求《理智与情感》的英语读后感500~1000字
Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion.conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. This article is from internet, only for studying!
《理智与情感》的英文版读后感
《理智与情感》是简·奥斯丁富于幽默情趣的处女作。
埃莉诺和玛丽安娜两姐妹生在一个英国乡绅家庭，姐姐善于用理智来控制情感，妹妹的情感却毫无节制，因此面对爱情时，她们作出了不同的反映……小说以这两位女主角曲折复杂的婚事风波为主线，通过“理智与情感”的幽默对比，提出了道德与行为的规范问题。
求《傲慢与偏见》与《理智与情感》的观后感英文版
这个要人民币
读《理智与情感》有感
[读《理智与情感》有感] 《理智与情感》是英国著名女作家简?奥斯汀的第一部出版作品（《傲慢与偏见》最先完稿，但《理智与情感》最先发表），读《理智与情感》有感。
英国文坛现实主义作品在经过40多年的青黄不接之后，终于由这部作品打破了沉闷的局面。
《理智与情感》的发表无疑为以后现实主义的重新崛起和发扬光大奠定了基础。
这部小说主要描写了埃丽诺与玛丽安两姐妹曲折复杂的婚事风波，并通过“理智与情感”的幽默对比，提出了道德与行为的规范问题。
小说最重要的意义就在于它对理智与情感、道德与规范的讨论对于今天依然有指导意义。
小说对理智与情感的讨论，一方面通过两姐妹性格的对比表现出来。
姐姐埃丽诺代表理智，她选择对象不是看中家庭地位和财产，而是从人品出发，此文来源于文秘写作网上了虽不漂亮却人品出众面，这种对比还通过此文来源于文秘写作网德华与布兰等上校的行为表现出来。
此文来源于文秘写作网德华虽然由于年轻时不够冷静而与庸俗的露西订婚，并一直感到痛悔，但他能够从理智出发，从道义出发，坚持这场错误的婚姻。
这就是他的道德观，即他要为自己的行为负责，这也是符合现实的道德观。
布兰登上校对玛丽安心生此文来源于文秘写作网慕却一直得不到对方的好感，还看到自己最了解的花花公此文来源于文秘写作网威洛比和玛丽安在一起，但是他并没有冲动地向玛丽安揭发为罗毕，而是默默地接受，默默地等待，暗中安排一切，直至玛丽安从失恋的阴影中走出来，读后感《读《理智与情感》有感》。
他这样做是很理智的，因此他最终赢得了玛丽安。
尽管小说对理智与情感的对比的描写有时过于夸张，但这种描写能够带给读者深刻的启迪，那就是：我们要理智地对待情感。
其实不仅是情感，我们还可以把它推广到生活的各个方面去。
在这个充满竞争的社会里，我们难免会遇到各种不公平、不顺心的事，有时还会很恼火。
这时候我们如果想玛丽安那样不顾一切地去宣泄，那么不仅不会得到同情，还会更加不利于烦恼的消除；而我们如果的此文来源于文秘写作网德华。
虽然后来听说他已经订婚，但埃丽诺能够克制自己的情感，理智地接受这一事实。
在此文来源于文秘写作网的滑翔机被母亲和未婚妻抛弃后，她仍对他一往情深，最终她和此文来源于文秘写作网德华有情人终成眷属。
而妹妹玛丽安代表情感，她一心想找一个“人品出众，风度迷人”的如意郎君，此文来源于文秘写作网上了花花公此文来源于文秘写作网威洛比，而对35岁的布兰登上校不屑一顾。
当她被威洛比抛弃后，又自暴自弃，整日以泪洗面，宣泄情感，差点因此而丧命。
最终，她听从了姐姐的劝导，以理智克制情感，嫁给了布兰登上校。
另一方面像埃丽诺那样理智地克制自己，冷静地寻求问题的解决方案那么即使这样不会使事情变得很好，最起码不会使事情变得更糟。
在对待友情、上下级关系、宿舍关系、商业合作关系等各种复杂多变的关系时，我们可以多想想怎样理智地处理这些关系，才能有利于问题的解决。
选择理智，我们会变得更加成熟。
〔读《理智与情感》有感〕随文赠言：【这世上的一切都借希望而完成，农夫不会剥下一粒玉米，如果他不曾希望它长成种粒；单身汉不会娶妻，如果他不曾希望有孩子；商人也不会去工作，如果他不曾希望因此而有收益。
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理智与情感内容简介中英文翻译
故事主要是环绕两个女主角的遭遇，达什伍德（Dashwood）一家的两姊妹，爱莲娜（Elinor）、玛丽安（Marianne）性子截然不同，大姐爱莲娜性格平稳，理性，稳重而不善于表达感情，恰恰代表了“理性”；反观排行第二的玛丽安，却浪漫热情而冲动，热爱诗词音乐，象征“感性”。
话说达什伍德太太跟她的三个女儿——爱莲娜、玛丽安和玛格丽特一直倚靠达什伍德先生的财产过活，然而，当达什伍德先生过身后，四人顿失经济支柱。
由于她们的家诺兰（Norland）必须由他们的同父异母的兄长，约翰·达什伍德（John Dashwood）承继，所以她们一家都要被扫地出门。
约翰虽受父亲所托照顾后母和妹妹们，但最后仍因他自私刻薄的妻子芬妮（Fanny Dashwood）劝说而打消念头。
结果四人在自己家里反而不受欢迎，被迫出外寻找新居所。
大约在这时候，诺兰来了一位拜访者，就是芬妮的兄弟，爱德华·费华士（Edward Ferrars），一个安静和善而有风度的绅士，很快便博得长女爱莲娜的爱慕，然而，正当他们日夜滋长感情之际，母亲和三姊妹却不得不搬走了。
况且费华士太太希望爱德华可娶一个有财有势的小姐,所以爱莲娜也不敢奢望什么。
达什伍德太太在远房表亲约翰·米德顿爵士(Sir John Middleton)的巴顿小屋找到了新的居所，搬家后，三姊妹忙于适应生活和结识朋友。
在这群人中，有一位绅士最为出众，那就是勃顿上校（Colonel Brandon），一位年约三十五的男士，富有而沈稳博学，是米德顿爵士的老朋友。
他显得对二女儿玛丽安相当感兴趣，于是某些多管闲事之人，例如：米德顿爵士的岳母詹宁斯太太(Mrs. Jennings)，便开始胡乱猜测起来(玛丽安自然很不高兴)，只是二人年龄差距大，玛丽安又认为年纪像勃顿上校般大的人根本不会有爱情，所以不大愿意接受他。
相反在这时，玛丽安有次在外跌伤了脚，并被一位名为韦勒比（Mr. Willoughby，又译威诺贝）的先生救回。
英俊潚洒韦勒比先生很获得众人的好感，而且和浪漫感性的玛丽安迅速打得火热。
他从此每天到小屋拜访，虽然身边的人都没有问，但二人亲密程度已令大家以为他们秘密订婚了。
只是,事情才过了没多久，韦勒比却忽然声称为伦敦的生意须离开一年，之后无故搬走，令玛丽安伤透了心。
爱德华终于来到巴顿小屋探访，但他看起来不开心，而且对爱莲娜极疏远。
爱莲娜很担忧，幸且她对母亲和妹妹们的责任感令她没有沉溺在哀痛之中。
在此不久，达什伍德一家更巧合认识了米德顿夫人的亲戚，露西·斯特小姐（Lucy Steele），斯特小姐是屡主动接近爱莲娜，后来更刻意透露她和爱德华·费华士不但认识，而且更秘密订婚多年
爱莲娜得知，明白爱德华当年年轻冲动才许下婚约，现又不愿辜负诺言，才有如此的表现。
仍心系爱德华的爱莲娜失望又痛苦，但仍遏力抑制自己，强迫自己忘掉她深爱的人。
后来，达什伍德最大的两个姊妹和斯特小姐跟随詹宁斯太太到伦敦过冬，玛丽安寄了很多信给韦勒比先生但收不到回复，终于相遇的时候却发现他态度冷淡，并已恋上另一位富家小姐(Miss Grey)。
玛丽安被爱人抛弃，伤心欲绝更大病一场。
而以此同时爱德华的家人发现他和斯特小姐门不当户不对的婚约，大发雷霆并要断绝他的经济来源。
