急需一篇优美的英文短篇诗歌，最好能用英文鉴赏一下，明天口语课上要用，拜托拜托(
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海底两万里优美语句及赏析15个
1.这真是一片奇妙见的海底森林，生长是高大的木本植物，小树上丛生权都笔直伸向洋面。
没有技条，没有叶脉，像铁杆一样。
在这像温带树林一般高大的各种不同的灌木中间，遍地生长着带有生动花朵的各色珊瑚。
美丽极了。
赏析：生动的表现出海底世界的富饶美丽，令人向往。
但是尽管它景色优美、令人陶醉，同样的它也险象丛生、千钧一发。
2. 那一夜在印度洋上，它不是攻击了某些船只吗
那个葬在珊瑚墓地的人，不正是诺第留斯号引起的冲突的牺牲者吗
而在所有的海面上，人们也正在追逐这可怕的毁灭性机器
赏析：“诺第留斯”号也曾遇险，在珊瑚礁上搁过浅，受到过巴布亚土著的袭击，最可怕的是，在南极被厚厚的冰层困住，艇内缺氧，艇上的人几乎不能生还。
但是，凭著潜艇的精良构造和艇长的超人智慧，种种险境，均被化解，终于完成了十一万公里的海底行程.3.你只有探索才知道答案.赏析： 十一万公里的行程，是个大场面，一路所见，可以说无奇不有。
正是因为他们的努力不放弃，才使得他们曾经徜徉其间。
4.平常采到一个有珍珠的贝，他们才能得一分钱，何况他们采得的贝里面多数是没有珍珠的.赏析：正是因为他们的努力不放弃，才使得他们曾经徜徉其间。
5.我的心还在这个国家，并且，直到我最后一口气，我的心也是在这个国家
赏析：尼摩船长搜集海底金银财宝，支援被压迫民族的正义斗争。
当祖国沦为殖民地后，他带领少数志同道合的人潜入海底，用反抗的行动和不满的言论，支持和唤醒被压迫民族反抗殖民统治的斗争。
表面看来，尼摩艇长似乎是个与世隔绝的心如死灰的隐士，然而从他内心深处迸发出的炽热的感情，表明他是一个时刻关注着世界政治风云的科学战士。
6. 固然他的命运是离奇古怪，但他也是崇高伟大的。
赏析：表现出尼摩的无比勇敢和对人类的牺牲精神。
7. 我们在很细，很平，没有皱纹，像海滩上只留有潮水痕迹的沙上行走。
这种眩人眼目的地毯，像真正的反射镜，把太阳光强烈地反射出去。
由此而生出那种强大的光线辐射，透人所有的水层中。
如果我肯定说，在水中深三十英尺的地方，我可以像在阳光下一样看得清楚，那人们能相信我吗
赏析：写得如此平静来引出下文的凶险.8.满地都是腔肠动物和棘皮动物。
变化不一的叉形虫，孤独生活的角形虫，纯洁的眼球丛，被人叫作雪白珊瑚的耸起作蘑菇形的菌生虫，肌肉盘贴在地上的白头翁……布置成一片花地；再镶上结了天蓝丝绦领子的红花石疣，散在沙间象星宿一般的海星.赏析：运用比喻的修辞手法，将腔肠动物和棘皮动物描述得淋漓尽致.9.我于是躺在地上，正好躲在藓苔丛林的后面，当我拾起头来，我看见有巨大无比的躯体发出磷光，气势汹汹地走过来我血管中的血都凝结了
我看见逼近我们的是十分厉害的鲛鱼，是一对火鲛，是最可怕的鲨鱼类，尾巴巨大，眼光呆板阴沉，嘴的周围有很多孔，孔中喷出磷质，闪闪发光。
赏析：这一段较为惊悚，近距离看到鲛鱼时那种内心的感受，以至于“血都凝结了”.10.旋毛鱼，这鱼发电的力量相等于电鳗和电鱼。
多鳞的纹翅鱼，这鱼身上有古铜色横斜的带纹。
淡青色的鳖鱼。
好几种虾虎鱼等。
最后是些身材较长大的鱼，一条头部隆起的加郎鱼，好几条一米长的美丽的鲤鱼，身上带天蓝和银白相间的颜色，三条华丽的金枪鱼。
不管它们行动得多快，可也没能躲过袋网，脱不了身。
赏析：写了这几种鱼类，最终像我们诠释了无论他们多有本事，但在袋网面前，始终不能够脱身
11、他们是地道的巴布亚人身材高大，体魄健壮，前额有高又宽，鼻子宽大而不塌，牙齿洁白。
羊毛状的头发呈红色，与黑色的身躯形成鲜明对照。
他们的皮肤和努比亚人一样黑而发亮。
赏析：人物描写，先从体形到细节描写，生动形象地描写了土人的形象。
12、不过希望在人心中总是根深蒂固的
并且我们又是两个人。
最后，我还要肯定一点--这看来像是不可能的--即使我要打破我心中的一切幻想，即使我要“绝望”，现在也办不到
战舰跟那鲸鱼冲撞的时间是在夜间十一点钟左右。
所以到太阳升起，我们还得游泳八个小时。
我们替换着游，游八小时必然可以做到。
海面相当平静，我们还不至于过度疲劳。
有时，我的眼光想看透深沉的黑暗，但什么也看不见，只有那由于我们游泳动作激起的浪花透出一点闪光来。
在我手下破碎的明亮的水波，点缀在镜子般闪闪的水而上，就好像一块块青灰色的金属片。
赏析：这段充满了人物力量的心理描写读之使人惊叹，建议最后的景色描写，很好的烘托了人物精神上富有斗志，而又在身体上十分疲劳的，正在与自己斗争的心理状态。
24句运用修辞手法的优美句子外加赏析，每个句子段话70字左右
1世上再也没有比时钟更加冷漠的东西了：在您出生的那一刻,在您尽情地摘取青春幻梦的花朵的时刻,它都是同样分秒不差地滴答着.赏析：这句话运用比喻象征拟人等手法,写出了时钟的无情,提醒我们珍惜时间.2秋色之中,脚下踩的,发上戴的,肩上似有意无意飘坠的,莫非明艳的金黄与黄金.赏析：这句话运用比喻的修辞手法,把落叶比作黄金,生动形象.3那雪,白得虚虚幻幻,冷得清清醒醒,那股皑皑不绝一仰难尽的气势,压得人呼吸困难,心寒眸酸.赏析：这句话运用叠字,展现了文字的音韵美,表现了雪的冷艳与凄丽.4那花瓣落地时依然鲜艳夺目,如同一只奉上祭坛的大鸟脱落的羽毛,低吟着壮烈的悲歌离去.赏析：这句话运用比喻的修辞手法,把落花比作羽毛,表现了牡丹卓越的风姿.5 桔红色的房屋,像披着鲜艳袈裟的老僧,垂头合目,受着雨底洗礼.赏析：这句话运用比喻的修辞手法,把房屋比作老僧,写出了雨中房屋的淡定和冷清.6时间好比一把锋利的小刀,如果用得不恰当,会在美丽的面孔上刻下深深的纹路,使旺盛的青春月复一月,年复一年的消磨掉.赏析：这句话运用比喻和象征的修辞手法,写出了自己对时间的看法,时间是小刀,生命好不好要看自己把握得好不好.7像一个巴掌,鲜红、鲜红；像一把扇子,平平展展；像一朵盛开的鲜花,永不凋谢!赏析：这句话运用比喻和排比的修辞手法,写出了秋叶的颜色形状和姿态,表现了秋叶和秋色的美好.8几个小伙伴,借着月光画竹影,你一笔,我一画,参参差差,明明暗暗,竟然有几分中国画的意味.赏析：寥寥数笔,写出了几个小伙伴作画的情景,幽默风趣,用笔简练而独到,充满了作品独特的魅力.9丽日当空,群山绵延,簇簇的白色花朵象一条流动的江河.赏析：运用比喻的修辞手法,把花朵比作江河,语言精致优美,富有感染力,言语间充满了对桐花的喜爱,让读者也仿佛一起看到了这漫山遍野的桐花开放的胜景.10他悲戚地举目遥望苍天,繁星宛若玉色的百合漂浮在澄静的湖面上.赏析：这句话运用比喻的手法写星星非常传神,把繁星比作百合,突出它的干净纯洁,把夜空比作湖面,写出它的平静美好.然而这样的美景下,我却要死去了,反衬出我的懊悔.11这时,一个鸟儿是一片树叶,一片树叶是一个鸣叫的音符,在寂寞的冬天里,老槐树就是一首歌.赏析：该句运用,将停在树枝上的小鸟比作树叶,将鸟鸣比作音符,将老槐树比作一首歌,生动形象的表现出冬天老槐树的热闹、充满生机的景象.12语段:果然,过了一会儿,在那里就出现了太阳的一小半,红是红得很,却没有光亮.这太阳像是负着什么重担似的,慢慢儿,一步步地,努力向上面升起来,到了最后,终于冲破了云霞,完全跳出了海面.那颜色得可爱. 赏析：这是描写太阳初生的一段话.其中的第二句话运用了拟人的写作手法,把太阳当作“背重担的人”“一步步”向上升起.这样的描写不仅写出了太阳升起时的缓慢,又突出了日出时的美丽、神奇和壮观. 这体现出了作者对大自然的热爱和对生活细致的观察.我们也应该像一样有一双善于发现的眼睛,做一个善于发现生活中美的人.只有这样才会让生活中的美无处不在!13：读书之用有三：一为怡神旷心；二为增趣添雅；三为长才益智. 读书费时太多者皆因懒散,寻章摘句过甚者显矫揉造作,全凭书中教条断事者则乃学究书痴. 天资之改善须靠读书,而学识之完美须靠实践.因天生资质犹如自然花木,需要用学识对其加以修剪,而书中所示往往漫无边际,必须用经验和阅历界定其经纬. 惟英明睿智者运用读书,这并非由于书不示人其用法,而是因为其用法乃一种在书之外并高于书本的智慧,只有靠观察方可得之. 