《人猿泰山》里的经典台词
Young Tarzan： I'll be the best ape ever
年轻山：我将会是最棒的人猿
-------------------------------------------------------------------------------- Tantor： That sounded like Tarzan. It sounded like he was in trouble. 丹托听起来像是泰山。
好像到麻烦了。
Terk： Yeah
Why doesn't he get his new friends to help him
I don't care. 特克：
他为什么不要他的新朋友帮助他
我才不管。
Tantor： That's it
I've had enough of your emotional constipation
Tarzan needs us， and we're gonna help him
丹托：就是啊
我已经受够了你的冷漠
泰山需要我们，我们现在就去帮助他吧～ [places Terk on his back](特克放在他的背上) Tantor： So sit back and hold on tight... we've got a boat to catch. 丹托：现在坐好抓紧了…我们要驾着一艘船。
[Tantor charges off a cliff and into the ocean] (丹托越过悬崖驶进海洋中) Tantor： I've never felt so alive
我从来没有觉得这么快活
Terk： Good， 'cause I'm gonna kill you
特克：好的，因为我将要杀死你
-------------------------------------------------------------------------------- Tarzan： No matter where I go， you will always be my mother. 泰山：无论我在哪里，你都将永远是我的母亲。
Kala： And you will always be in my heart. 卡拉：并且你将永远在我的心中。
-------------------------------------------------------------------------------- Kerchak： You came back. 科查克：你回来了。
Tarzan： I came home. 泰山：我回家了。
-------------------------------------------------------------------------------- [Jane draws Tarzan on the chalkboard] (简在黑板上画泰山) Professor Porter： Shall I， ahem， leave you and the blackboard alone for a moment
波特教授：可以吗，嗯，让你和你的黑白独自呆一会儿
-------------------------------------------------------------------------------- Kala： Close your eyes. Now forget what you see. 卡拉：闭上你的眼睛。
现在忘记你看见的。
Kala： [puts Tarzan's hand to his chest] What do you feel
卡拉：(把泰山的手放在他的胸前)你感觉到了什么
Young Tarzan： My heart. 年轻的泰山：我的心脏。
Kala： [puts Tarzan's head by her chest] Come here. 卡拉：(把泰山的手放在她的胸前)放在这儿。
Young Tarzan： Your heart. 年轻的泰山：你的心脏。
Kala： See
We're exactly the same. 卡拉：明白吗
我们是同样的。
谁有《人猿泰山2》前15分钟的英文台词
不知道你所说的台词是指歌词还是对白。
这里有整部电影的链接（常用软件\\\/影视\\\/人猿泰山DVD.rm ），我刚刚下载。
要快去，看到这个链接的人都去下的时候，离链接失效的时间就不远了。
顺便提一下，这个网站上还有其它许多影片，有些已经打不开了。
求动画片人猿泰山1&2的英文台词
人猿泰山动画片故事介绍：Tarzan, a fictional character created by Edgar Rice Burroughs, first appeared in the 1912 novel Tarzan of the Apes, and then in twenty-three sequels. He is the son of a British Lord and Lady, marooned on the coast of Africa by mutineers. His parents died when he was an infant, and he was raised by Great Apes of a species unknown to science. Kala is his ape mother. Tarzan (White-skin) is his ape name; his English name is John Clayton, Lord Greystoke (according to Burroughs; Earl of Greystoke in later, non-canonical sources, notably the 1984 movie Greystoke). As a young adult, he meets Jane, and when she returns to America he leaves the jungle in search of his true love. Tarzan and Jane marry, and he lives with her for a time in England. They have one son, Jack, who takes the ape name Korak. Tarzan is contemptuous of the hypocrisy of civilization, and he and Jane return to Africa where, both being immortal, they still live.The Tarzan characterBurroughs has created in Tarzan an extreme example of a hero figure unalloyed with character flaws or faults. Tarzan is described by Burroughs as being Caucasian, extremely athletic, tall, handsome, and tanned. He has gray eyes. Emotionally, he is courageous, loyal and steady. He is intelligent and learns new languages easily. He is presented as always behaving ethically in all situations, according to Burroughs' definitions. He is deeply in love with his wife and totally devoted to her. Always the gentleman, in numerous situations where other women express their attraction to Tarzan, he politely and as kindly as possible declines their