帮我们班起个好看的群名·叫Wonder four
which和what在宾语从句中同接代词，在从句中可语、宾语及定语。
们二者最主要的在于本身意义的不同，which翻译成“哪个\\\/件\\\/条……；what翻译成”什么“。
而在具体用法上没有什么明显的区别，以下用例子证明。
1.which引导的宾语从句，其本身在从句中所充当的成分。
I don't know which bike belongs to my daughter.（做定语）我不知道那辆自行车是我女儿的。
He asked me which I liked best.（做宾语）他问我喜欢哪本书。
She wants to know which is the best.(做主语）她想知道哪个是最好的。
2.what引导的宾语从句，其本身在从句中所充当的成分。
I wonder what he does.（做宾语）我想知道他是做什么工作的。
I don't know what happened.(做主语）综合比较之后，可以看出它们的区别主要是词义方面的。
谁知道这2首英文歌的名字
第是《love you more than I can say》第二首是Dot Bikini 的Itsy Bitsy Teenie Weenie Yellow Polka(挖,典老歌,个真旧的,,附歌词 )She was afraid to come out of the lockerShe was as nervous as she could be She was afraid to come out of the lockerShe was afraid that somebody would seeOne, two, three, four, tell the people what she wore[ It was an itsy bitsy teenie weenie yellow polka-dot bikiniThat she wore for the first time today.An itsy bitsy teentie weenie yellow polka-dot bikini ]So in the locker she wanted to stay.Two, three, four, stick around we'll tell you more She was afraid to come out in the openAnd so a blanket around she wore She was afraid to come out in the openAnd so she sat bundled up on the shore Two, three, four, tell the people what she wore[ It was an itsy bitsy teenie weenie yellow polka-dot bikiniThat she wore for the first time today.An itsy bitsy teentie weenie yellow polka-dot bikini ]So in the blanket she wanted to stay.Two, three, four, stick around we'll tell you moreNow she is afraid to come out of the water And I wonder what she's gonna doNow she is afraid to come out of the water And the poor little girl's turning blueTwo, three, four, tell the people what she wore[ It was an itsy bitsy teenie weenie yellow polka-dot bikiniThat she wore for the first time today.An itsy bitsy teentie weenie yellow polka-dot bikini ]So in the water she wanted to stay.From the locker to the blanket From the blanket to the shoreFrom the shore to the water Yes there isn't any more.
puzzles in geography全文翻译
这是固定搭配，就好像两年不说二年一样
初一课外英语单词积累100个，谢谢
~急需呀
the national song 大胆地说，清楚并响亮地说 speak out ，演讲 make a speech 以...的速度 at a speed of 平里 square kilometers 代表，象征 stand for 饿死 starve to death 处于良好状 in a good state 逐步地，一步一步地 step by step 遵守诺言 stick to one's word \\\/ promise 趴在地上 lie on one's stomach 四层楼的住宅 a house of four storeys 赶上风暴 be caught in the storm 对...要求严格 be strict with sb. in sth. 擦火柴 strike a match 挣扎着起来 struggle to one's feet 仔细研究 make a study of 突然，冷不防 all of a sudden 暑假 summer holidays 向某人供应／提供 supply sb. with sth. 使某人惊奇的是 to one's surprise 擦脸上的汗 sweat off one's face 坐下吃饭 sit down to table 纳税 pay one's taxes 沏茶 make tea 用望远镜 through a telescope 讲故事 tell a story 辨别，分清 tell one from the other 量体温 take one's temperature 数以万计 tens of thousands of 被...吓了一跳 be terrified at 因某事感谢某人 be thankful to sb. for sth. 扔掉 throw away 吐出（食物），呕吐 throw up 立刻，很快 in no time 交通堵塞 traffic jam 跟某人开玩笑，欺骗某人 play a trick on sb. 处于困境（苦恼）中 be in trouble 一条裤子 a pair of trousers 上大学 attend university 拜访某人 pay a visit to sb. 高声地（喊） at the top of one's voice 在交战 at war 穿旧；使筋疲力尽 wear out 拔草 pull out the weeds 穿着白色衣服 be dressed in white 通盘，作为整体 as a whole 总的来说 on the whole 有志者事竟成。
Where there is a will, there is a way. 乐意做某事 be willing to do sth. 擦掉灰尘 wipe off the dust 创造奇迹 make wonders 不足为奇；难怪 no wonder 插话 get in a word 和某人说句话 have a word with sb. 总之，简言之 in a word
看变形金刚的英文观后感(70个词左右)急!!!!
