飞屋环游记 英文观后感 80 字翻译
I feel this is a very touching a cartoon! His wife is gone, he do more with cabin balloon to search for the slice of wonderland, has no intention of small and medium-sized Russell and he began the journey together. The hero Carl and ronaldinho have a moment of clinging to the heart. The last two people in trouble become good friends.翻译：我感觉这是一部很感人的动画片
他妻子不在了，他弄好多气球带着小屋去寻找一片仙境，无意中小罗素和他一起开始了这段旅程。
主人公卡尔和小罗都拥有着一刻执着的心。
最后两人在患难之中成为了好朋友。
飞屋环游记英文观后感
Flying is not the house is lonely Used a vulgar phrase is used to describe the film characters. Karl, Male, nail households living alone. Russell, M, Debating the Boy Scouts Youth. If we must in these two seemingly opposite to find a common ground between the two characters, then it is lonely. Movie starts, Carl and Allie, met boys and girls, men and women of love, old man and old woman's dependence, a sense of Xiepikesi, in less than 10 minutes in length in the story of a warm without losing the extraordinary twists and turns story. Disney's routine use, it has to end, here are the subtitles of happy forever. Unfortunately this is Pixar, such as the fleeting years, God taking away the Carl's ribs, that were together for many years into memory. Carl and Allie The two are complementary, the former made less stiff, which is lively, colorful language, less Allie's harmonization, Karl all the more reticent individual, eccentric character has become, if not an unexpected turn of events He would like the snail in his room slowly into the dust of time. Compared to Carl, a fight that and Tang Monk scarf and some even liked a little overweight children. But as the plot slowly started, the audience found that the glossy surface of the egg also has numerous splice below the scars left by the lack of fatherly desire to use all kinds of juvenile behavior to attract the attention of his father. Russell has been hanging in the chest of people felt a sad Medal of Honor, a row of heavy medals not for four points of beauty, not for the top ten outstanding, just to be able to see his father side. Flying is the ancient ideal of the human. From the earliest of the birds flight feathers stains who expect the power to use firecrackers tied to the whim of the chair, to the Wright brothers that go down in history in 12 seconds. Flying the film is achieved through numerous balloons, which more or less, and also when the best ideas about our childhood, I believe many viewers see the balloon will be pulling up the moment the house knowing smile - It kinds of things, I also fancied the ah. Balloon will not only pull the house, they take with initiator Carl, hiding away under the eaves of Russell, out of the city's noise and the fetters of this world, into the dream of Shangri-La. Sunlight through the colorful balloon shed the shadow of a dream, yet also seemed to weave magic scene. At this moment, whether for the realization of a dream to be extremely excited about Carl, or for grasping sand cone birds and the sky somehow be brought Russell, have gained a new life. The other side of the cloud, where agreement Adventure is out there throughout the whole movie. Charlie is a fantastic young Ersimanci their idol, and his motto has naturally become the motto of youth. That is it, leads Carl met Allie, leads two lives, to guide the flying house later adventures. Everyone has had some lofty unrealistic ideals in the growth of these ideals in the real impact of gradually fade, leaving only one last name, becoming synonymous with past regret. Go and live in Paradise Falls is a lifelong dream Carl couples, although many things have twists and turns, the time to go to Paradise Falls dragged valuable is that they never gave up the dream, even in the Ailey died Hou Kaer still untold and dangers in the post-arrival. Flying Pixar no Hollywood scene in the courage to save the world, not the main theme of the film made the image of higher grade, and no Korean in points and dragging points and the love tear gas, just like the same music on earth, cloud fine, light, exceptionally charming and fresh. Video is able to attract because it is beyond the general impression of the animation, not only do comedy for children, but adults can also appreciate and understand the fairy tale, nothing more than a firm conviction and unshakable commitment better move, in concrete under the repression of human nature seems numb. Nirvana Drawing attention to a finishing touch, the latter part of the film is the crowning touch to the series of tragedies. If Karl simply flew to heaven falls settled side, the movie can at best be quite creative, and not worthy of a place sublimation. Kevin is a virgin forest of rare birds, because I like chocolate and and the odd old man, fat composition of the juvenile adventure team. And has lived in heaven is near the waterfall to catch Kevin Charles Ersimanci at all costs, in worship before him transformed as the big villain Carl. Mantz to fly in the burning house, the Carl Kevin chose to give up thoughts of the house to protect rally late wife. Own mysterious providence, paradise falls in lvl, Carl look at his dead wife left their adventure album, his surprise found Ellie in this adventure log covered with their happy marriage live photos, and some last words, Thank you to bring my best life, now on your own journey right, love you Ellie. Looking back, though Carl and Allie has inspired dreams of their life, but life has gradually become a burden to the burden Carl even gave up some of the good should enjoy Moreover, youth, adventure wish this would include with a trace of Invincible Medic, brave fearless means, as if the general insight, Carl no longer limited to the ideal year-round, set off the airship rescue Kevin Manz and Russell. Some duel, the loss of buoyancy of the housing slowly fly into the clouds did not disappear. Although with a touch of nostalgia, but still, and Russell Carr said: you know, it just a house Remembrance into, but was already casting haze of confusion. More or less, and Karl has achieved the promise of the year, the following is the start of their own life. Carl lost the old house has been flying airships, small Russell won the father and the feelings of friends, the house should fly the crash miraculously landed in a paradise waterfall. This is a play characters Nirvana, is also Pixar-style happy ending. Outside the plot Pixar 3D animation in the course of many years of accumulated rich technical background, in the flying Pixar in both dim light particle of effect, or many dynamic relationship between the balloon and the rain against the windows physical calculations, including animal hair of realism, they both looked beautiful. The audience while enjoying the plot obtained visual enjoyment.