attentions. If presented with a situation where a weaker individual or party is being preyed upon by a stronger foe, Tarzan will invariably take the part of the weaker party (and invariably, if eventually, win). In dealing with other men Tarzan is firm and forceful. With male friends he is reserved but deeply loyal and generous. As a host he is likewise generous and gracious. As a leader he commands devoted loyalty.In contrast to all these urbane and sophisticated capabilities and characteristics, Tarzan's philosophy embraces an extreme form of return to nature. His preferred dress is a knife and a loin cloth made from uncured animal hide. His preferred abode is a convenient tree branch which happens to be nearby when he desires to sleep. His preferred food is raw meat, killed by himself; even better if he is able to bury it a week so that putrefaction has had a chance to tenderize it a bit. Although Tarzan is able to pass within society as a civilized individual, he prefers to, as Burroughs often puts it strip off the thin veneer of civilization.This philosophy was absorbed by countless fans, amongst whom was Jane Goodall, who describes the Tarzan series as having a major influence on her childhood. She states that she felt she would be a much better spouse for Tarzan than his fictional wife, Jane, and that when she first began to live among and study the chimpanzees she was fulfilling her childhood dream of living among the great apes just as Tarzan did.
迪士尼英文电影 经典台词20句 要加中文的翻译 ! 谢谢
狮子王Simba: Dad, dad! Come on, dad, we gotta go, wake up!：爸爸，爸爸
来呀，爸爸，我们得走 了，醒醒... Dad, dad... Mufasa: Before sunrise he's yours, son.爸爸，爸爸... 木法沙：在太阳升起前 他是你的，孩子。
Simba: dad! Come on, dad! You promised!：来呀，爸爸，你 答应过的。
Mufasa: Okay, Okay, I'm up, I'm up. Simba: Yeah!木法沙：好的，好的， 我起来了，起来了。
：太好了。
Mufasa: Look, Simba, everything the light touches is our kingdom.木法沙；辛巴，你看， 阳光普照的一切就是我 们的王国。
Simba: Wow! Mufasa: A king's time as ruler rises and falls like that sun,辛巴：哇
木法沙：一个国王的 统治期就像太阳的升起 和落下一样。
one day, Simba,辛巴，总有一天， the sun will set on my time here and will rise with you as the new king.太阳将会跟我一样慢慢 落下，然后在你成为新 国王时和你一同升起。
Simba: And this will all be mine? Mufasa: Everything!辛巴：这一切都是我的 吗
木法沙：所有的一切。
Simba: Everything the light touches! What about that shadowy place?辛巴：阳光普照的一切 那有阴影的地方呢
Mufasa: That's beyond our borders, you must never go there, Simba.木法沙：那地方是我们 的国度之外。
你永远不 要去那里，辛巴。
Simba: But I thought a king can do whatever he wants.辛巴：我以为国王可以 随心所欲啊。
Mufasa: Oh, there's more to being king than getting your way all the time.木法沙：哦，国王也不 能随心所欲啊。
Simba: There's more?辛巴：还有别的
Mufasa: Simba, everything you see exists together in delicate balance.木法沙：辛巴，世上所 有的生命都在微妙的平 衡在生存。
As king, you need to understand that balance作为国王，你不但要了 解那种平衡， and respect all the creatures from the crawling ant to the leaping antelope.还要尊重所有的生物， 无论是爬行的蚂蚁还是 跳跃的羚羊。
Simba: But dad, don't we eat the antelope?辛巴：但是爸爸，我们 不是吃羚羊的吗
Mufasa: Yes Simba. But let me explain.木法沙：是的，辛巴， 让我解释给你听。
When we die, our bodies become the grass and the antelope eat the grass我们死后，尸体会变为 草，而羚羊是吃草的。
and so we are all connected in the great circle of lives.所以在这个巨大的生命 圈里我们是互相关联的主要内容： 辛巴是狮子王国的，他的父亲穆法沙是一个威严的国王。
然而叔叔刀疤却对穆法沙的王位觊觎已久。
要想坐上王位宝座，刀疤必须除去。
于是，刀疤利用种种借口让辛巴外出，然后伺机大开杀戒，无奈被穆法沙即时来救。
在反复的算计下，穆法沙惨死在刀疤手下，刀疤别有用心的劝辛巴离开，一方面派人将他赶尽杀绝。
辛巴逃亡中遇到了机智的和善良的，他们抚养辛巴长成雄壮的大狮子，鼓励他回去森林复国。
在接下来一场复国救民的斗争中，辛巴真正长成一个坚强的男子汉，领会了责任的真谛。
Kala: Tarzan, what are you doing? Tarzan: Why am I so different?: 泰山,你在干什 么
泰山: 我为什么那么与 从不同
