UNITY万物一体怎么还不上映
这世间充满了谎言 有人说谎是为了活的更好 我说谎只是为了活着 思维穿越时间空间的束缚 我仿佛又回到了三水镇 低矮的茅屋树上的冰棱 阳光照耀在茫茫的雪地上 天地间有一片光亮 雪地上折射出七彩的霓虹 那就是生活的颜色 有两个小黑点在雪地上跳跃 那就是你和我 就像小强一样活着 就像小强一样活着 在别人都想哭的时候笑着 就像小强一样活着 就像小强一样活着 这世界不会只有白的黑的 就像小强一样活着 就像小强一样活着 在别人都想哭的时候笑着 就像小强一样活着 就像小强一样活着 这世界不会只有白的黑的 这世间充满了谎言 有人说谎是为了活的更好 我说谎只是为了活着 思维穿越时间空间的束缚 我仿佛又回到了三水镇 低矮的茅屋树上的冰棱 阳光照耀在茫茫的雪地上 天地间有一片光亮 雪地上折射出七彩的霓虹 那就是生活的颜色 有两个小黑点在雪地上跳跃 那就是你和我 就像小强一样活着 就像小强一样活着 在别人都想哭的时候笑着 就像小强一样活着 就像小强一样活着 这世界不会只有白的黑的 就像小强一样活着 就像小强一样活着 在别人都想哭的时候笑着 就像小强一样活着 就像小强一样活着 这世界不会只有白的黑的 歌名：像小强一样活着 词曲：赵英俊 演唱：赵英俊 出品：新娱唱片 ☆ Lrc：若尘阿凯 QQ：15159323 ☆
招贴方面的外文翻译
外文翻译：Chinese characters in the modern poster design to expand, its profound cultural background and unique symbol of the element of art with a strong flavor and aesthetic charm. Modern poster design in order to Chinese as the creative element modeling of formal beauty of Chinese characters and culture re-discover the spirit of further extension and deepening.- Title in mindChinese language is unique to China, with rich cultural connotation and the art of infinite charm, for thousands of years of evolution, changing the font characters to develop into a highly symbolic, images of the characters.Today, the Chinese characters are often used in the design of the modern poster, not only embodies the characteristics of traditional national culture, but also highlights the flavor of the times, its great vitality and influence of concern for the people of the world. A long history of Chinese characters, which in itself is the composition of the United States and graphics, has a strong sense of the symbols and the value of a high degree of artistic style. Interpreted as a character has the shape of the posters graphics Jane, meaning the United States, the structure of the characteristics of rich people directly through the graphics will be able to understand their own symbolic meaning.First, Chinese and Modern Poster DesignThe origin of Chinese characters meaning in table form of hieroglyphics, is a long-term experience with the crystallization of sentiment, according to type Chinese characters have a meaning attached to the sound and has been preserved describe the style of the original. Characters from the picture, from the original picture from, is one of the earliest forms of visual culture. Picture of a gradual shift in the direction of the text into a text picture text symbols. From the poster design, the characters are relatively simple design elements, and is the most rich and complex design tools, its rich, perfect framework, uses a wide range of far-reaching implications, means that a very fun and decorative role. Through a certain degree of design creativity, given the font in order to visualize the re-creation of the proper performance of posters designed to highlight both cultural values, can play a finishing touch, the role of icing on the cake. Xu Shen of the Han Dynasty a famous writer of Shuo Wen Jie Zi sequence reads: the first four heads Jie, pass on the gods, a tendency to look up奎星, pandering to detect traces of japonica as birds, people absorb, draw upon the United States, for the words together , recorded the origin of Chinese characters is from the