肖申克的救赎英语观后感70词左右
The story may sound simple, but the truth behind the words is remarkable. Hope is dangerous Red had ever said,But Andy has always sticked to it.He didn’t cry when he was thrown into prison though he was innocent. On contrary, he found ways to kill long time to escape. He helped the head of the prison do the illegal things in order to gain some freedom. He rebuilt a library and helped the other prisoners. Perhaps it was time to escape, in a lightening and thundering night, he escaped from the prison through the holehe had dug for twenty years . He was free eventually .I like Andy ,for his talent and his wisedom . And the most important thing that I like is his spirit—never giving up. .Remember, Hope is a good thing, maybe the best of things and no good thing ever dies!”
红高粱英语读后感怎么写，70词左右学霸交我
The old man and the sea created a classic tough guy image. A man named sangdeya brother Cuban old fisherman, a man fishing alone in the 48 days after, have gained nothing caught a huge marlin. This is the old man never seen nor heard a big fish said his boat was two feet longer than the. Jin also big fish, dragging the boat drift for two days and two nights, the elderly have never experienced a difficult test in this two days and two nights, finally the barb, tied to the bow. But then they met a shark, the old man and the sharks were life-and-death struggle, the big marlin was eaten by sharks, fish skeleton old man finally dragged home only a bare.Why not let the elderly Hemingway final victory? Novel in the words of the elderly: a person is not born to be defeated, a man can be destroyed, but not defeated. This is the old man and the sea to reveal the philosophy. Undeniably, as long as one would have defects. When a person recognizes this shortcoming and tried to overcome it and not go to it, no matter finally caught a full marlin or an empty skeleton, which have not really matter, because a person's life has value in the hunt Marlins in the process of fully embodied. Have their own pursuit of the ideal, struggle, he is not a winner? The old fisherman is wrong and the courage to challenge their own courage and confidence. Secular outlook from the perspective of victory, the old fisherman is not the final winner, because even though he began to beat the big marlin, but eventually the big marlin let sharks eat, he just took the big marlin bones house back to shore, that is to say, the shark is the winner. However, in the eyes of idealists, the old fisherman is a winner, because he has never been to sea to the big marlin sharks more compromise and not to surrender. As music master Beethoven said, I can be destroyed, but can never be conquered.Human nature is a powerful, humanity itself has its own limits, but it is because of the old fisherman such people again and again to challenge the limits, beyond them, this limit was extended again and again, and again a greater challenge in front of human beings. In this sense, the old fisherman sangdeya brother this hero, whether they challenge limit is success or failure, is always worthy of our respect. Because, he brings us is the most noble human self-confidence!Life is an endless pursuit. It is the road long, difficult and full of ups and downs, but, as long as he has a brave and confident heart to meet the challenge, he will always be a real winner!《老人与海》塑造了一个经典的硬汉形象。
古巴的一个名叫桑地亚哥的老渔夫，独自一个人出海打鱼，在一无所获的48天之后钓到了一条无比巨大的马林鱼。
这是老人从来没见过也没听说过的比他的船还长两英尺的一条大鱼。
鱼大劲也大，拖着小船漂流了整整两天两夜，老人在这两天两夜中经历了从未经受的艰难考验，终于把大鱼刺死，拴在船头。
然而这时却遇上了鲨鱼，老人与鲨鱼进行了殊死搏斗，结果大马林鱼还是被鲨鱼吃光了，老人最后拖回家的只剩下一副光秃秃的鱼骨架。
海明威为什么没有让老人最终胜利呢? 用小说中老人的话来说：“一个人并不是生来就要被打败的”，“人尽可以被毁灭，但却不能被打败。
”这就是《老人与海》想揭示的哲理。
不可否认，只要是人就都会有缺陷。
当一个人承认了这个缺陷并努力去战胜它而不是去屈从它的时候，无论最后是捕到一条完整的马林鱼还是一副空骨架，这都已经无所谓了，因为一个人的生命价值已在那追捕马林鱼的过程中充分地体现了。
曾经为自己的理想努力追求过、奋斗过，难道他不是一个胜利者吗
老渔夫就是敢于挑战自身缺陷及自己勇气和信心的胜利者。
从世俗胜利观的角度看，老渔夫不是最后的胜利者，因为尽管开始他战胜了大马林鱼，但是最终大马林鱼还是让鲨鱼吃了，他只是带着大马林鱼的白骨架子回到了岸上，也就是说，鲨鱼才是胜利者。
可是，在理想主义者眼里，老渔夫就是胜利者，因为他始终没有向大海没有向大马林鱼更没有向鲨鱼妥协和投降。
就如音乐大师贝多芬所说“我可以被摧毁，但我不能被征服”。
人性是强悍的，人类本身有自己的限度，但正是因为有了老渔夫这样的人一次又一次地向限度挑战，超越它们，这个限度才一次次扩大，一次次把更大的挑战摆在了人类面前。
在这个意义上，老渔夫桑地亚哥这样的英雄，不管他们挑战限度是成功还是失败，都是值得我们永远敬重的。
因为，他带给我们的是人类最为高贵的自信
人生本来就是一种无止境的追求。
它的道路漫长、艰难，而且充满坎坷，但只要自己勇敢顽强地以一颗自信的心去迎接挑战，他将永远是一个真正的胜利者
看变形金刚的英文观后感(70个词左右)急!!!!
