迪士尼后妈茶话会歌词
Ever since I was a girl my own mother vowed从我小时候起母亲就要我立I must find the way to power through a noble brow我必须找到爬上权利顶端的捷径I married once for love then my senses came因婚，突然我意识到I must marry for the stature of my husband's name我必须个有名声的丈夫来结婚Onto marrige number two所以第二次结婚I knew what I had to do我知道我必须要怎么做and my poor husband fell ill in a year or two我可怜的丈夫，在两年内病死了solved problem number one,now to problenm number two解决了第一个问题，是时候解决第二个了His deo-eyed littlle girl with gentle point of biew那个他经常用温柔的眼神看着的小女孩Would I ship her off to school?我该送她去学校吗
No!I toud her if she stayed that she'd have to earn her keep当然不了
我告诉她，如果她想要留下来，她就得挣钱养活自己and so she became the maid!于是她变成了女仆She was lazy!她很懒
She was Crazy!她很疯
She was talking to the mice!她曾经和老鼠们说话
She was hopelessly naive,so she had to pay the price.她天真的无药可救，所以她必须付出代价I moved her to the attic out of sight and out of mind.我让她搬去那个我毫不在意也不想看见的阁楼I coud have thrown her out,but I'm benevolent and kind.我本可以赶她出去，就是我太仁慈了Mother,your heart's too big for you!妈，你心真大I knew what I had to do我知道我必须要怎么做After all,difficult children will take advantage of your good nature.毕竟，那难相处的孩子会占你的便宜So you lock them up所以你把她们关起来Throw away the key!把钥匙扔了There's one on every family tree每个家族里都有一个人 她Ungrateful!忘恩负义
Hateful!可恨
Vile too!The things she put you through!还很邪恶
是她让你变成这样
Break their spirit so they obey!毁灭她们的心灵，让她们顺从
Now they'll do anything you say现在她们会乖乖听你的Maybe you'd call it cruel but也许你觉得这会很残忍，但是others would call it love有些人会称这叫爱Tough Love!严厉的爱
I ask you,is it a crime to strive for perfection in all things?我问你，任何事都追求完美这是错的吗
Oh,no,they're so cute when they're little but then they grow up and just…哦，不，他们小的时候很可爱，但长大后…ruin everything!会毁了一切
I never wanted children我从没想过要孩子life was better on my own我一个人过的多美好all the screaming,nagging chilled me to the bone!停不下来的尖叫声听得要了我的命But then one day i came across a flower growing free但有天我遇到一朵可以长生不老的花it's magic kept me young,so i kept it all for me!它能让我拾回年轻容貌，所以我将它占为己有But someone dug it up now a baby held the power但有人把它挖了出来，让那个宝宝拥有了魔力so I borrowedher and locked her upand hid her in a tower!所以我将她“借走”，把她锁起来，把她藏在塔里
Years went by,OH!多年之后，哦
The sacrifice and against my better judgment,I fed her once or twice.为了我自己更好，我牺牲了时间去喂养她Teenagers now I know I wild eat their young我知道现在的年轻人都很难管教But that's messy但是那实在是太令人厌恶了manipulatin's easily more fun操纵他们会更简单有趣A little guilt,a lot of force,of course you have to lie一点内疚，一点迫力，当然你还得必须要说谎remind them without you,they'd shrivel up and die!提醒他们，没有你，他们会枯萎而死
They only have themselves to blame!他们只能怪自己
If you'd been there, you'd do the same如果你身临其境，你也会这样做So work them hard'til they fall in line所以使劲使唤他们，让他们都受不了There's one way and it's only mine只有一条路，属于我的路Children are lazy小孩们都是懒惰的Spoiled too都给宠坏了But we konw what to do!但是我们知道我们该怎么做Govern them with a heart of stone用铁石心肠治治他们Lock zhem up so they're all alone把他们锁起来，让他们体会孤独Maybe you'd call it cruel but,也许你觉得这会很残忍，但是others would call it love,tough love!有些人会称这叫爱，严厉的爱
Ugh!Her own tower with a water view呃
她明明就有一个带有小瀑布的高塔and she runs away the first chance she gets结果她一有机会就逃出去了
These wretched brats think the world owes them something这些可怜的孩子总觉得这世界欠了他们什么But it doesn't但是并不是Far and wide I rule the kingdom with a heavy hand我用严厉的手段统治着这个王国but there was more I hand in mind a greater plan但我有更多的想法，一个更伟大的计划I never cared to share,so The King would have to fall我从未分享过我的想法，所以国王不得不消失But his child blocked the way to me and Fairest of them all但他那个“最漂亮的”孩子挡着了我的去路She was chubby.She was dumb她很胖，她很蠢and grotesquely optimistic而且想法荒诞的乐观She needed structure in her life!She wasn't realistic她想要自己安排她的人生，她一点都不现实I gave her chores and took away the things that she'd enjoy我给了她一堆家务，拿走了她一切喜欢的东西but then I caught her singing songs with birds and then a boy!但后来我发现她和鸟儿一起唱歌，遇上了个男孩
Love?!Was I just sit by and wait?!爱
我只能眼睁睁的看着
for her to take my crown? NO!等着她把我的皇位夺走
不
she hand sealed her fate!她已经决定了她的命运
She hand to go,and so she did and you know what they say她不得不走，你知道他们怎么评价她做的事吗An appke once a day keeps your enemies away“一天一苹果，敌人远离我”Don't be fooled by their tender smile!别再被他们温柔的微笑给愚弄了
give an inch and they'll run a mile!他们只会得寸进尺
Our ider of a happy home我们都是为了幸福的家Is one where we live all alone!那是属于我们的地方Dark,Depressing,Desolate!黑暗，压抑，凄凉
Now let's all drink to that!现在让我们尽情享受吧
call us wicked and call us mean说我们“邪恶”，说我们“卑鄙”Cruel and everything in between说我们“残忍”，所有事都是这样You could say it's unjust你可以说这不公平Turning their dreams to dust把他们的梦想化为灰烬This is what we call love这就是我们所说的爱Tough Love!严厉的爱
绿野仙踪的英文翻译
绿野仙踪》--Wizard of OzDorothy lives on a farm in Kansas until a cyclone arrives, and picks her, her house, and her dog up and deposits them in the land of Oz. Things in Oz are strange and beautiful, but Dorothy just wants to get back home. She's helped by the Good Witch of the North, but she's also in trouble with the Wicked Witch of the West, who seeks revenge for the death of her sister; the Wicked Witch of the East, for which she blames Dorothy. When a nasty neighbor tries to have her dog put to sleep, Dorothy takes her dog Toto, to run away. A cyclone appears and carries her to the magical land of Oz. Wishing to return, she begins to travel to the Emerald City where a great wizard lives. On her way she meets a Scarecrow who needs a brain, a Tin Man who wants a heart, and a Cowardly Lion who desperately needs courage. They all hope the Wizard of Oz will help them, before the Wicked Witch of the West catches up with them.
