺杂着浓浓感受的回忆……
汤姆受一个夜晚的刺激被姨母一气之下和伙伴哈克离家出走去当了“海盗”。然而理想是美好的，现实却是残酷的。在野外，他们虽有足够的自由，能力却是如此的渺小。他们一方面受不了外面的风雨，另一方面思念着家人。这，就是他们所向往与追求的快乐吗？
他们还是孩子，很快就后悔了这么做。他们悄悄地潜回了家，看到姨母不断地自责，如雨般的泪，难以言表的痛苦和辛酸慢慢在心中渗透、泛滥。他知道他错了，他多么想说一声“对不起”或“抱歉”。在姨母的沉睡中，他给了她一个宁静而又安详的吻。
在孩子们的葬礼上，一切都是虔诚的灰色。姐姐轻轻地抽泣还有贝姬捂着的脸颊，就连讨厌的锡徳也暗自低下了头……整个教堂，沉重的气息散布在各个角落。正当牧师先生宣读着祷告时，三个不速之客——汤姆、哈克、乔埃蔫头耷脑地闯了进来，使在场的人们都吃了一惊，汤姆不顾一切奔向姨母的怀抱。在这熟悉的温暖中，汤姆第一次感受到了什么叫做幸福，多少天不见的思念泉水般地悄悄涌上心头。
汤姆回到了以往正常的生活，但他却无法忘掉那一个深夜。那一晚，他和好伙伴哈克去墓地“试胆量”，将一只死猫拎过去埋葬。“那是一个西部的老式的坟地，座落在离村子大约一英里的半山上”。墓地漆黑地不见一点儿光，行动自然也不像汤姆他们想象的那样迅速。突然，一阵嘈杂的声音传入耳中，他们有些慌了：这伸手不见五指的夜晚，怎么可能会有人来？紧接着，他们便亲眼目睹了整件事情发生的经过，而那个杀了医生的罪犯乔，以醉酒的借口诬陷波特，却安然无事地和恐慌的波特一起逃走了。可怜了这两个男孩子，他们不敢出声，一动也不动，仿佛乔，随时都会转过身来对他们来一刀。
法庭上，一个小男孩惶惶不安地在目击者一席坐着，他就是汤姆，而他远处的对面，则坐着那天犯下血腥罪行的人——印第安？乔！乔死死地盯着汤姆，一丝丝汗从他那麦色的脸颊流下，视线却从未移开。他将那把罪恶的匕首在右手上玩弄着，反射出的光似乎是血一般的，照在汤姆脸上。这让汤姆更害怕了，害怕极了，脸色苍白，双手仿佛与嘴唇一样不停颤抖着，牙齿也一直打滑。别过脸看看一旁的波特，看着他满脸的恐惧，汤姆咬紧嘴唇，沉默了。
“孩子，告诉我，那个杀了人的是不是波特？”法官再一次询问道。“不！那个杀人犯是印第安·乔！”“嗖！——”汤姆头一歪，匕首一瞬间嵌入了墙壁。在全场人们的喧哗中，印第安·乔逃之夭夭，汤姆和波特，终于松了口气。
没过多久，汤姆和镇上的人们都渐渐淡忘了那件事。汤姆和贝琪还有学校的同学们，一起由老师们带领着去山洞玩。汤姆生性淘气，拉着贝琪就往山洞里跑去。不料，这一跑，却在山洞中迷了路。黑暗的山洞中只有一把带来的火光，山壁凹凸，土路崎岖，洞内又阴暗潮湿，两个孩子小心翼翼地摸索着，前进着。他们渐渐地感到饥饿、吃力，豆大的汗珠流淌着，好像是一层一层被消耗的体力。贝琪哭了——他们是多么地无助！他们有些绝望了。
可是，转机出现了。汤姆灵机一动，牵引着风筝线，找到了出口。但是，他们却意外地看到了皮包骨头的乔！乔想抓住汤姆，而汤姆却竭力闪躲着，贝琪不停地尖叫。汤姆看准时机，手一挥将铜锁砸向乔，而乔，被砸了下去，在也没有力气再次爬上来。就这样，汤姆和贝琪被一支木筏救走了。
汤姆找到了乔他们埋藏的宝藏，同时，大家在山洞中，发现了早已饿死多日的罪犯，印第安·乔。
就这样，这个故事结束了，而我的心，却久久无法平静下来。
六年级:静儿