Kala: Because you're covered with mud, that's why.: 因为你浑身上下 都是泥巴,那就是原因 Tarzan: No, Kerchak said I belong in the ... Kala: Close your mouth泰山: 不,哥查说我不 属于... : 别说了. Tarzan: Kerchak said I belong in the family.泰山: 哥查说我不属于 这个家族. Kala: Never mind what Kurchak said. Hold still. Tarzan: Look at me.卡拉: 别管哥查说了什 么.别动. 泰山: 你瞧瞧我. Kala: I am, Tarzan... and do you know what I see? I see two eyes. Like mine,卡拉: 我在瞧你,泰山 ...你知道我看到了 什么吗
我看见你像我 一样的两只眼睛. and a nose somewhere, ah, here. Two ears, and let's see, what else?有个鼻子在...
啊, 这儿.两只耳朵,让我 看看还有什么. Tarzan: Two hands? Kala: That's right.泰山: 两只手
卡拉: 对了. Kala: Close your eyes. Now forget what you see. What do you feel?卡拉: 闭上眼睛.忘掉 你看到的.你感觉到什 么吗
Tarzan: My heart. Kala: Come here. Tarzan: Your heart.泰山: 我的心. 卡拉: 到这儿来. 泰山: 你的心. Kala: See, we're exactly the same. Kerchak just can't see that.卡拉: 明白了吧,我们 是一模一样的.哥查就 是看不到. Tarzan: I'll make him see it. I'll be best ape ever.泰山: 我会让他看见的 我会成为最优秀的猿. Kala: all right, I bet you will.卡拉: 这就对了,你一 定会的.主要内容：在非洲原始森林成了孤儿的婴孩在猿猴家族的照料下长大成人，人类探险和出现打破了他宁静和平和世界，也使他认识到他是人类的一员，他在决定归属哪一类家族问题上的思考因为他对美丽的珍妮姑娘的感情进而变得更加复杂，而人类将对猿猴家族的伤害更使他进入了进退两难的境地。
人猿泰山中的“泰山”英文是什么
《人猿泰山》，Tarzan of the Apes泰山，Tarzan供参
急求人猿泰山观后感英文版
1999年版动画片(Tarzan)观后感：Without a doubt, t is the most visually impressive animated movie has ever created. In the entire visual tory of animated films, t one stands head and shoulders with the best, and above most. The concept of incorporating all or part of the actual person's face and mannerisms who provides the voice for an animated character (which pioneered), has been raised to near art form in this movie. The casting of voices for the characters is excellent, and adds greatly to the impact of the animated performances. Indeed it adds immensely to the entire movie. The visual richness in this film is absolutely awe inspiring.I look for little things, that rmally get overlooked, as a guide for how devoted animators are to bringing quality to the screen. For a small example of this, check out the scene (pretty early in the film) where boy Tarzan asks Terk if he can come with to play. Terk says , because `...you can't keep up'. The next scene Terk comes through a group of ferns and starts talking to his friends. Check out the movement of the ferns behind Terk, and also when boy Tarzan comes through them. They are incredibly detailed and are constantly moving (realistically). All this requires time, money and talent and WHERE in this film is that scrimped on. Canvas, the new technique created by , adds immeasurably to Tarzan. This film wouldn't be NEAR what it is without it. Normally for animation to occur where we follow the action `into' the frame or toward and away from you, the background has to be redrawn continuously because (for instance) elements get larger as you move toward them. This, In contrast to action that moves side-to-side where the background can be drawn once and only character cells need be redrawn. Its like moving `into' a painting, rather than back and forth across the canvas (hence the name probably).Animators rarely do much action `into' the frame, because the time and cost involved is very great. Canvas uses backgrounds, hand drawn into the computer, to computerize (to an extent) this process. This not only greatly reduces the time and cost involved, but it also adds new tools at the animators disposal. Really, it allows the background to come alive. It doesn't look computerized though, it looks like traditional animation. The technique resulted in many spectacular sequences in Tarzan. The scenes where he `surfs' the trees showcases just how awesome this new tool is. There is MUCH more to Canvas than my over-simplified definition. There