飞屋环游记英语读后感
书的读后感：Robinson Crusoe is a beautiful novel that was written by Daniel Defoe, it was first published in 1719. It was arguably the first novel to ever be published which is no suprise given the date! The book really is superbly written throughout and I found it a real pleasure to read. The novel is about 270 pages and contains an epilogue. Daniel Defoe is seen by many to be one of the most famous writers in English Literature and after reading this novel it is easy to see why; I would really recommend it. The novel is actually a fiction autobiography about the man named Robinson Crusoe. He is a man who is the sole survivor of a shipwreck just off Venesuila and he encounters many things across his journey before actually being rescued. He is stranded on an island that is no way near any ships and the island is completely unihabited. Robinson Crusoe can't stand it at first but he then manages to make this horrible island into a paradise of his own. He was stranded on this island for 24 years with out any company but he then one day rescued a prisoner and things change. The novel is supposedly based on facts and so is a fictional novel. I really found the plot line to be superb throughout the novel and I found it easy to follow. The novel is beautifully written and very well structured really adding to the excellence. If you like tropical island get away novels or films rather like The lord of the flies I would really recommend this novel. I hope this was useful and thank you very much for reading. 的英文观后感I'm a little annoyed with Up right now, because it made me cry in the first 10 minutes. Crying at the end of a movie is easier to hide -- you can mutter about allergies or how too much computer time makes your eyes red. But crying at the beginning of the movie makes you feel like an awfully sappy wuss. Thank goodness I had big ol' 3-D glasses on, which at least managed to hide any telltale traces of weakness ... until I cried again at the end, damn it.Up is the latest film from Pixar, and this time the main character is not a robot or rat or monster, but rather a little old man who looks like Spencer Tracy and occasionally growls like Clint Eastwood in Gran Torino. After his wife dies, Carl Fredericksen (Ed Asner) faces a lonely life ahead, possibly in a retirement community. He decides to have the adventure that he and his wife always dreamed of, and sets out for the quasi-legendary Paradise Falls in South America. His method of travel? The family home, lifted by an amazing canopy of balloons. However, he isn't alone ... he's inadvertently picked up an enthusiastic 8-year-old Wilderness Explorer, Russell (Jordan Nagai), who only wants to help.As the movie progresses, Carl's house stops being a means for escape and adventure, and turns into a burden that the two explorers have to drag around with them. And the movie shifts from a sweet and slightly fantastic story about how an older man copes with loneliness and regret, into a comic action-adventure tale with a setting and characters that would be right at home in Warner Bros. cartoons, especially the Road Runner series. Only instead of Wile E. Coyote, Carl and Russell find the explorer who inspired Carl when he was Russell's age, Charles Muntz (Christopher Plummer).Up moves smoothly from romance to drama to fantasy to comedy to action-adventure and then back to sentimental drama again, without jolting your emotions around too much. The sentimental parts are sweet but not cloying or overdone. On the other hand, the Carl-Russell relationship seemed a little too familiar to me, something we've encountered for decades, from Dennis the Menace to Bad Santa, without offering much that is new. I also would have liked Muntz to be a little less two-dimensional, so to speak. However, as a friend pointed out, Carl and Muntz have a wonderful dynamic that may remind you of not only Spencer Tracy but Kirk Douglas, together at last.Co-director Pete Docter also directed Monsters, , another Pixar comedy with some sweet moments and even a few that have you complaining about the allergies and the way that screen glare can make your eyes water. Bob Peterson, who contributed to scripts for Finding Nemo and other Pixar movies, co-directed and wrote the screenplay and voices one of the dogs. Pixar fans will appreciate the little touches typical of the studio's films -- of course John Ratzenberger has a role, this time as a construction worker, and there are a number of quick visual jokes that are impossible to catch in a single viewing.It goes without saying, as it has for even the weaker Pixar entries, that the movie looks gorgeous. I saw Up in 3-D, found the 3-D effects to be very subtle ... so subtle that at times I wondered if parts of the film had