英语名著经典句子
All human wisdom is summed up in two words ?C wait and hope. 人类所有的智慧可以归结为两个词 — 等待和希望。
—— Alexandre Dumas Pére大仲马（法国作家） It is not enough to be industrious, so are the ants. What are you industrious for? 光勤劳是不够的，蚂蚁也是勤劳的。
要看你为什么而勤劳。
—— H. D. Thoreau梭罗 You have to believe in yourself. That’s the secret of success. 人必须相信自己，这是成功的秘诀。
—— charles Chaplin卓别林 Nothing is more precious than independence and freedom. 没有什么比独立自由更可宝贵的了。
—— [越南] Ho Chi Minh胡志明 I like the dreams of the future better than the history of the past. 我不缅怀过去的历史，而致力于未来的梦想。
—— T. Jefferson 杰弗逊（美国第3任总统）《双城记》英国作家查尔斯·狄更斯I love you not because of who you are, but because of who I am when I am with you. 我爱你，不是因为你是一个怎样的人，而是因为我喜欢与你在一起时的感觉。
No man or woman is worth your tears, and the one who is, won‘t make you cry. 没有人值得你流泪，值得让你这么做的人不会让你哭泣。
The worst way to miss someone is to be sitting right beside them knowing you can‘t have them. 失去某人，最糟糕的莫过于，他近在身旁，却犹如远在天边。
Never frown, even when you are sad, because you never know who is falling in love with your smile. 纵然伤心，也不要愁眉不展，因为你不知是谁会爱上你的笑容。
To the world you may be one person, but to one person you may be the world. 对于世界而言，你是一个人；但是对于某个人，你是他的整个世界。
Don‘t waste your time on a man\\\/woman, who isn‘t willing to waste their time on you. 不要为那些不愿在你身上花费时间的人而浪费你的时间。
Just because someone doesn‘t love you the way you want them to, doesn‘t mean they don‘t love you with all they have. 爱你的人如果没有按你所希望的方式来爱你，那并不代表他们没有全心全意地爱你。
Don‘t try so hard, the best things come when you least expect them to. 不要着急，最好的总会在最不经意的时候出现。
Maybe God wants us to meet a few wrong people before meeting theright one, so that when we finally meet the person, we will know how tobe grateful. 在遇到梦中人之前，上天也许会安排我们先遇到别的人；在我们终于遇见心仪的人时，便应当心存感激。
Don‘t cry because it is over, smile because it happened. 不要因为结束而哭泣，微笑吧，为你的曾经拥有。
If you love someone， let it be and set him／her free，if he／she comes back to you，its meant to be. 如果你爱一个人，随遇而安，让他／她自由的飞，如果最后他／她还是回到你身边，那就是命中注定的。
Love means never having to say you’re sorry. 爱就是永远不必说对不起。
（《爱情故事》） I'd found my best love .But i didn't treasure her.I felt regretful after that,It's the ultimate pain in the world!Just cut my throat ,Pleasee don't hesitate!If god can give me a chance.I'll tell her three words:i love you!If god wanna give me a time limit.I'll say this love will last 10 thousand years! 曾经有一份真诚的爱情放在我面前，我没有珍惜，等我失去的时候我才后悔莫及，人世间最痛苦的事莫过于此。
你的剑在我的咽喉上割下去吧
不用再犹豫了
如果上天能够给我一个再来一次的机会，我会对那个女孩子说三个字：我爱你。
如果非要在这份爱上加上一个期限，我希望是一万年
（大话西游） To be or not to be, that’s a question.-Hamlet生存还是死亡，这是一个问题。
《哈姆雷特》 We become the most familiar strangers. 我们变成了世上最熟悉的陌生人。
－－－Gone with the wind《乱世佳人》 love waking up in the morning and not knowing what’s going to happen, or who I’m going to meet, where I’m going to wind up.(Titanic) 我喜欢早上起来时一切都是未知的,不知会遇见什么人,会有什么样的结局。
《泰坦尼克号》 WILLIAM wallace：Fight, and you may die. run, and you'll live at least a while. And dying in your beds many years from now. Would you be willing to trade? All the days from this day to that, for one chance, just one chance, to come back here and tell our enemies that they may take our lives, but they'll never take our Freedom! Freedom—— 威廉华莱士：是啊，如果战斗，可能会死。
如果逃跑，至少还能活。
年复一年，直到寿终正寝。
你们
愿不愿意用这么多苟活的日子去换一个机会，就一个机会
那就是回来，告诉敌人，他们也许能夺走我们的生命，但是，他们永远夺不走我们的自由
我们的自由
《勇敢的心》 一《Shawshank Redemption肖申克的救赎》 1.You know some birds are not meant to be caged, their feathers are just too bright. 你知道，有些鸟儿是注定不会被关在牢笼里的，它们的每一片羽毛都闪耀着自由的光辉。
2.There is something inside ,that they can't get to , that they can't touch. That's yours. 那是一种内在的东西, 他们到达不了,也无法触及的,那是你的。
3.Hope is a good thing and maybe the best of things. And no good thing ever dies. 希望是一个好东西,也许是最好的,好东西是不会消亡的。
二《Forrest Gump 阿甘正传》 1.Life was like a box of chocolates, you never know what you're gonna get. 生命就像一盒巧克力，结果往往出人意料。
2.Stupid is as stupid does. 蠢人做蠢事(傻人有傻福)。
3.Miracles happen every day. 奇迹每天都在发生。
4.Jenny and I was like peas and carrots. 我和珍妮形影不离。
5.Have you given any thought to your future? 你有没有为将来打算过呢。
6． You just stay away from me please. 求你离开我。
7． If you are ever in trouble, don't try to be brave, just run, just run away. 你若遇上麻烦，不要逞强，你就跑，远远跑开。
8． It made me look like a duck in water. 它让我如鱼得水。
9． Death is just a part of life, something we're all destined to do. 死亡是生命的一部分，是我们注定要做的一件事。
10． I was messed up for a long time. 这些年我一塌糊涂。
11． I don't know if we each have a destiny, or if we're all just floating around accidentally―like on a breeze. 我不懂我们是否有着各自的命运，还是只是到处随风飘荡。
make me wanna die
1 那两个天使晚上到了所多玛。
罗得正坐在所多玛城门口，看见他们，就起来迎接，脸伏于地下拜， The two angels arrived at Sodom in the evening, and Lot was sitting in the gateway of the city. When he saw them, he got up to meet them and bowed down with his face to the ground. 2 说，我主阿，请你们到仆人家里洗洗脚，住一夜，清早起来再走。
他们说，不，我们要在街上过夜。
My lords, he said, please turn aside to your servant's house. You can wash your feet and spend the night and then go on your way early in the morning. No, they answered, we will spend the night in the square. 3 罗得切切地请他们，他们这才进去，到他屋里。
罗得为他们预备筵席，烤无酵饼，他们就吃了。
But he insisted so strongly that they did go with him and entered his house. He prepared a meal for them, baking bread without yeast, and they ate. 4 他们还没有躺下，所多玛城里各处的人，连老带少，都来围住那房子， Before they had gone to bed, all the men from every part of the city of Sodom--both young and old--surrounded the house. 5 呼叫罗得说，今日晚上到你这里来的人在哪里呢
把他们带出来，任我们所为。
They called to Lot, Where are the men who came to you tonight? Bring them out to us so that we can have sex with them. 6 罗得出来，把门关上，到众人那里， Lot went outside to meet them and shut the door behind him 7 说，众弟兄，请你们不要作这恶事。
and said, No, my friends. Don't do this wicked thing. 8 我有两个女儿，还是处女，容我领出来，任凭你们的心愿而行。
只是这两个人既然到我舍下，不要向他们作什么。
Look, I have two daughters who have never slept with a man. Let me bring them out to you, and you can do what you like with them. But don't do anything to these men, for they have come under the protection of my roof. 9 众人说，退去吧。