1Two things that should not be placed in close proximity of each other: Michael Bay and camera. It is almost unthinkable that anyone could make a boring movie of Transformers. But that’s just what Bay has done.Transformers is mind-numbingly boring, consisting largely of many, many minutes of annoying humans talking and talking and talking and … yes, you wish the Autobots would just break their self-imposed rule of not killing humans and just pulverize these puny beings on screen.It’s a big mistake to make the humans the main characters of the story. We all know how Bay is with characters – caricatures at best, racial stereotypes at worst. And that’s what we get here. Quite a few racial stereotypes and a bunch of bad actors hamming it up for no good reason, while Bay tries to inject extremely lame comedy into the scenes which are supposed to “establish” the characters.We came to see the robots, Michael Bay, so give us the fucking robots!But no, he teases us with a few transformations, glimpses here and there. And when the big moment finally comes – the arrival of the Autobots – we get … more talking with the puny humans!But later, we come to understand why this is so. It’s a story that gives humanity too much credit, that despite our tendencies for great destruction, we’re also very capable of great heroism. Right. And in the absolute worst moments of the film, it takes shots at the Iranians, the Chinese and the Russians, and goes for Bush-friendly lines like “Freedom is the right of every sentient being” or something to that effect. Not surprising, since this is the guy who made the awful Bad Boys II, which has its ending in, of all places, Guantanamo.And the action? I’m tempted to say “What action?” Nothing really happens until the last moments of the film, and the action is the usual disappointing bunch of blurry, shaky nonsense done further damage by choppy, steroid-enhanced editing. We came to see robots fight, but Bay gives us an absolute auto-wreck in which it’s hard to distinguish just who’s fighting who, or even what’s exactly happening on screen. But by the last half hour, my brain had gone into auto-pilot and my eyes had given up trying to follow the messy action. You can also fault that on the over-designed robots.At this point I must quote John Boorman, who coined the term “new brutalism” to contrast the new kind of action sequences that we now see much too often, consisting of fast cuts and action going out of frame, with the more classical style of action. In fact, I think if you were to time the action sequences in Transformers, each cut probably doesn’t last more than 1.5 seconds.It was Boorman who said the new brutalism “is a form of naivete, because it’s made by people who I think don’t really have a grasp of cinema’s history. It’s the MTV kind of editing, where the main idea is that the more disorienting it is, the more exciting. And you see it creeping into mainstream cinema more and more. You look at something like Armageddon and you see all the things that would have been forbidden in classical cinema, like crossing the line, camera jumping from side to side. It is a way to artificially generate excitement but it doesn’t really have any basis to it. And I find it kind of sad, because it’s like an old man trying to dress like a teenager.”I couldn’t agree more.This is a case of the trailer being much better than the film, and promising much more than what is delivered by the actual film. Bay should have learned something from the original cartoon series or even the animated film, at least in regard to what should be the focus of the story. Instead, he’s much too busy orchestrating military action and trying to make Jon Voight be in his most official and most Rumsfeld, while completely wasting a great talent like John Turturro. But then again, Bay has never been good with characterization and actors anyway.Maybe Bay should just stick to making military recruitment videos, since he’s so adept at magic-hour shots of military aircraft and personnel, moving in slow-motion or otherwise, making it all look so cool and stylish. There are so many of these shots in the movie that you might just begin to wonder if some of them are stock footage or scenes cut out from his other films that are recycled here. Even when it’s totally unnecessary, he slips some in with pulsing, official-sounding music.Let’s face it, Michael Bay is cliché, and cliché is Michael Bay. And what we have here is a cliché-ridden adaptation of one of the most beloved cartoon series that misplaces its concerns and completely squanders what could have been a timely live-action revival for Optimus Prime and gang. Instead, we get a yawn-inducing and overlong meditation on how great humanity is, so much so that powerful alien robots think we’re so worth saving that they’re ready to put their lives on the line for us.2There are two ways to review this movie. The right way is to look at it objectively, examining how the film is put together and picking apart the script by pointing out the gaping logical gaps present in it. I’ll be reviewing the film the wrong way, as a man who was once a little boy crying because Optimus Prime was dead. Now whatever is left of that kid inside me has had a wakeup call. The movie he’s been waiting twenty years to see is finally here; Optimus Prime is back from the grave and he needs my help.Transformers director Michael Bay has done the impossible. He’s created a wholly modern, action extravaganza while staying completely true to all the things that have ever been good about the Transformers. Alright maybe Optimus Prime didn’t need to have flames painted on him, but