
HALO中的士官长说过什么经典的话
士官长:时间,可以带走很多东西,然而却带不走存在心中的回忆。
HALO中的士官长说过什么经典的话
拜托各位大神
士官长很少说话.我玩过《光晕1.2.3》只觉得士官长在光晕2开罗空间站里那一段开场动画说的话很有意思
《树先生》哪句台词最经典
-这辈子你要不当干部,白瞎你这人了。
hello 树哥,今个不忙啊。
总理忙 咱不忙。
我们谈判关你屁事 你是谁的种 你这人格咋这么不稳定呢 让别人决定你的命运不可悲吗
就把你的命运交给我吧。
彼得.潘 中的经典台词
英文名: Peter Pan 中文名: 别 名: 彼得·潘 经典台词:Peter: Forget them, Wendy. Forget them all. Come with me where you'll never, never have to worry about grown up things again. Wendy: Never is an awfully long time. Smee: Captain, the ice is melting, the sun is out, and the flowers are all in bloom... Captain Hook: He's back. Wendy: Why do you hate him so? Pirate: Beg for your lives. John: Sirs! My brother and I are English gentlemen. English gentlemen do not beg! Michael: [Michael gets on his knees] ... Please. Please, don't kill me! John: [John gets n his knees too] Please, don't kill me either! Peter: Ready to lose the other one? Captain Hook: Not this time. Captain Hook: [to Wendy] Didst thou ever want to be a pirate? Wendy: We must leave at once... before we, in turn, are forgotten. Wendy: Might I have time to consider your generous offer? Captain Hook: Absolutely. You must! Captain Hook: My new obsession is you. Not dear Peter Pan or his whereabouts. Captain Hook: None of my crew will follow you... I swear it. Wendy: What would mother think of my becoming a pirate? Smee: Pan did you a favor, did he, Captain? Captain Hook: A favor? He threw my hand to a crocodile, the beast liked it so much, it's followed me ever since, licking its lips for the rest of me... YOU CALL THAT A FAVOR? [Wendy sews Peter's shadow to his feet] Peter: Oh, the cleverness of me. Wendy: Of course, I did nothing... Peter: You did a little. Wendy: Oh, the cleverness of you. Peter: If you wish it. 27 Slightly ffb : If you wish it? Peter: IF YOU WISH IT. Captain Hook: If I were you, I'd kill her. Peter: If you were me, I'd be ugly. Wendy: Peter. You won't forget me, will you? Peter: Me? Forget? Never. Wendy: Will you ever come back? Peter: To hear stories... About me. Hook: And now, Peter Pan, you shall die. Peter: To die would be an awfully big adventure. Smee: It's so exciting, two dead already! Peter: I do believe in fairies, I do, I do. Pirate: [advancing towards the children on Hook's ship] Stop that noise or I'll run you through! Believe in fairies, I do I do! [Wendy has just become the Lost Boys' mother] Peter: Discipline. That's what fathers believe in. We must spank the children immediately before they try to kill you again. In fact, we should kill them. Wendy: Father. I agree that they are... perfectly horrid, but... kill them and they should think themselves... important. The Lost Boys: So important, Peter. Curly: And unique. Wendy: I, propose something far more dreadful. Medicine. The sticky, sweet kind. The Lost Boys: Kill us, Peter. Wendy: This belongs to you, and always will Peter: I want always to be a boy, and have fun. Wendy: You say so, but I think it is your biggest pretend. Wendy: Where do you live? Peter: Second to the right, and then straight on till morning. Wendy: They put that on the letters? Peter: Don't get any letters. Wendy: But your mother gets letters. Peter: Don't have a mother. Wendy: No wonder you were crying. Peter: I wasn't crying about mothers. I was crying because I can't get this shadow to stick. And I wasn't crying. Darling: [shouting] No. I must become a man that children fear and adults respect, or we shall all end up in the street. Mrs. Darling: George, not so loud. Aunt Millicent: George, the neighbors will hear. Darling: Let them hear. Let the whole world know. This [indicating Nanna] Darling: is not a nurse. This... is a dog. [to Wendy] Mr. Darling: Tomorrow, you will begin your instruction with Aunt Millicent. It's time for you to grow up. --------------------------------------------------------------------------------Peter: There's mermaids. Wendy: Mermaids? Peter: Indians. John and Michael: Indians? Peter: Pirates. John and Michael: Pirates? Wahoo. [Wendy kisses Peter Pan and he starts to glow] Captain Hook: Pan... you're pink. Wendy: I think you have, Peter. And I daresay you've felt it yourself. For something... or... someone? Peter: Never. Even the sound of it offends me. [Wendy tries to touch his face, and he jumps away] Peter: Why do you have to spoil everything? We have fun, don't we? I taught you to fly and to fight. What more could there be? Wendy: There is so much more. Peter: What? What else is there? Wendy: I don't know. I guess it becomes clearer when you grow up. Peter: Well, I will not grow up. You can not make me! Peter: [after bumping his head on waking up] I was not asleep. Wendy: Once upon a time there was a boy named Peter Pan, who decided not to grow up. Hook: Skip the prologue Wendy: So he flew away to Neverland where the pirates are. Hook: What fun he must have had. Wendy: Yes but he was rather lonely. Hook: Lonely? He needed a Wendy. Pirate: I need a Wendy. Hook: Why a Wendy? Wendy: He liked my stories. Hook: What stories? Wendy: Cinderella, Snow White, Sleeping Beauty. Hook: Love stories? Wendy: Adventures! In which good triumphs over evil! Hook: They all end in a kiss. Wendy: gasps Hook: A kiss. He does feel! He feels about you. Hook: She told him stories. He taught her to fly. How? Wendy: You just think happy thoughts. They lift you into the air. Hook: Alas, I have no happy thoughts. Wendy: That brings you down! Hook: [Hook threatens to cut throat with his hook] How else? Michael: Fairy dust! You need fairy dust! The Lost Boys: Michael! Hook: What of Pan? Would unhappy thoughts bring him down? Wendy: He has no unhappy thoughts. Wendy: Boy, why are you crying? Michael: Mother, can anything harm us after the night lights are lit? Mrs. Darling: 53 No, Precious. They are the eyes a mother leaves behind to guard her children. fbc [Peter and Wendy land to talk to mermaids to find John and Michael] Wendy: Oh, How sweet. [Peter looks disgusted] Wendy: What? Are mermaids not sweet? Peter: They'll sweetly drown you if you get too close Slightly: Well... we have our orders. Shoot the Wendy bird. Ready... Aim... FIRE. [Peter sees a boy flying next to him, forgetting he has just met him minutes before] Peter: Who are you? John: I'm John. Peter: John. [Mr. and Mrs. Darling are rushing up the stairs, right before Peter takes the children to Neverland] Story Narrator: It would be delightful to report that they reached the nursery in time... but then, there would be no story. Captain Hook: She was leaving you, Pan! Your Wendy was leaving you. Why should she stay? What have you to offer? You are incomplete. Let's take a look into the future, shall we? You fly to nursery and... what's this? The window's closed. Peter: I'll open it. Captain Hook: I'm afraid the windows barred. Peter: I'll call out her name! Captain Hook: She can't hear you. Peter: No! Captain Hook: She can't see you. Peter: Wendy...! Captain Hook: forgotten all about you. Peter: Stop it! Please! Stop it! [During a swordfight between Peter and Wendy] Tootles: Mother and father are fighting again... Peter: Well I will not grow up! You cannot make me! I will banish you like Tinkerbell. Wendy: I WILL NOT BE BANISHED! Peter: Then go home. Go home and grow up. And take your feelings with you! Peter: To live would be an awfully big adventure. Wendy: Peter... I should like to give you a kiss. [Peter holds his hand out] Wendy: Don't you know what a kiss is? Peter: I shall know when you give me one. Hook: Old... Alone... Done for. Slightly: I couldn't find the house, and now everyone has a mother except me. [On Wendy being their mother] Slightly: And isn't she just first class? Slightly: Brace yerselves lads. Slightly: 4b I remember kisses, let me see. Aye, that is a kiss. A powerful thing. f43 Slightly: Then she must stay here and die. The Lost Boys and Peter Pan: [gasp] No. Slightly: Of course not. How could I have thought that? Stupid. [gazing up at