读史使人明智,读诗使人灵秀,数学使人精细,物理学使人深沉,伦理学使人庄重,逻辑修辞则使人善辩.正如古人所云：学皆成性. 体会：读书贵在运用.应该记一些东西,应精确些,以助谈兴谈资,这是运用；但更重要的运用却是内化,溶进自己知识和经验体系之中,成为指导自己工作与生活的“哲学”,这才是更高层次的“学以致用”.如果光是为了猎奇与装饰,读书实在是没什么用；如果读成了书呆子,书不读也罢! 14：世间少有真正的友谊,而在势均力敌者之间这种友谊更是罕见.惺惺惜惺惺不过是世人惯常的夸张.真正的友谊只存在于身份地位有上下之别者之间.这种朋友才可能风雨同舟,休戚与共. 体会：不求任何回报的帮助与付出有吗?如果有,或者只说明施与者的善心,还不足以说明真正友谊的存在.真正的友谊除了不含任何功利色彩之外,更为重要的前提条件是心灵的沟通,感情的接纳,价值观的认同,兴趣爱好的相投,总之,是两情相悦.这种接纳与欣赏发生在同性之间的概率并非没有,但极低且很可能“只存在于身份地位有上下之别者之间”,而发生在异性之间未免有带有爱情的成份. 15：美貌如夏日鲜果易腐难存,而且它每每使年少者放荡,并给年长者几分难堪. 若美貌依附于善者,便会使善举光彩夺目,使恶行无地自容. 体会：美貌如同双刃剑,但无论如何算是上天的恩赐.但过多地依赖于美貌必然会使人浅薄而成为夏日的鲜果. 16：年轻人出错往往会使事情毁于一旦,年长者出错则只是使本来可做得更多更快的事情做得少点慢点. 体会：宁可错过,不可出错.不要急于求成.不要把所有的鸡蛋都放在一个蓝子里.不要做毕其功于一役的事.更不要做孤注一掷的事.凡事都有留有回旋的余地. 17：赞誉乃德行之反映,但它亦是令人反思的镜鉴. 对人对事的赞扬过分夸张只会招人反感,并且会招来嫉妒和嘲笑,除个别情况之外,自吹自擂不可能显得合宜得体.但一个人若是赞美自己的工作或使命,他便可以显得非常体面,甚至显出一种崇高. 体会：真的不能过分地吹捧别人,尤其是经常地这样做,既降低了自己的人格,也让被吹捧者看不起.如果对方真的有特别的优点,赞美时务要和恰如其分.当然对于女人的相貌、身材、衣着之类可另当别论. 多说自己工作的重要和责任之重大,但勿需抱怨有多辛苦和艰难. 18.心灵的房间,不打扫就会落满灰尘.蒙尘的心,会变得灰色和迷茫.我们每天都要经历很多事情,开心的,不开心的,都在心里安家落户.心里的事情一多,就会变得杂乱无序,然后心也跟着乱起来.有些痛苦的情绪和不愉快的记忆,如果充斥在心里,就会使人委靡不振.所以,扫地除尘,能够使黯然的心变得亮堂；把事情理清楚,才能告别烦乱；把一些无谓的痛苦扔掉,快乐就有了更多更大的空间. 赏析：人,只有量力而行,该放就放,当止则止,才能在轻松快乐的节奏中,收获真正应该属于自己的那份成功. 19.苦乐全凭自已判断,这和客观环境并不一定有直接关系,正如一个不爱珠宝的女人,即使置身在极其重视虚荣的环境,也无伤她的自尊.拥有万卷书的穷书生,并不想去和百万富翁交换钻石或股票.满足于田园生活的人也并不艳羡任何学者的荣誉头衔,或高官厚禄. 赏析：你的爱好就是你的方向,你的兴趣就是你的资本,你的性情就是你的命运.各人有各人理想的乐园,有自已所乐于安享的花花世界. 20.微笑着,去唱生活的歌谣.不要抱怨生活给予了太多的磨难,不必抱怨生命中有太多的曲折.大海如果失去了的翻滚,就会失去雄浑,沙漠如果失去了飞沙的狂舞,就会失去壮观,人生如果仅去求得的一帆风顺,生命也就失去了存在的魅力. 赏析：微笑着弹奏从容的弦乐,去面对挫折,去接受幸福,去品味孤独,去战胜忧伤. 21.承受幸福.幸福需要享受,但有时候,幸福也会轻而易举的击败一个人.当幸福突然来临的时候,人们往往会被幸福的旋涡淹没,从幸福的颠峰上跌落下来.承受幸福,就是要珍视幸福而不是一味的沉淀其中,如同面对一坛陈年老酒,一饮而尽往往会烂醉如泥不省人事,只有细品慢咂,才会品出真正的香醇甜美. 赏析：人生是一种承受,需要学会支撑.支撑事业,支撑家庭,甚至支撑起整个社会,有支撑就一定会有承受,支撑起多少重量,就要承受多大压力. 22.不要在人我是非中彼此摩擦.有些话语称起来不重,但稍有不慎,便会重重地压到别人心上；当然,也要训练自己,不要轻易被别人的话扎伤.不能决定生命的长度,但你可以扩展它的宽度；不能改变天生的容貌,但你可以时时展现笑容；不能企望控制他人,但你可以好好把握自己；不能全然预知明天,但你可以充分利用今天；不能要求事事顺利,但你可以做到事事尽心. 赏析：一个人的快乐,不是因为他拥有的多,而是因为他计较的少.多是负担,是另一种失去；少非不足,是另一种有余；舍弃也不一定是失去,而是另一种更宽阔的拥有. 23. 人生如梦.生命从无到有,又从有走向无,,构成社会和世界.从人生无常这一点来说,人生有如梦幻.因此,一个 人只有活得有声有色、有滋有味,才不枉到这世界上走一回. “浮生若梦”, “人生几何”,从生命的短暂性来说,人生的确是一场梦.因此如何提高生活的质量,怎样活得有意义,便成了人们的一个永久的话题；“青山依旧在,几度夕阳红”,与永恒的自然相比,人生不过是一场梦.赏析：从这个意义上来说,在这大自然的包容中,在这历史的长河中, “人过留迹,”,人来到这世界上走一遭,应当留下一点足迹,一点与山河同在的精神. 24你以为,就因为我穷,低微,不美,我就没有心,没有灵魂吗?我跟你一样有灵魂,也完全一样有一颗心.要是上帝也赐予我美貌和财富的话,我也会让你难以离开我,就像我现在难以离开你一样!赏析：“言为心声”,简爱的谈吐不甘屈辱、自尊自爱的性格,袒露出饱受磨难的灵魂.25一阵风顺着月桂树中间的小径吹来,颤抖着穿过七叶树的枝叶,飘然而去——吹向渺茫的远方——消失了.只有夜莺的歌声是这时唯一的声响.赏析：运用拟人,形象而生动的词恰到好处的表现了简爱此时的心境,也顺势描绘了风虚无缥缈的形态.26.幸福是要自己去寻找的,无论你在空间的哪一个角落,在时间的哪一个时刻,你都可以享受幸福,哪怕是你现在正在经历着一场大的浩劫,你也应该幸福,因为你可以在浩劫中看到曙光,能从浩劫中学到很多别人可能一辈子都学不到的东西,当你拥有了别人所不曾拥有的东西那你就是唯一.赏析：静下心来好好想想你所走过的路,体验过的生活,你就会觉得其实你一直活在幸福的包围圈中.27. 人生如画,生活本身是一副画,但在涉世未深时,我们都是阅读观画的读者,而经过了风雨,辩别了事物,我们又变成书中的主角,在各自演译着精彩．幸福更是一种感觉,幸福是一缕花香,当花开放在心灵深处,只需微风轻轻吹动,便能散发出悠悠的,让人陶醉的芳香.我们!都有责任!赏析：每每想任性去做一件事的时候,心中总有个声音在提醒自已,这件事不能这么做,会造成怎样怎样的后果.这就是责任!28 本来我也许会这么说出来的,但一道耀眼青色闪电突然从我望着的云堆里窜出,紧接着一声噼里啪啦的爆裂声,然后是近处的一阵轰隆隆的雷声.我除了赶紧把闪花了的眼睛贴在罗切斯特先生的肩上藏起外,别的什么也顾不上了.赏析：拟人的运用,生动具体的表现雷和闪电在没有意识的情况下忽然出现的情景
（急）求一段英语的优美片段和其赏析（能够说10分钟左右） 最好是名著选段（不是也可以） 感谢大神
I Have a Dream by Martin Luther King, Jr.文章我就省了，否则太长传不上去。
你在百度里搜一下就好了。