natural world of the ancients absorb, draw upon the public the United States and summed up the formation of abstract symbols, the resulting image with the basis for the beginning, and thus its shape to reflect that it contains information and ideas . Chinese characters and then continued with the communication needs of people and the evolution of its process of evolution is the process of design, text, forms gradually reasonable and perfect, in order to achieve a more effective and faster, more accurate delivery.Shape from the design point of view of thinking is thinking in images is a form of things like a summary, a general; From a sociological point of view, we face the more concrete, the more is the reality; more realistic, the more there the opportunity to stay out of space, was more into the feelings and imagination, but also the more tension with the vision. Therefore, as with the visual expression of character is always the first element of poster design.Poster Design of modern abstract painting is not, nor puzzle, it is a silent language, it must seek the audience's sympathy. Not only the requirements of modern poster design the perfect graphics with new graphics should be the pursuit of win more than less, that is, a high degree of concise, give people space to think far-reaching. The author should not be imposed given and the audience should be free to access is in the graph induced by the Parataxis. It is the same as with any art, has its own laws, in the performance by the binding, it is a special form of self-formation. Clever idea, meaning strong, vivid image of the characteristics of the posters. Reflect the large number of requirements is very abstract, and abstract as a visual image, is the most difficult of poster design. Some posters used in the visual image of itself, the majority used an analogy, and symbolic way to replace. What is an analogy with objects and symbolic form, is a由表及里, from the nature of the phenomenon of the thinking process so as to achieve This及彼 The purpose of inspiration and give people the space to imagine.Second, Chinese characters in the modern poster designChinese characters as graphic elements have a dual nature, is more than simply expressive graphics and visual impact. First of all, the word itself is intended clearest and most convincing, with the accuracy of the transmission of information and features such as direct; Secondly, the graphical features of Chinese characters, so characters from the word meaning of the message communicated to the graphics possible, and is extremely malleable. Chinese character conversion in the graph, you can deepen people's visual impression of viewing, to increase its fun intuitive, content and meaning of Chinese characters, through its combination of various bills designed to express the theme, will be its emphasis on the expression of ideas, tips of , personalized, poster art so that people feel the taste and charm.Poster Design is a creative life, no great ideas, posters would be difficult to assume the mission of their own. First of all, the creative character posters should have the aesthetic characteristics of the rules to be followed in the