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简爱英文版中动作描写的句子

时间:2017-10-01 10:45

求简爱英文版中的30句优美的句子和50个短语

THERE was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further outdoor exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, 'She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner- something lighter, franker, more natural, as it were- she really must exclude me from privileges intended only for contented, happy, little children.' 'What does Bessie say I have done?' I asked.'Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent.' A small breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I returned to my book- Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of 'the solitary rocks and promontories' by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape- 'Where the Northern Ocean, in vast whirls, Boils round the naked, melancholy isles Of farthest Thule; and the Atlantic surge Pours in among the stormy Hebrides.'Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with 'the vast sweep of the Arctic Zone, and those forlorn regions of dreary space,- that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole and concentre the multiplied rigours of extreme cold.' Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking.

简爱中对环境的描写

第二十三章仲夏明媚的阳光普照英格兰。

当时那种一连几天日丽天清的气候,甚至一天半天都难得惠顾我们这个波浪环绕的岛国。

仿佛持续的意大利天气从南方飘移过来,像一群灿烂的候鸟,落在英格兰的悬崖上歇脚。

干草己经收好,桑菲尔德周围的田野己经收割干净,显出一片新绿。

道路晒得白煞煞仿佛烤过似的,林木葱郁,十分茂盛。

树篱与林子都叶密色浓,与它们之间收割过的草地的金黄色,形成了鲜明的对比。

也许我应该这么说出来,可是从我正仰望着的云层里,窜出了一道铅灰色的闪电,随后是喀啦啦一声霹雳和近处的一阵隆隆声。

第36章中:树林终于出现在眼前,白嘴鸦黑压压一片,呱呱的响亮叫声打破了清晨的寂静。

冬雪曾经飘入空空的拱门,冬雨打在没有玻璃的窗户上。

在一堆堆湿透了的垃圾中,春意催发了草木,乱石堆中和断梁之间,处处长出了野草。

简爱的人物描写。

神态、动作、语言、外貌都行。

以及赏析。字要少点

他远看其实就是一团圆的,近看也是由一个个圆组成的,但确实是梨状的,人物描写作文300字。

顶着一个洋葱头,最顶端那地是高峰,是由一撮撮向顶端靠拢的头发组成的。

向下看是黝黑透红得皮肤了,那张脸正中是鼻子,没啥特色,望去也就是人群中不显眼得那种了,但是却不起眼地把他的五官连接地那么幽默。

再向上点看吧,是对眼睛,眨时最富特色,总是在闭眼时把周围得肌肉都往那儿挤那么一挤才罢休睁开眼。

这或许是他的眨眼习惯,也许是大家都那么眨,只是他得肉多以至于现象更明显罢了。

再瞅那嘴,肉感丰富,嘟起来比鼻子还长。

隆重登场的是下巴和脸,一层层脂肪得堆积形成了现在的双下巴,肥嘟嘟的,走路时都一跳一弹的脸,说也奇怪,那脂肪奇乎地都往下沉,形成梨状,实属可爱。

简爱中的细节描写,速度快

以下这一段是简爱中最著名的一段了。

Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are! Jane to Mr. Rochester (Ch. 23) 你以为我穷,不好看,就 没有感情吗

我也会的,如果上帝赋予我财富和美貌,我一定使你难于离开我

就象现在我难于离开你

上帝没有这样

我们的精神是同等的

就如同你跟我经 过坟墓,将同样站在上帝面前

求精彩的英文人物外貌描写,最好是名著里的

(1)《呼啸山庄·中英对照》——Mr. Heathcliff and I entered the huge maindoor. It could have been any Yorkshire farmhouse kitchen, except that there wasno sign of cooking, and no farmer sitting at the table. Mr. Heathcliffcertainly does not look like a farmer. His hair and skin are dark, like agipsy's, but has the manners of a gentleman. He could perhaps take more carewith his appearance, but he is a handsome. I think he is proud, and alsounhappy. 希斯克利夫先生和我进到极大的正房。