Wendy and Peter dancing in mid-air] Captain Hook: He has found himself a... Wendy. And Hook is all alone. [Hook asked Tiger Lily if she had seen Peter Pan, and she replies with a foreign language, and then spits at him] Smee: She says sorry, but no. Mrs. Darling: There are many different kinds of bravery. There's the bravery of thinking of others before one's self. Now, your father has never brandished a sword nor... nor fired a pistol, thank heavens. But he has made many sacrifices for his family, and put away many dreams. Michael: Where did he put them? Mrs. Darling: He put them in a drawer. And sometimes, late at night, we take them out and admire them. But it gets harder and harder to close the drawer... and he does. And that is why he is brave. Peter: Then you are my friend no more. Captain James Hook: Proud and insolent youth! Prepare to meet thy doom! Smee: It's all a bit tragic, really, isn't it? John: [upon meeting Peter] You offend reason, sir. Michael: Mm-hmm. John: [sees Peter lift into the air] I should like to offend it with you Peter: You can't catch me and make me a man. Peter: I'm the best there ever was! Peter: She is to tell us stories... SHES... Slightly: Dead... awful. Curly: Tragic. Nibs: Good shot, though. Mrs. Darling: And what's your name? Nibs: Nibs. I plan the battles. Mrs. Darling: Would you like a mother, Nibs? Nibs: [crying] Yes! Captain Hook: It is your requiem mass, boy! Captain Hook: Split my infinitives! Captain Hook: How like a girl! Captain Hook: So Peter Pan, this is all your doing? Peter: Aye James Hook, it's all my doing. Story Narrator: b9 But I was never to see Peter Pan again. Now I tell his story to my children and they will tell it to their children, and so it will go on - for all children grow up... Except one. fec Peter: Promise me one thing leave Hook to me. Wendy: I promise. Captain Hook: Fly to the rescue, Pan. I'll shoot you . . right through your noble intentions. Wendy: Michael? John? Where are my brothers? Peter: Who? Captain Hook: [Guessing who he is] Vegetable? Peter: No... Captain Hook: Mineral? Peter: No... Captain Hook: Animal? Peter: Yes. Captain Hook: Man? Peter: NO! Captain Hook: Boy? Peter: Yes! Captain Hook: Ordinary boy? Peter: No! Captain Hook: Wonderful boy? Peter: Yes! Do you give up? Wendy: My unfulfilled ambition is to write a great novel in three parts about my adventures. Aunt Millicent: What adventures? Wendy: yet to have them, but they will be perfectly thrilling. Peter: Wendy? One girl's worth more than 20 boys. Wendy: [under bed sheets] You really think so? Peter: I live with boys, the lost boys, they are well named! Wendy: Who are they? [asking as she gets out from under sheets and makes Peter fall off the bed] Peter: Children who fall out of their prams when the nurse is not looking. If they are not claimed in seven days, they are sent to the Neverland. Wendy: Are there girls too? Peter: Girls are much to clever to fall out of their prams. [he says as he looks through the heart in bed] Twin: Do you tell stories? Wendy: Yes. Peter: Was it you, Tink? [Tink gets a halo] Tink: Hallelujah! Hallelujah! Hook: If you are Hook... then who am I? Peter: You... are a... codfish! Peter: Tinkerbell... my fairy. Wendy: But, there's no such thing as f- [Peter flies up and closes her mouth] Peter: [firmly] Don't say that. Every time someone says that, a fairy somewhere falls down dead. [he goes to look for Tinkerbell] Peter: And I'll never find her if dead! 24 Wendy d68 : You don't mean to tell me... there's a *fairy* in this room? Wendy: Sir, you are both ungallant and deficient! Peter: How am I deficient? Wendy: You're just a boy. Wendy: My parents wanted me to grow up. Captain Hook: Growing up is such a barbarous business, full of inconvenience... and pimples. Captain Hook: What of Pan? Will unhappy thoughts bring him down too? Wendy: He has no unhappy thoughts. Captain Hook: Oh... Well, what if his Wendy... walked the plank!