1Two things that should not be placed in close proximity of each other: Michael Bay and camera. It is almost unthinkable that anyone could make a boring movie of Transformers. But that’s just what Bay has done.Transformers is mind-numbingly boring, consisting largely of many, many minutes of annoying humans talking and talking and talking and … yes, you wish the Autobots would just break their self-imposed rule of not killing humans and just pulverize these puny beings on screen.It’s a big mistake to make the humans the main characters of the story. We all know how Bay is with characters – caricatures at best, racial stereotypes at worst. And that’s what we get here. Quite a few racial stereotypes and a bunch of bad actors hamming it up for no good reason, while Bay tries to inject extremely lame comedy into the scenes which are supposed to “establish” the characters.We came to see the robots, Michael Bay, so give us the fucking robots!But no, he teases us with a few transformations, glimpses here and there. And when the big moment finally comes – the arrival of the Autobots – we get … more talking with the puny humans!But later, we come to understand why this is so. It’s a story that gives humanity too much credit, that despite our tendencies for great destruction, we’re also very capable of great heroism. Right. And in the absolute worst moments of the film, it takes shots at the Iranians, the Chinese and the Russians, and goes for Bush-friendly lines like “Freedom is the right of every sentient being” or something to that effect. Not surprising, since this is the guy who made the awful Bad Boys II, which has its ending in, of all places, Guantanamo.And the action? I’m tempted to say “What action?” Nothing really happens until the last moments of the film, and the action is the usual disappointing bunch of blurry, shaky nonsense done further damage by choppy, steroid-enhanced editing. We came to see robots fight, but Bay gives us an absolute auto-wreck in which it’s hard to distinguish just who’s fighting who, or even what’s exactly happening on screen. But by the last half hour, my brain had gone into auto-pilot and my eyes had given up trying to follow the messy action. You can also fault that on the over-designed robots.At this point I must quote John Boorman, who coined the term “new brutalism” to contrast the new kind of action sequences that we now see much too often, consisting of fast cuts and action going out of frame, with the more classical style of action. In fact, I think if you were to time the action sequences in Transformers, each cut probably doesn’t last more than 1.5 seconds.It was Boorman who said the new brutalism “is a form of naivete, because it’s made by people who I think don’t really have a grasp of cinema’s history. It’s the MTV kind of editing, where the main idea is that the more disorienting it is, the more exciting. And you see it creeping into mainstream cinema more and more. You look at something like Armageddon and you see all the things that would have been forbidden in classical cinema, like crossing the line, camera jumping from side to side. It is a way to artificially generate excitement but it doesn’t really have any basis to it. And I find it kind of sad, because it’s like an old man trying to dress like a teenager.”I couldn’t agree more.This is a case of the trailer being much better than the film, and promising much more than what is delivered by the actual film. Bay should have learned something from the original cartoon series or even the animated film, at least in regard to what should be the focus of the story. Instead, he’s much too busy orchestrating military action and trying to make Jon Voight be in his most official and most Rumsfeld, while completely wasting a great talent like John Turturro. But then again, Bay has never been good with characterization and actors anyway.Maybe Bay should just stick to making military recruitment videos, since he’s so adept at magic-hour shots of military aircraft and personnel, moving in slow-motion or otherwise, making it all look so cool and stylish. There are so many of these shots in the movie that you might just begin to wonder if some of them are stock footage or scenes cut out from his other films that are recycled here. Even when it’s totally unnecessary, he slips some in with pulsing, official-sounding music.Let’s face it, Michael Bay is cliché, and cliché is Michael Bay. And what we have here is a cliché-ridden adaptation of one of the most beloved cartoon series that misplaces its concerns and completely squanders what could have been a timely live-action revival for Optimus Prime and gang. Instead, we get a yawn-inducing and overlong meditation on how great humanity is, so much so that powerful alien robots think we’re so worth saving that they’re ready to put their lives on the line for us.2There are two ways to