有关京剧滴口号
五三五三，非同一般，中华国粹，当之无愧。
以京剧为主题的标语
标语示例如下：以一国之粹，弘中华大德。
爱上京剧，迷上国粹。
多了解京剧，免得比外国人懂得少。
宣传京剧广告词
宣传京剧广告词：1、京剧是国粹，想听就陶醉。
2、昆曲为魂，秦腔为骨，历经风雨，国粹京剧。
3、京剧国粹，绝妙好音。
4、京剧国粹，当之无愧。
简介京剧京剧，曾称平剧，中国五大戏曲剧种[1] 之一，腔调以西皮、二黄为主，用胡琴和锣鼓等伴奏，被视为中国国粹，中国戏曲三鼎甲“榜首”。
徽剧是京剧的前身。
清代乾隆五十五年（1790年）起，原在南方演出的三庆、四喜、春台、和春， 四大徽班陆续进入北京，他们与来自湖北的汉调艺人合作，同时接受了昆曲、秦腔的部分剧目、曲调和表演方法，又吸收了一些地方民间曲调，通过不断的交流、融合，最终形成京剧。
京剧形成后在清朝宫廷内开始快速发展，直至民国得到空前的繁荣。
它走遍世界各地，成为介绍、传播中国传统文化的重要手段。
分布地以北京为中心，遍及中国。
关于戏曲进校园的标语口号，急急急，谢谢
传承民族文化 ，打造书香校园助力…，戏曲文化进校园感受戏曲，彰显传统文化活力等等
求两篇有关京剧的外国文献，2000字左右,有译文的最好
Role Type of Peking Opera 《China & the World Cultural Exchange》 2001年04期 By Denise HenrySome people are intimidated by the traditional theater, particularly if, like most of us, they are less than fluent in classical Chinese. However, one of the great things about such stylized forms of theater as Peking Opera is that the plots and characters can be understood even without benefit of language. If you have a basic familiarity with some of the established forms of the opera, you can follow the plot and understand the characters even of plays about which you know nothing.Understanding Peking Opera without understanding the language is something like what happens when you read a book, but in reverse. When you read, you have only the words, but you form in your mind a picture of the characters, the settings, the appearance and bearing of the people in the story. When you watch an opera, with a bit of knowledge you can easily identify the basic traits of each character just by the picture he or she presents on the stage. From there, it is not so difficult to tell who is kind and who is cruel, who is cheerful and who is despondent, who is courageous and who is cowardly. The more you learn about the conventions, the more you understand, so that Peking Opera becomes a sort of interactive medium in which you, as a member of the audience, have a very important part.One basic element of many regional forms ofChinese opera, as well as Peking Opera, is the division of role types. There are four major types: sheng, dan, jing and chou, each of which is further divided into several subtypes. In this and the next issue of China & the World Cultural Exchange, we’ll take a closer look at these role types.The ShengSheng are always male characters. They represent scholars, statesmen, warriors, faithful retainers, and peasants. The laosheng, or mature man, always wears a beard and displays the intrinsic dignity of his age and status in his movements, speech and song. Even characters who are from the poorer classes always maintain a special poise and dignified bearing. Their singing is perfectly synchronized with accompanying gestures and pantomime. A widening of the eyes, the pointing of a finger, the folding back of a long silk sleeve are all flawlessly timed with the music and thus the emotion of the scene.The actor who plays the laosheng must, above all, possess an excellent singing voice, which has a rich, almost baritone quality. Two main vocal styles are employed. One is known as tangyin, or “chest sound”, generally broad, loud and clear. The other is called yunzheyue, or “clouds enshrouding the moon.” It has been described as an experience for the ears that equates to looking at scenery in the moonlight---some bright and some dark--- producing a rather dim and hazy beauty. This style is slightly throaty and husky, and can be highly emotional.The speech of the laosheng is most often delivered in a heightened or rhymed style. Thus, even when speaking his voice has a very strong musical quality. This style makes extensive use of special pronunciations and has greater extremes in pitch than colloquial speech, with sliding connectives used to move from one pitch to another.In addition to combat, the wusheng performs a variety of gravity-defying acrobatic feats that can have the audience believing that the actor’s bones are made of rubber and his tendons of pure el as tic. The y inc elude fro not al an d rev ere se handsprings, cartwheels and leaps into the air landing in vertical splits. As if all this were not amazing enough, for many roles the actor wears a full set of costume armor, complete four battle pennons suspended from short poles attached to his back and tall, platform-soled boots.Martial arts and acrobatics are the most important skills of a wusheng actor, yet he must also master specific styles of singing and speech. The distinctive vocal styles of the wusheng help to convey his masculinity and strength, with an abrupt, almost militant quality. In many plays, the actor deliver s h is lines o r sing s a s he is simultaneously executing a series of acrobatic movements. This means he must maintain strict control of his breathing while engaging in extremely strenuous exercise.
京剧有哪些（题目以及主要内容）
俗话说：唐三千宋八百完列国。
这句话就代表京剧剧目的繁多。
京剧号八百。
没法给你写题目和内容。
但是你所熟悉的三国、水浒、西游记、隋唐、杨家将、说岳都有京剧剧目。
比如：借东风、空城计、野猪林、李逵探母、罗成叫关、秦琼卖马、穆桂英挂帅、四郎探母、闹天宫、八大锤、小商河。
。
。
。
求少儿京剧培训班名字和标语
英才少儿京剧艺术学校
企业宣传口号
念京剧之悠而悠，思皮影之乐而乐
中国文化和戏曲广告语
中国戏曲可谓是流芳百世，历史悠久 是我国的一大特色 让我们呼唤身边的人 共同传承 发扬下去 使祖国更有魅力