又说，这个人来寄居，还想要作官哪。
现在我们要害你比害他们更甚。
众人就向前拥挤罗得，要攻破房门。
Get out of our way, they replied. And they said, This fellow came here as an alien, and now he wants to play the judge! We'll treat you worse than them. They kept bringing pressure on Lot and moved forward to break down the door. 10 只是那二人伸出手来，将罗得拉进屋去，把门关上， But the men inside reached out and pulled Lot back into the house and shut the door. 11 并且使门外的人，无论老少，眼都昏迷。
他们摸来摸去，总寻不着房门。
Then they struck the men who were at the door of the house, young and old, with blindness so that they could not find the door. 12 二人对罗得说，你这里还有什么人吗
无论是女婿是儿女，和这城中一切属你的人，你都要将他们从这地方带出去。
The two men said to Lot, Do you have anyone else here--sons-in-law, sons or daughters, or anyone else in the city who belongs to you? Get them out of here, 13 我们要毁灭这地方。
因为城内罪恶的声音在耶和华面前甚大，耶和华差我们来，要毁灭这地方。
because we are going to destroy this place. The outcry to the LORD against its people is so great that he has sent us to destroy it. 14 罗得就出去，告诉娶了他女儿的女婿们（娶了或作将要娶）说，你们起来离开这地方，因为耶和华要毁灭这城。
他女婿们却以为他说的是戏言。
So Lot went out and spoke to his sons-in-law, who were pledged to marry his daughters. He said, Hurry and get out of this place, because the LORD is about to destroy the city! But his sons-in-law thought he was joking. 15 天明了，天使催逼罗得说，起来，带着你的妻子和你在这里的两个女儿出去，免得你因这城里的罪恶同被剿灭。
With the coming of dawn, the angels urged Lot, saying, Hurry! Take your wife and your two daughters who are here, or you will be swept away when the city is punished. 16 但罗得迟延不走。
二人因为耶和华怜恤罗得，就拉着他的手和他妻子的手，并他两个女儿的手，把他们领出来，安置在城外。
When he hesitated, the men grasped his hand and the hands of his wife and of his two daughters and led them safely out of the city, for the LORD was merciful to them. 17 领他们出来以后，就说，逃命吧。
不可回头看，也不可在平原站住。
要往山上逃跑，免得你被剿灭。
As soon as they had brought them out, one of them said, Flee for your lives! Don't look back, and don't stop anywhere in the plain! Flee to the mountains or you will be swept away! 18 罗得对他们说，我主阿，不要如此， But Lot said to them, No, my lords, please! 19 你仆人已经在你眼前蒙恩。
你又向我显出莫大的慈爱，救我的性命。
我不能逃到山上去，恐怕这灾祸临到我，我便死了。
Your servant has found favor in your eyes, and you have shown great kindness to me in sparing my life. But I can't flee to the mountains; this disaster will overtake me, and I'll die. 20 看哪，这座城又小又近，容易逃到，这不是一个小的吗
求你容我逃到那里，我的性命就得存活。
Look, here is a town near enough to run to, and it is small. Let me flee to it--it is very small, isn't it? Then my life will be spared. 21 天使对他说，这事我也应允你。
我不倾覆你所说的这城。
He said to him, Very well, I will grant this request too; I will not overthrow the town you speak of. 22 你要速速地逃到那城。
因为你还没有到那里，我不能作什么。
因此那城名叫琐珥（琐珥就是小的意思）。
But flee there quickly, because I cannot do anything until you reach it. (That is why the town was called Zoar.) 23 罗得到了琐珥，日头已经出来了。
By the time Lot reached Zoar, the sun had risen over the land. 24 当时，耶和华将硫磺与火从天上耶和华那里降与所多玛和蛾摩拉， Then the LORD rained down burning sulfur on Sodom and Gomorrah--from the LORD out of the heavens. 25 把那些城和全平原，并城里所有的居民，连地上生长的，都毁灭了。
Thus he overthrew those cities and the entire plain, including all those living in the cities--and also the vegetation in the land. 26 罗得的妻子在后边回头一看，就变成了一根盐柱。
But Lot's wife looked back, and she became a pillar of salt. 抱歉，上面是译文，下面是原文，有点不符合要求，有问题欢迎继续问。
Wicked, promise me, not allowed to share your love什么意思
小淘气，答应我，别让其他人和我共享你的爱。
就是我要独占你的意思各
寂静岭我怎么都没看懂啊，不知道它到底讲的什么
这是一部社会批判的影片，虽然是一部恐怖片，但我觉得更应该从艺术片的角度去看待它。
在这部影片中，主要讨论了什么是邪恶和正义的问题，以批判邪教的形式出现。
这里需要我们探究一下究竟哪一方是邪恶，哪一方是正义。
邪教认为，阿蕾莎是不洁的，是邪恶的巫女，他们为避免世界末日的到来要审判巫女。
这种依据主观信仰没有依据地决定他人命运，基于完全盲目个人思想世界的决定的想法和做法本身就是错误的，造成的结果与邪恶别无二致。
阿蕾莎作为邪教的牺牲品，本身是清白的，而自己因怨恨，与邪恶合作，开始了同样邪恶的报复，和一般的报复不同的是，她的报复指向了邪恶。
不过我个人认为用邪恶对抗邪恶是无可非议的。
只是在这一场报复中很多无辜的人也成了受害者，包括主人公罗斯，克里斯托弗，莎伦，当然还包括大火中死去的很多人。
邪教的信仰者，同样是邪教的受害者。
当然链子为什么会断，值得探讨一下。
从精神内涵上说，我觉得可能是完全的正义在帮助阿蕾莎，也可能是邪恶在帮助她，因为邪恶总是要有帮手的，就像在阿蕾莎在受救治时邪恶和她达成的协议，在罗斯得知真相时邪恶说：我有很多名字，现在，我是阿蕾莎的黑暗面。
探长托马斯•古奇也说，正义的形式有很多种，人类的，上帝的，甚至是恶魔的。
到底哪一种，不由你说了算。
在这里，我们可以认为探长托马斯•古奇实际上对阿蕾莎的复仇持支持态度的。
在这里颠覆了正义与邪恶的绝对对立：邪恶可能做正义的事，标榜正义的人们也做出了邪恶的事。
人，出于正义的目的做出了邪恶的事，又出于邪恶的目的做出了正义的事。
◎标志性语言： 在孩子的眼里，母亲就是上帝。
不过要和恶魔战斗可得小心，你手里的武器可能会反过来要你的命。
正义的形式有很多种，人类的，上帝的，甚至是恶魔的。
到底哪一种，不由你说了算。
◎影片背景 本电影完全改编自游戏，也有原创的剧情。
作为一部广受玩家欢迎的，已经出到第4版的恐怖游戏，这个时候才将改编为电影，让人感觉颇有些意外。
要知道游戏的第二版是跟电影同时出炉的，当年的和的电影版本也没有等到那么久，不知道是不是近年游戏改编电影的惨败现状让投资方都分外谨慎，越是名气大的游戏越是不敢轻易下手。
不过改编的消息一出，玩家们都相当振奋，奔走相告。
从各个阶段的剧照到预告片，都在各大游戏论坛上四处转载，而且普遍反响都还不错，一片期待之声。
从预告片可以看得出来，如今好莱坞恐怖片日化的相当严重，全片处处可见大量日式桥段，在气氛营造方面更是深得日本阴森诡异派的真传，跑来跑去若隐若现的蓝衣小孩也不过是里小白孩的外国女生版，就连海报也跟有异曲同工之妙。
不过日式恐怖片确实已经达到了宗师境界，好莱坞直接原版翻拍都能大卖，只要模仿的成功，票房应该不会太差。
遥想2005年的游戏改编电影，不仅票房颗粒无收，还拖了不少当红明星下水，惹得一身骚，实在让人扼腕叹息。
无论如何，作为06年唯一的顶梁柱，让我们看到了游戏改编电影在2006年逃脱失败诅咒的一丝希望。
◎主创阵容 导演克里斯多夫·甘斯执导过（《Brotherhood Of The Wolf Helmer》）和（《Crying Freeman》），奇幻动作类影片是他的强项。
甘斯有个习惯，但凡他导演的影片，自己一定要参与剧本编写，但本片的编剧他却没有插手。
原因是本片的编剧是执笔( )剧本的罗杰·艾弗里（Roger Avery），这绝对是令人放心的。
影片中女主角，崩溃母亲Rose扮演者莱阿·米歇尔是个全才，当过编剧，导演和演员，不过只有演员相对比较成功。
她出演过的片子有很多，例如《狙击电话亭》（《Phone Booth》），《火线救援》（《Man On Fire》）,2004年她被选中主演伍迪·艾伦的《双生美莲达》（《Melinda And Melinda》），演技大受好评。
值得一提的是，导演甘斯从一开始就宣称，他是游戏《寂静岭》的超级粉丝，能亲自把这个故事改编成电影，让他感觉到异常兴奋。
这不禁让人想起了彼得·杰克逊，这个怪才导演在改编《金刚》时就说，他从9岁开始就已经希望能够拍自己的金刚。
希望甘斯拍出的影片既是他自己想象中的寂静岭，同时也是广大翘首以盼的游戏迷心中的寂静岭。
◎影评&幕后 春季最后一趟惊悚之旅 二三月美国影院不断地上演血流成河惊悚吓人的片子,高唱着恐怖与游戏改编两大主旋律的《寂静岭》也赶在4月底借最后一抹春光，摆脱这两年来游戏改编类电影和恐怖电影惹的一身晦气。
改编自同名著名死亡生存游戏的《寂静岭》弱化了原作中的宗教话题，着力讲述幽闭环境下的亲情故事，只是“尖叫并温馨着”的题材已被《鬼水怪谈》、《空中危机》之流上天下水的演伤了，光凭故事，似乎难逃拾人牙慧的质疑。
不过，该片以“名导+名编+名制作人”铁三角组合取了大牌演员的策略占尽了游戏素材、动作场面与精湛剧本三张王牌，编剧罗杰·艾弗瑞与导演克里斯托弗·甘斯又玩起“纯女性电影”的噱头，全片仅一个男性角色，名号最响的男一号肖恩·宾也只能在《国家宝藏》后继续甘草，分量被精简得刚好配合剧情而已；出演母亲角色的拉达·米歇尔虽然星味尚浅，气质却沉稳独立，浅金短发、瘦削柔韧的形象与游戏原角色的设定几乎如出一辙。
除了精准的人物造型，创作力求高度忠于原著的甘斯把故事发生的环境也完整地从显示器重现到银幕上，为了保持寂静岭游离在现实和幻境之间的诡异感，小镇的建筑全是以游戏设定为基础搭建的实景，而此类影片常用的CG特效只集中运用于塑造整个气氛的牵引因素-弥漫的浓雾上。
与大多恐怖片中的处处伴有血色的浓郁色调相比，雾霭重锁的《寂静岭》显得阴冷凝重，弥漫原作中与情节丝丝入扣的邪教色彩，恐惧也因这异样的含蓄更加无所不在。
所以在预告片推出后，游戏迷和恐怖片迷都表现出强烈的期待。