光晕里的经典语录
这是光晕系列游戏里的 我也是个光晕迷 QQ295028419科塔娜:星盟还有虫族,一切都结束了。
士官长:不我认为这只是刚刚开始。
科塔娜:不要随便对女生做承诺,尤其是你知道你完不成。
神风烈士:死了一个魔头又冒出另一个来。
尸脑兽:多年来我学会了耐心等候,不过为了新的自由,我,会尽我一切所能。
halo4结尾宣教士说的话
在这胜利的时刻 in this victory hour我们却只尝到失败 we taste noly defeat我不懂 i ask why我们是先行者 we are the Forerunners是万物的守护者银河系的根源在我们细心的守护下源远流长只要有生命存在的土地就会布满我们无数世代的智慧我们的力量就像光辉的太阳照耀所有智性盛开在无法穿透的严密保护下繁荣发展我站在你们面前被指控有罪因为我要确立先行者的优越地位我试图拯救我们的命运不被减亡人类是银河系最大的威胁拒绝消减他们是愚蠢的赌博我们在黑夜中漫长的等待任他们取走我们的成就占为己有只有先行者才拥有万物的责任信念如何评价我的行为随你但不要怀疑事实归复过程已经开始 唉 我听力不过关啊 一个一个敲上去的 望采纳
光晕里约翰逊的台词
halo1第二关,士官长遇到约翰逊中士的时候,他表现得很正常,但是到了洪魔那一关的时候,士官长看jekenis(杰肯斯)的录像的时候,有那么一段,杰肯斯说:“为什么我们老是听这个老掉牙的东西的话呢
”约翰逊不高兴地说:“说话注意点,小伙子,这个老掉牙的东西能提醒你们这些大头兵为何而战
”撒提说:“星盟要消灭我个人我倒没意见。
”“那你下回遇到他(星盟)的时候一定要好好”拜访“他们,撒提
”到了门口约翰逊:“门多萨,快上
”门多萨表示安全,约翰逊大叫:“好了,出发了
”进到洪魔门之后,杰肯斯说:“我有一个很不好的预感哦
”约翰逊更不高兴了:“你每次都有不好的预感,小子
”接到通讯之后:“门多萨,快去给我跑回第二班阵地,看看他们究竟在干什么
”门多萨:“可是......”约翰逊:“好了,伙计,没工夫和你磨牙了,快去
”然后洪魔出现,咬死了门多萨和撒提,杰肯斯想跑:“滚回来
战士,这是命令
”约翰逊没有被洪魔感染,因为他捡了一大箱电浆手雷,电浆味道让洪魔觉得恶心,所以没有咬他
陌陌搭讪开场白台词大全
搭讪开场白多,有比较直接的,比较含蓄的,还有比较幽默的其实无论是哪类的陌陌 搭讪开场白,只要能让自己的搭讪吸引到陌陌上的女孩子,让她愿意跟你聊天,就是一种成功的搭 讪了。
直接类型开场白:1、美女,能认识一下吗2、美女,聊天吗这种类型的搭讪方式比较直接,能让对方一眼就知道你的意图。
但是这类开场白不仅平淡、还暴露 了你的需求感。
如果她真是美女,每天有几百个屌丝都是这样的给她打招呼的,你的招呼只会石沉 大海。
所以不推荐使用这种搭讪开场白。
含蓄类型开场白:1、今晚我一个很孤独……2、漫漫长夜……这种类型的搭讪都是用一些很含蓄的语句,本人不太建议使用这种搭讪方式,因为成功率比较低。
幽默类型开场白:1、你好,我很想跟你认识一下,但是刚才突然一紧张,忘了要说什么了……这种类型的搭讪开场白,能让女生对你很有兴趣,这样的搭讪成功率也是很高的。
所以,我个人比 较推荐这种搭讪方式。
根据统计,只要你的资料完全,并具有一定的吸引力,用这种搭讪方式的成功率在50%以上。
网上有个叫泡圣老鱼的家伙,写的文章深入简出,他写了很多追女孩子的干货,我以前就是个挫男 ,践行他的指导理念,现在女朋友已经换的一个比一个漂亮,以至于有点浮躁不知道选哪个女朋友 结婚,不过这个不关老鱼的事情,我太贪了,想要看的兄弟可以去找一下泡圣老鱼就可以看到他写 的文章。
如何深度解释“I had you at hello”这句话的意思?
