蒂凡尼的早餐英文台词
Holly Golightly: But I am mad about Jose. I honestly think I'd give up smoking if he asked me. Mag Wildwood: You know what's gonna happen to you? I am gonna march you over to the zoo and feed you to the yak. Holly Golightly: I've got to do something about the way I look. I mean a girl just can't go to Sing Sing with a green face. Holly Golightly: How do I look? Paul Varjak: Very good. I must say, I'm amazed. [first lines] Sid Arbuck: [seeing Holly enter her building] Hey! [he chases her inside] Sid Arbuck: Hey, baby, what's going on here? Holly Golightly: Oh, hi! [last lines] Holly Golightly: Cat! Cat! Oh, Cat... ohh... Holly Golightly: He's all right! Aren't you, cat? Poor cat! Poor slob! Poor slob without a name! The way I see it I haven't got the right to give him one. We don't belong to each other. We just took up one day by the river. I don't want to own anything until I find a place where me and things go together. I'm not sure where that is but I know what it is like. It's like Tiffany's. Paul Varjak: Tiffany's? You mean the jewelry store. Holly Golightly: That's right. I'm just CRAZY about Tiffany's! Holly Golightly: I'm like cat here, a no-name slob. We belong to nobody, and nobody belongs to us. We don't even belong to each other. Holly Golightly: Oh, golly gee damn! Holly Golightly: I'll tell you one thing, Fred, darling... I'd marry you for your money in a minute. Would you marry me for my money? Paul Varjak: In a minute. 2e Holly Golightly fd1 : I guess it's pretty lucky neither of us is rich, huh? Paul Varjak: Yeah. Holly Golightly: Did I tell you how divinely and utterly happy I am? Paul Varjak: Yes. Holly Golightly: Thursday! It can't be! It's too gruesome! Paul Varjak: What's so gruesome about Thursday? Holly Golightly: Nothing, except I can never remember when it's coming up. Holly Golightly: You know those days when you get the mean reds? Paul Varjak: The mean reds, you mean like the blues? Holly Golightly: No. The blues are because you're getting fat and maybe it's been raining too long, you're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. Do you ever get that feeling? Paul Varjak: Sure. Holly Golightly: Well, when I get it the only thing that does any good is to jump in a cab and go to Tiffany's. Calms me down right away. The quietness and the proud look of it; nothing very bad could happen to you there. If I could find a real-life place that'd make me feel like Tiffany's, then - then I'd buy some furniture and give the cat a name! Holly Golightly: There you are, you sneak! Mr. Yunioshi: Miss Gorightry! Holly Golightly: You could always tell what kind of a person a man thinks you are by the earrings he gives you. I must say, the mind reels. Holly Golightly: Timber! Holly Golightly: Mag Wildwood. She's a model, believe it or not, and a thumping bore. Paul Varjak: You know what's wrong with you, Miss Whoever-you-are? You're chicken, you've got no guts. You're afraid to stick out your chin and say, Okay, life's a fact, people do fall in love, people do belong to each other, because that's the only chance anybody's got for real happiness. You call yourself a free spirit, a wild thing, and you're