它很像是约克郡一个普通农家的厨房,只是没有做饭的迹象,桌旁也没坐着农夫。

希斯克利夫先生看上去显然不像个农夫,他的头发和皮肤是深色的,像吉卜赛人,但有绅士的派头。

他还能对自己的外表再多上点儿心,但已经算得上英俊了。

我觉得他很高傲,而且郁郁寡欢。

(2)360doc个人图书馆——女性描写1:Alice is 20 years old. She is a little overweight. But she is tall andfairskinned, so she looks healthy. Her hair is jet-blacked and straight. Shehas a very pleasant smile and she always has a twinkle in her eye. Whensmiling, Alice’s dimples will appear who receive them feel very special. Whenshe works, she always put on her glasses. She always dress very elegant andtidy. Because of her fair skin and kindness, we all like her very much. 艾丽丝20岁了,她有一点胖,但是由于她很高而且皮肤白皙,所以看上去很健康。

她有一头乌黑的直发。

她时常灿烂地微笑,两只大眼睛闪闪发光。

露出两个特别的酒窝。

她工作的时候,总是戴上眼镜。

她的穿着优雅而整洁。

由于她很善良,我们都很喜欢她。

(【评析】用并列连词和连接副词及词组连接两个独立的句子,使之成为并列句。

在写作时根据相邻的两个句子所包含的观点选择适合的连词也会令文章生动。

)女性描写2:While her physical beauty was astounding, it was herinvisible beauty that I shall always remember. She really cared about otherpeople and was an extremely talented listener. Her sense of humour couldbrighten you entire day and her wise words were always exactly what you neededto hear. She was not only admired but also genuinely respected by members ofboth sexes. 尽管她美得惊人,但我更对她的内在美记忆犹新。

她总是很关心身边的人,并且擅长倾听。

她的幽默感总是可以使你整天都感到非常开心,而她智慧的话语更是能道破天机。

无论男人或是女人,不仅羡慕她,而且打心里尊重她。

男性描写1:He was standing on a raised platform in a corner ofthe room.he was a wizened old man with wrinkled face and a sad expression overhis shoulder was thrown a rough brown coat, all torn and full of holes, histhick boots were old and patched ;and with one hand he leant on a rough stick, while with theother he held out his battered hat for money. 他站在屋子角落一个支高的台子上,他是一个老人,满脸的皱纹和悲伤的表情。

他的肩膀上搭着一件粗糙,破烂的棕色外套,他的厚靴子上也打了补丁,他用一个手倚着一根拐杖,另一只手拿他的破帽子讨钱。

男性描写2:Robert is 21 years old. He is about 5 feet, 9 inchestall. His face is long and narrow. His eyes are green. His hair is light brown.He doesn’t look very Italian. He smiles a little and usually has a friendlylook on his face. He isn’t fat and he isn’t thin. His build is average. 罗伯特21岁了,他身高大约5.9英尺,脸瘦瘦长长的,绿眼睛。

浅棕色的头发,看起来不大像意大利人。

他总是面带微笑,非常友好。

他不胖也不瘦,中等身材。

(3)《德伯家的苔丝》——On an evening in the latter part of May amiddle-aged man was walking homeward from Shaston to the village of Marlott, inthe adjoining Vale of Blakemore or Blackmoor. The pair of legs that carried himwere rickety, and there was a bias in his gait which inclined him somewhat tothe left of a straight line. He occasionally gave a smart nod, as if inconfirmation of some opinion, though he was not thinking of anything inparticular. An empty egg-basket was slung upon his arm, the nap of his hat wasruffled, a patch being quite worn away at its brim where his thumb came intaking it off. Presently he was met by an elderly parson astride on a graymare, who, as he rode, hummed a wandering tune. 五月下旬的一个傍晚,一位中年男子正从沙斯顿赶回自己的家乡—马洛特。

