求诺贝尔获得者的英文获奖发言词
I decline to accept the end of man. William Faulkner: Nobel Prize SpeechStockholm, SwedenDecember 10, 1950 All his life William Faulkner had avoided speeches, and insisted that he not be taken as a man of letters. 'I'm just a farmer who likes to tell stories.' he once said. Because of his known aversion to making formal pronouncements, there was much interest, when he traveled to Stockholm to receive the prize on December 10, 1950, in what he would say in the speech that custom obliged him to deliver. Faulkner evidently wanted to set right the misinterpretation of his own work as pessimistic. But beyond that, he recognized that, as the first American novelist to receive the prize since the end of World War II, he had a special obligation to take the changed situation of the writer, and of man, into account.Richard Ellmann I feel that this award was not made to me as a man, but to my work--a life's work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before. So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin. But I would like to do the same with the acclaim too, by using this moment as a pinnacle from which I might be listened to by the young men and women already dedicated to the same anguish and travail, among whom is already that one who will some day stand where I am standing. Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only one question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. He must learn them again. He must teach himself that the basest of all things is to be afraid: and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the universal truths lacking which any story is ephemeral and doomed--love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, and victories without hope and worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands. Until he learns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.
谁能给我一些奥斯卡的颁奖词和获奖感言 要英文的就行
【第81届奥斯卡最佳男女主角】And the Oscar goes to Sean Penn.Thank you. Thank you. You commie, homo-loving sons-of-guns. I did not expect this, but I, and I want it to be very clear, that I do know how hard I make it to appreciate me often. But I am touched by the appreciation and I hoped for it enough that I did want to scribble down, so I had the names in case you were commie, homo-loving sons-of-guns, and so I want to thank my best friend, Sata Matsuzawa. My circle of long-time support, Mara, Brian, Barry and Bob. The great Cleve Jones. Our wonderful writer, Lance Black. Producers Bruce Cohen and Dan Jinks.And particularly, as all, as actors know, our director either has the patience, talent and restraint to grant us a voice or they don't, and it goes from the beginning of the meeting, to through the cutting room. And there is no finer hands to be in than Gus Van Sant. And finally, for those, two last finallies, for those who saw the signs of hatred as our cars drove in tonight, I think that it is a good time for those who voted for the ban against gay marriage to sit and reflect and anticipate their great shame and the shame in their grandchildren's eyes if they continue that way of support. We've got to have equal rights for everyone. And there are, and there are, these last two things. I'm very, very proud to live in a country that is willing to elect an elegant man president and a country who, for all its