影片开黎耀辉先生(摄影指导)用一个同期声的长镜头干净利落就完成了影片的,随着宣传房地产开发的敞亮喇叭声,我们的目光落在尘土飞扬的某个东北小镇上,同样,我们的目光落在尘土飞扬的今日中国身上。
中国内地在新世纪开始,开始了一轮举世瞩目的现代化进程,也是城市化的进程,北京、上海、广州、深圳、杭州、成都……长三角、珠三角、环渤海、长株潭、大武汉……城市都在大兴土木,狂歌飚进,似乎一夜之间都想一跃成为国际化大都市,东北当然也不会甘为人后,尤其在政府推行“复兴东北”计划之后,曾经辉煌过的东北人,雄心勃勃,在商品经济的催化下,国营企业改组的改组,重建的重建,剩下的残羹剩水也足让兴起的众多地方势力趋之如骛,中小型的矿产、中小型的房产开放商,遍地开花,从市县到乡镇,只要手中执掌了一丝权力的人都会疯狂撕咬这一块肥肉,至于公平、正义、秩序、道德,通通抛之脑后,这就是《HELLO 树先生》的时代注脚,树先生悲惨的宿命是以与在时代抗争中展开。
树先生只是一个普通的东北青年,他勤劳、善良、正直、爱讲义气,对生活充满希望,唯一生活中的一丝阴霾就是:在他童年时期,亲眼目睹了父亲把生活作风开放而犯流氓罪的大哥失手吊死在树上,父亲因而郁郁而终。
他的潜意识里一直对这个事件保留了自己的看法,那就是大哥根本犯不着白白送死,只是整个时代的环境使然。
1980年代,中国上下充满了严刑峻法的气息,一个今日看来两情相悦的“上床事件”就能演化成流氓罪,不是枪毙就是劳教,遵循古老传统的东北人又好面子,断不能容忍这等败坏门风的行径。
大哥的死,让树先生心里种下了对自由的向往,对威权的痛恨与鄙视的种子,也酿成了后来他的悲惨遭遇。
树先生长期从事电焊工作,辛苦的劳作使他视力日渐低下,一次意外事件中,树先生灼坏了眼睛,包扎后基本只能辨清事物轮廓,曾经的东家便将他一脚踢开,树先生只好在接过象征性的工伤赔偿——2000元,又在弟弟鄙视的眼光中接下了施与性的1000元,这就是他忙碌多年以后唯一一点的经济依靠。
流离失所的树先生四处揽活无着,在从小相处大的伙伴圈里显得更为卑微,喝酒被强灌,好友结婚席上被羞辱,只因对方是村长的亲戚,执掌着村里所办的集体经济的人事大权,就要被迫跪下为曾经说过的实话道歉。
“你以为你是什么人,不就是仗着是村长的亲戚得瑟么
”(台词大意),树先生心直口快,骨子里流淌着和死去的大哥一样自由奔放的血液,在村长和他周围的利益群体蚕食着村里的权益,强行帮一个矿业集团征用村子的土地的时候,树先生一语中的,道出了乡亲们久藏于心的大实话,但在经济利益和威权之下,树先生不但没有人响应,反而被羞辱后还要赔礼,曾经想找个村里所办工厂的活儿干干,这下也只能不了了之,被迫出走长春,去投靠童年最相好的朋友。
这是影片交代的第一个撕裂:树先生与集体的撕裂,也是跟权贵们及其附从在之后庸众们的撕裂。
树先生到省城长春之前,在好友的面包车上偶遇一聋哑女孩,女孩的美丽让他心颤不已,平时矜持的他也顾不得面子,乞脸尾随着去县城,一路神魂颠倒,这一段是整个影片中让我为之沉迷的一抹亮色,东北那些口水歌曲在这段里不可思议的应景,树先生的恋爱让观众同喜同欢,为之揪心不已。
在这段故事里,王宝强开始发挥自己蕴藏已久的演技,把一个强烈自卑的、同时又心里跳动着欢快的恋爱火焰的东北农村大龄青年心路展现得淋漓尽致。
树先生一厢情愿去第一次相亲时,因为彼此的残障造成沟通的不便,女孩婉约的拒绝了树先生。
失意之下,树先生决定去长春谋个生路,同时攒一笔钱预备结婚。
来到童年好友开设的学校,树先生发现都市的生活也没有他想象中美好,好友嫌弃他没文化,爱到处转悠,同时又摆谱,让树先生干着下等的杂活,同时,在树先生心目中能干上进的好友私下里居然也有沾花惹草的毛病,偶像的倒塌和一个个现实的破灭让树先生灰心丧气,同时,他开始出现幻觉,那个严峻的老爸又出现了,童年的心魔和现实的反差,让他孤独寂寞,在大都市里倍加想念聋哑女孩,在一次次短信传情的过程中,同样孤独寂寞的聋哑女孩敞开了心怀,接纳了树先生。