步《生化》后尘还是游戏改编电影之救星
接连着遭如潮恶评的《古墓丽影2》、《生化危机2》和更多如《死亡之屋2》的粗糙之作，让游戏改编风潮堕入了“火则必改、改则必烂”的怪圈，风头火势下挺身而出的《寂静岭》要逃过必死魔咒，首先要打破近年恐怖电影和游戏改编电影情节薄弱、创意匮乏，与原作形似神散等死穴。
经过《哭泣杀神》和《狼族盟约》的锻炼，克里斯托弗·甘斯已表现出把动作、惊悚等娱乐元素运用于角色塑造与故事构建的成熟功力，而且作为一名游戏死忠分子，他有对游戏与电影之关系更让人信服的诠释能力，也因此，甘斯把游戏情节与电影片段剪接成草稿，寄给游戏商Konami毛遂自荐，Konami看后当即拍板：导演非他莫属
甘斯随即把同名游戏搬上银幕的构思告诉了密友-罗杰·艾弗瑞，并邀其出任编剧。
既是凭《低俗小说》剧本获得奥斯卡最佳原创剧本奖的金牌编剧，又是《寂静岭》系列的忠实游戏迷，艾弗瑞深谙此类电影的成败关键，在游戏主乾情节上重新创作，使其结构和语言更符合电影的表现手法。
《寂静岭》中很大分量的剧情是在迷宫般的静默中推进，艾弗瑞也一改“话痨”本色，以富有张力的大段留白和简练对话，配合甘斯对环境语言的调动，通过层层因果关系来推动故事发展并促使角色与观众的心理与环境互动，把被动、强加的电影背景转化为银幕内外人物共同主动探索的情节，创造出此类电影前所未有的叙事特色。
游戏和电影在彼此深入对方领域，可流行风刮过却是精品寥寥。
展露出些微新意的《寂静岭》虽然还不能说是树立了标志游戏改编类电影咸鱼翻生的旗帜，但或许为同行和后来者提供一个榜样。
附: 还有一个令人高兴的消息，寂静岭电影要出续集了。
以下出自sina 电影《寂静岭》的导演Christophe Gans在接受法国媒体采访时称，他可能会执导《寂静岭》的续集，并给出故事的大结局。
Christophe Gans表示，《寂静岭2》正在筹划中，原剧本作者Roger Avary(《低俗小说》编剧)也会再次执笔。
Christophe Gans表示，他拍摄第二部的一个主要目的是纠正原来犯下的错误，避免再次无缘浪费精力。
不过，由于还要拍摄电影版《鬼武者》(导演加编剧)，所以Christophe Gans怀疑自己是否真的有时间和精力导演《寂静岭2》。
他说，如果他分不开身，制片人也同意在第二部中保留他的风格，比如小镇的设计绝对不会变动，而且他还会推荐一位来自欧洲的导演，更确切地说可能是他的法国老乡。
电影《寂静岭》于2006年4月21日上映，虽然反响有褒有贬，但票房收入大获成功，在排行榜上仅次于《电锯惊魂3》和《美国怪谈》。
按照惯例，续集也是很自然的了。
寂静岭的宗教含义 【寂静岭的世界观】 “三元论”、“二元论”与“二元主义” 看过《寂静岭》的人可能都应该感受到电影中不止存在着一个空间。
对于寂静岭究竟有几个空间的问题，普遍存在“已死论”、“二元论”和“三元论”三种观点。
持“已死论”（也就是认为寂静岭就是“阴间”，进入寂静岭中的人实际已在片头车祸中死亡）的观众可能是“没看懂”电影或者受到一句被错误翻译的台词字幕——“你们都已经死了”（实际应为“你们都已经被诅咒了”）的误导。
“三元论”则是广受支持的一种观点，更有文章用“黄澄澄”、“灰蒙蒙”、“黑漆漆”三个词简明而传神地概括了寂静岭的三个世界。
但是我认为，虽然寂静岭存在三个世界，但是“三元论”这个说法却是不准确的。
首先可以区分一下寂静岭的三个世界都是什么： 1.真实世界：就是真实的世界，在这个世界中的寂静岭就是一个被废弃的小镇，即“黄澄澄”的世界，这是由于电影中多数表现真实的白天都采用了一种温暖阳光的色调。
2.“表世界”：即“灰蒙蒙”的世界，就是女主人公罗丝（Rose）在车祸醒来后发现自己身处的世界，仿佛冬天的样子，实际上是由恶魔化之后的阿莱莎（Alessa)用邪恶的力量营造的世界，将一切“罪有应得”的人困在了里面。
3.“里世界”：即“黑漆漆”的世界，就是表世界响过警报之后不定期转化后的世界，一派血腥、肮脏的景象并有各种怪物出没，实际是阿莱莎内心痛苦和压抑的反映并由其邪恶的力量和仇恨的情绪控制。
表世界和里世界都是从《寂静岭》游戏中借鉴来的概念。
存在三个世界这一点似乎没有问题了。
但经过分析之后，我们会发现，如果从“次元对立”的角度看，那么只有两个对立的空间。
在这之前，要看一个概念：二元主义。
“二元主义”（Dualism)在哲学中作为一种思想通常指承认两种根本的，不可再分且互异的元素，它们彼此冲突或者相互补充，又分为将这两种基本要素应用于认识活动中的“认识论意义上的二元主义”和用于解释一切广义上的客观现象的“形而上学意义上的二元主义”。
“二元主义”本身也是西方历史文化自我否定式的发展规律自近代以来的产物，是对中世纪基督教唯灵主义的否定。
寂静岭的世界本身就存在表里世界的二元对立，这样一来加上真实世界，似乎“三元论”是成立了。
但是对立的表里世界二者却不能同时与真实世界构成对立。
因为寂静岭的世界要么是表世界要么是里世界，二者相互转化不能并存，所以导致要么是真实世界与表世界共同存在且对立，要么是真实世界与里世界共同存在且对立，无法存在真实世界、表世界、里世界同时存在并且对立的情况。
需要说明的是，在里世界中的教堂只是由于信仰的原因使怪物无法进入而已，它并不具备表世界的特征，因而不是表世界，只能算表世界中的一个特殊地点；而阿莱莎所在医院的地下室也只是表世界里的一个特殊地点而已，还不能因为医院地下室有怪物和黑漆一片就认为那是表世界，因为表世界也有怪物，而地下室没有光自然是一片黑；而游戏《寂静岭》中表里世界的创造、形成原因与电影中不同，也不能作为解释电影《寂静岭》的依据。
所以可以得出结论，寂静岭确实存在三个世界，但是从“对立”的角度看，只有二元对立。
因而《寂静岭》中的世界观是存在三个世界的“二元论”，或者也可以认为实际只存在两个世界：真实的世界和变化着的寂静岭的世界。
作为西方带有宗教题材的恐怖片，《寂静岭》也没有脱离二元主义的规律。
其实片中的这种二元对立在电影一开始就已经暗示了，那就是罗丝的女儿莎仁（Sharon)梦游时险些摔下悬崖的镜头，构成了上下的对立，水上和水下的对立，真实世界与虚幻世界的对立，善良的莎仁与阿莱莎的邪恶面的对立，甚至原来是水下世界却存在幻境中的烈火这样水与火的对立。
当阿莱莎的邪恶面从悬崖上高速下坠的镜头出现时，我承认确实被吓到了，虽然据说这个停留的镜头只持续了0.7秒，但是那恐怖的笑容着实让人一震，真很难想象到可爱的阿莱莎的形象与这个恐怖的邪恶的阿莱莎是同一个小演员出演的
实在不得不佩服她的演技
【三个阿莱莎】 影片中就“小女孩”的角色问题，可能有人梳理不清阿莱莎、莎仁等人物的关系，参照一些公认的定论，我们可以明确有三个不同形式的“阿莱莎”存在。
1.阿莱莎：即在三十多年前被施以火刑的小女孩，也是后来在教堂进行屠杀的“终极怪物”，从她后来的身形可以的知她一直处于生长中。
2.阿莱莎的邪恶面：即引发罗丝车祸的人影，后来一直引导罗丝追踪、解谜，以燃烧的形式消失并在医院地下室与罗丝融为一体的小女孩，以一身阿莱莎当年穿的蓝紫色校服出现。
她就是阿莱莎被严重烧伤后，在医院极度的恐惧和仇恨所产生的邪恶力量形象的具体化，她使阿莱莎拥有了恶魔的力量。
3.阿莱莎的善良面：即罗丝的女儿莎仁，由阿莱莎以分娩的形式产出，并由阿莱莎的邪恶面送出到真实世界的修道院，后由罗丝领养（由此得知阿莱莎的邪恶面有自由穿行于三个世界之间的能力）。
有人根据阿莱莎曾被强奸过这一情节认为莎仁是阿莱莎的亲生女儿，这根本就是缺乏基本生活逻辑：以当时阿莱莎的年龄不可能有生育能力，另外以莎仁的年龄看，阿莱莎不可能怀孕二十年再生孩子，而莎仁一再梦游想回寂静岭就是受到神秘力量的召唤，回去与阿莱莎的邪恶面“结合”。
【《寂静岭》中的人文内涵】 《寂静岭》的人文内涵很大一部分来源于宗教元素的存在。
就在片头罗丝发疯般寻找莎仁并最后与赶来的丈夫抱在一起时，画面背景就出现了一个亮着灯的十字架，为什么那边不出来一些别的东西呢
比如亮着灯的摩天轮
亮着灯的建筑
因为这本来就是一个暗示，告诉你本片涉及的宗教题材。
而罗丝带莎仁去寂静岭的路上出现的一块牌子，镜头特地在上面停留，上面的内容是，“Do you not know that we will judge angels?Do you not konw that the saints will judge the world
（岂不知我们要审判天使么
岂不知教徒要审判世界么
）”这些句子本来就是《圣经·多林哥前书》中的内容，原文是“Do you not know that the saints will judge the world? And if you are to judge the world, are you not competent to judge trivial cases?Do you not know that we will judge angels? How much more the things of this life!（岂不知教徒要审判世界么
若世界为你们所审，难道你们不配审判这最小的事么
岂不知我们要审判天使么
何况今生的事呢
）”这就是在预示她们此去寂静岭的前景，被一群自宗教偏执狂“审判”，但是最终却是在暗示整个影片的结尾，就是魔鬼对教徒进行的审判，那些为恶而自认为正义的人，最终会被上帝抛弃——别告诉我你没有注意到牌子的外形就是一本书，别告诉我你看见那书的外形没有想到那是《圣经》
还有罗丝在寂静岭学校时候，门框上文字的一个镜头：“The foes of the righteous will be condemned.”这是《圣经·诗篇》中的内容，原文为：“Evil will slay the wicked；the foes of the righteous will be condemned（恶必害死恶人；恨恶义人的，必被定罪）。
”已经不用多说了，那些自以为信仰上帝的人的命运，被定罪审判，已经再一次提前告知观众了。
从电影中我们可以得知，寂静岭是1974年11月因为地下煤矿的火灾而被废弃的小镇，至今地下的锅炉和矿脉还在燃烧着熊熊大火，因而寂静岭的空气中飘浮着致命的污染物。
这一点在真实世界中表现的不明显。
而在表世界则表现为似乎是不断落下来的“雪”，后来罗丝发现其实那是飘落的“煤灰”。
而《圣经》中的《圣约翰启示录》是怎样描写“地狱”的呢
“它是一个永久的火湖，它的空气来自祸害的煤炭，光来自闪烁的火焰。
夜晚一片漆黑，被诅咒之人的处所毒蛇横行。
他们的希望是绝望。
啊，永生之死
无生之生
啊，无尽的痛苦
”《圣经·福音书》中耶稣对地狱的描绘中也有“火是不灭的”字样。
里世界那些残破的墙壁，锈迹斑斑的管道和门，铁制的楼梯，转动的风扇，不知从何处产生的铿锵作响的金属撞击声和烟雾或蒸汽，似乎只存在铁黑和火红这两种颜色的压抑环境，正是大机器生产的工业时代的再现
这都是电影在以后工业时代的艺术风格对没落的工业时代以一种末世的悲凉形象进行的渲染。
对于《寂静岭》来说，后工业时代的艺术风格只是它的表象，《圣经》中的宗教隐喻才是它的实质。
在里世界被开启之后，教堂中的教徒们祈祷所要阻止的也正是《圣经》中的“末日审判”，或电影中所谓的“天启”的到来。
【怪物】 《寂静岭》中的怪物也是一大看点。
它们的外形和特征等都是严重烧伤的阿莱莎恐惧、痛苦、仇恨、愤怒心理的形象具体化之后的表现。
无论电影中还是游戏中，这些怪物都不是仅为了引起恐怖的视觉效果而往“怎么丑陋怎么设计”出来的产物，宗教内涵与性暗示足以使这些怪物受到弗洛伊德信徒们的鼎礼膜拜
罗丝进入里世界后首先看到的第一个恐怖景象就是一张铁床上的物体，具体是什么我看了好几次也没看出来，具体说是一个死得很惨的人，这是对游戏场景的一个还原。
罗丝后来发现铁丝网墙上挂着的是一个穿着“防护服”的教徒（人还活着）。
如果我没有看错，他已经断了一只手，而且他就是以十字架的形式挂在那里（又是一个宗教暗示）。
接下来冒出的那些还处于半燃烧残骸状态的怪物，就从它们的形体大小和发出类似孩童的嘶叫声音的角度看，其实它们就是当年在学校欺负阿莱莎的同学，这些孩子在被阿莱莎拥有的邪恶力量引发的火灾烧成焦炭以后，就以这种怪物的恐怖方式存在于里世界中。
第二个出场的怪物被游戏玩家称为“紧身衣”，也是电影中表世界出现的唯一怪物。
从它被女警察西比尔用枪击毙时喷出的红血基本可以推测出那是一个被困在自己皮肤里的人。
据说在拍摄这个怪物时也是用真人穿上无臂的紧身衣然后再用电脑合成的。
这个怪物是游戏《寂静岭2》中男主角长年自我束缚在生病妻子身边痛苦心理的写照，搬到这里一样也可以有合理的解释。
因为阿莱莎受到火刑时也被强制束缚。
从厕所中爬出来的怪物，就是当年阿莱莎被同学欺负躲进厕所后强奸了她的清洁工，电影中两次用身份牌上的名字柯林（Colin）暗示出他与怪物的关系。
这个怪物被以扭曲的形式用铁丝网捆绑，应该是阿莱莎以被强奸时的心理对其的报复。
而怪物的眼睛被铁丝网蒙住则是阿莱莎对柯林强奸时看了她身体的惩罚。
只有怪物身上的输液瓶让人觉得奇怪，也可能是对游戏细节的尊重。
怪物爬行时手臂所及之处会产生藤蔓般的血管并伴有毒泡产生，它不断“吐舌头”的动作则是性暗示的标志，而按照它那样两腿被高高吊起地爬行方式，每爬动一次，生殖器就会被严重摩擦，让它经受如此的痛苦也是阿莱莎对他的报复。
在罗丝于里世界的镜头中，出现很多笼子中倒挂的成年男性的尸体。
为什么都是成年男人，我只能用阿莱莎本身是私生女、从小没有父亲所以很少接触男人，后来又被男人强奸而导致她对男性产生了极不信任感和仇视来解释了。
随着罗丝下楼梯的镜头我发现其中一具男尸是没有生殖器的（被割去了
），或许这也就是因为上述原因导致阿莱莎对男人的报复。