toughness, creates courageous artists. And this is in great due respect to all the nominees, but courageous artists, who despite a sensitivity that sometimes has brought enormous challenge, Mickey Rourke rises again and he is my brother. Thank you all very much.And the Oscar goes to Kate Winslet.Ok, that fainting thing Penelope! (referring to Penelope Cruz Oscar speech earlier)“I’d be lying if I have not made a version of this speech before, I think I was probably 8 years old and staring into the bathroom mirror. And this (holding up her statuette) would’ve been a shampoo bottle.“Well, it’s not a shampoo bottle now!“I feel very fortunate to have made it all the way from there to here.“And I’d like to thank some of the people along the way who had faith in me, my friends and my family, especially my mum and dad, who are in this room somewhere.“Dad, whistle or something, ’cause then I’ll know where you are. (He whistles.) Yeah! (Waving to him.) I love you.“And I also want to thank Hylda Queally, Dallas Smith and the late, much loved, much missed Robert Garlock.“And from Peter Jackson and Emma Thompson to my very own Sam and Stephen Daldry.“I’m very lucky to have been given Hanna Schmitz by Bernhard Schlink and David Hare and Stephen and working with you is an experience I will never forget.“There was no division between the cast and the crew on this film, and that’s what made it so special.“So, to have been surrounded by a remarkable group of people who provided an unbroken chain of support from David Kross to Ralph Fiennes, Bruno Ganz, Lena Olin, from hair and makeup to cinematography, from the art department to the ADs, and from New York to Berlin.“And I am so lucky to have a wonderful husband and two beautiful children who let me do what I love and who love me just the way that I am.“Anthony and Sidney, this is for you. This is for both of you.“And I want to acknowledge my fellow nominees, these goddesses. I think we all can’t believe we’re in a category with Meryl Streep at all.“I’m sorry, Meryl, but you have to just suck that up! And, just to the Academy, thank you so much, my God! Thank you!”【Oscar Awards of Speech奥斯卡颁奖典礼】Good evening! Ladies and gentlemen,Thank you! Thank you so much! Oh, my god. I just can’t believe it . Is it real or am I just dream? Please forgive me, I am, I am just so shocked and so thankful. I never expected this award tonight. I’m very grateful to receive this award for “Best Actress.” I can’t begin to tell you how much I appreciate this great honor. There are so many people I’d like to thank. First of all, I want to thank my parents for bringing me into this world. I also want to express my gratitude to all of my teachers over the years, but especially to my acting teacher Clark Johnson who taught me everything I know. I want to thank my husband, for his understanding and kindness. And finally, I want to express my appreciation to all of my friends for their support, especially to Martin Miller, for being there when I needed him. There are just too many people I should thank and I know I am probably forgetting someone. So again, I just want to say thank you to everyone who helped me, supported me, or just listened to me when I needed a shoulder to cry on. This award means a great deal to me. Words can’t express how honored I feel at this moment. I will remember this night for the rest of my life! Thank you very much.