terrified somebody's gonna stick you in a cage. Well baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somali-land. It's wherever you go. Because no matter where you run, you just end up running into yourself. [Takes out the ring and throws it in Holly's lap] Paul Varjak: Here. I've been carrying this thing around for months. I don't want it anymore. Holly Golightly: We're alike, me and cat. A couple of poor nameless slobs. Holly Golightly: It should take you exactly four seconds to cross from here to that door. I'll give you two. Paul Varjak: I don't think I've ever drunk champagne before breakfast before. With breakfast on several occasions, but never before, before. 2e Holly Golightly ef4 : 's alright. It's only me. Paul Varjak: Uh... Now wait a minute, Miss... uh... Holly Golightly: Golightly. Holly Golightly. I live downstairs. We met this morning, remember? Paul Varjak: Yeah. Paul Varjak: Sing Sing? Holly Golightly: [she gargles] . Yes. I always thought it was a ridiculous name for a prison. Sing Sing, I mean. Sounds more like it should be an opera house or something. [Holly whistles loudly to hail a cab] Paul Varjak: I never could do that. Holly Golightly: 's easy. Holly Golightly: [drunk] As Miss Golightly was saying before she was most rudely interrupted... Paul Varjak: Holly, you're drunk. Holly Golightly: True. Paul Varjak: [giving his name at the police station] Paul Varjak. Varjak, V A R J A K. I'm a writer, W R I T E R. O.J. Berman: Hey, Fred-baby! Paul Varjak: No, no. It's Paul-baby. Paul Varjak: I love you. Holly Golightly: So what. Paul Varjak: So what? So plenty! Paul Varjak: And I always heard people in New York never get to know their neighbors. Holly Golightly: What do you do, anyway? Paul Varjak: I'm a writer, I guess. Holly Golightly: You guess? Don't you know? Paul Varjak: OK, positive statement. Ringing affirmative. I'm a writer. Paul Varjak: They're not the kind of stories you can really tell. Holly Golightly: Too dirty? Paul Varjak: Yeah, I suppose they're dirty, too, but only incidentally. Mainly they're angry, sensitive, intensely felt, and that dirtiest of all dirty words - promising. Or so said The Times Book Review, October 1, 1956. Holly Golightly: But just look at the goodies she brought with her. Paul Varjak: He's all right, I suppose, if you like dark, handsome, rich-looking men with passionate natures and too many teeth. Holly Golightly: I'm not hotfooting it after Jose, if that's what you think. Ohhh no. As far as I'm concerned he's the future president of nowhere. Doc Golightly: I love you Lula Mae. Holly Golightly: 113 I know you do, and that's just the trouble. It's the mistake you always made, Doc, trying to love a wild thing. You were always lugging home wild things. Once it was a hawk with a broken wing... and another time it was a full-grown wildcat with a broken leg. Remember? c59 Doc Golightly: Lula Mae there's something... Holly Golightly: You musn't give your heart to a wild thing. The more you do, the stronger they get, until they're strong enough to run into the woods or fly into a tree. And then to a higher tree and then to the sky. Holly Golightly: Ahh... Do I detect a look of disapproval in your eye? [spays perfume in Paul's direction] Holly Golightly: Tough beans buddy, 'cause that's the way it's gonna be. 这段是其中一段精彩对白enjoy
