《宠儿》读后感，是莫里森写的那本
一九九三年诺贝尔文学奖得主托妮·莫里森的长篇小说《宠儿》说的是一个看似荒唐诡异的残暴故事：黑人女奴塞丝在逃跑的过程中亲手扼杀了自己的女儿，为了不让她继续奴隶悲惨的命运。
十几年后鬼婴还魂前来阳间索债. 《宠儿》的基调是苦的。
它像黑人音乐一样根植于悲伤。
黑人卑贱的地位曾使他们甚至被剥夺了成为上帝子民的权利，他们却不折不挠凭借人高贵的精神特质塑造属于自己的上帝。
奴役与自由，囚禁与出逃，这是有奴隶制和种族歧视以来所有黑人的命运，也是黑人文学永恒的主题。
《宠儿》也体现了这一主题。
“恶意充斥的一百二十四号住宅”是过去与现在交替主宰的空间，鬼婴“宠儿”以“历史的幽灵”身份出现，不断骚扰想要告别历史、重建精神家园的人们. 死去的女婴想重返阳间来抛弃阴间的孤独，但尽管做凶手的母亲甘受折磨，只为获取一个机会在自己的所爱面前解释历史下面个人故事的真相，未来得及活在世上的女儿仍然来不及懂得残暴背后走投无路的爱。
她以复仇装备自己，堕入与母亲十几年前的爱恨情结。
她更无法填平的是阴阳在世人眼里的差异，当人群以干扰现世生活的罪状讨伐她时，她不得不返回阴间深如沟壑的孤独中。
莫里森《宠儿》内容简介
《宠儿》简介女黑奴塞丝怀着身孕只身从肯塔基的奴隶庄园逃到俄亥俄的辛辛那提，奴隶主追踪而至。
为了不使儿女重复自己做奴隶的悲惨命运，她毅然杀死了自己刚刚会爬的幼女宠儿 十八年后，奴隶制早已废除，而被她杀死的女婴还魂归来，和塞丝、塞丝的女儿丹芙以及塞丝的情人保罗生活在同一幢房子里。
她以自己的出现日夜惩罚母亲当年的行为，不但加陪地向母亲索取着爱，甚至纠缠和引诱包罗，不择手段地扰乱和摧毁母亲刚刚回暖的生活。
往事的梦魇一刻也不曾停止过对塞丝的纠缠…… 全书充满苦涩的诗意和紧张的悬念。
谁知道莫里森的<宠儿>的内容和评论?
Plot summary The book follows the story of blacks Sethe (pronounced Seth-uh) and her daughter Denver as they try to rebuild their lives after having escaped from slavery. One day, a young lady shows up at their house, saying that her name is Beloved. Sethe comes to believe that the girl is another of her daughters, whom Sethe murdered by slitting her throat with a handsaw when she was only two years old to save her from a life of slavery, and whose tombstone reads Beloved. It was thought, at first, that Beloved's real name was Liz Granacher, but that is shown to be false later. Beloved's return consumes Sethe to the point where she ignores her other daughter and even her own needs, while Beloved becomes more and more demanding. Paul D. and Charlie McKnight know that Beloved is evil, but do nothing out of fear. The novel follows in the tradition of slave narratives, but also confronts the more painful and taboo aspects of slavery, such as sexual abuse and violence. Morrison feels these issues were avoided in the traditional slave narratives. In the novel, she explores the effects on the characters, Paul D and Sethe, of trying to repress - and then come to terms with - the painful memories of their past. Major themes Beloved is a novel based on the impact of slavery and of the emancipation of slaves on individual black people. There are several themes that remain central to the novel: Motherhood The concept of motherhood within Beloved is as an overarching and overwhelming love that can conquer all, strongly typified within the novel by the character Sethe, whose very name is the feminine of Seth- the Biblical 'father of the world'. This can also be seen within Morrison's other works and has led to her sometimes being cited as a feminist writer. The feminine capacity for love is maximal: It hurt her when mosquitoes bit her baby. Further, Sethe's escape from the slave plantation (ironically named 'Sweet Home') stems from her desire to keep the mother of her children alive and not from any personal survival instinct. Sethe's maternal instincts almost lead to her own destruction. We can here assume the interpretation that Beloved is a wrathful character looking to wreak revenge on Sethe for killing her, despite the fact that the murder was, in Sethe's mind, an entirely loving act. Sethe's guilt at Beloved's death means that she is willing to give up her life, every minute, hour and second of it, to take back just one of Beloved's tears. Further, toward the end of the novel, Beloved didn't move, said, 'Do it', and Sethe complied. The strength of her love leads her almost to the point of death as she allows Beloved to take her revenge.--- History Toni Morrison wrote Beloved on a foundation of historical events. The most significant event within the novel--the Misery, or Sethe's murder of Beloved--is based on an actual historical event. In 1856, Margaret Garner murdered her children to prevent them from being recaptured and taken back into slavery with the passage of the Fugitive Slave Act of 1850. Morrison admits to an obsession with this account after she discovered it while helping edit a scrapbook on black history. The novel itself can be seen as the reworking of fact into something with a very emotional central message. History is woven throughout the novel. The Middle Passage is referenced along with the Underground Railway in many parts of the novel; the 'Sixty Million and More' to whom Morrison dedicates the novel may refer to the many who