克莱默夫妇台词法庭

求克莱默夫妇经典台词 几句经典的、、、、

Ted Kramer: How much courage does it take to walk out on your kid? Ted Kramer: Margaret, I just need to know something. Did you put Joanna up to this? Margaret Phelps: No, I did not put Joanna up to this. Ted Kramer: Give her a little pep talk, maybe? Margaret Phelps: Joanna is a very unhappy woman and it took a lot of courage to walk out this door. Billy Kramer: When's mommy coming back? Ted Kramer: I dont know, Billy. Soon. Billy Kramer: How soon? Ted Kramer: Soon. Billy Kramer: Will she pick me up after school? Ted Kramer: Probably. And if she doesn't I will. Billy Kramer: What if you forget? Ted Kramer: I won't forget. Billy Kramer: What if you get run over by a truck and get killed? Ted Kramer: Then Mommy will pick you up. Billy Kramer, Phyllis Bernard: Hi. Billy Kramer: What's your name? Phyllis Bernard: I'm Phyllis Bernard. Billy Kramer: Who? Phyllis Bernard: I'm a friend... uh, business associate of your father's... dad. Ted Kramer: [In the bedroom] Oh, Jesus. Billy Kramer: Do you like fried chicken? Phyllis Bernard: Fried chicken? Very much. Billy Kramer: So do I. Phyllis Bernard: Uhm... well, it's really... It's been nice seeing you and... Billy Kramer: Bye. Phyllis Bernard: Bye [Comes back to the bedroom] Phyllis Bernard: Kramer, I just met your son. [Ted is having lunch with his boss] Ted Kramer: So the other morning, I'm at the refrigerator... you know, getting Billy ready for school. So I'm just in my underwear and he notices I've lost weight. And he comes in and pats me. He comes up to here 2a [touches his stomach] fdc Ted Kramer: , and he says Daddy, you've really lost a lot of weight, he looks up at me and he says And it's all gone to your nose. [laughs] Ted Kramer: He was so cute. You know? [Joanna is leaving Ted] Ted Kramer: Come on now, what about Billy? Joanna Kramer: I'm not taking him with me. I'm no good for him. I'm terrible with him. I have no patience. He's better off without me. Ted Kramer: Joanna, please. Joanna Kramer: And I don't love you anymore. Ted Kramer: Where are you going? Joanna Kramer: I don't know. [Ted and Billy are having dinner] Ted Kramer: How was school today? Billy Kramer: Same as usual. Ted Kramer: Hey, I see the Knicks finally won a game, what do you know? Billy Kramer: I don't care. Ted Kramer: What do you mean? Billy Kramer: I like Boston. Ted Kramer: Boston? Why do you like Boston? Billy Kramer: 'Cause Mommy's from Boston. Billy Kramer: Who's gonna read me my bedtime stories? Ted Kramer: Mommy will. Billy Kramer: You're not gonna kiss me good night anymore, are you, Dad? Ted Kramer: No, I won't be able to do that. But, you know, I get to visit. It's gonna be ok, really. Billy Kramer: [crying] If I don't like it, can I come home? Ted Kramer: What do you mean if you don't like it? You're gonna have a great time with Mommy. Really. She loves you so much. Billy Kramer: Dad? Don't forget, once, if you can just call me up, okay? Ted Kramer: We're gonna be okay. Come on, let's go get some ice cream. [Joanna is crying] Ted Kramer: Hi, what's up? Tell me. What? What's the matter? Joanna Kramer: I woke up this morning, kept thinking about Billy and I was thinking about him waking up in his room with his little clouds all around that I painted and I thought I should have painted clouds downtown because then he would think that he was waking up at home. I came here to take my son home. And I realized he already is home. Ted Kramer: [while Billy brings ice cream to the table] You go right back and put that right back until you finish your dinner... I'm warning you, you take one bite out of that and you are in big trouble. Don't... Hey! Don't you dare... Don't you DARE do that. You hear me? Hold it right there! You put that ice cream in your mouth and you are in very, very, VERY big trouble. Don't you dare go anywhere beyond that... Put it down right now. I am not going to say it again. I am NOT going to say it AGAIN. [Billy eats ice cream] Billy Kramer: 27 [Ted picks him up] c34 Ow! You're hurting me! Ted Kramer: OW! Don't you kick me! Billy Kramer: I hate you! Ted Kramer: You're no bargain either, pal! You are a spoiled, rotten little brat and I'll tell you right now... Billy Kramer: I hate you! Ted Kramer: And I hate you back, you little shit! Billy Kramer: I want my mommy! Ted Kramer: I'm all you got. 泰德：怎么了，告诉我发生了什么事?乔安娜：我早上起来...（哽咽，很艰难的）一直在想比利（孩子）...，我在想他早上在房间里醒来，会看见房间里我画的那些云。

