<极地特快>书的作者是谁
艾尔斯伯格
极地特快
看完后感触好深,我已经在《小看影》看完了。
看完后感触好深，爱一个人首先要懂她，盲目的爱只会导致分手，无限的去触碰底线，谁愿意和这样一个看着就的人在一起很多人说不如原著好看，试问你看所有被改编的或哪一步比得上原著
其实我们说原著都是从书中看的，从眼睛汲取的过程中大脑通过文字充满想象，每一个读者想象的场景都不一样，天马行空，出视觉的作品是编、导演、、演员、、、各自演绎的一部分，而小说本身取得过很大的成就，拥有很多读者，可想，也不可能满足所有人的想象。
从特效、音乐等方面能看到这部的用心，不同时间短，细节方面处理肯定比不上，看了前几集，看是有看下去的，这就是一部好。
英语手抄报极地特快的内容怎么做
没看懂你的意思这些是资料 it is better to fight for good than to fail at the ill. 宁为善而斗, 毋屈服于恶 he who has hope has everything. 怀有希望者, 便拥有一切 self-trust is the first secret of success. 自信心是成功的首要关键 the secret of success is constancy of purpose. 成功的秘绝在于目标坚定有恒 success grows out of struggles to overcome difficulties. 成功源于努力去克服困难 experience is the extract of suffering. 经验是受苦的结晶 故上兵伐谋，其次伐交，其次伐兵，其下攻城。
Thus the highest form of generalship is to balk the enemy's plans；the next best is to prevent the junction of the enemy's forces；the next in order is to attack the
谁有影片极地特快或影片跳舞的公主的英文影评
The Polar Express Roger Ebert \\\/ November 10, 2004 Cast & CreditsBody movement performers: Hero Boy\\\/Father\\\/Conductor\\\/Hobo\\\/ Scrooge\\\/Santa: Tom HanksSmoker\\\/Steamer: Michael JeterHero Girl: Nona GayeLonely Boy: Peter ScolariKnow-It-All: Eddie DeezenAdditional voice performers:Hero Boy: Daryl SabaraSmoker\\\/Steamer: Andre SogliuzzoSister Sarah: Isabella PeregrinaLonely Boy: Jimmy BennettWarner Bros. presents a film directed by Robert Zemeckis. Written by Zemeckis and William Broyles Jr., based on the book by Chris Van Allsburg. Running time: 100 minutes. Rated G. Printer-friendly » E-mail this to a friend » The Polar Express has the quality of a lot of lasting children's entertainment: It's a little creepy. Not creepy in an unpleasant way, but in that sneaky, teasing way that lets you know eerie things could happen. There's a deeper, shivery tone, instead of the mindless jolliness of the usual Christmas movie. This one creates a world of its own, like The Wizard of Oz or Willy Wonka and the Chocolate Factory, in which the wise child does not feel too complacent.Those who know the Chris Van Allsburg book will feel right at home from the opening moments, which quote from the story: On Christmas Eve, many years ago, I lay quietly in my bed. ... The young hero, who is never given a name, is listening for the sound of sleigh bells ringing. He is at just the age when the existence of Santa Claus is up for discussion.The look of the film is extraordinary, a cross between live action and Van Allsburg's artwork. Robert Zemeckis, the same director whose Who Framed Roger Rabbit (1988) juxtaposed live action with animation, this time merges them, using a process called performance capture, in which human actors perform the movements which are translated into lifelike animation. The characters in The Polar Express don't look real, but they don't look unreal, either; they have a kind of simplified and underlined reality that makes them visually magnetic. Many of the body and voice performances are by Tom Hanks, who is the executive producer and worked with Zemeckis on Forrest Gump (1994) -- another film that combined levels of reality and special effects.The story: As Hero Boy lies awake in bed, there is a rumble in the street and a passenger train lumbers into view. The boy runs outside in his bathrobe and slippers, and the conductor advises him to get onboard. Having