Martin Luther King’s speech of August 28, 1963 is widely regarded as one of the most powerful ever delivered in the United States. Although this address was delivered orally, it was read from a written text composed with great care. It is an example of formal English with a convincing style. Here are some of the stylistic devices (which maybe considered traditionally as rhetorical devices) used by Dr King to inspire and persuade.3.1 Repetition:Throughout the speech, Dr. King repeats words and sentence. This is a very outstanding feature in this speech called repetition. It belongs to the stylistic device of syntactic over-regularity. The term repetition is restricted to mean the case of exact copying of a certain previous unit in a text such as a word, phrase or even a sentence (Leech, 1969), because all the over-regular features in literature are in some sense repetitious. Used in speech, repetition not only makes it easy for the audience to follow what the speaker is saying, but also gives a strong rhythmic quality to the speech and makes it more memorable. In paragraphs 8 through 16, for example, King uses the words “I have a dream” nine times. This repetition helps to achieve the function of coherence in discourse and the function of reinforcement in mood and emotion, expressing the speaker’s strong emotion of longing for freedom, justice, righteousness and a much more united nation of all of God’s children.If we study the whole speech more carefully, it is easy for us to find many other examples of repetition used.① But one hundred years later, we must face the tragic fact that the Negro is still not free. One hundred years later, the life of the Negro.② is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languishing in the corners of American society and finds himself an exile in his own land.Here the phrase “one hundred years later” has been repeated three times, seemingly indicating that it is really a long time for the Negro to wait for the coming of the time of justice and righteousness.The words “Let Freedom ring…” has been repeated as many as nine times to indicate that it is the whole of the United States rather than any part of it that should be bathed in the sunshine of freedom.3.2 Use of ParallelismParallelism is another syntactic over-regularity. It means exact repetition in equivalent positions. It differs from simple repetition in that the identity does not extend to absolute duplication, it “requires some variable feature of the pattern-some contrasting elements which are ‘parallel’ with respect to their position in the pattern”(Leech, 1969:66). To put it simply, parallelism means the balancing of sentence elements that are grammatically equal. To take them parallel, balance nouns with nouns, verbs with verbs, prepositional phrases with prepositional phrases, clauses with clauses, and so forth.In his speech, Martin Luther King uses parallelism to create a strong rhythm to help the audience line up his ideas. Here are few examples:⑤…by the manacles of segregation and the chains of discrimination…(Par.2, two parallel noun phrases)⑥“This is no time to engage in the luxury of cooling off or to take the tranquilizing drag of gradualism.” (Par.4, two parallel infinitive phrases: “to engage…to take…”)⑦“There will be neither rest nor tranquility in America…”(Par. 5, two parallel nouns joined with “neither…nor”)⑧“We shall never be satisfied as long as our children are stripped of their selfhood and robbed of their dignity…”(Par. 7, two parallel verb phrases)It is traditionally believed that parallelism is used for the purpose of emphasizing and enhancing, esp. in speech, the ideas expressed by the speaker (or author in written versions), thus always encouraging and inspiring the