——我应该在家里画一些云，因为..他就会觉得是在自己家里醒来（乔安娜在原来的家里也画了云）。

（她舒一口气调整情绪，继续说）我来这儿接孩子回家，但是突然发现这里才是他的家。

（凝视泰德，深情，一字一句的）我非常爱他

泰德拥抱住妻子，深深的，乔安娜在他肩头继续说：但是我不带走他了。

克莱默夫妇台词英汉版

本片反映出七十年代美国出现的单亲家庭以及由此引起的种种问题，题材严肃但处理不失幽默笔触，演员表演非常到位，极其自然。

耶鲁戏剧高材生斯特里普亲自改写了法庭戏的台词，使得霍夫曼极为不满，认为她抢风头。

　　影片是一部社会伦理剧。

它改编自艾弗里·科尔曼的一部同名小说。

影片上映后，立即就在欧美各国引起了热烈的反响，并获得了1979年第52届奥斯卡最佳影片、最佳男主角、最佳女配角、最佳导演和最佳改编剧本等五项大奖。

影片之所以能取得如此大的成功，其重要原因之一就在于它的题材和主题深刻地触及了社会现实，从而具有了发人深思的艺术效果。

　　影片反映了美国社会中一个相当普遍的问题：家庭婚姻问题。

个人的理想、事业与家庭生活之间的矛盾导致了夫妇冲突和家庭离异的悲剧。

这在当时的美国具有深厚的现实基础。

同时影片还涉及到了西方社会中的一个十分敏感的问题：妇女解放问题。

在影片的深层含义上，导演对男女两性的关系如何调整、如何实现以及妇女应如何保卫自己的独立个性和追求生活意义等问题作了深入的探讨，这也是影片的意义之所在。

　　同时，《克莱默夫妇》一片在艺术性上也有着很高的成就。

其最大的特点就是表现真情、以情动人。

影片紧紧扣住人物的情感关系、情感线索，以人物间的亲情来打动观众。

影片几乎完全由演员的脸庞，强烈的感情和冬日的风景所组成，使观众深深地沉浸在影片所营造的气氛之中。

　　影片有几组对比性的镜头，生动地体现了情节和人物性格的变化。

影片的第一个镜头就是乔安娜脸部的大特写：克制住眼泪的楚楚动人的脸庞。

最后一个镜头也是乔安娜的大特写：临上楼时伤感而又美丽的容貌和脸上的泪痕。

同样，影片一开始是乔安娜不顾丈夫的劝阻坚决出走，流着眼泪进电梯下楼；结尾则是乔安娜回来，放弃了领走比利的要求，在丈夫的目送下拭去眼泪进电梯上楼。

这些对比呼应，不仅体现了了不可逆转的变化，也唤起了观众无限的思索。

此外，影片中先后出现的两次泰德和比利父子准备早餐的场面，也正同样象征着父子间的关系和泰德性格的变化，使人不由得联想到了泰德在这十八个月中所付出的努力和艰辛。

　　达斯汀·霍夫曼和梅丽尔·斯特里普这两位天才巨星在片中的杰出表现也是影片得以成功的重要原因。

在这部影片中，没有什么激烈的动作表现吸引观众的注意，全靠演员质朴无华和亲切自然的表演来塑造和表现人物。

在霍夫曼的拍片期间，他正面对着与片中主角泰德同样的婚姻问题和家庭问题，切身的感受和出色的演艺天赋使他把人物演得栩栩如生，入木三分，而导演也鼓励演员大胆地自由发挥。

影片中乔安娜在法庭上的自白就是梅丽尔·斯特里普放弃剧中原有台词，根据故事情节和自己的感受而即兴创作的。

导演的大胆放手和演员的积极配合，使影片达到了真实动人的艺术效果，也为他们各自带来了好莱坞的最高荣誉。

求英文经典电影4人口语对话片段

其实你可以考虑变成3人对话，另外一人念旁白伟大的辩论家（很多地方都可节选）克莱默夫妇（法庭对峙）（你要是水平够而且记得住就用“伟大的辩论家”，就用主角决赛的那一段最合适，因为影片的那个时代辩论赛是2v2的 建议你先看看片子，相当不错的剧情片，丹泽尔华盛顿主演）