been rendered into 3-D at all. The 3-D occasionally adds some depth of field that enhances the overall look of the movie, but for the most part you could do without it and not miss anything. I'm a little sorry that the one theater in town with 4K digital is only showing the movie in 3-D because I would love to see how a high-quality traditional screening fares in comparison.Up is good enough to be included in arguments about which Pixar film is best, although I would still fight for Ratatouille, myself. Is Up a children's film with side jokes for adults, a family film, or a film that's made for grownups but has many elements that children also can enjoy? At times it seems to fit in any of these categories as well as others -- it would be a great date film -- but ultimately it boils down to being a very good movie that defies demographic categorization. In other words, if you're old enough to sit quietly through a feature film, go see it. (And bring tissues.)的英文观后感2In its opening stretch the new Pixar movie “Up” flies high, borne aloft by a sense of creative flight and a flawlessly realized love story. Its on-screen and unlikely escape artist is Carl Fredricksen, a widower and former balloon salesman with a square head and a round nose that looks ready for honking. Voiced with appreciable impatience by Ed Asner, Carl isn’t your typical American animated hero. He’s 78, for starters, and the years have taken their toll on his lugubrious body and spirit, both of which seem solidly tethered to the ground. Even the two corners of his mouth point straight down. It’s as if he were sagging into the earth. More About This MovieOverview Tickets & Showtimes New York Times Review Cast, Credits & Awards Readers' Reviews Trailers & ClipsView Clip...Buy From Amazon Skip to next paragraph Skip to next paragraph Enlarge This ImagePixar Animation Studios and Walt Disney PicturesCarl Fredericksen checking out some new neighbors in “Up.” MultimediaInteractive Feature ‘Up,’ Inside and Out RelatedWell-Rounded Boy, Meet Old Square (May 17, 2009) Pixar’s Art Leaves Profit Watchers Edgy (April 6, 2009) Enlarge This ImagePixar Animation Studios and Walt Disney PicturesAlong for the ride is Russell, voiced by Jordan Nagai. Eventually a bouquet of balloons sends Carl and his house soaring into the sky, where they go up, up and away and off to an adventure in South America with a portly child, some talking (and snarling and gourmet-cooking) dogs and an unexpected villain. Though the initial images of flight are wonderfully rendered — the house shudders and creaks and splinters and groans as it’s ripped from its foundation by the balloons — the movie remains bound by convention, despite even its modest 3-D depth. This has become the Pixar way. Passages of glorious imagination are invariably matched by stock characters and banal story choices, as each new movie becomes another manifestation of the movie-industry divide between art and the bottom line. In “Up” that divide is evident between the early scenes, which tell Carl’s story with extraordinary tenderness and brilliant narrative economy, and the later scenes of him as a geriatric action hero. The movie opens with the young Carl enthusing over black-and-white newsreel images of his hero, a world-famous aviator and explorer, Charles Muntz (Christopher Plummer). Shortly thereafter, Carl meets Ellie, a plucky, would-be adventurer who, a few edits later, becomes his beloved wife, an adult relationship that the director Pete Docter brilliantly compresses into some four wordless minutes during which the couple dream together, face crushing disappointment and grow happily old side by side. Like the opener of “” and the critic’s Proustian reminiscence of childhood in “Ratatouille,” this is filmmaking at its purest. The absence of words suggests that Mr. Docter and the co-director Bob Peterson, with whom he wrote the screenplay, are looking back to the silent era, as Andrew Stanton did with the Chaplinesque start to “.” Even so, partly because “Up” includes a newsreel interlude, its marriage sequence also brings to mind the breakfast table in “Citizen Kane.” In this justly famous (talking) montage, Orson Welles shows the collapse of a marriage over a number of years through a series of images of Kane and his first wife seated across from each other at breakfast, another portrait of a marriage in miniature. As in their finest work, the Pixar filmmakers have created thrilling cinema simply by rifling through its history.Those thrills begin to peter out after the boy, Russell (Jordan Nagai), inadvertently hitches a ride with Carl, forcing the old man to assume increasingly grandfatherly duties. But before that happens there are glories to savor, notably the scenes of Carl — having