audience. We need not to be very carefully to find out many more examples of parallelism used in King’s speech and classified as is followed:3.2.1 parallel nouns:⑨This not was a promise that all men would be guaranteed the inalienable rights of life, liberty and the pursuit of happiness. (Par. 3, three parallel nouns as attributive)⑩1963 is not an end, but a beginning (Par. 5, two parallel nouns joined with “not…but…”)⑾Again and again we must rise to the majestic heights of meeting physical force with soul force. (Par. 6)⑿…have come to realize that their destiny is tied up with our destiny and their freedom is inextricably bound to our freedom. (Par. 6, two pairs of parallel nouns).⒀I say to you today, my friends, that in spite of the difficulties and frustrations of the moment…(Par. 8)⒁…a desert state sweltering with the heat of injustice and oppression, will be transformed into an oasis of freedom and justice. (Par. 11, two pairs of parallel nouns).3.2.2 Parallel noun phrases:⒂So we have to came to cash this check-a check that will give as upon demand the riches of freedom and The security of justice. (Par. 4)⒃I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave-owners will be able to sit down together at the table of brother hood (Par. 10)3.2.3 Parallel infinitive phrases:⒄It would be fetal for the nation to overlook the urgency of the moment and to underestimate the determination of the Negro. (Par.5, two parallel infinitive phrases)⒅With this faith, we will be able to work together, to pray together, to straggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day. (Par. 7, five parallel infinitive phrases).3.2.4 Parallel prepositional phrases⒆I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character. (Par. 12)⒇…, when we let it ring from every village and every hamlet, from every state and every city, … (Par. 25)E. Parallel clauses:(21) …, have come to realize that their destiny is tied up with our destiny and (that) their freedom is inextricably bound t our freedom. (Par. 6, two parallel objective clause)(22) I have a dream that one day every valley shall be exalted, every hill and mountain shall be made low, the rough place will be made plain, and the crooked places will be made straight, and the glory of the Lord shall be revealed, and all flesh shall see it together. (Par. 6, six parallel clauses used as appositions of the noun “dream”).3.3 Use of Similes and MetaphorsAs two very important types of meaning transference in literature, similes and metaphors are comparisons that show similarities in things that are basically different, which can be used to add vividness and vitality to writing. As Leech points out, metaphor is associated with a particular rule of transference which may be called the “metaphoric rule” (1969: 151). That is, the figurative meaning is derived from the literal meaning or it is, as it were, the literal meaning.Throughout the speech, King makes extensive use of similes and metaphors. In paragraph 1, for example, King compares The Emancipation Proclamation to two forms of brilliant light cutting through darkness. The first-“a joyous daybreak”-compares it to the sunrise, which (in this case) ends “the long night of captivity”. In paragraph 2, he speaks of “the manacles of segregation and the chains of discrimination,” comparing segregation and discrimination under which the Negro people live to the manacles and chains once used on slaves. Therefore, it is very clear that the using of similes and metaphors can definitely add vividness and vitality to writing and make it easy for the readers or audience to understand.Now let’s cite some of the similes and metaphors used in King’s speech.