【(Ang Lee)】: I wish I knew how to quit you. First of all, I want to thank two people who don’t even exist. Or I should say, they do exist, because of the imagination of Annie Proulx（注:小说原作者） and the artistry of Larry McMurtry and Diana Ossana（注:两人均为电影作者）. Their names are Ennis and Jack. And they taught all of us who made “Brokeback Mountain” so much about not just all the gay men and women whose love is denied by society, but just as important, the greatness of love itself.… 谢谢大家! 点评：作为一位文人导演，机智而风趣地引用的经典台词“I wish I knew how to quit you.（我希望我能知道如何戒掉你。
）”表达对的重视。
他的感言理性中透出对艺术的热爱。
最后一句中文“谢谢大家”充分体现了一位华人导演对母语的尊敬。
【 (George Clooney)】: All right, so I’m not winning director.…We’re the ones who talk about AIDS when it was just being whispered, and we talked about civil rights when it wasn’t really popular. …This Academy, this group of people gave Hattie McDaniel an Oscar in 1939 when blacks were still sitting in the backs of theatres. … 点评：的幽默风趣，并且运用了排比句式使发言更加条理和有力。
同时，他对政治问题的关注如民权和种族问题也淋漓尽致地体现在他的致辞中。
————————————————————————————————以上是我在不同的网站找到的。
。
也不知道能不能帮到你。
。
下面是奥斯卡官方的网站，是英文的。
打开“OscarNight”下面的“winners”就能看到全部的获奖人员及他们的发言。
就不知道你是不是能够打开了，速度可能会很慢。
。
假如我是首届诺贝尔奖的获奖者我该说些什么获奖感言。
瑞典皇家科学颁奖词说的：“海明威作为我们这一时代伟题的创造者之一，在近25年国个欧洲的叙事艺术中具有明显的重要性。
这一重要性，主要在于他那生动的对白，语言增减恰倒好处，既使人易懂，又令人难忘的境界。
他以精湛的技巧，再现了口语中的一切奥妙……”颁奖词最后颂扬海明威：“温暖这个时代最伟大的，最城市而大无畏地创造了我们这苦难时代中真实的人物的作家。
”
诺贝尔文学奖阿列克谢获奖感言
我其实不是一个人站在这领奖台上。
小时候我和小伙伴喜欢在户外玩耍，但是每当夜幕降临，疲惫的村妇们一起坐在农舍边的长凳上开始讲故事时，她们的声音就会像磁石一样吸引我们。
这些妇女没有一个人有丈夫、父亲或者兄弟。
二战之后，我几乎看不到村子里有男人出没。
战争期间，四分之一的白俄罗斯人丧生，有些死于前线抗击敌人，有些死于后方和敌对游击队的战斗。
我从童年时代就已经明白了爱的真正内涵。
每当我走在街上，记录下听到的各种词汇、短语和感叹时，我都会在想：有多少小说都没有痕迹地消失了啊
人们还不能直接把他们生活中的对话记录下来作为文学作品，因为人们不懂得去欣赏这些对话，也不会因为读它们而感到惊讶或者快乐。
我喜欢人类交谈的方式，我喜欢寂寞的人声。
为什么关于战争
因为我们是战争中的人——我们一直在战争或者准备战争。
在家里，在街上。
这也是为什么这个国家的人命如此廉价。
一切都是战争。
在一次旅行中，我遇到了一个女人，她在二战期间是一名医疗兵。
她告诉我一个故事：冬天她们穿过拉多加湖时，敌人注意到了风吹草动，开始朝她们射击。
人和马都摔在了冰上，这一切都发生在夜里。
她抓住一个受伤的人，开始把他拖向岸边。
‘我拉着他，他全身赤裸湿透，衣服都被撕烂了。
’她对我说。
到岸后，她发现自己拽的是一条巨大的受伤的鲟鱼，这个女人想到：人类在受苦受难，但是动物、鸟和鱼，它们做了什么
在另一次旅行中，我听到了另一个医疗兵的故事。
在一次战斗中，她把一名受伤的士兵拉到弹坑，突然发现这是一名德国兵。
他的腿断了，不停流血。
他是敌人
怎么办
自己这边的人全死了。
但是，她还是帮德国兵包扎好，随后又跑出来，拖着一名失去意识的苏联兵来到弹坑。
苏联兵见到德国兵时，双方都拔枪想杀了对方。
我给了苏联兵一耳光，又扇了德国兵一耳光。
我们的腿都浸没在血泊中。
彼此的血融在了一起。
女人的战争，而不是英雄的战争，不是一方英勇地杀死了另一方。
我记得女人们频繁地哀叹：一场战役后，你穿过田野，他们都躺在那里……都很年轻，很英俊。
他们躺在那里，看着天空。
你为他们感到难过和惋惜，战争双方的人。
战争无非就是杀戮。
这是女性记忆中的战争模样。
‘消失’是女人谈论最多的东西，战争可以很快将一切化为乌有，不管是人命还是时间。
男人们十七八岁就志愿上前线，但并不意味着他们想杀人。
但是，他们准备随时赴死。
为了祖国而死。
为了斯大林而死。
这些是无法从历史中抹去的词。
俄罗斯文学的有趣之处在于，它讲述了在一个大国实施一场实验的故事。
我经常被问到：你为什么总是写悲剧
因为这就是我们的生活。
现在我们住在不同的国家，但是‘红’人无处不在。
他们来自同一个国家，曾拥有相同的生活，有着相同的记忆。
在我的祖国，孩子们从小就了解死亡。
我们被教育了死亡的含义。
我们被告知人类的存在就是为了奉献一切，牺牲自我。
我们被教会如何用武器去对待别人。
邪恶是冷酷无情的，你必须要对此打个预防针。
”阿列克谢耶维奇说，他们是在行刑人和受害者之间成长起来的，他们的生活环境是被玷污的，“我已经写了五本书，但我感觉到它们都是同一本，都在讲述乌托邦的历史。
过去有段时间，整个20世纪没有一个政治理念可以和共产主义（以十月革命为象征）相提并论，共产主义比任何其他事情都更强烈且富有感染力地吸引着西方知识分子。
但是实际上，共产主义理想已经至少2000多岁了。
我们可以在柏拉图的理想国里找到它的渊源；在阿里斯多芬尼斯有关‘万物共享’的梦里看到它的影子；历史上还有托马斯·莫尔和托马索·坎帕内拉，圣西蒙，傅里叶和罗伯特·欧文这些人。
俄罗斯人的骨子里有一种精神推动着他们去试图把这些梦想变成现实。
我那位至死都相信共产主义的父亲把党员卡留到了最后。
我的父亲、我的朋友以及我身边的许多人，他们都来自同一个地方——社会主义，他们之中有许多理想主义者、浪漫主义者。
但在今天，他们会被称为‘被绑架的浪漫主义者’，或者‘乌托邦的奴隶’。
我相信他们所有人本都可以过上不一样的生活，但他们还是选择了苏联式生活。
为什么会这样
为了找到答案，我花了很长一段时间。
我行走于这个曾被称为苏联的幅员辽阔的土地，并留下了成千上万的磁带。
我一点点地回顾社会主义的历史，回顾社会主义对人类的影响。
我发现人类其实是很小的概念，尤其具体到我们每一个人。
但在现实中，人类让一切发生皆有可能。
白俄罗斯的土地，那里是我父亲的家乡，那儿有我的整个人生；乌克兰，我母亲的家乡、我出生的地方；以及俄罗斯的伟大文化，没有它我不能想象自己。
我很爱这三个家。
但是在这个时代，我们很难谈爱。