请您推荐几部带有精彩法庭辩论场面的电影。

《纽伦堡大审判》，这部著名的电影基本都是在法庭内完成的拍摄，太经典了；\\rJack Nicholsen，Demi Moore的《A Few Good Man》，中文名好人寥寥，片尾的辩论堪称电影经典；\\r《克莱默夫妇之争》，这个不用介绍了；\\r《大话王》，《刮痧》，学英文凑合乐乐；\\r《女人香》，强烈推荐，里面的阿尔帕西诺，有一段精彩的辩论陈词，类似法庭，实质是家长听证会，很精彩很精彩，这个片子一定要看不管学英文还是学做人还是喜欢电影还是喜欢辩论，总之很精典；\\r《杀死一只知更鸟》，不看也不算一个真正的影迷了；\\r《抓住弗里德曼一家》，这纪录片，里面的家庭辩论很地道，建议看看，很真实的语言，而且事件很轰动，2003年著名的独立导演加利奇拍成了纪录片；\\r《致命ID》里面有你要的场景；\\r《失控陪审团》看看；\\r《谍网迷魂》丹素华盛顿和迪特里普，里面有许多精心调研后制作的国会辩论场景；\\r其实很多电影都有你要的这种场景，有的小制作对白比较烂就算了，如果想学咄咄逼人的唠叨，看伍迪埃伦的很多影片都是这样絮絮叨叨的，此外甚至我想起星球大战，都有不少辩论场景阿，记得不

帝国开会的时候，大家吵闹。

克莱默夫妇的历史背景

本片反映出七十年代美国出现的单亲家庭以及由此引起的种种问题，题材严肃但处理不失幽默笔触，演员表演非常到位，极其自然。

耶鲁戏剧高材生斯特里普亲自改写了法庭戏的台词，使得霍夫曼极为不满，认为她抢风头。

　　影片是一部社会伦理剧。

它改编自艾弗里·科尔曼的一部同名小说。

影片上映后，立即就在欧美各国引起了热烈的反响，并获得了1979年第52届奥斯卡最佳影片、最佳男主角、最佳女配角、最佳导演和最佳改编剧本等五项大奖。

影片之所以能取得如此大的成功，其重要原因之一就在于它的题材和主题深刻地触及了社会现实，从而具有了发人深思的艺术效果。

　　影片反映了美国社会中一个相当普遍的问题：家庭婚姻问题。

个人的理想、事业与家庭生活之间的矛盾导致了夫妇冲突和家庭离异的悲剧。

这在当时的美国具有深厚的现实基础。

同时影片还涉及到了西方社会中的一个十分敏感的问题：妇女解放问题。

在影片的深层含义上，导演对男女两性的关系如何调整、如何实现以及妇女应如何保卫自己的独立个性和追求生活意义等问题作了深入的探讨，这也是影片的意义之所在。

　　同时，《克莱默夫妇》一片在艺术性上也有着很高的成就。

其最大的特点就是表现真情、以情动人。

影片紧紧扣住人物的情感关系、情感线索，以人物间的亲情来打动观众。

影片几乎完全由演员的脸庞，强烈的感情和冬日的风景所组成，使观众深深地沉浸在影片所营造的气氛之中。

　　影片有几组对比性的镜头，生动地体现了情节和人物性格的变化。

影片的第一个镜头就是乔安娜脸部的大特写：克制住眼泪的楚楚动人的脸庞。

最后一个镜头也是乔安娜的大特写：临上楼时伤感而又美丽的容貌和脸上的泪痕。

同样，影片一开始是乔安娜不顾丈夫的劝阻坚决出走，流着眼泪进电梯下楼；结尾则是乔安娜回来，放弃了领走比利的要求，在丈夫的目送下拭去眼泪进电梯上楼。

这些对比呼应，不仅体现了了不可逆转的变化，也唤起了观众无限的思索。

此外，影片中先后出现的两次泰德和比利父子准备早餐的场面，也正同样象征着父子间的关系和泰德性格的变化，使人不由得联想到了泰德在这十八个月中所付出的努力和艰辛。

　　达斯汀·霍夫曼和梅丽尔·斯特里普这两位天才巨星在片中的杰出表现也是影片得以成功的重要原因。

在这部影片中，没有什么激烈的动作表现吸引观众的注意，全靠演员质朴无华和亲切自然的表演来塑造和表现人物。

在霍夫曼的拍片期间，他正面对着与片中主角泰德同样的婚姻问题和家庭问题，切身的感受和出色的演艺天赋使他把人物演得栩栩如生，入木三分，而导演也鼓励演员大胆地自由发挥。