died during the Middle Passage. The entire concept of the slavery described in the novel: Paul D's confinement in Georgia, ideas such as the bit and the legislature described are all based on history. This gives the novel a powerful impact. Beloved's appearance reawakens memories of slavery among the other characters, and they are forced to deal with their past instead of trying to repress their memories. Reincarnation and rebirth are also themes in this novel. Manhood Again, the concept of manhood is important within Beloved. Paul D is the only developed example of a male character, and is the kind of man who could walk into a house and make the women cry. Because with him, in his presence, they could cry and tell him things they only told each other. He is, however, emotionally crippled and is forced to keep his emotions locked inside a tobacco tin- a box rusted shut. This is a metaphor for the way in which he must control his feelings to survive. During the chain-gang period, his hands uncontrollably shake until he can learn to trap his emotions and effectively lock them away. It takes Beloved to release him, shown by the uncontrolled repetition of Red Heart. Red Heart... Within the novel, the male is significantly weaker than the female, one reason being there is no other developed male character other than Paul D to test the strength of women in the novel against, all others being the past oppressors of Sethe and other former slaves. Paul D cannot cope with the extreme demonstration of love exemplified by Sethe's murder of Beloved and leaves. Still, the book ends with Paul D coming back to put his story next to hers, a display of his courage and mature love, if crippled by his slavery ordeal. Leaving the readers without ultimate answers, Toni Morrison concludes on a hopeful note, with Paul D trying to explain troubled and past-obsessed Sethe that [she is her] best thing. The most strongly ambiguous character within the novel is Beloved. The first interpretation of her character is that she is a supernatural, incarnate form of Sethe's murdered daughter. The second is of her as, as Stamp Paid puts it, a girl locked up by a white man over by Deer Creek. Found him dead last summer and the girl gone. Maybe that's her. Both are supportable by the text. The concept that Beloved is the re-incarnated child is supported by her knowledge of the song that nobody knows but me and my children and her knowledge of Sethe's earrings, but it is also true that the characters have a psychological need for Beloved- Sethe can assuage her guilt over the death of her child, and Denver gains a playmate, or even more. The reader is forced to be active rather than passive and is made to work to discover what is going on. The emphasis is on interpretation rather than on what the author says.
托尼莫里森的《宠儿》的写作背景
《宠儿》是美国当代著名黑人女作家托尼.莫里森的经典力作。
本文深入剖析了《宠儿》的写作主题———惨无人道的奴隶制给黑人带来的肉体、精神、情感上的迫害,以及作者应用于其中的精湛的写作手法——象征意义、魔幻现实主义和对《圣经》的影射等。
关于托妮莫里森的小说《宠儿》
托妮·莫里森于1987年创作的《宠儿》是一部描写生活在美国19世纪70年代的“前黑奴”的小说。
这部小说运用多重叙述声音和倒叙等手法，把过去与现在、梦幻与现实交织在一起，不仅真实地再现了黑奴们在奴隶制下所遭受的种种非人的待遇，而且深刻地揭露了这些黑奴们在精神上所遭受的摧残与伤害，这些伤害阻碍了他们寻求个人价值和个人身份确认。
《宠儿》中充满了主人公寻求黑人自我身份的声音，这些声音用不同的方式歌唱着重建曾被奴隶制剥夺的身份这一主题，形成同意或反对、肯定和补充、问和答的对话关系。
因此，本论文选用俄国文艺理论家巴赫金的复调理论，分析美国黑人女作家托妮·莫里森的小说《宠儿》。
复调理论有助于读者关注《宠儿》中每个独立的、具有充分价值的声音，尤其是白人占统治地位的社会中弱势群体的声音，从而分析和揭示一直阻碍主人公塞丝以及那些和她有同样遭遇的黑人们寻求个人价值和个人身份确认的心理及文化上的原因。
复调理论为《宠儿》中主人公的身份确认提供了一条出路，那就是主人公之间、黑人内部之间、黑人与白人之间展开平等的对话。
对话的过程是一个异中求同、同中求异的双向运动过程。
本文共分三部分。
第一部分，作者梳理了巴赫金复调理论的内涵。
指出巴赫金的复调理论(亦称对话理论)充满着人文精神。
它关注每一个独立的、具有充分价值的声音。
这些声音用不同的方式歌唱着同一主题，展现多声部性、人物性格和作品结构的开放性、未完成性等特点。
对话在文本分析中具体分为微型对话和大型对话。
第二部分，简要介绍了托妮·莫里森的生平及其作品，以及《宠儿》的主要人物和情节，并回顾了《宠儿》的国内外研究情况。
第三部分，作者用巴赫金的复调理论对《宠儿》进行了具体分析。
首先，托妮·莫里森将非洲的传统文化与主流文化相融合，创造了一种具有多重声音的文本结构。
托妮·莫里森利用非洲文化和西方白人文化之间的对话性来寻求解决非洲黑人文化的认同与获取黑人身份的办法。
其次，展现了小说主要人物寻求自我身份的声音。
《宠儿》体现了托妮·莫里森对保持其民族文化的主体性所做的尝试与努力，这对我们在全球化时代如何继承和发扬中华民族文化传统也是有启示意义的。
谁有莫里森《宠儿》的电影啊
论文急用
小说《宠儿》是托妮·莫里森最震撼人心，最成熟的代表作，也是美国文学史上最畅销的作品之一。
小说完成于1987年，1988年获美国普利策小说奖。
音乐专辑中文名称：宠儿英文名称：Alltimefavourites 资源...
美国当代著名黑人女作家托妮·莫里森，除了《宠儿》一书以外，是否还有别的代表作
自1970年起，她相继发表了七部长篇小说：和。
这些作品均以生活为主要内容，笔触细腻，人物、语言及故事情节生动，想象力丰富。
在这些作品中，熟练地运用古今各种叙事技巧，矢志不渝地表现黑人种族的命运和历史文化，将哲理与诗情熔于一炉，使作品呈现出神话的恢弘、史诗的气韵。
托尼.莫里森的<<宠儿>>,要TXT格式的.不知道哪里能下载???或者哪位大哥能传给我?
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