也是因为这种不信任和仇视也是阿莱莎没有将罗丝的丈夫拉入寂静岭世界的原因。
而那些被倒挂的尸体，其实在《圣经》中的《彼得启示录》中就有很容易找到的答案。
那里描写的地狱里被惩罚的人以不同罪恶的原因被施以不同的刑罚，但是被“吊起来”或“倒挂”却是很共同的一种。
其实寂静岭的里世界就是“地狱”
汤姆索亚历险记的英文梗概
People s Mark Twain (Mark Twain ,1835-1910) is a famous American novelist, and his many works. 他擅长使用幽默和讽刺，针砭时弊时一针见血，毫不留情，其创作将现实主义的刻画和浪漫主义的抒情和谐地统一。
He specializes in using humor and irony, point out problems when sharply, relentless, its creation will be realistic characterizations and lyrical romanticism harmonious unity. 他的作品对后来的美国文学产生了深远的影响，人们普遍认为马克·吐温是美国文学史上的一大里程碑。
His work on the later American literature had a profound impact, it is generally considered the history of American literature Mark Twain is a major milestone. 马克·吐温是美国批判现实主义文学的奠基人，世界著名的短篇小说大师。
Mark Twain is American literature of the founder of critical realism, the world-famous short story master. 他经历了美国从“自由”资本主义到帝国主义的发展过程，其思想和创作也表现为从轻快调笑到辛辣讽刺再到悲观厌世的发展阶段。
He went through the United States from the free capitalism to the development of imperialism, their ideas and creativity are reflected from the light make fun of the bitter irony then pessimistic stage of development. 作品文字清新有力，审视角度自然而独特，被视为美国文学史上具划时代意义的现实主义著作。
Fresh and powerful works of writing, examine the natural and unique perspective, is considered a landmark in the history of American literature realism works. 19世纪末，随着美国进入帝国主义发展阶段，马克·吐温一些游记、杂文、政论，等的批判揭露意义也逐渐减弱，而绝望神秘情绪则有所伸长。
The late 19th century, with the United States entered into the imperialist stage of development, some of Mark Twain travels, essays, political commentary, and other critical disclosure significance of gradually weakened, while the mysterious mood of despair is somewhat elongated. 马克·吐温被誉为“美国文学中的林肯”。
Mark Twain as the Lincoln in American Literature. 他的主要作品已大多有中文译本。
His main work has been mostly a Chinese translation. 【主要情节、主人公】 【Main plot, the hero】 《汤姆·索亚历险记》是马克·吐温的四大名著之一。
Adventures of Tom Sawyer is one of Mark Twain's four masterpieces. 小说描写的是以汤姆·索亚为首的一群孩子天真浪漫的生活。
Tom Sawyer is a novel description of a group of children led by naive romantic life. 他们为了摆脱枯燥无味的功课、虚伪的教义和呆板的生活环境，作出了种种冒险经历。
Their homework to get rid of dull, dull false teachings and the living environment, and made all kinds of adventures. 汤姆.索亚天真活泼，一天他约哈克夜间去坟场玩耍，目睹伊江杀人的惨案，经思想斗争揭发了伊江的罪恶。
Tom. Sawyer lively, one day he Yue Hake cemetery at night to play, witnessed the murder of the tragedy in Iraq river, discovered by the ideological struggle of the Iraqi river of evil. 伊江企图杀害汤姆，结果失足坠入深谷而死。
Ie tried to kill Tom, the result Shi Zuzhui into the ravine and died. 汤姆和哈克发现了伊江埋的一箱金子，两人平分，都成了富翁。
Tom and Huck found in Iraq buried in a box of gold river, the two equally, have become rich. 小说对美国虚伪庸俗的社会习俗伪善的宗教仪式进行了讽刺和批判。
American hypocrisy and vulgar novels of social customs were hypocritical religious satire and criticism. 【内容简介】 【Introduction】 故事发生在19世纪上半叶密西西比河畔的一个普通小镇上。
The story first half of the 19th century, the Mississippi River in an ordinary town. 汤姆·索亚是个调皮的孩子，他和同父异母的弟弟一起接受姨妈波莉的监护。
Tom Sawyer is a mischievous child, he and his half-brother, aunt Polly with the acceptance of guardianship. 他总是能想出各种各样的恶作剧，让波莉姨妈无可奈何，而他也总能想尽办法来躲避惩罚。
He can always come up with a variety of pranks, so helpless Aunt Polly, and he always tried their best to avoid punishment. 一天，汤姆见到了可爱的姑娘贝基·撒切尔，她是撒切尔法官的女儿。
One day, Tom met a lovely girl, Becky Thatcher, she is the daughter of Judge Thatcher. 汤姆一见到她就对她展开了攻势。
Tom saw her she launched a major attack. 而他的爱似乎也得到了回应。
His love seems to get a response. 镇上有一个孩子叫哈克贝利·费恩。
The town has a child called Huckleberry Finn. 他的父亲总是酗酒，父母一直打架，因此他跑出来自己生活。
His father is always drinking, parents have been fighting, so he ran out of their own lives. 他看起来和文明社会格格不入，大人们都不喜欢他，可汤姆和他却是好朋友。
He looked fit and civil society, large people do not like him, Tom, and he is a good friend. 有一天他们约好晚上一起去墓地，却看到了意想不到的一幕。
One day they went to an appointment at the cemetery has seen an unexpected scene. 他们看到鲁滨逊医生、恶棍印第安·乔和喝得醉醺醺的莫夫·波特。
They see doctors Robinson, villain Injun Joe and Muff Potter drunk. 在他们混乱的厮打中，印第安·乔把医生杀死了，然后又嫁祸于被打昏的波特身上。
In their chaotic tussle in Injun Joe killed the doctor, and then put the blame on Porter who was beaten unconscious. 汤姆和哈克被吓坏了，立了血誓决不泄密。
Tom and Huck were terrified, established a blood oath never leaked. 波特被捕以后，汤姆十分内疚，经常去看望他。
Porter was arrested, Tom is guilty, often to see him. 此时的汤姆事事不顺，贝基生了他的气，不再理睬他，波莉姨妈也总是呵斥他，他觉得没有人关心他。
Tom at this time everything is unfavorable, Becky gave birth to his gas, ignoring him, aunt always scold him, he felt no one care about him. 子是，汤姆、哈克和村上的另一个孩子一起乘小船去了一个海岛。
Son, Tom, Huck, and Murakami's another child with a boat to the island. 可没过多久，他们便发现村里的儿门以为他们淹死了，正在搜寻他们的尸体。
Can not long before they found the door that the village children who drowned, are searching for their bodies. 汤姆晚上悄悄回到了姨妈家，发现波莉姨妈正在为他的'死”悲痛欲绝。
汤姆觉得十分惭愧。
最终，他们三个人在村民们为他们举行葬礼的时候回来了。
夏天来临时，汤姆便感到更加不安，因为法官将对波特的罪行作出判决。
汤姆终于战胜了恐惧与自私，指出了印第安·乔就是杀人凶手。
可凶手还是逃走了。
后来，汤姆又想出了一个主意：寻找宝藏。
汤姆和哈克偶然发现了印第安·乔和他的一大笔不义之财。
但他们却不知道他把钱藏在哪里了。
在贝基和同学们外出野餐时，哈克得知印第安·乔要去加害道格拉斯寡妇，因为她的丈夫曾经送他进过监狱。
幸亏哈克及时报信才避免了一场悲剧的发生，可印第安·乔再一次逃之天天。
此时，汤姆和贝基在野餐时走进了一个山洞，因为洞太深而找不到回来的路，被困在里面。
他们在山洞里再一次遇见了印第安·乔。
村民费尽周折救出汤姆和贝基之后封死了山洞。
后来汤姆告知村民印第安·乔还在里面。
当他们找到他时，他已经死在山洞里了。
恶人得到了应有的报应。
汤姆和哈克再次回到山洞里，找到了那笔宝藏。