该村庄坐落在与沙斯顿毗邻的布雷克摩(或布莱克摩)山谷里。

这位中年人拖着两条蹒跚的腿,步态倾斜,整个身子总是向左边歪着。

他偶尔也把头轻巧地一点,仿佛是对什么事情表示赞同,其实他什么都没想。

他胳膊上挎着一只盛鸡蛋的空篮子,帽子的绒面皱皱巴巴的,摘帽子时大拇指接触的那个地方已经磨损了一大块。

不一会儿,一个骑着灰色母马、随口哼着小调的老牧师迎面而来。

《简爱》的好段摘抄

1.“我跟你说,定得离开

”我被惹火了,反驳说,“你以为我会留下来,成为在你眼里可有可无的人吗

你以是一架机器————一架冷漠无感情的机器吗

你以为我能受得了别人把我仅有的一片面包从我口里夺走,把仅有的一滴救命之水从我杯里泼掉吗

你以为,因为我贫穷、卑微、不美、矮小,我就没有灵魂,没有心吗

————你错了,我也有和你一样的灵魂,和你一样的一颗心

如果上帝曾给了我一点儿美丽丰富财产,我也会让你感到难以离开我,就像我现在难以离开你一样。

我现在不是通过习俗、常规,甚至也不是通过凡人的血肉之躯跟你讲话————而是用我的心灵在跟你的心灵对话,就如同我们离开了尘世,穿过坟墓,一同平等地站在上帝的面前,我们彼此平等————就如同我们的本质一样。

”  “就如同我们的本质一样

”罗切斯特先生重复了一句,———“就这样,”他又补充了一句,将我一把抱住,紧紧拥入怀中,将他的唇紧紧贴住我的唇,说:“就这样,简

”   2. “简,冷静些,别这样拼命挣扎,像个绝望中的野鸟儿,在疯狂地撕碎自己的羽毛似的。

”   “我不是只鸟,也没有关在笼中。

我是自由的,我有自己的独立意志,下定决心走开。

” 我又努力一挣,终于自由了,挣脱了他的怀抱,昂然地站在他面前,“那么,你也运用你的独立意志,来决定你的命运吧,”他说。

“我向你伸出我的手,奉献出我的心和我的全部财产和分享权。

”3. 一缕微风沿着月桂树小径轻拂而过,在七叶树的枝叶间徘徊。

它又轻盈地掠过去,————掠过去,飞向渺茫的远方,———最终飞逝了。

万籁俱寂,只有夜莺在林间婉转低唱,我听着这婉转的歌声,罗切斯特先生默默地坐着,温柔而认真地看着我。

“到那时,你就认不出我来了,先生,我就不再是你的简·爱,而是一只小丑打扮的猴子,————一只披着借来的羽毛的八哥了。

我不愿意披上贵妇的长袍,就像我不愿意看见你罗切斯特先生满身戏装打扮一样,先生,虽然我深爱着你,可我不会夸你漂亮。

就因为我爱你,所以我决不会违心的奉承你,你也不要来奉承我了。

”4. “凡是我游历过的地方,也一定要让你重新涉足,凡是我脚踏过的地方,也要让你精灵的脚步在那里停驻。

十年前,我疯狂地跑遍了几乎整个欧洲,与我相伴的只有憎恶、痛恨和愤怒,如今我已痊愈,身心净化,我要焕然一新地在一位真正天使的安慰的陪伴下,旧地重游。

” 他说这些时,我微笑地看着他。

“我可不是天使”,我说,“而且即使死了也不想做天使,我就是我自己,罗切斯特先生,你不要期盼,也不能强求我身上有什么神圣的天国里的东西,————因为你不可能找到它,就如同我也决不能够在你身上发现它。