United States to creativity, regardless of the point of character, line and plane, as well as the relationship between the color should be consistent with the form of United States law, this is the key to the creative character posters; other should be combined with the application of the theme of Chinese posters, targeted to start thinking of the creation, the idea of a clever, unique innovative content of the image of the performance of the theme.Designed to be creative and avoid novelty. Fonts in the creative idea process, find the entry point for the development of imagination is essential. According to the structure of Chinese characters in the font on the fuss, to design development to provide a limitless imagination and creative space. Character into the first word can be considered to emphasize the characteristics of shape, so that the characteristics of a more clear-cut characters, more profound meaning; Secondly, can also make some T-shaped rigid or soft, the handling of the emotion into the character of the strokes; can also be broken again text structure of the traditional norms and balanced pattern, the mobile part of the distribution of common stroke location, change the spacing between them so that changes in structure comparison, highlight the creativity and character fonts. In short, the rich characters change so that we may more fully into account the performance of multi-layered meaning of the form, so that the text fully displayed the charm Regards, giving or easy, or serious, or humorous, or the art of lyric feeling.Character design is the image of the specific meaning of the text through the visual image font processing constitutes its own interest, the text content and clever integration of the external form and show its influence at a glance. This show, infiltrate the thinking of modern design to give the text a strong connotation of the idea. Images of Chinese font design, the key is to start feeling and imagination, ingenuity displayed material I blend of the romantic. Image detached by a pictographic language like shackles, throw away the inherent objective of the shape, refined and vivid abstract meaning. Bold imagination with creative thinking to obtain the expression of infinite mean. Images of text generally radicals and radical changes in the number of strokes, size, number or structure, such as endoplasmic reticulum manner with changes in the image into the methods of character fonts to emphasize at the outset, in the form of fonts, stroke, structure for the relevant details adjustment. Second, to emphasize the characteristics of emotional, artistic imagination and the right understanding of the content into the image of the font. Finally, to emphasize the interesting characters, the pursuit of the number of strokes of the interesting shapes, interesting layout operations, such as light and shade so that the interesting creative fonts to achieve pleasing sense of aesthetic taste of the heart. Mr. Yu Bingnan such as poster design home (Figure 1), a family form the main part of the word right on the southeast coast of China coincides with the outline, and home the last word of its location and shape