Tom quietly back to his aunt at night and found that Aunt Polly was for his' death distraught. Tom feel so ashamed. In the end, three of them were in the village for the funeral when they come back. Summer comes, Tom they feel more insecure because of the crimes the judge will make a decision Porter. Tom finally overcome fear and selfishness, that is the murderer of Injun Joe. may be the murderer or fled. Later, Tom came up with an idea: to find treasures. Tom and Huck accidentally found Injun Joe and his ill-gotten gains for a large. but they do not know where he hid his money was. Becky and students out in the picnic, Huck learned Joe Douglas to go to harm Indian widow because her husband, who had sent him to prison. Thanks Huck messenger before time to avoid a tragedy, can once again escape of Injun Joe every day. At this point, Tom and Tony base in the picnic into a cave, because the hole too deep and can not find the way back, trapped inside. They met again in the cave of Injun Joe. villagers had to be painstakingly seal rescued after Tom and Becky dead cave. Later, Tom Injun told the villagers are still inside. When they found him, he had died in a cave. the wicked get their due reward. Tom and Huck to return to the cave, found that document treasures. 【主要思想】 The main idea】 【 《汤姆·索亚历险记》描写了小男孩汤姆·索亚厌恶家里和学校中那枯燥无味的生活环境,向往与追求绿林好汉的冒险生活。
Adventures of Tom Sawyer Tom Sawyer described the little boy at home and in school hate that boring living environment, longing for adventure and the pursuit of outlaw life. 这部小说满足了男孩们对于名望,英雄主义,金银财富和奉承的最深的愿望,生动地再现了南北战争前的一个美国边疆小镇的生活景象,既可以使人得到美的享受,又可以使人的怀旧心理得到极大的满足。
This novel meets the boys for the fame, heroism, gold and silver wealth and adulation of the deepest aspirations, and vividly depicts the Civil War, an American frontier town before the scene of life, not only can people enjoy the beauty, but also can make the nostalgia was tremendous satisfaction. 其所描写的汤姆和其他孩子们的行为和心理活动具有普遍的意义,能够激发许多人的兴趣。
Its description of Tom and other children's behavior and mental activity is of universal significance, to stimulate interest of many people. 小说的结构也非常完整。
Structure of the novel is complete. 它有“四个叙述单元”和“四条情节线索”:汤姆和贝姆的故事,汤姆和穆夫·波特的故事,杰克逊岛的插曲,以及导致发现财富的一系列事件。
It has the four narrative units and four plot lines: the story of Tom and Behm, the story of Tom and Mufubote Jackson Island episode, as well as a series of events led to the discovery of wealth. 这四条情节线索有机地交织在一起,使全书有较强的戏剧色彩。
These four plot lines are organically intertwined, so that the book has a strong dramatic color. 这部小说的心理描写比较细致,叙述人所用的是一个成年人观察小男孩的那种观点。
The novel's more detailed psychological description, the narrator is an adult used to observe the little boy that view. 《汤姆·索亚历险记》的确是一部值得欣赏的好书。
Adventures of Tom Sawyer is indeed a good book worthy of appreciation. 作为对早年的美国边疆生活的纪念,它具有非常宝贵的历史意义,而作为一部构思完美、人物形象生动的小说,它又具有较高的艺术价值和审美价值。
As early American frontier life, a memorial, it has a very valuable historical significance, and as an idea of the perfect, the characters vivid novel, it has high artistic value and aesthetic value.
求艾略特《荒原》原文+译文
I. THE BURIAL OF THE DEAD April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, 10 And drank coffee, and talked for an hour. Bin gar keine Russin, stamm' aus Litauen, echt deutsch. And when we were children, staying at the archduke's, My cousin's, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter. What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, 20 You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust. 30 Frisch weht der Wind Der Heimat zu Mein Irisch Kind, Wo weilest du? You gave me hyacinths first a year ago; They called me the hyacinth girl. - Yet when we came back, late, from the Hyacinth garden, Your arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing, 40 Looking into the heart of light, the silence. Od' und leer das Meer. Madame Sosostris, famous clairvoyante, Had a bad cold, nevertheless Is known to be the wisest woman in Europe, With a wicked pack of cards. Here, said she, Is your card, the drowned Phoenician Sailor, (Those are pearls that were his eyes. Look!) Here is Belladonna, the Lady of the Rocks, The lady of situations. 50 Here is the man with three staves, and here the Wheel, And here is the one-eyed merchant, and this card, Which is blank, is something he carries on his back, Which I am forbidden to see. I do not find The Hanged Man. Fear death by water. I see crowds of people, walking round in a ring. Thank you. If you see dear Mrs. Equitone, Tell her I bring the horoscope myself: One must be so careful these days. Unreal City, 60 Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. Sighs, short and infrequent, were exhaled, And each man fixed his eyes before his feet. Flowed up the hill and down King William Street, To where Saint Mary Woolnoth kept the hours With a dead sound on the final stroke of nine. There I saw one I knew, and stopped him, crying Stetson! You who were with me in the ships at Mylae! 70 That corpse you planted last year in your garden, Has it begun to sprout? Will it bloom this year? Or has the sudden frost disturbed its bed? Oh keep the Dog far hence, that's friend to men, Or with his nails he'll dig it up again! You! hypocrite lecteur! - mon semblable, - mon frere! II. A GAME OF CHESS The Chair she sat in, like a burnished throne, Glowed on the marble, where the glass Held up by standards wrought with fruited vines From which a golden Cupidon peeped out 80 (Another hid his eyes behind his wing) Doubled the flames of sevenbranched candelabra Reflecting light upon the table as The glitter of her jewels rose to meet it, From satin cases poured in rich profusion; In vials of ivory and coloured glass Unstoppered, lurked her strange synthetic perfumes, Unguent, powdered, or liquid - troubled, confused And drowned the sense in odours; stirred by the air That freshened from the window, these ascended 90 In fattening the prolonged candle-flames, Flung their smoke into the laquearia, Stirring the pattern on the coffered ceiling. Huge sea-wood fed with copper Burned green and orange, framed by the coloured stone, In which sad light a carved dolphin swam. Above the antique mantel was displayed As though a window gave upon the sylvan scene The change of Philomel, by the barbarous king So rudely forced; yet there the nightingale 100 Filled all the desert with inviolable voice And still she cried, and still the world pursues, Jug Jug to dirty ears. And other withered stumps of time Were told upon the walls; staring forms Leaned out, leaning, hushing the room enclosed. Footsteps shuffled on the stair. Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still. 110 My nerves are bad to-night. Yes, bad. Stay with me. Speak to me. Why do you never speak. Speak. What are you thinking of? What thinking? What? I never know what you are thinking. Think. I think we are in rats' alley Where the dead men lost their bones. What is that noise? The wind under the door. What is that noise now? What is the wind doing? Nothing again nothing. 120 Do You know nothing? Do you see nothing? Do you remember Nothing? I remember Those are pearls that were his eyes. Are you alive, or not? Is there nothing in your head? But O O O O that Shakespeherian Rag - It's so elegant So intelligent 130 What shall I do now? What shall I do? I shall rush out as I am, and walk the street With my hair down, so. What shall we do to-morrow? What shall we ever do? The hot water at ten. And if it rains, a closed car at four. And we shall play a game of chess, Pressing lidless eyes and waiting for a knock upon the door. When Lil's husband got demobbed, I said - I mince my words, I said to her myself, 140 HURRY UP PLEASE ITS TIME Now Albert's coming back, make yourself a bit smart. He'll want to know what you done with that money he gave you To get yourself some teeth. He did, I was there. You have them all out, Lil, and get a nice set, He said, I swear, I can't bear to look at you. And no more can't I, I said, and think of poor Albert, He's been in the army four years, he wants a good time, And if you don't give it him, there's others will, I said. Oh is there, she said. Something o' that, I said. 150 Then I'll know who to thank, she said, and give me a straight look. HURRY UP PLEASE ITS TIME If you don't like it you can get on with it, I said. Others can pick and choose if you can't. But if Albert makes off, it won't be for lack of telling. You ought to be ashamed, I said, to look so antique. (And her only thirty-one.) I can't help it, she said, pulling a long face, It's them pills I took, to bring it off, she said. ( had five already, and nearly died of young George.) 160 The chemist said it would be alright, but I've never been the same. You are a proper fool, I said. Well, if Albert won't leave you alone, there it is, I said, What you get married for if you don't want children? HURRY UP PLEASE ITS TIME Well, that Sunday Albert was home, they had a hot gammon, And they asked me in to dinner, to get the beauty of it hot - HURRY UP PLEASE ITS TIME HURRY UP PLEASE ITS TIME Goonight Bill. Goonight Lou. Goonight May. Goonight. 170 Ta ta. Goonight. Goonight. Good night, ladies, good night, sweet ladies, good night, good night. III. THE FIRE SERMON The river's tent is broken: the last fingers of leaf Clutch and sink into the wet bank. The wind Crosses the brown land, unheard. The nymphs are departed. Sweet Thames, run softly, till I end my song. The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. And their friends, the loitering heirs of city directors; 180 Departed, have left no addresses. By the waters of Leman I sat down and wept . . . Sweet Thames, run softly till I end my song, Sweet Thames, run softly, for I speak not loud or long. But at my back in a cold blast I hear The rattle of the bones, and chuckle spread from ear to ear. A rat crept softly through the vegetation Dragging its slimy belly on the bank While I was fishing in the dull canal On a winter evening round behind the gashouse 190 Musing upon the king my brother's wreck And on the king my father's death before him. White bodies naked on the low damp ground And bones cast in a little low dry garret, Rattled by the rat's foot only, year to year. But at my back from time to time I hear The sound of horns and motors, which shall bring Sweeney to Mrs. Porter in the spring. O the moon shone bright on Mrs. Porter And on her daughter 200 They wash their feet in soda water Et O ces voix d'enfants, chantant dans la coupole! Twit twit twit Jug jug jug jug jug jug So rudely forc'd. Tereu Unreal City Under the brown fog of a winter noon Mr. Eugenides, the Smyrna merchant Unshaven, with a pocket full of currants 210 C.i.f. London: documents at sight, Asked me in demotic French To luncheon at the Cannon Street Hotel Followed by a weekend at the Metropole. At the violet hour, when the eyes and back Turn upward from the desk, when the human engine waits Like a taxi throbbing waiting, I Tiresias, though blind, throbbing between two lives, Old man with wrinkled female breasts, can see At the violet hour, the evening hour that strives 220 Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. Out of the window perilously spread Her drying combinations touched by the sun's last rays, On the divan are piled (at night her bed) Stockings, slippers, camisoles, and stays. I Tiresias, old man with wrinkled dugs Perceived the scene, and foretold the rest - I too awaited the expected guest. 