refused to visit a department store Santa, having let his little sister put out Santa's milk and cookies, Hero Boy is growing alarmingly agnostic on the Santa question, and the Polar Express apparently shuttles such kids to the North Pole, where seeing is believing.Already on board is Hero Girl, a solemn, gentle African American who becomes the boy's friend and also befriends Lonely Boy, who lives on the wrong side of the tracks and always seems sad. Another character, Know-It-All, is one of those kids who can't supply an answer without sounding obnoxious. These four are the main characters, in addition to the conductor, a Hobo (who lives on top of the train), Santa and countless elves.There's an interesting disconnect between the movie's action and its story. The action is typical thrill-ride stuff, with the Polar Express careening down a 179-degree grade and racing through tunnels with a half-inch of clearance, while Hero Boy and the Hobo ski the top of the train to find safety before the tunnel. At the North Pole, there's another dizzying ride when the kids spin down a corkscrewing toy chute.Those scenes are skillful, but expected. Not expected is a dazzling level of creativity in certain other scenes. Hero Girl's lost ticket, for example, flutters through the air with as much freedom as the famous floating feather at the start of Forrest Gump. When hot chocolate is served on the train, waiters materialize with an acrobatic song-and-dance. And the North Pole looks like a turn-of-the-century German factory town, filled with elves who not only look mass-produced but may have been, since they mostly have exactly the same features (this is not a cost-cutting device, but an artistic decision).Santa, in this version, is a good and decent man, matter-of-fact and serious: a professional man, doing his job. The elves are like the crowd at a political rally. A sequence involving a bag full of toys is seen from a high angle that dramatizes Santa's operation, but doesn't romanticize it; this is not Jolly St. Nick, but Claus Inc. There is indeed something a little scary about all those elves with their intense, angular faces and their mob mentality.That's the magic of The Polar Express: It doesn't let us off the hook with the usual reassuring Santa and Christmas cliches. When a helicopter lifts the bag of toys over the town square, it knocks a star off the top of the Christmas tree, and of course an elf is almost skewered far below. When Santa's helpers hitch up the reindeer, they look not like tame cartoon characters, but like skittish thoroughbreds. And as for Lonely Boy, although he does make the trip and get his present, and is fiercely protective of it, at the end of the movie, we suspect his troubles are not over, and that loneliness may be his condition.There are so many jobs and so many credits on this movie that I don't know whom to praise, but there are sequences here that are really very special. Some are quiet little moments, like a reflection in a hubcap. Some are visual masterstrokes, like a camera angle that looks straight up through a printed page, with the letters floating between us and the reader. Some are story concepts, like the train car filled with old and dead toys being taken back to the North Pole for recycling. Some are