of Na precisely similar to China's Taiwan Terrain Contour replaced (to the first 29) (next p. 23) that endoplasmic isomorphism clever way to deepen the theme of the design to give the home to the mainland is a Taiwan should understand the profound meaning of unity.Ideographic character itself is a symbolic example of Lian-shaped, because the principle is the creation of Chinese characters hieroglyphs instead of alphabetic writing, so word itself implies a image and therefore posters of Chinese characters characters will soon be constituted landscaping and symbols, and its design and by the word itself, constitute restrictions on the structure, landscaping only to a certain degree of performance. Graphics, as far as possible to find the entry point for Chinese characters, combined with the use of the theme poster creative.Figure 2 posters for poor students-friendly design, the authors skillfully use radical radicals of Chinese characters, the Chinese character before and storm into one so that readers can easily from the font to the graphics of the taste of the implication conveyed.Figure 3 is Chen Shaohua studio publicity posters, the design to use cleverly word statement to the side, showing a strong awareness and modern design. Therefore, the objective of accurately identify the core meaning of Chinese characters into the key is to design and then its ability to skillfully crafted appropriate, will produce its desired effects, unconventional, thus destroying the original character based on the recognition of the creation of a new work.Therefore, the modern poster designers should inherit the cultural traditions of the Chinese nation, pay attention to the continuation of Chinese humanistic spirit, give full play to the strengths of national art, bring it into line with modern design to communicate with the spirit of the times combined to create both national characteristics and the times works of the spirit of the posters.中文翻译：汉字在现代招贴设计中的应用愈来愈广泛，其深厚的文化底蕴和独特的符号元素，具有极强的艺术韵味和审美意趣。
现代招贴设计以“汉字”为创作元素，是对汉字造型形式美的再发掘与文化精神的再延伸与深化。
——题记汉字是中国特有的文字，具有丰富的文化内涵和无穷的艺术魅力，在几千年的演变过程中，汉字字型不断变化，发展成为具有高度符号化、图像化的方块字。
如今，汉字常常应用于现代招贴设计之中，既体现了传统民族文化特性，又突出了时代气息，以其巨大的生命力和感染力为世人所关注。
汉字历史源远流长，其本身就是美的构成图形，具有很强的符号感和高度的艺术造型价值。
以汉字演绎成的招贴图形具有形简、意美、结构丰富的特点，使人通过图形本身就能直接了解其象征意义。
一、汉字与现代招贴设计汉字起源于表形表意的象形文字，是人们长期生活体验与感悟的结晶，中国文字依形附声而产生意义，一直保存了原始描摹的风貌。
汉字源于图画，由原始的图画而成，是最早的视觉文化形式。
图画逐渐向文字方向转移，变成文字符号的图画文字。
从招贴设计来讲，汉字是较为简单的设计元素，又是最丰富而复杂的设计手段，它的内涵丰富、构架完美、用途广泛、影响深远，极具情趣意味和装饰作用。
通过一定的设计创意，赋予字型以形象化的再创造，恰当的表现，既能突出招贴设计的文化价值，又能起到画龙点睛、锦上添花的作用。
汉代著名文学家许慎著的《说文解字》序曰：“颉首四目，通于神明，仰视奎星之势，俯察龟纹鸟迹之象，博采众美，合而为字”，记录了汉字的由来，是古人从自然万物中“博采众美”而抽象概括形成的一种符号，其产生的开端具有形象的依据性，因而其造型反映它所包含的信息和意念。
而后汉字不断随人们沟通交流的需要而演变着，其演变的过程即是设计的过程，文字形式逐渐趋向合理、完美，从而实现信息更有效、更快捷、更准确的传递。
“象形”从设计思维上来看是形象思维，是对事物具象形态的归纳、概括；从社会学的角度看，我们所面对的愈是具象，就愈是现实；愈是现实，就愈有机会留出空间，被人们装入更多的情感和想象，也就愈具有视觉的张力。
因此，具象的、直观的表达，永远是汉字招贴设计的第一要素。
现代招贴设计不是抽象绘画，更不是字谜，它是无声的语言，它必须求得观者的共鸣。
现代招贴设计不但要求图形的完美与新颖，还应追求图形的“以少胜多”，即高度的凝练，能给人以深远的联想空间。
不应是作者强加的“给予”，而应是观者自由地“获取”，是在图形诱导下的“意合”。
它同任何艺术一样，有其自身的规律，在表现上所受到的“约束”，正是形成自我的特殊形式。
构思巧妙、寓意性强、形象生动是招贴的特点。
大量的所需反映的内容是很抽象的，把抽象概念化作为可视的形象，是招贴设计的最大难点。
招贴中除了部分用直观形象本身外，多数则用比喻、替换和象征的手法。
用什么比喻物和象征形，则是一个由表及里、从现象到本质的思考过程，从而达到“由此及彼”的目的，给人以启示和想象的空间。