(23) One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. (Par. 2, metaphors)(24) But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity for this nation (Par.4, metaphors)(25)This is no time … to take the tranquilizing drag of gradualism. (Par. 4, metaphor)(26) This sweltering summer of the Negro’s legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. (Par. 5, Metaphors)(27) …we will not be satisfied until justice rolls down like waters and righteousness like a mighty stream. (Par. 7, Similes)(28) …a situation where little black boys and black girls will be able to join hands with white boys and white girls and walk together as sisters and brothers. (Par. 14, Similes)3.4 Use of ContrastAlthough maybe a rhetorical device instead of a stylistic one, contrast has also been used effectively, like repetition, in this speech, achieving the function of making clear the ideas of the speaker. In paragraph l, for example, “great beacon light of hope” is contrasted with “flames of withering injustice,” and “joyous daybreak” with long night of captivity.”As it is defined, contrast is used to show the difference between two things. Therefore, it is not very difficult for us to understand why the speaker king uses so many contrasts in his speech.
契诃夫短篇小说精选 优美句子赏析
《变色龙》“ 他哥哥来啦
是乌拉吉米尔·尼
”“哎呀，天
我还不知道呢
上这儿来住一阵就走吗
”垂涎欲滴，极力抬高自己的身价，仿佛他与将军是至亲好友一般，不然他怎么对将军、将军的哥哥这般清楚呢
其实，那个将军知道奥楚蔑洛夫是老几。
在将军的眼里，他恐怕连那个小猎狗也不如啊
在不知道是谁的狗的时候，奥楚蔑洛夫说：“这多半是条疯狗”；有人说是将军家的狗的时候，奥楚蔑洛夫说：“说不定这是条名贵的狗”。
巡警说这不是将军家的狗时，奥楚蔑洛夫说：“将军家里都是些名贵的、纯种的狗；这条狗呢，鬼才知道是什么玩意儿
毛色既不好，模样也不中看，完全是个下贱胚子”；巡警又说说不定这就是将军家的狗时，他说：“你把这条狗带到将军家里去，问问清楚。
就说这狗是我找着，派人送去的……狗是娇贵的动物”；当厨师说不是将军家的狗时，奥楚蔑洛夫说：“这是条野狗，弄死它算了”；厨师证实是将军哥哥的狗时，他又说：“呜呜……呜呜……这坏蛋生气了……好一条小狗……”。
《凡卡》圣诞节前夜，他没躺下睡觉。
他等老板、老板娘和几个伙计到教堂做礼拜去了，就从老板的立柜里拿出一小瓶墨水，一枝笔尖生了锈的钢笔，摩平一张揉皱了的白纸，写起信来。
圣诞节前夜，凡卡没躺下睡觉，是因为节日让他思念唯一的亲人爷爷，也是因为他还有一个心愿──偷偷地给爷爷写信，请求爷爷把他接回去。
一个“等……就”看出凡卡心情的迫切。
凡卡等所有人都不在了才敢写，害怕被人发现，也暗示了凡卡学徒生活的艰辛。
“指望”是指生活的希望。
凡卡来大城市做学徒，本指望学会做鞋，有个一技之长，养家糊口，可来这里做的事跟学做鞋没有一点关系；本指望从此有吃有住，却“饿得要命”，差点被打死，连狗都不如；本指望莫斯科这个大城市，活下去容易些，可是依然没有穷人的活路……饥饿、孤独、痛苦，彻底打碎了凡卡的梦想，所以他说“我的生活没有指望了”。
文中几次提到死，也是反映了凡卡极度痛苦的心情。
《三姐妹》奥尔加（拥抱两个妹妹）军乐奏得多么欢快，多有朝气啊，让人真想活下去
……可是我们的痛苦，都会化成我们后代人的愉悦，幸福与和平会降临到未来的人间…… 这种悲喜交集的戏剧情调是富于感染力的。
她们优雅地忍受着苦痛，对自己的不幸保持着一种让人感到既甜美又苦涩的审美距离。
她们不再拒绝今天的磨难，她们更不放弃对于明天的希望，而我们读者与观众，在与她们一起流泪和感奋的时候，在精神上似乎也与她们一起提升了。
《钢铁是怎样炼成的》优美句子赏析
①人最宝贵的东西是生命.生命对人来说只有一次.因此.人的一生应当这样度过：当一个人回首往事时.不因虚度年华而悔恨.也不因碌碌无为而羞愧,这样.在他临死的时候.能够说.我把整个生命和全部精力都献给了人生最宝贵的事业--为人类的解放而奋斗.我们必须抓紧时间生活.因为即使是一场暴病或意外都可能终止生命.赏析：当一个人身体健康.充满青春活力的时候.坚强是比较简单和容易做到的事.只有生活像铁环那样把你紧紧箍住的时候.坚强才是光荣的业绩②领袖的逝世没有引起党的队伍涣散.就像一棵大树一样.强有力的将根深深地扎入土壤中.即使削掉树梢.也绝不会因此而凋零.赏析：知道为什么而死.问题就不同了.明白了这一点的人.也就有了力量.要是你感到真理是在你那一面.你甚至会从容就义的.英雄的行为就是这样产生的.③收起枪.别跟任何人说.哪怕.生活无法忍受也要坚持下去.这样的生活才有可能变得有价值.赏析：任何一个傻瓜在任何时候都能结束他自己
这是最怯懦也是最容易的出路.即使到了生活实在难以忍受的时候.也要找出活法活下去.生命总会有用处的.④[不必召开群众大会了.这里没有哪个人需要宣传鼓舞.托卡列夫.你说话很准确.他们确实是无价之宝.钢铁就是这样炼成的
朱赫来说的.赏析：勇敢向前进.在斗争中百炼成钢.为开辟自由的道路.挺起胸膛走向战场
钢铁是这样炼成的
1.钢是在烈火里燃烧、高度冷却中炼成的，因此它很坚固。
我们这一代人也是在斗争中和艰苦考验中锻炼出来的，并且学会了在生活中从不灰心丧气。
点评：保尔是一个刚毅坚强的革命战士，他在人生各个方面都经受住了严峻的考验。
在敌人的严刑拷打面前，他坚贞不屈；在枪林弹雨的战场上，他勇往直前；在与吞噬生命的病魔的搏斗中，他多次令死神望而却步，创造了起死回生的奇迹。
尤其是他在病榻上还奋力向艺术的殿堂攀登的过程，表现了一个革命战士钢铁般的意志所能达到的最高境界。
2.即使到了生活实在难以忍受的时候，也要找出活法活下去，生命总会有用处的。