他决定返乡求婚,告别都市生涯,只是影片给予观众暗示的第二个撕裂,树先生和梦想及友情、都市生活的撕裂。
在这段影片里,中国人传递情愫的短信段子情结让现场观影观众大笑不已,编剧用雅俗共赏的手法交代了两颗纯朴的相爱之心,是影片中台词调动观众兴奋点最优秀的段落。
初尝恋爱甜蜜的树先生急于成婚,找着已经在县城上班的弟弟求助,希望能够找一辆皇冠车当做婚车,婚礼时好充充面子。
可惜,从小不怎么搭调的弟弟早就成了陌路人,这个青年,因为在县城里给有钱的企业主开车,眼界里早就容不下哥哥这个憨憨厚厚的农村人,他一心想摆脱农村,接着母亲去村子开发的新城过日子,做一个有头脸的城里人,他反对哥哥树先生在农村结婚,因为结婚后,老哥就在农村扎根了,母亲肯定要跟着树先生一起过活,这势必影响到他想卖农村老宅,搬去新城的计划。
于是他表面应诺,在结婚前一晚却只借了一个帕萨特给哥哥。
树先生在激怒和虚荣的驱动之下,和弟弟打作一团,可惜,他不是年富力壮弟弟的对手,在结婚前夕,他的脸被打肿,他的尊严完全被抛掷在地,他的心在巨痛,失落的树先生开始想念哥哥那种自由自在和舍我其谁的彪悍气息,这是影片暗喻的第三个撕裂,树先生和亲情的撕裂,死去的哥哥和活着的弟弟是如此的不同,让树先生开始陷入崩溃的边缘,半痴半呆,这段影片,在观众以为树先生从此过上幸福生活的时刻,急转直下,埋下了阴霾的伏笔,让观众久久揪心。
婚礼当天,树先生已经陷入半疯状态,他怀抱着新娘想逃避这个世俗的世界,可惜,漭漭大地,已经无他插足的余地,在东北农村荒野的狂漠中,他和新娘被众多好友围拥嬉戏,但树先生的茫然则展现了他与这个世界格格不入,周围的嬉笑声更呈现了树先生与世俗背离而去的戏剧张力,影片这段仿佛在向十年前陈果导演的《榴莲飘飘》致敬,同是被时代压抑的人,在世间已无一片净土的境况中,他们只能退居内心,坚守自己的最后立场。
新娘在众人的调戏中,羞而既愤,在洞房夜把所受的屈辱感加倍奉还给了树先生,女上男下的体位,新娘的嘶叫,把这个社会残留给树先生的最后一丝温暖也给带走。
树先生,这个可怜的普通东北青年,因为善良和老实,连爱情都守不住,他只能撕裂自己的内心,他只能变疯,他只能用谎言和谶言对抗命运,最后,完全的疯了。
王宝强在这里用茫然和疯癫的演技生动诠释了树先生这一内心的转变,堪可比拟黄渤在《斗牛》里的单人秀。
中国历史上大凡道德沦丧、礼崩乐坏、人心不古的时代,就会出现智者和先知,古如屈原、孔子、近如魏源、胡适。
于是树先生也就成了这样一个寓言式的人物,他无力抵抗时代,只得用东北民众信奉的古老民间迷信来劝归乡亲,用玉帝和狐仙吓唬着权贵们和帮闲们,曾经让他跪过的村长亲戚也得跪还给他。
绝妙的讽刺,中国人不畏生前作孽,只怕玉帝和狐仙索命,只怕阴间地狱里的小鬼阎王,所有的信仰到了这里,也只能在利益和现实面前望之却步,只能用死来吓唬自作孽不可活的各类人物。
但即使成为“半仙”,树先生依旧无力挽回好友小庄的生命,正如他在影片里独白说的;“小庄就像当年的我哥”,可惜,这等自由奔放,善良可爱的灵魂都沦为中国激进现代进程化中的殉葬品,只有在幻觉和美梦中,他们才会唱起歌,跳起舞,为生命的奔放嘹亮放唱。
震撼我的一幕是人人奔向矿山,天空和整个背景变成红色,每个人的面上的狂躁之色令人心悸,树先生依靠在天地之间唯一的一棵枯树上,目光里透露出的何止是冷漠,简直是绝望,影片在这里达到高潮,其中的寓意不言而明。
人类的贪婪,对自然的好不敬畏,在这里得到了原始的还原。
最嘲讽的是树先生在小庄死后,心无寄托,也逐渐沦为了众多权贵依赖的工具,什么时候矿山开业,也得来行贿这位“半仙”面对日渐挖空的矿山,“半仙”口出狂言,要用煤矸石造原子弹,从“先知”到“半仙”,树先生原来也经不过权和利的捧场,何其荒谬。
至于树先生可爱的聋哑妻子,怀着大肚子走在东北的平原一隅上,蒙太奇闪过,原来也只是树先生新的幻想,他已经没有“父亲”和“兄弟”了,只有妻子归来、延续后代的白日梦支撑他在这个被黑暗笼盖的大地上行走,逐渐老去。