赫本的经典语录有哪些
一、奥黛丽赫本经典语录有：1、当你长大时，你会发现你有两只手，一只用来帮助自己，一只用来帮助别人。
2、我一直都很幸运。
机会很少凭空出现，因此当它们出现时，你一定要抓住。
3、随着你的成长，你会发现你的两只手中一只手是自助的，另一只是来帮助他人的。
4、选择一天，好好地享受——直到极致。
我认为过去的经历能帮助我享受现在，我不愿浪费当下的任何一点去为未来苦恼。
5、我在很早之前就决定要无条件接受生活。
我从来没有期望任何特别的事情发生，但我获得的总远远超过我的期望。
但大部分时候，发生在我身上的事我都没有刻意追寻。
6、我一直都很幸运。
机遇很少凭空出现。
所以，当它们出现时，你一定要抓住。
7、如果够真诚我应该告诉你，我现在依然阅读童话，而且它们是我最爱的读物。
8、我曾听说过这样一个说法：快乐就是拥有健康和短暂的记忆。
我多么希望这是我发明的，因为说得太对了。
9、我喜欢修指甲，我喜欢打扮，我喜欢哪怕在闲暇时也涂唇膏穿盛装，我喜欢粉色。
我相信快乐的女孩最漂亮。
我相信明天的太阳是新的……我相信奇迹的存在。
10、我经常独自一人。
如果整个周末我都是在公寓度过我也会很开心。
这是我充电的过程。
11、女人之美不在五官而在其内心折射的真美。
这就是她给出的关爱和她表现的热情。
女人的这种美是随着岁月流逝而增长的。
12、如果我的世界明天消逝，我会回顾所有我有幸拥有的快乐，兴奋和精彩。
不是悲伤，失败或者我父亲的离家而去，而是所有事物愉快的一面，这样就足够了。
13、若要优美的嘴唇，要讲亲切的话；若要可爱的眼睛，要看到别人的好处；若要苗条的身材，把你的食物分给饥饿的人；若要美丽的头发，让小孩子一天抚摸一次你的头发；若要优雅的姿势，走路时要记住行人不止你一个。
14、我曾听到过一句话：幸福就是健康加上坏记性
真希望是我头一个说了这句话，因为，这可是千真万确的真理。
15、美丽的眼睛能发现他人身上的美德，美丽的嘴唇只会说出善言，美丽的姿态能与知识并行，这样就永不孤单。
16、人之所以为人，是必充满精力、自我悔改、自我反省、自我成长；并非向人抱怨。
17、我自出生就有被爱的需求，而且还有个更强烈的需求——给予爱。
18、我天生就有被爱的需求，同时还有个更强烈的需求——给予爱。
19、人比事物更需要重建，刷新，复兴，回收和救赎；永远不要抛弃任何人。
20、我经常独自一人。
我很高兴整个周末我可以独自一个人待在公寓。
这正是我充电的方式。
21、生活就像在博物馆里走过场，要过一阵子你才开始吸收你的所见，思考它们，读书了解它们，记忆它们——因为你不能一下子全部消化。
二、奥黛丽赫本的介绍：奥黛丽·赫本（Audrey Hepburn），1929年5月4日出生于比利时布鲁塞尔，英国电影和舞台剧女演员。
1948年，赫本在一部时长仅39分钟的荷兰风光纪录片《荷兰七课》中出镜，开始电影生涯。
1954年，她在影片《罗马假日》中第一次出演女主角，并获得奥斯卡最佳女主角奖。
同年，她因在舞台剧《美人鱼》中的表演，获得托尼奖的最佳女主角。
1955年，她凭借电影《龙凤配》再度获得奥斯卡最佳女主角奖的提名。
1961年，她主演了电影《蒂凡尼的早餐》。
1964年，她主演了歌舞片《窈窕淑女》。
1989年，息影多年的奥黛丽客串出演最后一部电影《直到永远》。
晚年时，奥黛丽·赫本投身慈善事业，是联合国儿童基金会亲善大使的代表人物，为第三世界妇女与孩童争取权益。
1992年被授予美国“总统自由勋章”，1993年获奥斯卡人道主义奖 。
1993年1月20日，奥黛丽·赫本因阑尾癌病逝，享年63岁。
赫本一生中共获得五次奥斯卡最佳女主角提名。
1999年，她被美国电影学会评为“百年来最伟大的女演员”第三位。
2002年5月，联合国儿童基金会在其纽约总部为一尊7英尺高的青铜雕像揭幕，雕像名字为奥黛丽精神（The Spirit of Audrey），以表彰赫本为联合国所做的贡献。
如何评价赫本的《蒂凡尼的早餐》
如果你先看的是《蒂凡尼的早餐》的原著小说，而不是电影，那你一定会觉得，奥黛丽•赫本演的那个矫揉造作的拜金女并不是郝莉•戈莱特利。
据说，当《蒂凡尼的早餐》的原作者卡波特当年听闻将由赫本来主演电影时，表现出很大的不快。
“或许他认为，郝莉身上那种惊世骇俗的奔放、在性上的开放，以及那种纯洁的放荡感，这位女星并不具备。
”（村上春树语） 郝莉小姐是个什么样的女人
如果她不是赫本那穿着小黑裙、戴着珠链和巨大的墨镜，站在第五大道的蒂凡尼珠宝店门口吃早餐的样子，那她该是什么样的
《蒂凡尼的早餐》的第一人称叙述者是一个年轻、落魄的作家，郝莉是她的邻居。
从门缝里看出去，郝莉小姐身形纤细、气质迷人，头发染成一缕一缕不同的颜色，总是带着不同的男人回到公寓，当然，有时候她也会把那些人拒之门外——如果这男人给她去上厕所的零钱少于50美元的话。
郝莉小姐的公寓里随意摆放着各式旅行箱，衣服扔得满地都是，有酒，有吉他，有一只没有名字的猫，很有点夜间航班的感觉。
郝莉说，自己心里发毛的时候会想去蒂凡尼，那里气氛安静气派高贵，让她相信“在那里不会发生什么不幸的事”。
她从一个富人的怀抱，流浪到另一个富人的怀抱，直到有一天，因为牵扯进黑帮大佬的毒品交易而被捕。
郝莉决定逃跑，在一个下着滂沱大雨的下午。
作家知道，郝莉不过是一个从德州逃跑出来的乡下姑娘，她用了一年时间学法语，以便让法语的词汇混淆掉她的口音，“她是一个冒牌货。
她又不是一个冒牌货，她是一个真的冒牌货，她真的相信她所相信的一切牛皮。
” 这是一个属于纯真年代的故事，发生在世界还没有变坏之前。
郝莉从消防梯爬进作家的房间，扯下睡袍让他看自己被男人咬伤的地方时，她其实是天真的；郝莉跟着富翁去哈瓦那旅行回来后，赤裸地躺在行军床上晒太阳灯，嘲讽作家的文章时，她又是世俗的。
所谓天真的淫邪，就是郝莉身上那种“像肥皂和柠檬那样的清洁”。
以世俗的眼光来说，郝莉只是一个高级交际花，她的邻居斯班涅拉太太就曾对着郝莉的房间嚷嚷：“别吵
真不要脸。
到别的地方卖淫去
”但她又是那么纯真，当她盼望着嫁给巴西人荷西时，开始学习厨艺、葡萄牙语，甚至幻想自己怀孕了并喃喃自语。
在被捕之前，她曾带着作家一起去中央公园骑马，“看到郝莉那多种颜色的头发在红、黄叶子中闪闪发光，突然我对她的爱足以让我忘记了自己……”我相信，就在那某个瞬间，郝莉和作家都得到了他们一直想要的自由，他们彼此满怀爱意，但绝无欲望，是你我都曾经历的纯白的少年式情感，但更复杂，是长大了却还未失去精灵翅膀的人的故事。
书中的叙述者带着浓重的卡波特自身的痕迹，作为一个体验式的作家，《蒂凡尼的早餐》记录下的是卡波特这个才华横溢的作家最美好的一段岁月。
在他以后的日子里，纵横的才气和清秀的容貌，让他肆意沉醉于上流社会的繁华和激烈，他成为安迪•沃霍尔到达纽约后第一个想拜见的人。
他成了传奇，也是个悲剧。
他没能再从自己的生命中吸取更多虚构的力量，于是，郝莉•戈莱特利，那个总是在褐色砖墙的公寓门口踮起脚尖按电铃的女孩，成为他笔下的绝响，也成为不可复制的经验，属于1940年代的纽约。
《蒂凡尼的早餐》奥黛丽赫本在窗台唱的那首歌叫什么
Moon River（月亮河） 原唱是Andy Williams