点评：一个人只有在革命的艰难困苦中战胜敌人也战胜自己，只有在把自己的追求和祖国、人民的利益联系在一起的时候，才会创造出奇迹，才会成长为钢铁战士。
3.我在自己的一生里也曾经历过被遗弃和背叛的痛苦。
可是有一种东西却救了我：我的生活永远是有目的、有意义的，这就是为社会主义而奋斗。
点评：在全身瘫痪、双目失明后，他生命的全部需要，就是能够继续为党工作。
正像他所说的：我的整个生命和全部精力，都献给了世界上最壮丽的事业――为人类的解放而斗争。
想而献身的精神是他在遭遇苦难时的救赎，钢铁般的意志和顽强奋斗的高贵品质成就了他的革命事业。
一篇优美的散文。
800-1000字的，要附有赏析。
夜，好寂静。
沿着月光走在幽静的小路上，仰望天空里的那一片宁谧。
缓缓的，静静的，月光再小溪里洒下一片似乎是银光铺成的路。
水面上，一点一点的，微风吹起的水波，把那一片银白碎成点点星辉。
它跳跃着，与天上的繁星相映。
星光一闪一闪的，也映着水面上的波纹。
好美丽，其中隐约的有几缕温馨在浮动。
水好清澈，可以看到它缓缓的流到天际。
直到远了，看不清了，只剩下一种无法说清的快乐，在心中荡漾。
望着天上微倾下的几缕月光，小心的，拿出早已折好的纸船。
天空里，月光把小船染成了银白的颜色。
缓缓的托着它，放在平静的水面上。
晚风静静的吹起，小船在水上一点点飘远了。
坐在小溪边，望着它归去的景象，洁白的小船，缓缓融入无尽的夜色之中。
小船渐行渐远，反射的银光也渐渐的看不清了。
朦胧中，看到好多好多银火虫在飞舞，在天空里，在点点繁星之间，有更迷离的光彩，环绕。
水面如纱一样平滑，尽管微风吹起缕缕波纹。
远处灯塔上的灯亮了，照亮了小船要去的路，也照亮了生命的路。
它，好远好远，似乎耸立在天际，小船向着灯塔上的光芒缓缓漂去，带着那曾经许过的愿望漂远了。
等待回音，在浩淼烟波里，也许是另一种情趣，在夜色里闪现。
默默的站起来，望着那水天连成一色的墨蓝，心里还在期盼梦想的实现。
终于，小船再也看不到了。
才缓缓转过头，在月光里微笑。
回忆之中，这似乎是很完美的终结。
珍惜它，也许可以等到所希望的故事。
夜色里，银火虫还在飞舞，浮云缭绕，映衬出一条天上银光的路。
如雪般透明的，不仅是心灵，也还有对于希望的执著。
纸船远走了，回忆也渐渐拉长了，让它在夜色里，在那属于自己的空间里，划出它明亮的曲线。
我走了，不想带走什么，仅仅希望远在天际的地方，可以有理解我的心的思念。
尽管它好稚嫩，有再多的伤感，也许只化作飞雨，陪伴月光。
时间缓缓而去，回忆也终不再清晰。
纸船上只有一行淡淡描过的字迹，“我是陪伴彩虹的鸟儿，希望能与你一起飞翔。
”<<纸船>>是一首外国散文诗，诗的作者是印度近代伟大的诗人泰戈尔，也是世界文学史上的匠师。
他长期投身印度民族解放运动，一生创作了大量的作品，1913年获诺贝尔文学奖。
他的《新月集》是一部以儿童生活和情趣为主旨的英文散文集。
主题是歌颂儿童，表达诗人对儿童的热爱与同情。
《纸船》是其中有代表性的一首。
这首诗充满童稚的想象，细腻的刻画了孩子天真可爱富于幻想的性格和心理。
为了突出想象的事物，突出富有儿童特点的种种动人情态和奇思妙想，诗人注意运用限制、修饰性词语。
比如，纸船是“用大黑字写我的名字和我住的村名”的纸船，花是“黎明开的”，篮子是“满载着梦的”，夜里，我的纸船“在子夜的星光下缓缓地”浮泛前去。
这些词或短语不仅使我的奇思妙想明确突出，而且形象、具体，使童趣更浓。
优美的英文诗歌
泰戈尔 的诗集。
英文版很赞 >.<爱尔兰的诗人叶芝的诗歌，充满了精灵与骑士，梦幻与美好。
诗人Thomas Hood （民谣体诗歌，最喜欢他的I remember,I remember)诗人John Keats(低调的华丽，19世纪英国浪漫主义著名诗人，擅长描写自然和表现物体的色彩和立体感)雪莱。
拜伦。
英文诗歌赏析
OpponentYou are my adversary, but you are not my enemy.For your resistance gives me strength.You will give me courage.Your spirit ennobles me.And though I aim to defeat you, should I succeed, I will not humiliate you.Instead, I will honor you.For without you, I am a lesser man.对手你是我的对手，但不是我的敌人因为的对抗给予我力量。
你的意志带给我勇气。
你的精神使高。
我要尽力击败你，但即使我胜利了，我也不会羞辱你。
相反，我将以你为荣。
因为如果没有你，我就无法达成今天的成就。
英文版《老人与海》小说中优美语句50句
1.It is what a man must do. 这是一个男子汉所应该做的。
2.I would rather be exact. Then when luck comes you are ready. 3.All my life the early sun has hurt my eyes, he thought. Yet they are still good. 生命中的旭阳刺痛了我的眼睛，他想。
（据本人理解应为指早年初恋女友，那个护士的背叛）呵呵，还好这双眼睛现在还挺好。
4.My big fish must be somewhere. 一定有属於我的大鱼在什麽地方等著。
5.The water was a dark blue now, so dark that it was almost purple. 如今的海水是深蓝色的，深到几乎成了紫色。
6.Most people are heartless about turtles because a turtle’s heart will beat for hours after he has been cut up and butchered. But the old man thought, I have such a heart too and my feet and hands are like theirs. 大多数人对待（海龟、甲鱼之类的动物吧）很冷酷无情，因为海龟的心会在它身体被剖开和屠杀时，被时光打败。
（此句照应“A man can be destroyed but not defeated ” “一个人可以被毁灭但是不能被打倒
”）7.Now is no time to think of baseball, he thought. Now is the time to think of only one thing. That which I was born for. 现在没有时间考虑棒球了，他想。
此刻是只能思考一件事情的时候。
那是，我生来是为了什麽。
8.It was considered a virtue not to talk unnecessarily at sea and the old man had always considered it so and respected it. But now he said his thoughts aloud many times since there was no one that they could annoy. 可以想象品德在海里就不必要说起了，而老人以前却总是思考著，尊敬著它。
可是现在，自从没有了一个可能打搅的人，他就把那些想法高声的说出来，好多次。
9.The tuna, the fishermen called all the fish of that species tuna and only distinguished among them by their proper names when they came to sell them or to trade them for bait, were down again. （金枪鱼，渔人在售卖它们或者交易他们用作诱饵时，……）10.He felt no strain nor weight and he held the line lightly. Then it came again. This time it was a tentative pull, not-solid nor heavy, and he knew exactly what it was. 他感觉没有什麽拉力和重量，而轻轻的抓住鱼线。