elements of mystery, like the Hobo, who is helpful and even saves Hero Boy's life but is in a world of his own up there on top of the train and doesn't become anybody's buddy (when he disappears, his hand always lingers a little longer than his body).The Polar Express is a movie for more than one season; it will become a perennial, shared by the generations. It has a haunting, magical quality because it has imagined its world freshly and played true to it, sidestepping all the tiresome Christmas cliches that children have inflicted on them this time of year. The conductor tells Hero Boy he thinks he really should get on the train, and I have the same advice for you.Note: I've seen the movie twice, once in the IMAX 3-D process that will be available in larger markets. New, oversized 3-D glasses, big enough to fit over your own glasses, light enough so you can forget them, made this the best 3-D viewing experience I've ever had. If there's a choice, try the IMAX version. Or go twice. This is a movie that doesn't wear out.
银顶针的夏天中的人物介绍
“银顶针的夏天”，这个名字来源于一个九岁半的小姑娘，一个有着两根长长的太妃糖色的辫子，两只半绿半棕色的眼睛的女孩，加妮特·林登。
因为她喜欢给她见到的事物起各种各样的名字，她会叫母猪“王后”，龟甲“老铁甲统帅”，“蒂米”，母鸡布伦希尔特，马犊埃里厄尔，当然她也会给夏天一个名字。
故事确实发生在一个炎热的夏天，一个热得燕麦都差点变成干草的夏天。
加妮特和哥哥杰伊在像是茶水的河中游泳后，一起到干涸的沙洲上探险，她发现了一枚的银顶针。
加妮特认为这是她找到的最好的东西，它一定是有魔力的，肯定会带给她好运。
几个小时之后，一场大雨喜从天降，燕麦们又恢复了盎然生机。
几天后，林登先生顺利地得到了建新牲口圈的钱。
更奇妙的是，流浪的男孩迎着树林中石灰窑的火光，找到了永远的温暖的家。
最重要的，当然是让加妮特有了许多冒险的经历：她和西特伦妮拉·豪泽为了寻找故事，被锁在了图书馆；她一个人离家去了新康尼斯顿；她悉心照料的蒂米在集市上获了奖……这个一直想为祖孙们储存故事的女孩加妮特终于有了足够的可以向她的后辈们讲述的故事。
如果没有故事，我们的生活将是什么样子的呢
我们也许会像春天新生的叶芽儿，嫩绿嫩绿的，可是由于缺少阳光的关爱和雨露的滋润，会瞬间的枯萎和夭折。
这样的人生会是多么的乏味和沉闷。
诚然，我们所有的人都需要故事，蓬蓬勃勃生长着的孩子们更是需要适合他们自己的故事，就像加妮特对她的同伴西特伦妮拉·豪泽所说的：“你总是讲关于大人们恋爱的故事。
我喜欢关于儿童、野兽和探险家的故事。
” 那么，关于儿童、野兽和探险家的故事真的那么难得到吗
西特伦妮拉的曾祖母埃伯哈特奶奶帮助我们作出了一个漂亮的回答；加妮特和西特伦妮拉镇上图书馆之行也为我们排除了障碍。
埃伯哈特奶奶已经很老很老了，她已经由于上了年纪瘦小得轻如一片叶子似的坐在一把摇椅上。
可是她一直喜欢着红色，她记得自己小姑娘时候对染料颜色的失望。
她能够清楚的回忆幼时印第安人借炉火过夜所带给她的种种期待和快乐。
她还能够绘声绘色的讲起她十岁生日时的不幸时光。
这些久远的故事让孩子们如痴如醉。
在城郊的图书馆里，有那么多有趣迷人的书籍，女孩子们乐不思蜀，以致于被锁在了那幢枫树间的建筑里，锁在了故事里。
原来，无论我们是什么时候长大的，我们每个人都拥有自己独特的成长路途，而这些可能就是适合讲给孩子们听的故事，而适合孩子们阅读的故事，阅读的书籍更是丰富多彩
只是你要像一直喜欢红色的奶奶那样热情，只是你和孩子们都要乐于走进书籍。
成长的路途当中也总会有感情受到伤害的时候，埃伯哈特奶奶有，女孩加妮特也有，无论是没有能在生日时得到手镯，还是在给麦子脱粒时受到自己兄弟埋怨，亦或是遭受了父母、同伴的忽视，无意或有意的伤害。
总之，成长的路途总是不可能一帆风顺，因为这才是真正意义上的路途
这些又是真正意义上的
原来，我们在听着、看着故事长大的人们又在给我们的后辈，给我们的子孙们积攒着新的故事和激情，只是我们许多人都不知道罢了。
走进，我们总是能够追寻到我们每个人童年的影子，或者是我们正在一天天长大的孩子们的足迹。
因此，我们需要重读自己的童年岁月，我们需要宽容孩子们的叛逆和逃跑。
故事中的弗里博迪先生真是值得我们爱戴和亲近
有谁能像他那样理解和懂得如何去爱孩子呢
他总在关键时刻调皮地拉拉加妮特的辫子，那种最真挚和深厚的爱护让我们多少人自叹不如
真的是银顶针带来了这个神奇的夏天吗
它真的是有魔力吗
再次阅读这个故事，我们更多的人可能宁愿相信是是因为有着像埃伯哈特奶奶，有着像弗里博迪先生，有着像，有着像加妮特这样的人，有着她们对生活不灭的激情，有着她们不老的童心和企盼，使得这个夏天充满着勃勃生机，就象是植物喝足了水一样生机勃勃
什么叫神奇呢
漫无天际是吗
飘在空中的神仙鬼怪就一定是吗
原来向我们展现了这样一个道理：实实在在的生活本身就是一个神奇。
茶壶是微笑着的，闹钟是滑稽的，火炉是有生命的，雨声是有诗意的，一代代生命的传承和守护更是一个又一个的传奇。
事实上，每个人的成长中也总是充满了那么多的渴望，那么多的喜悦甚至是那么多的悲伤，因为生活本身就是如此。
可是，我们都能像埃伯哈特奶奶一样将我们童年的悲伤和向往讲给我们的后辈吗
如果你能，你的生活也就拥有了神奇的顶针
原来我们每一个人的好奇心和对事物的虔诚也都可以成为那枚银顶针呢，只是我们没有意识到呀
就像里的小男孩能够听见美妙的银铃声，可是长大了的莎拉和爸爸妈妈却听不见。
你曾经有过加妮特那样的进退两难吧
明明是害怕孤独前行，又想去冒险，想拥有和别人不一样的经历和故事。
你也一定有她那样的，蒂米要评奖了，她作为它的展示人却被高高的悬在了费里斯转轮上。
你可能拥有的精彩和灵感会更多，只是我们自己没有看见罢了，因为没有看见，我们就不知道
走进，除了羡慕，我们会发现自己原来也拥有那么多的神奇，我们会迫不及待的睁开自己的眼睛，竖起自己的耳朵呢
发生在银顶针夏天故事的神奇，可能因为你的阅读和讲述变成新的神奇
那么，你会像安妮特那样兴致勃勃的给你已经熟悉或者陌生的东西起个有着你自己独特味道的名字吗
还有什么比这更有趣的呢
银顶针的神奇，你知道了吗
汤姆汉克斯与汤姆克鲁斯谁更厉害?
两个人都很具票房号召力，身价不菲。
目前为止，汤姆克鲁斯还没有拿过奥斯卡影帝，而汉克斯是蝉联奥斯卡影帝。
汤姆汉克斯凭借精湛的演技，好莱坞的实力派代表，已是功成名就。
和楼主一样，个人超级喜欢汤姆汉克斯