decided to head off on the kind of adventure Ellie and he always postponed — taking to the air. When the multihued balloons burst through the top of his wooden house it’s as if a thousand gloriously unfettered thoughts had bloomed above his similarly squared head. Especially lovely is the image of a little girl jumping in giddy delight as the house rises in front of her large picture window, the sunlight through the balloons daubing her room with bright color. In time Carl and Russell, an irritant whose Botero proportions recall those of the human dirigibles in “,” float to South America where they, the house and the movie come down to earth. Though Mr. Docter’s visual imagination shows no signs of strain here — the image of Carl stubbornly pulling his house, now tethered to his torso, could have come out of the illustrated Freud — the story grows progressively more formulaic. And cuter. Carl comes face to face with his childhood hero, Muntz, an eccentric with the dashing looks and frenetic energy of a younger Kirk Douglas. Muntz lives with a legion of talking dogs with which he has been hunting a rare bird whose gaudy plumage echoes the palette of Carl’s balloons. The talking dogs are certainly a hoot, including the slobbering yellow furball Dug and a squeaky-voiced Doberman, Alpha (both Mr. Peterson), not to mention the dog in the kitchen and the one that pops open the Champagne. And there’s something to be said about the revelation that heroes might not be what you imagined, particularly in a children’s movie and particularly one released by Disney. (Muntz seems partly inspired by Charles Lindbergh at his most heroic and otherwise.) But much like Russell, the little boy with father problems, and much like Dug, the dog with master issues, the story starts to feel ingratiating enough to warrant a kick. O.K., O.K., not a kick, just some gently expressed regret.的英文观后感3Given the inherent three-dimensional quality evident in Pixar's cutting-edge output, the fact that the studio's 10th animated film is the first to be presented in digital 3-D wouldn't seem to be particularly groundbreaking in and of itself.But what gives Up such a joyously buoyant lift is the refreshingly nongimmicky way in which the process has been incorporated into the big picture -- and what a wonderful big picture it is.Winsome, touching and arguably the funniest Pixar effort ever, the gorgeously rendered, high-flying adventure is a tidy 90-minute distillation of all the signature touches that came before it.It's also the ideal choice to serve as the first animated feature ever to open the Festival de Cannes, considering the way it also pays fond homage to cinema's past, touching upon the works of Chaplin and Hitchcock, not to mention aspects of It's a Wonderful Life The Wizard of Oz and, more recently, About Schmidt.Boxoffice-wise, the sky's the limit for Up.Even with its PG rating (the first non-G-rated Pixar picture since The Incredibles), there really is no demographic that won't respond to its many charms.The Chaplin-esque influence is certainly felt in the stirring prelude, tracing the formative years of the film's 78-year-old protagonist, recent widower Carl Fredricksen (terrifically voiced by Ed Asner).Borrowing WALL-E's poetic, economy of dialogue and backed by composer Michael Giacchino's plaintive score, the nostalgic waltz between Carl and the love of his life, Ellie, effectively lays all the groundwork for the fun stuff to follow.Deciding it's better late than never, the retired balloon salesman depletes his entire inventory and takes to the skies (house included), determined to finally follow the path taken by his childhood hero, discredited world adventurer Charles F. Muntz (Christopher Plummer).But he soon discovers there's a stowaway hiding in his South America-bound home in the form of Russell, a persistent eight-year-old boy scout (scene-stealing young newcomer Jordan Nagai), and the pair prove to be one irresistible odd couple.Despite the innate sentimentality, director Pete Docter (Monsters, ) and co- director-writer Bob Peterson keep the laughs coming at an agreeably ticklish pace.Between that Carl\\\/Russell dynamic and Muntz's pack of hunting dogs equipped with multilingual thought translation collars, Up ups the Pixar comedy ante considerably. Meanwhile, those attending theaters equipped with the Disney Digital 3-D technology will have the added bonus of experiencing a three-dimensional process that is less concerned with the usual comin' at ya razzle-dazzle than it is with creating exquisitely detailed textures and appropriately expansive depths of field.There’s nothing better than an easy review: Pixar’s latest summer offering, UP, is a fantastic film. Simply fantastic. Seriously, if Ratatouille and Wall-E deserved to be in the running for Best Picture of the Year (as many said they did at the times of their releases) then UP certainly does.It’s that good.