之后它（指大鱼）又来了。
这次它仅仅拉了一会儿，不沉也不重，而他已经清楚的知道那是什麽鱼了.11.If you said a good thing, it might not happen. 如果你说出了一件好的事情，那么那件好事可能就会不出现了。
（大概可以理解为“天机不可泄露”） 12.What I will do if he decides to go down, I don’t know. What I’ll do if he sounds and dies I don’t know. But I ‘ll do something. There are plenty of things I can do. 我不知道，如果他下来或者如果他倒地一声死了，我要怎么办。
但是我知道，我会做一些事情。
还有很多东西我可以做。
13.Then he looked behind him and saw that no land was visible. That makes no difference, he thought. 然后他望向背后，却发现，没有一块可以看见的陆地。
他想，海洋没有制造什麽差异，跟之前没有什麽区别。
14.The position actually was only somewhat less intolerable; but he thought of it as almost comfortable. 实际上的方位只能稍微带给人少许无法忍受的感觉，但他几乎想象这是一件舒适的事情。
15.Then he thought, think of it always. Think of what you are doing. You must do nothing stupid. Then he said aloud, “I wish I had the boy. To help me and to see this.” 之后他总是想著，思考著这件事。
思考你在干什麽。
你不能做任何愚蠢的事情。
然后他大声的说：“我希望身边有个男孩，可以帮助我，还有可以看到这。
” 16.What a great fish he is and what he will bring in the market if the flesh is good. He took the bait like a male and he pulls like a male and his fight has no panic in it. I wonder if he has any plans or if he is just as desperate as I am? 这是一个多么庞大的鱼，如果到时候还新鲜的话，他就拿到市场卖了。
他像一个男子汉那样，拿著诱饵还有拉著线，无畏的搏斗著。
我想知道，他是否有任何的安排，或者，他只是像我一样，绝望了。
17.He was beautiful, the old man remembered, and he had stayed. 他很美丽，老人回忆著，还有他以前曾经逗留过。
18.Perhaps I should not have been a fisherman, he thought. But that was the thing that I was born for. 或许我不应该成为一个渔夫，他想。
但是那是我生来的源由。
19.“ Fish,” he said softly, aloud, “ I ‘ll stay with you until I am dead.” “鱼，”他柔和地说著，却很响亮 ，“我会一直陪伴你直至我死去。
” 20.He could feel the steady hard pull of the line and his left hand was cramped. It drew up tight on the heavy cord and he looked at it in disgust. “What kind of a hand is that,” he said. “Cramp then if you want. Make yourself into a claw. It will do you no good.” 他能感觉到支架艰难的拉著，但是他的左手却被夹住了。
它被沉重的绳索卷住了，老人嫌恶的看著左手。
21.There is no sense in being anything but practical though, he thought. 著没有了任何知觉…… 22.I wish I could feed the fish, he thought. He is my brother. But I must kill him and keep strong to do it. Slowly and conscientiously he ate all of the wedge-shaped strips of fish. 我希望可以饲养这些鱼儿，他想著。
他是我的兄弟。
但是我必须杀掉他，还有保证强壮的身体来处理它。
凭良心，他慢慢的吃掉了所有楔形的细长的鱼。
23.He looked across the sea and knew how alone he was now. But he could see the prisms in the deep dark water and the line stretching ahead and the strange undulation of the calm. The clouds were building up now for the trade wind and he looked ahead and saw a flight of wild ducks etching themselves against the sky over the water, the blurring, then etching again and he knew no man was ever alone on the sea. 他眺望着海面，知道他此刻是多么孤单。
但是他可以看见在黑暗的深水里的棱镜和鱼线往前和那平静的波动。
云朵现在贸易风，他朝前望去，看到一个飞行的野鸭在水面上的天空，模糊，然后蚀刻再次和他知道没有人是独自在海上。
24.I hate a cramp, he thought. It is a treachery of one’s own body. It is humiliating before others to have a diarrhoea from ptomaine poisoning or to vomit from. But a cramp, he thought of it as a calambre, humiliates oneself especially when one is alone. 我恨抽筋，他想。
这是对自己身体的背叛行为。
它是在别人面前丢脸由于而腹泻或者呕吐。
但是抽筋，他认为这是一个calambre侮辱自己，尤其是当一个人是孤单的。
25.If I were him I would put in everything now and go until something broke. But, thank God, they are not as intelligent as we who kill them; although they are more noble and more able. 如果我是他，我会竭尽所能去直到事情发生。