我根本就不会有那样的奢望。

” “那你对我有何希望呢

” “在一个短时间里我也许会像现在这样,————只是短短的时间,然后你的热情就会消逝,接下来会喜怒无常。

不过等你对我完全习惯了,说不定你又会喜欢我的,——我是说,喜欢我,而不是爱我。

依我看,你的爱情仅能维持六个月,也许连六个月也不到,就会化为泡影。

我从男人们写的书里曾读到过,一个丈夫的热情最长只能维持这个极限。

不过,话虽这么说,我希望作为一个朋友和伴侣,永远也不要让我的亲爱的主人感到十分厌倦。

” “厌倦,再重新喜欢你

我想我倒真不会再重新喜欢你,而是叫你承认我不是喜欢你,而是爱你——真诚、热情、忠贞不渝地爱你。

” “你不会变卦吧,先生

” “对那些只靠漂亮的外貌来取悦我的女人,当我发现她们既无灵魂又无良心,——发现她们暴露了平庸、浅陋,也许还有低能、粗俗、脾气暴烈的苗头时,我完全像个恶魔;可是对于清澈的眼睛,伶俐的口齿,对于那热情如火的灵魂,温柔又稳重,柔情又坚定地宁折不弯的性情,——我却永远温柔,忠贞不渝。

” “我从未见过像你这么好的人。

简,你让我迷恋,你让我为你倾倒——你看来温柔驯服,我把那柔软的丝线绕到我的手指上时,它引起我一阵快感,沿着胳臂,一直传到我的内心深处。

于是,我受到了感染,——我被征服了;而这种感染使我觉得甜蜜无比,我所经历的这种征服似乎有一种魔力,让我觉得比以前的任何胜利都迷人。

”5.罗切斯特:“那么好吧,简,发挥你的想象力吧——设想你不再是受过精心培养和教导的姑娘,而是从幼年时代起就是一个放纵任性的男孩。

想象你身处遥远的异国,假设你在那里铸成了大错,不管其性质如何,出于什么动机,它的后果殃及你一生,玷污你的生活。

注意,我没有说‘犯罪’,不是说流血或是其他犯罪行为,那样的话肇事者会被绳之以法,我用的字是‘错误’。

你行为的恶果,到头来使你绝对无法忍受。

你采取措施以求获得解脱,非正常的措施,但既不是非法,也并非有罪。

而你仍然感到不幸,因为希望在生活的边缘离你而去,你的太阳遇上日蚀,在正午就开始暗淡,你觉得不到日落不会有所改变,痛苦和卑贱的联想,成了你记忆的唯一食品。

你到处游荡,在放逐中寻求安逸,在亨乐中寻觅幸福一—我的意思是沉缅于无情的肉欲——它消蚀才智,摧残情感。

在几年的自愿放逐以后,你心力交瘁地回到了家里,结识了一位新知——何时结识,如何结识,都无关紧要。

在这位陌生人身上,你看到了很多出类拔率的品质,为它们你已经寻寻觅觅二十来年,却终不可得。

这些品质新鲜健康,没有污渍,没有斑点,这种交往使人复活,催人新生。

你觉得好日子又回来了——志更高,情更真。

你渴望重新开始生活,以一种更配得上不朽的灵魂的方式度过余生。

为了达到这个目的,你是不是有理由越过习俗的藩篱——那种既没有得到你良心的认可,也不为你的识见所赞同的、纯粹因袭的障碍

” 6.简:“你难道认为,我会留下来甘愿做一个对你来说无足轻重的人

你以为我是一架机器

——一架没有感情的机器

能够容忍别人把一口面包从我嘴里抢走,把一滴生命之水从我杯子里泼掉

难道就因为我一贫如洗、默默无闻、长相平庸、个子瘦小,就没有灵魂,没有心肠了

——你不是想错了吗

——我的心灵跟你一样丰富,我的心胸跟你一样充实

要是上帝赐予我一点姿色和充足的财富,我会使你同我现在一样难分难舍,我不是根据习俗、常规,甚至也不是血肉之躯同你说话,而是我的灵魂同你的灵魂在对话,就仿佛我们两人穿过坟墓,站在上帝脚下,彼此平等——本来就如此