屋环游记的英文观后感4 The film - which was written by Bob Peterson (Finding Nemo, Ratatouille) and directed by Peter Docter (Monsters, ) - delivers all the things we’ve come to expect from a Pixar animated feature: gorgeous visuals, a strong story rife with moral lessons and (gasp) good character development; humor both low-brow (for the kids) and high-brow (for the grownups), with strokes of bold wit and a dash of sagely wisdom for good measure.And yet, UP also delivers something quite unexpected: Pixar’s most adult-oriented story yet, slyly disguised in a fantastic adventure tale.UP tells the life story of Carl Fredricksen (the unmistakable voice of Ed Asner), a shy little boy who grows up in (1930s?) America, an era in which people pack into movie theaters to watch news reels about adventurous explorers like Charles Muntz, who travels the world on one epic quest after the next.Young Carl Fredricksen idolizes Muntz: He spends his lonely days roaming his neighborhood pretending to be Muntz until one day he runs into Ellie, an energetic and fearless young girl (everything Carl is not) who idolizes Charles Muntz just as much as Carl does. Ellie and Carl cross their hearts then and there and swear to be great adventurers like Charles Muntz, and with that oath, theirs is a match made in heaven.After that fateful first encounter, we get a truly beautiful montage of Carl and Ellie’s life-long romance. We see the young kids grow into a teenage couple; see them get married and buy a house, working day jobs (balloon vendor) while saving up for the kind of adventures they fantasized about as kids. We watch the couple deal with the ups and downs, joys and tragedies of life; and gradually we watch them grow into old age, Ellie’s “My Adventures” scrapbook still unfilled, even as her time on Earth ends.With Ellie gone, Carl becomes a disgruntled old man desperately trying to hold on to a house, heirlooms and a lost-love he cherishes. A physical confrontation with neighborhood developers leads to Carl being forced into a retirement home for the rest of his days - but before the old man will give in he decides to honor the oath he and Ellie swore as kids and take one last shot at adventure! Carl ties an impossible number of balloons to his house (working a balloon cart at the zoo was his job for many years), rigs a steering system and UP he goes!
“飞屋环游记”英语读后感80个词
飞屋环游记：What can I say about Pixar? Amazing?? Perfect?? Got to see this at the Cannes Film Festival in France (went on a trip with my family) and Pixar gives us another instant classic: Up.The movie focuses on 78-year old man Carl Fredrickson's (voiced by Edward Asner) life who always had a dream of going on a journey to South American to see the wilds of it. He buys thousands of balloons just to attach it to his house to float up in the sky. So, he starts with his journey up in the sky in his house with balloons attached to it. Suddenly, he's not alone and somebody's at the door while flying, it's a boy scout kid named Russell. He invites the boy with him on his journey to South America.Just brilliant and simple story-telling, beautiful visuals as usual with Pixar, awesome voice work, funny and smart dialogue, beautiful score once again by Michael Giacchino & very, very enjoyable characters. Speaking of characters, the highlight of the film: Dug the Dog. A sort of robot dog that will have you have you in a lot of stitches each scene that dog is in and that was the case with me. Simply, one of the funniest characters Pixar ever made. Pete Doctor, one of the four Pixar directors (John Lassester, Andrew Stanton, Brad Bird) who directed Monster's Inc (2001) needs and should get nominated for his clever, genius and smart directing of this but if Stanton didn't get the nods for (Finding Nemo and WALL-E) and Bird for (The Incredibles & Ratatouille) which they should of been, then the Oscars are making another HUGE mistake for not nominating this guy for this movie.Up is the funniest Pixar movie, funnier than the Toy Story movies, A Bug's Life & Finding Nemo which were the funniest, in my opinion. The movie is not just hilarious, it's emotional and sad at times. Like WALL-E, it focuses on the character feelings but not as magical as WALL-E. Still, Up is full of emotional, fun and hilarious proportions. Your in for a BIG ride in this!!
谁有《飞屋环游记》的读后感，要英文版的，要带个翻译.求各位快点啊~
Up is a slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carl's life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no new technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui. I know----that's a interesting trip!