影片中乔安娜在法庭上的自白就是梅丽尔·斯特里普放弃剧中原有台词，根据故事情节和自己的感受而即兴创作的。

导演的大胆放手和演员的积极配合，使影片达到了真实动人的艺术效果，也为他们各自带来了好莱坞的最高荣誉。

克莱默夫妇的结局

Ted Kramer: How much courage does it take to walk out on your kid? Ted Kramer: Margaret, I just need to know something. Did you put Joanna up to this? Margaret Phelps: No, I did not put Joanna up to this. Ted Kramer: Give her a little pep talk, maybe? Margaret Phelps: Joanna is a very unhappy woman and it took a lot of courage to walk out this door. Billy Kramer: When's mommy coming back? Ted Kramer: I dont know, Billy. Soon. Billy Kramer: How soon? Ted Kramer: Soon. Billy Kramer: Will she pick me up after school? Ted Kramer: Probably. And if she doesn't I will. Billy Kramer: What if you forget? Ted Kramer: I won't forget. Billy Kramer: What if you get run over by a truck and get killed? Ted Kramer: Then Mommy will pick you up. Billy Kramer, Phyllis Bernard: Hi. Billy Kramer: What's your name? Phyllis Bernard: I'm Phyllis Bernard. Billy Kramer: Who? Phyllis Bernard: I'm a friend... uh, business associate of your father's... dad. Ted Kramer: [In the bedroom] Oh, Jesus. Billy Kramer: Do you like fried chicken? Phyllis Bernard: Fried chicken? Very much. Billy Kramer: So do I. Phyllis Bernard: Uhm... well, it's really... It's been nice seeing you and... Billy Kramer: Bye. Phyllis Bernard: Bye [Comes back to the bedroom] Phyllis Bernard: Kramer, I just met your son. [Ted is having lunch with his boss] Ted Kramer: So the other morning, I'm at the refrigerator... you know, getting Billy ready for school. So I'm just in my underwear and he notices I've lost weight. And he comes in and pats me. He comes up to here 2a [touches his stomach] fdc Ted Kramer: , and he says Daddy, you've really lost a lot of weight, he looks up at me and he says And it's all gone to your nose. [laughs] Ted Kramer: He was so cute. You know? [Joanna is leaving Ted] Ted Kramer: Come on now, what about Billy? Joanna Kramer: I'm not taking him with me. I'm no good for him. I'm terrible with him. I have no patience. He's better off without me. Ted Kramer: Joanna, please. Joanna Kramer: And I don't love you anymore. Ted Kramer: Where are you going? Joanna Kramer: I don't know. [Ted and Billy are having dinner] Ted Kramer: How was school today? Billy Kramer: Same as usual. Ted Kramer: Hey, I see the Knicks finally won a game, what do you know? Billy Kramer: I don't care. Ted Kramer: What do you mean? Billy Kramer: I like Boston. Ted Kramer: Boston? Why do you like Boston? Billy Kramer: 'Cause Mommy's from Boston. Billy Kramer: Who's gonna read me my bedtime stories? Ted Kramer: Mommy will. Billy Kramer: You're not gonna kiss me good night anymore, are you, Dad? Ted Kramer: No, I won't be able to do that. But, you know, I get to visit. It's gonna be ok, really. Billy Kramer: [crying] If I don't like it, can I come home? Ted Kramer: What do you mean if you don't like it? You're gonna have a great time with Mommy. Really. She loves you so much. Billy Kramer: Dad? Don't forget, once, if you can just call me up, okay? Ted Kramer: We're gonna be okay. Come on, let's go get some ice cream. [Joanna is crying] Ted Kramer: Hi, what's up? Tell me. What? What's the matter? Joanna Kramer: I woke up this morning, kept thinking about Billy and I was thinking about him waking up in his room with his little clouds all around that I painted and I thought I should have painted clouds downtown because then he would think that he was waking up at home. I came here to take my son home. And I realized he already is home. Ted Kramer: [while Billy brings ice cream to the table] You go right back and put that right back until you finish your dinner... I'm warning you, you take one bite out of that and you are in big trouble. Don't... Hey! Don't you dare... Don't you DARE do that. You hear me? Hold it right there! You put that ice cream in your mouth and you are in very, very, VERY big trouble. Don't you dare go anywhere beyond that... Put it down right now. I am not going to say it again. I am NOT going to say it AGAIN. [Billy eats ice cream] Billy Kramer: 27 [Ted picks him up] c34 Ow! You're hurting me! Ted Kramer: OW! Don't you kick me! Billy Kramer: I hate you! Ted Kramer: You're no bargain either, pal! You are a spoiled, rotten little brat and I'll tell you right now... Billy Kramer: I hate you! Ted Kramer: And I hate you back, you little shit! Billy Kramer: I want my mommy! Ted Kramer: I'm all you got. 泰德：怎么了，告诉我发生了什么事?乔安娜：我早上起来...（哽咽，很艰难的）一直在想比利（孩子）...，我在想他早上在房间里醒来，会看见房间里我画的那些云。

——我应该在家里画一些云，因为..他就会觉得是在自己家里醒来（乔安娜在原来的家里也画了云）。

（她舒一口气调整情绪，继续说）我来这儿接孩子回家，但是突然发现这里才是他的家。

（凝视泰德，深情，一字一句的）我非常爱他

泰德拥抱住妻子，深深的，乔安娜在他肩头继续说：但是我不带走他了。