review this movie. The right way is to look at it objectively, examining how the film is put together and picking apart the script by pointing out the gaping logical gaps present in it. I’ll be reviewing the film the wrong way, as a man who was once a little boy crying because Optimus Prime was dead. Now whatever is left of that kid inside me has had a wakeup call. The movie he’s been waiting twenty years to see is finally here; Optimus Prime is back from the grave and he needs my help.Transformers director Michael Bay has done the impossible. He’s created a wholly modern, action extravaganza while staying completely true to all the things that have ever been good about the Transformers. Alright maybe Optimus Prime didn’t need to have flames painted on him, but that’s such a minor detail in a movie with characters that are quite literally so big. Otherwise, Transformers is so much like the 80s cartoon many of us loved that it nearly forgets to be cinematic and becomes almost silly. Transformers is astoundingly goofy, but it knows it’s goofy and simply doesn’t care, which is why Bay’s film is so much giant freakin robot There’s no attempt to be serious. That’s not to say the movie doesn’t try to be as real as it can be, after all the goal here is to take giant transforming robots and put them believably in our world. It attempts to seem real, but never at the expense of the essence of what the Transformers have always been. Because of that, Transformers isn’t just dorky, it’s gloriously dorky. The film absolutely revels in how completely looney this premise is, and is all the better for it.Transformers wastes no time getting right to the incredible robot action we’re all hungering for, and rushes directly from the credits to eye-popping, rampant robot destruction. What really holds the film together though is that even when it’s knee deep in save the world, all out, brawling in the streets, giant freakin robot war, at the core of everything is the simple story of a boy and his first car. For a man, there are few things more powerful than the relationship he has with his first automobile, and it’s no different for Sam Witwicky (Shia LaBeouf).Once Bay wisely satiates our lust for effects sequences, he gets right to the heart of his story by taking us along with Sam and his dad as they go car shopping. Sam has worked and saved to afford a car, and is disappointed to discover that he can’t afford any better than a clunker. However, his clunker is no ordinary POS, it’s more than meets the eye. Sam’s relationship with his car, the Autobot Bumblebee is what connects this movie to the audience. The film takes the same formula that has worked so well in other car movies, and applies it to Sam and Bumbelee. In many ways, Bumblebee ends up being a lot like Herbie the Love Bug crossed with shades of Steven Spielberg’s . Sam develops a strong attachment to his beat up little Camaro, long before he discovers it’s more than four tires and a radio. When he does, because of an old war injury Bumblebee can only speak using beeps and by changing radio stations. That too works wonderfully, only deepening their relationship as Bumblebee stands up to protect Sam and the two struggle to communicate with one another. Sam’s relationship with his car is brilliantly written, even better directed, and it’s the super glue that holds this gigantic summer blockbuster tightly together when things go mad in a flurry of one-liners and special effects.Because this is a Michael Bay film, Transformers mixes in the parallel storylines of other characters embroiled in Earth’s sudden alien robot problem. The film cuts between stories, one minute we’re following Sam as his car gets him caught up in a battle that’s way over his head, the next it’s a group of government geeks trying to decode a strange alien signal, the next a group of soldiers under attack from an unknown and evil, alien force of mechanical beings with the ability to disguise themselves as everyday items. Eventually everything collides together and the film’s three separate factions join up with the Autobots, an alien robot force for good, to kick some Decepticon butt. Still, the film is smart enough to ensure thatl Sam’s story remains at the center and heart of the film no matter how big it gets.Just because this is a movie about a boy and his car doesn’t mean it skimps on robot action. In that way, the film plays out almost exactly like the old cartoon series. Sam, for all intents and purposes is just like the humans in the cartoon, a guy who befriends a group of alien beings known as Autobots and helps them fight the good fight against their enemies the Decepticons. One the film gets going there’s barely a frame that doesn’t have some sort of Transformer in it. That might seem like a given, but so many movies of this ilk end up going cheap on the big effects pieces, either to save on