230 He, the young man carbuncular, arrives, A small house agent's clerk, with one bold stare, One of the low on whom assurance sits As a silk hat on a Bradford millionaire. The time is now propitious, as he guesses, The meal is ended, she is bored and tired, Endeavours to engage her in caresses Which still are unreproved, if undesired. Flushed and decided, he assaults at once; Exploring hands encounter no defence; 240 His vanity requires no response, And makes a welcome of indifference. (And I Tiresias have foresuffered all Enacted on this same divan or bed; I who have sat by Thebes below the wall And walked among the lowest of the dead.) Bestows one final patronising kiss, And gropes his way, finding the stairs unlit . . . She turns and looks a moment in the glass, Hardly aware of her departed lover; 250 Her brain allows one half-formed thought to pass: Well now that's done: and I'm glad it's over. When lovely woman stoops to folly and Paces about her room again, alone, She smoothes her hair with automatic hand, And puts a record on the gramophone. This music crept by me upon the waters And along the Strand, up Queen Victoria Street. O City city, I can sometimes hear Beside a public bar in Lower Thames Street, 260 The pleasant whining of a mandoline And a clatter and a chatter from within Where fishmen lounge at noon: where the walls Of Magnus Martyr hold Inexplicable splendour of Ionian white and gold. The river sweats Oil and tar The barges drift With the turning tide Red sails 270 Wide To leeward, swing on the heavy spar. The barges wash Drifting logs Down Greenwich reach Past the Isle of Dogs. Weialala leia Wallala leialala Elizabeth and Leicester Beating oars 280 The stern was formed A gilded shell Red and gold The brisk swell Rippled both shores Southwest wind Carried down stream The peal of bells White towers Weialala leia 290 Wallala leialala Trams and dusty trees. Highbury bore me. Richmond and Kew Undid me. By Richmond I raised my knees Supine on the floor of a narrow canoe. My feet are at Moorgate, and my heart Under my feet. After the event He wept. He promised 'a new start'. I made no comment. What should I resent? On Margate Sands. 300 I can connect Nothing with nothing. The broken fingernails of dirty hands. My people humble people who expect Nothing. la la To Carthage then I came Burning burning burning burning O Lord Thou pluckest me out O Lord Thou pluckest 310 burning IV. DEATH BY WATER Phlebas the Phoenician, a fortnight dead, Forgot the cry of gulls, and the deep sea swell And the profit and loss. A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool. Gentile or Jew O you who turn the wheel and look to windward, 320 Consider Phlebas, who was once handsome and tall as you. V. WHAT THE THUNDER SAID After the torchlight red on sweaty faces After the frosty silence in the gardens After the agony in stony places The shouting and the crying Prison and palace and reverberation Of thunder of spring over distant mountains He who was living is now dead We who were living are now dying With a little patience 330 Here is no water but only rock Rock and no water and the sandy road The road winding above among the mountains Which are mountains of rock without water If there were water we should stop and drink Amongst the rock one cannot stop or think Sweat is dry and feet are in the sand If there were only water amongst the rock Dead mountain mouth of carious teeth that cannot spit Here one can neither stand nor lie nor sit 340 There is not even silence in the mountains But dry sterile thunder without rain There is not even solitude in the mountains But red sullen faces sneer and snarl From doors of mudcracked houses If there were water And no rock If there were rock And also water And water 350 A spring A pool among the rock If there were the sound of water only Not the cicada And dry grass singing But sound of water over a rock Where the hermit-thrush sings in the pine trees Drip drop drip drop drop drop drop But there is no water Who is the third who walks always beside you? 360 When I count, there are only you and I together But when I look ahead up the white road There is always another one walking beside you Gliding wrapt in a brown mantle, hooded I do not know whether a man or a woman - But who is that on the other side of you? What is that sound high in the air Murmur of maternal lamentation Who are those hooded hordes swarming Over endless plains, stumbling in cracked earth 370 Ringed by the flat horizon only What is the city over the mountains Cracks and reforms and bursts in the violet air Falling towers Jerusalem Athens Alexandria Vienna London Unreal A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light 380 Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells. In this decayed hole among the mountains In the faint moonlight, the grass is singing Over the tumbled graves, about the chapel There is the empty chapel, only the wind's home. It has no windows, and the door swings, 390 Dry bones can harm no one. Only a cock stood on the rooftree Co co rico co co rico In a flash of lightning. Then a damp gust Bringing rain Ganga was sunken, and the limp leaves Waited for rain, while the black clouds Gathered far distant, over Himavant. The jungle crouched, humped in silence. Then spoke the thunder 400 DA Datta: what have we given? My friend, blood shaking my heart The awful daring of a moment's surrender Which an age of prudence can never retract By this, and this only, we have existed Which is not to be found in our obituaries Or in memories draped by the beneficent spider Or under seals broken by the lean solicitor In our empty rooms 410 DA Dayadhvam: I have heard the key Turn in the door once and turn once only We think of the key, each in his prison Thinking of the key, each confirms a prison Only at nightfall, aetherial rumours Revive for a moment a broken Coriolanus DA Damyata: The boat responded Gaily, to the hand expert with sail and oar 420 The sea was calm, your heart would have responded Gaily, when invited, beating obedient To controlling hands I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s'ascose nel foco che gli affina Quando fiam ceu chelidon - O swallow swallow Le Prince d'Aquitaine a la tour abolie 430 These fragments I have shored against my ruins Why then Ile fit you. Hieronymo's mad againe. Datta. Dayadhvam. Damyata. Shantih shantih shantih