is MUCH to like in Tarzan... the visual lushness, excellent character animation and voice performances, the music (even if you aren't a Phil Collins fan, it's good) and it has an excellent sense of humor. It also shies away from the overly cute depictions of animals (as in Bambi) for more realistic ones which really took a big turn for the better in The Lion King. The sequences with babies and children (human and animal) and interactions between parent and child also rang very true, something else that began to really take off in The Lion King.Some scenes are very powerful, and will rock even adults. One scene in particular comes to mind. Directly after the fight sequence with Sabor (the leopard), Tarzan does his traditional Tarzan yell. This raised the hair on top of my head. I have found myself watching this over and over again. It's just about as perfect as animation can get. The yell itself is new and fresh, not the traditional yell we have heard so many times before (which is great, but shows it's age). Tremendous power and emotion is translated by less than six seconds of screen time. You will feel yourself fighting back your own yell, or tears when you watch this.Disney did so much right in this movie, but they continued one long, bad tradition. Which is the weak writing and casting of the villain. Indeed the whole conceptualization and portrayal of the antagonist in Disney films, including this one, needs a massive overhaul.Alfred Hitchcock, above all others, understood how important the villain or antagonist was to a film. Hitch made the `heavy' attractive and intelligent. Often the villain was a much better person in most respects than the protagonist of the film, with only one fatal flaw marring . The villain might be a person that you would really want as a friend or a lover, if it weren't for that ONE thing - which was a BIG thing, like he (or she) was a psycho or a traitor or a murderer. On one hand you wanted the `good-guy' to triumph, but you could identify with the villain and you often liked more. Making the villain a desirable and multi-faceted character created incredible tension in the audience.I mention all this because this is one area where Disney REPEATEDLY fails in it's animated films, and Tarzan is no exception. The anti-hero in Tarzan is one-dimensional, and we don't identify with him in any way. He is the `bad hunter', used often as a villain in recent Disney movies, e.g., Beauty and the Beast and Pocahontas. We are drawn into the way Tarzan himself is torn between his adoptive gorilla family, and his identity with the human race. This tension is well done in the film, in every way from the writing and casting to the actual animation of emotion. We aren't however, a bit drawn in by the antagonist of the film.That aside, overall this film was GREAT. I loved it and anyone who likes animated films will love it too. Even if you don't like animation you will probably like this one. It far surpasses most if not all in recent memory. The only gripe I have is the cardboard cut-out villain. I long for more three dimensional antagonists that can get the audience thinking and emotionally involved in the struggle occurring on screen. Enrolling all the writers of the Disney animated movies in a college-level course on the films of Alfred Hitchcock could do WONDERS for their next projects. But that's about the only area where they need help. In every other way Disney is holding class, and all other feature animation studios could do well to sign up for a course or two.
<人猿泰山>里面的一句台词`
tjh