budget or in some misguided attempt to heighten the reality of what’s happening. Transformers says screw that and gives you Optimus Prime and his friends hanging out, talking, and fighting the good fight to defend mankind. Occasionally fight sequences suffer but Transformers knows you’re here to see robots thrash the hell out of each other and never shies away from laying that on thick. Bay shows his robots in perfect hero poses with blinding sunlight streaming over their shoulders and Optimus talks about loyalty, duty, and freedom like he’s just stepped off an Autobot recruiting poster. In another movie it would be ridiculous, in Transformers it’s the sort of thing you’ll feel welling up in the pit of your stomach.If there’s any problem with the film, it’s that at 140 minutes it runs slightly long. I’m not proposing that they should have cut back on robots, but some of the movie’s more irrelevant moments involving characters other than Sam could have been truncated without much negative impact. That’s not to say they aren’t entertaining, when the movie’s not wowing you with spectacle it’s pretty good at being flat out funny. At 140 minutes though, Bay could have dropped a few things. Jon Voight has far too many lines, Anthony Anderson seems to serve no real purpose, and though John Turturro is hilarious as the head of a secret government organization, it wouldn’t have hurt the film to have less of him.Minor length issues aside, Transformers is a truly great summer blockbuster. As an action movie it’s a huge success; with awe-inspiring effects, tremendous set pieces, a sexy style, and jaw-dropping things which you have absolutely never seen before in any other movie. As a nostalgia trip for the kids who were sitting next to me in 1986 the last time these characters were in theaters, it’s an even bigger hit. Like many old school Transformers fans I was incredibly skeptical about what Bay was doing. Much of the early information leaked out about the film just didn’t seem right. We were wrong to doubt. For you adults and the kid inside who was there back in the 80s cheering Prime on, this movie is like a rallying cry to your inner child. You’ll want to leap through the screen to stand at Optimus Prime’s side to fight the good fight against Megatron. For your kids, to whom the Transformers are now entirely new, this will be without a doubt the greatest movie they have ever seen. Don’t let them miss it.There are two ways to review this movie. The right way is to look at it objectively, examining how the film is put together and picking apart the script by pointing out the gaping logical gaps present in it. I’ll be reviewing the film the wrong way, as a man who was once a little boy crying because Optimus Prime was dead. Now whatever is left of that kid inside me has had a wakeup call. The movie he’s been waiting twenty years to see is finally here; Optimus Prime is back from the grave and he needs my help.Transformers director Michael Bay has done the impossible. He’s created a wholly modern, action extravaganza while staying completely true to all the things that have ever been good about the Transformers. Alright maybe Optimus Prime didn’t need to have flames painted on him, but that’s such a minor detail in a movie with characters that are quite literally so big. Otherwise, Transformers is so much like the 80s cartoon many of us loved that it nearly forgets to be cinematic and becomes almost silly. Transformers is astoundingly goofy, but it knows it’s goofy and simply doesn’t care, which is why Bay’s film is so much giant freakin robot There’s no attempt to be serious. That’s not to say the movie doesn’t try to be as real as it can be, after all the goal here is to take giant transforming robots and put them believably in our world. It attempts to seem real, but never at the expense of the essence of what the Transformers have always been. Because of that, Transformers isn’t just dorky, it’s gloriously dorky. The film absolutely revels in how completely looney this premise is, and is all the better for it.Transformers wastes no time getting right to the incredible robot action we’re all hungering for, and rushes directly from the credits to eye-popping, rampant robot destruction. What really holds the film together though is that even when it’s knee deep in save the world, all out, brawling in the streets, giant freakin robot war, at the core of everything is the simple story of a boy and his first car. For a man, there are few things more powerful than the relationship he has with his first automobile, and it’s no different for Sam Witwicky (Shia LaBeouf).Once Bay wisely satiates our lust for effects sequences, he gets right to the heart of his story by taking us along with Sam and his dad as they go car shopping. Sam has worked and saved to afford a car, and is disappointed to discover that he can’t afford any