Sense and Sensibility is a novel by Jane Austen, and was her first published work when it appeared in 1811 under the pseudonym A Lady. A work of romantic fiction, better known as a comedy of manners, Sense and Sensibility is set in southwest England, London and Kent between 1792 and 1797, and portrays the life and loves of the Dashwood sisters, Elinor and Marianne. The novel follows the young ladies to their new home, a meagre cottage on a distant relative's property, where they experience love, romance and heartbreak. The philosophical resolution of the novel is ambiguous: the reader must decide whether sense and sensibility have truly merged.建议楼主去维基百科看看。
这是从维基百科摘过来的。
里面有中英文的介绍。
英语读后感
《理智与情感》读后感：Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she loves him tenderly, she finds him disappointing as a possible lover for her sister. Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. This article is from internet, only for studying!《呼啸山庄》读后感： Published in 1847, WUTHERING HEIGHTS was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural--and author Emily Bronte went to her grave in 1848 believing that her only novel was a failure. It was not until 1850, when WUTHERING HEIGHTS received a second printing with an introduction by Emily's sister Charlotte, that it attracted a wide readership. And from that point the reputation of the book has never looked back. Today it is widely recognized as one of the great novels of English literature. Even so, WUTHERING HEIGHTS continues to divide readers. It is not a pretty love story; rather, it is swirling tale of largely unlikeable people caught up in obsessive love that turns to dark madness. It is cruel, violent, dark and brooding, and many people find it extremely unpleasant. And yet--it possesses a grandeur of language and design, a sense of tremendous pity and great loss that sets it apart from virtually every other novel written.The novel is told in the form of an extended flashback. After a visit to his strange landlord, a newcomer to the area desires to know the history of the family--which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights. It was once a cheerful place, but Old Earnshaw adopted a Gipsy child who he named Heathcliff. And Catherine, daughter of the house, found in him the perfect companion: wild, rude, and as proud and cruel as she. But although Catherine loves him, even recognizes him as her soulmate, she cannot lower herself to marry so far below her social station. She instead marries another, and in so doing sets in motion an obsession that will destroy them all. WUTHERING HEIGHTS is a bit difficult to get into; the opening chapters are so dark in their portrait of the end result of this obsessive love that they are somewhat off-putting. But they feed into the flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other. As the novel coils further into alcoholism, seduction, and one of the most elaborately imagined plans of revenge it gathers into a ghostly tone: Heathcliff, driven to madness by a woman who is not there but who seems reflected in every part of his world--dragging her corpse from the grave, hearing her calling to him from the moors, escalating his brutality not for the sake of brutality but so that her memory will never fade, so that she may never leave his mind until death itself. Yes, this is madness, insanity, and there is no peace this side of the grave or even beyond. It is a stunning novel, frightening, inexorable, unsettling, filled with unbridled passion that makes one cringe. Even if you do not like it, you should read it at least once--and those who do like it will return to it again and again.就会这么多，谢谢。