但是，感谢上帝，他们是不是我们谁杀了他们的智能；虽然他们更高贵、更能。
26.I wonder why he jumped, the old man thought. He jumped almost as though to show me how big he was. I know now, anyway, he thought. I wish I could show him what sort of man I am. But then he would see the cramped hand. Let him think I am more man than I am and I will be so. I wish I was the fish, he thought, with everything he has against only my will and my intelligence. 我想知道为什么他跳了，老人想。
他就好像让我看看他有多大。
现在我知道，无论如何，他认为。
我希望我也能让他看看我是什么样的人。
然后他会看到这只抽筋的手。
让他觉得我比我的人，我会这样。
我希望我的鱼，他认为，他所做的一切对我的意志和我的智慧。
27.He was comfortable but suffering, although he did not admit the suffering at all. 他是舒适而痛苦，虽然他根本不承认是痛苦。
28.He commenced to say his prayers mechanically. Sometimes he would be so tired that he could not remember the prayer and then he would say them fast so that they would come automatically. 他机械地念起祈祷文。
有时他会很累很累，他不记得祈祷，然后他会说他们很快，它们会自动。
29.I must save all my strength now. Christ, I did not know he was so big. “I ‘ll kill him though,” he said. “ In all his greatness and his glory. 我眼下必须保存所有的精力。
基督，我不知道他是如此之大。
“我会杀了他，”他说。
“在他的伟大和荣耀。
30.Although it is unjust, he thought. But I will show him what a man can do and what a man endures. 然而这是不公平的，他想。
但我会告诉他，什么可以做，什么人忍受。
31.The thousand times that he had proved it meant nothing. Now he was proving it again. Each time was a new time and he never thought about the past when he was doing it. 他证明了一千次这不意味着什么。
现在他再次证明这。
每一次都是一个新的时间，他从来没有想过去当他做了它。
32.Still I would rather be that beast down there in the darkness of the sea. 我还是情愿做那只待在黑暗的大海。
33.He did not truly feel good because the pain from the cord across his back had almost passed pain and gone into a dullness that he mistrusted. But I have had worse things than that, he thought. 他并不真的觉得好因为索勒在背上的疼痛几乎已经疼进入了一种使他不信任。
但我有比这更糟糕的事情，他认为。
34.“The fish is my friend too,” he said aloud. “ I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars.” “这鱼是我的朋友，”他大声地说。
“我从来没有见过或听说过这样的鱼。
但我必须杀了他。
我很高兴，我们不必去捕杀星星。
” 35.Then he was sorry for the great fish that had nothing to eat and his determination to kill him never relaxed in his sorrow for him. How many people will he feed, he thought. But are they worthy to eat him? No, of course not. There is no one worthy of eating him from the manner of his behaviour and his great diginity. 然后他很同情那条大鱼，没有东西吃，他决心要杀死他从未放松他为他而悲伤。
它能供多少人吃，他想。
但他们配吃它吗
不，当然不是。
没有人吃他从他的行为和他的伟大的尊严态度值得。
I do not understand these things, he thought. But it is good that we do not have to try to kill the sun or the moon or the stars. It is enough to live on the sea and kill our true brothers. 我不懂这些事，他认为。
但它是好的，我们不必去弄死太阳或月亮或星星。
它是足够的以海为生，杀死我们的真正的兄弟。
36. I’m clear enough in the head, he thought. Too clear. I am as clear as the stars that are my brothers. Still I must sleep. 我的头脑还足够能清醒，他想。
我太清醒了，清晰到就像群星是我的兄弟。
所以我仍然必须睡觉。
37. “ It is not bad,” he said. “ And pain does not matter to a man.” “那还不错，”他说，“并且，疼痛、伤痕对一个人来说不应该让其成为问题。
” 38. Now I must convince him and then I must kill him. 此刻我必须使他信服，然后我定杀了他。
39. I must hold his pain where it is, he thought. Mine does not matter. I can control mine. But his pain could drive him mad. 我一定要把握住他伤口所在之处，他想。
我的伤口不是问题，我可以控制住自己，但是他的伤口会让他发怒，失去理智。
40. Keep your head clear and know how to suffer like a man. 保持你头脑的清醒，并且懂得如何像一个男子汉那样承受痛苦。
41. Then the fish came alive, with his death in him, and rose high out of the water showing all his great length and width and all his power and his beauty. 然后鱼活了过来，他的死他，高高地冲出水面，展现出其巨大的长度和宽度，和他所有的力量和他的美。