二、汉字在现代招贴设计中的应用汉字作为图形元素具有双重性，比单纯的图形更富于表现力和视觉冲击力。
首先，字意本身就是最明确、最有说服力的，具有信息传递的准确性与直接性等特点；其次，汉字的图形化特征，使汉字从字意的传达到图形的传达成为可能，并具有极强的可塑性。
汉字在图形中的转化，可以加深人们观赏的视觉印象，增加其直觉趣味，并使汉字的内容含义通过其结合的招贴设计主题多方面地表达出来，将其所表达的意念强调化、提示化、个性化，让人们感受到招贴艺术的品位和魅力。
创意是招贴设计的生命，没有高超的创意，招贴就难以承担自身的使命。
汉字招贴的创意首先应具有审美的特征，要遵循美的法则来创意，无论汉字的点、线、面以及色彩之间的关系都应该符合美的形式法则，这是汉字招贴创意的关键；另外，应结合汉字招贴的应用主题，有针对性地展开思维创造，以巧妙的构思、独特新颖的形象表现主题内涵。
设计要勇于创新，避免无新意。
在创意字体构思过程中，寻找可以开发想象的切入点是至关重要的。
根据汉字的结构在字形上做文章，能为设计提供一个拓展想象与创意的无限空间。
字形的切入首先可以考虑强调字的外形特征，使字形特征更加鲜明，寓意更加深刻；其次也可以在笔形上作一些硬性或柔软的处理，把字体的情感注入在笔画之中；再次还可以打破文字结构上传统的规范和均衡的定式，移动部分笔画常见的分布位置，改变疏密关系，使结构产生对比变化，突出创意，加强字体的个性。
总之，字形的丰富变化让我们有更多的可能充分考虑多层内涵的表现形式，使文字充分展现传情的魅力，给人或轻松、或严肃、或诙谐、或抒情的艺术感受。
汉字的意象设计是将文字的特定含义通过字体形象视觉化处理构成自身的趣味，将文字内涵与外在形式巧妙融合并一目了然地展现其感染力。
这种展现，渗透着现代设计思想，赋予文字内涵强烈的意念。
汉字字体意象设计的关键是要展开情感与想象，别出心裁地展示“物我交融”的浪漫色彩。
意象文字超脱了具象形似的束缚，丢弃客观固有的“形”，提炼抽象传神的“意”。
大胆用想象思维进行创意，从而获得意味无穷的表达。
意象文字一般以部首偏旁与笔画的增减、大小、多少或内质同构等手法进行变化，意象的切入方法中首先强调字体的个性，在字体的形态、笔画、结构中作相关的细节调整。
其次强调情感的特征，将艺术想象和对内容的理解恰到好处地融入字体形象之中。
最后强调字形的趣味，追求笔画造型的趣味、编排经营的趣味、明暗分布的趣味等使创意字体达到悦目、感心的审美情趣。
如余秉楠先生设计的招贴《家》（图1），“家”字右下主体部分外形与中国东南沿海轮廓相吻合，而“家”字最后一捺其位置与形状以恰好相似的与我国台湾地形轮廓替换，(转第29页）(接第23页）这种内质同构的手法巧妙地深化了设计的主题思想，赋予“家”以大陆台湾本是一家、应该统一的深刻内涵。
汉字本身就是表意炼形的符号典范，因为汉字的造字原理即为“象形文字”而非拼音文字，故“字”本身即隐含着“图像”，因此，“汉字招贴”即将字形构成加以美化和符号化，它的设计与构成受到字本身的结构的限制，美化只能在一定程度之内去表现。
尽可能寻找汉字图形的切入点，结合招贴使用主题进行发挥创造。
图2为关爱贫困大学生海报设计作品，作者巧妙地利用汉字的偏旁部首，把汉字“才”和“困”组合成一体，使读者很容易从字体中品味到图形所传达的意蕴。
图3是陈绍华工作室宣传招贴，把“设计”二字巧妙地借用“言”字旁，表现出强烈的设计意识和现代感。
因此，准确找出目标汉字的表意核心是设计切入的关键，随后再对其加以适当的巧力雕琢，做到有的放矢、标新立异，这样就能在不破坏原字识别性的基础上创造出新的作品。
因此，现代招贴设计者应该继承中华民族的文化传统，注重延续中华人文精神，充分发挥民族艺术的特长，使之与现代设计相沟通，与时代精神相结合，创造出既有民族特色又有时代精神的招贴作品。
我不明白耶稣到底是谁
1:1 太初有道，道与 神同在，道就是 神。
1:2 这道太初与 神同在。
1:3 万物是藉著他造的；凡被造的，没有一样不是藉著他造的。
1:4 生命在他里头，这生命就是人的光。
1:5 光照在黑暗里，黑暗却不接受光。
1:9 那光是真光，照亮一切生在世上的人。
1:10 他在世界，世界也是藉著他造的，世界却不认识他。
1:11 他到自己的地方来，自己的人倒不接待他。
1:12 凡接待他的，就是信他名的人，他就赐他们权柄，作 神的儿女。
跪求 06年德国世界杯主题歌
2006世界杯Time of Our Lives --Il Divo
quite a few相当于什么
你好
quite a few相当多的quite a number of
求一些台词的英文翻译~~!!!
1.死亡对于任何人来说都是平等的. Death is equal to everyone.2.自其异者视之,肝胆楚越也:自其同者视之,万物皆一.(译者注：出自《庄子》，指从事物千差万别的一面去看，邻近的肝胆虽同处于一体之中也像是楚国和越国那样边境相邻但关系疏远；从事物都有相同的一面去看，万事万物又都是同一的。
)If we keep a critical view, everyting is totally different from others. However, when we treat the world from a seeking common aspect, all things have common points.(只能意译了)3.剑也好 其他的武器也好 不是为了斩断敌人 而是为了斩断弱小的自己 不是为了保护自己 而是为了保护自己的灵魂All weapons including swords, are not for defeating enemy, but for keeping ourselves being brave. And they are not used to protect ourselves but our souls.4.弟子的责任 是成长到足以背负起师傅The responsibility of a disciple is being strong enough to protect the master!5.如果你认识一个人 因为这个人,你快乐过,伤心过那么我想 至少认识这个人本身是一件快乐的事If you meet someone who once makes you happy or sad, then, I think, the acquaintance itself is a pleasant thing.6.你是否觉得过去的自己很愚蠢?没关系.因为将来的你也会觉得这样想着的你很是愚蠢Have you ever felt that you are stupid in the past?It doesn't matter. Because in the future, when you look back, you will think yourself foolish at the moment. That's the process of becoming mature.(补一句：那就是成长的过程。
) 7.世上最厉害的武器是思想.The most formidable weapon in the word is thoughts!总算翻译完了，这台词挺有哲理的，也很有趣，我特别喜欢第五、第六句，祝你们演出成功哦~O(∩_∩)O~
世界统一于物质是唯物主义一元论的根本观点对还是错
世界统一于物质是唯物主义一元论的根本观点。
答案:正确