better than a clunker. However, his clunker is no ordinary POS, it’s more than meets the eye. Sam’s relationship with his car, the Autobot Bumblebee is what connects this movie to the audience. The film takes the same formula that has worked so well in other car movies, and applies it to Sam and Bumbelee. In many ways, Bumblebee ends up being a lot like Herbie the Love Bug crossed with shades of Steven Spielberg’s . Sam develops a strong attachment to his beat up little Camaro, long before he discovers it’s more than four tires and a radio. When he does, because of an old war injury Bumblebee can only speak using beeps and by changing radio stations. That too works wonderfully, only deepening their relationship as Bumblebee stands up to protect Sam and the two struggle to communicate with one another. Sam’s relationship with his car is brilliantly written, even better directed, and it’s the super glue that holds this gigantic summer blockbuster tightly together when things go mad in a flurry of one-liners and special effects.Because this is a Michael Bay film, Transformers mixes in the parallel storylines of other characters embroiled in Earth’s sudden alien robot problem. The film cuts between stories, one minute we’re following Sam as his car gets him caught up in a battle that’s way over his head, the next it’s a group of government geeks trying to decode a strange alien signal, the next a group of soldiers under attack from an unknown and evil, alien force of mechanical beings with the ability to disguise themselves as everyday items. Eventually everything collides together and the film’s three separate factions join up with the Autobots, an alien robot force for good, to kick some Decepticon butt. Still, the film is smart enough to ensure thatl Sam’s story remains at the center and heart of the film no matter how big it gets.Just because this is a movie about a boy and his car doesn’t mean it skimps on robot action. In that way, the film plays out almost exactly like the old cartoon series. Sam, for all intents and purposes is just like the humans in the cartoon, a guy who befriends a group of alien beings known as Autobots and helps them fight the good fight against their enemies the Decepticons. One the film gets going there’s barely a frame that doesn’t have some sort of Transformer in it. That might seem like a given, but so many movies of this ilk end up going cheap on the big effects pieces, either to save on budget or in some misguided attempt to heighten the reality of what’s happening. Transformers says screw that and gives you Optimus Prime and his friends hanging out, talking, and fighting the good fight to defend mankind. Occasionally fight sequences suffer but Transformers knows you’re here to see robots thrash the hell out of each other and never shies away from laying that on thick. Bay shows his robots in perfect hero poses with blinding sunlight streaming over their shoulders and Optimus talks about loyalty, duty, and freedom like he’s just stepped off an Autobot recruiting poster. In another movie it would be ridiculous, in Transformers it’s the sort of thing you’ll feel welling up in the pit of your stomach.If there’s any problem with the film, it’s that at 140 minutes it runs slightly long. I’m not proposing that they should have cut back on robots, but some of the movie’s more irrelevant moments involving characters other than Sam could have been truncated without much negative impact. That’s not to say they aren’t entertaining, when the movie’s not wowing you with spectacle it’s pretty good at being flat out funny. At 140 minutes though, Bay could have dropped a few things. Jon Voight has far too many lines, Anthony Anderson seems to serve no real purpose, and though John Turturro is hilarious as the head of a secret government organization, it wouldn’t have hurt the film to have less of him.Minor length issues aside, Transformers is a truly great summer blockbuster. As an action movie it’s a huge success; with awe-inspiring effects, tremendous set pieces, a sexy style, and jaw-dropping things which you have absolutely never seen before in any other movie. As a nostalgia trip for the kids who were sitting next to me in 1986 the last time these characters were in theaters, it’s an even bigger hit. Like many old school Transformers fans I was incredibly skeptical about what Bay was doing. Much of the early information leaked out about the film just didn’t seem right. We were wrong to doubt. For you adults and the kid inside who was there back in the 80s cheering Prime on, this movie is like a rallying cry to your inner child. You’ll want to leap through the screen to stand at Optimus Prime’s side to fight the good fight against Megatron. For your kids, to whom the Transformers are now entirely new, this will be without a doubt the greatest movie they have ever seen. Don’t let them miss it.