”7.那只创造了你的形体并放进去生命的至高无上的手,除了创造你微弱的自我,或者像你一样微弱的生物而外,还给你提供了其他的救援。

除了这个世界,除了人类,还有一个不可见的世界和一个神灵的王国:那个世界围绕着我们,因为它无处不在,那些神灵注视着我们,因为他们受命来护卫我们;假如我们正在痛苦和耻辱中死去,轻蔑和嘲讽从四面八方侵袭着我们,憎恶压碎了我们,那么天使会看见我们身受折磨,承认我们的清白无辜(只要我们是清白无辜的),上帝只等到我们的灵与肉分离,便给予我们完全的报偿。

那么当生命这么快就结束,死亡作为幸福和光荣的入口又是如此确定的时候,为什么我们还要被苦恼压倒而消沉下去呢

8.你冷,是因为你孤独;没有什么人际的接触能撞击出你心中的火。

你有病,是因为人被赋予的最好的,最高贵的和最甜美的情感离你很遥远。

你傻,是因为不管怎么痛苦,你都不去召唤那种情感来接近你,你也不上前一步到它等待你的地方去迎接它9.罗沃德的束缚,至今仍在你身上留下某些印迹,控制着你的神态,压抑着你的嗓音,捆绑着你的手脚,所以你害怕在一个男人,一位兄长——或者父亲、或者主人,随你怎么说——面前开怀大笑,害怕说话太随便,害怕动作太迅速,不过到时候,我想你会学着同我自然一些的,就像觉得要我按照陋习来对待你是不可能的,到那时,你的神态和动作会比现在所敢于流露的更富有生气、更多姿多彩。

我透过木条紧固的鸟笼,不时观察着一只颇念新奇的鸟,笼子里是一个活跃、不安、不屈不挠的囚徒,一旦获得自由,它一定会高飞云端。

你还是执意要走

”10.月亮庄严地大步迈向天空,离开原先躲藏的山顶背后,将山峦远远地抛在下面,仿佛还在翘首仰望,一心要到达黑如子夜、深远莫测的天顶。

那些闪烁着的繁星尾随其后,我望着它们不觉心儿打颤,热血沸腾。

一些小事往往又把我们拉回人间。

大厅里的钟己经敲响,这就够了。

我从月亮和星星那儿掉过头来,打开边门,走了进去。

外国名著 摘抄好句 中英文

How quick come the reasons for approving what we like!想给我们的喜好找个理由时,脑袋转的是最快的。

Life seems but a quick succession of busy nothings.生活就是一连串的无事忙。

What is right to be done cannot be done too soon.越该做的事,就越急不得。

I have been a selfish being all my life, in practice, though not in principle.在实际生活中我是个自私的人,但在原则上不是。

There is no charm equal to tenderness of heart.心灵的柔软是最大的魅力。

Do you think I can stay to become nothing to you? Do you think I am an automation? A machine without feelings? And can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup?Do you think because I am poor, obscure, plain, and little, I am souless and heartless? You think wrong! I have as much soul as you--and full as much heart! And if god had gifted me with some beauty and wealth, I should have made it as hard for you to live me, as it is now for me to live you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh--it is my spirit that address your spirit; just as if both had passed through the grave and we stood at God's feet--equal--as we are! 你以为我会无足轻重的留在这里吗

你以为我是一架没有感情的机器人吗

你以为我贫穷、低微、不美、缈小,我就没有灵魂,没有心吗

你想错了,我和你有一样多的灵魂,一样充实的心。

如果上帝赐予我一点美,许多钱,我就要你难以离开我,就象我现在难以离开你一样。

我现在不是以社会生活和习俗的准则和你说话,而是我的心灵同你的心灵讲话。

仿佛我们已经穿越了坟墓穿越了生死来到上帝的脚下——平等——我们生来如此

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