that’s such a minor detail in a movie with characters that are quite literally so big. Otherwise, Transformers is so much like the 80s cartoon many of us loved that it nearly forgets to be cinematic and becomes almost silly. Transformers is astoundingly goofy, but it knows it’s goofy and simply doesn’t care, which is why Bay’s film is so much giant freakin robot There’s no attempt to be serious. That’s not to say the movie doesn’t try to be as real as it can be, after all the goal here is to take giant transforming robots and put them believably in our world. It attempts to seem real, but never at the expense of the essence of what the Transformers have always been. Because of that, Transformers isn’t just dorky, it’s gloriously dorky. The film absolutely revels in how completely looney this premise is, and is all the better for it.Transformers wastes no time getting right to the incredible robot action we’re all hungering for, and rushes directly from the credits to eye-popping, rampant robot destruction. What really holds the film together though is that even when it’s knee deep in save the world, all out, brawling in the streets, giant freakin robot war, at the core of everything is the simple story of a boy and his first car. For a man, there are few things more powerful than the relationship he has with his first automobile, and it’s no different for Sam Witwicky (Shia LaBeouf).Once Bay wisely satiates our lust for effects sequences, he gets right to the heart of his story by taking us along with Sam and his dad as they go car shopping. Sam has worked and saved to afford a car, and is disappointed to discover that he can’t afford any better than a clunker. However, his clunker is no ordinary POS, it’s more than meets the eye. Sam’s relationship with his car, the Autobot Bumblebee is what connects this movie to the audience. The film takes the same formula that has worked so well in other car movies, and applies it to Sam and Bumbelee. In many ways, Bumblebee ends up being a lot like Herbie the Love Bug crossed with shades of Steven Spielberg’s . Sam develops a strong attachment to his beat up little Camaro, long before he discovers it’s more than four tires and a radio. When he does, because of an old war injury Bumblebee can only speak using beeps and by changing radio stations. That too works wonderfully, only deepening their relationship as Bumblebee stands up to protect Sam and the two struggle to communicate with one another. Sam’s relationship with his car is brilliantly written, even better directed, and it’s the super glue that holds this gigantic summer blockbuster tightly together when things go mad in a flurry of one-liners and special effects.Because this is a Michael Bay film, Transformers mixes in the parallel storylines of other characters embroiled in Earth’s sudden alien robot problem. The film cuts between stories, one minute we’re following Sam as his car gets him caught up in a battle that’s way over his head, the next it’s a group of government geeks trying to decode a strange alien signal, the next a group of soldiers under attack from an unknown and evil, alien force of mechanical beings with the ability to disguise themselves as everyday items. Eventually everything collides together and the film’s three separate factions join up with the Autobots, an alien robot force for good, to kick some Decepticon butt. Still, the film is smart enough to ensure thatl Sam’s story remains at the center and heart of the film no matter how big it gets.Just because this is a movie about a boy and his car doesn’t mean it skimps on robot action. In that way, the film plays out almost exactly like the old cartoon series. Sam, for all intents and purposes is just like the humans in the cartoon, a guy who befriends a group of alien beings known as Autobots and helps them fight the good fight against their enemies the Decepticons. One the film gets going there’s barely a frame that doesn’t have some sort of Transformer in it. That might seem like a given, but so many movies of this ilk end up going cheap on the big effects pieces, either to save on budget or in some misguided attempt to heighten the reality of what’s happening. Transformers says screw that and gives you Optimus Prime and his friends hanging out, talking, and fighting the good fight to defend mankind. Occasionally fight sequences suffer but Transformers knows you’re here to see robots thrash the hell out of each other and never shies away from laying that on thick. Bay shows his robots in perfect hero poses with blinding sunlight streaming over their shoulders and Optimus talks about loyalty, duty, and freedom like he’s just stepped off an Autobot recruiting poster. In another movie it would be ridiculous, in Transformers it’s the sort of thing you’ll feel welling up in the pit of your stomach.If there’s any problem with the film, it’s that at 140 minutes it runs slightly long. I’m not proposing that they should have cut back on robots, but some of the movie’s more irrelevant moments involving characters other than Sam could have been truncated without much negative impact. That’s not to say they aren’t entertaining, when the movie’s not wowing you with spectacle it’s pretty good at being flat out funny. At 140 minutes though, Bay could have dropped a few things. Jon Voight has far too many lines, Anthony Anderson seems to serve no real purpose, and though John Turturro is hilarious as the head of a secret government organization, it wouldn’t have hurt the film to have less of him.Minor length issues aside, Transformers is a truly great summer blockbuster. As an action movie it’s a huge success; with awe-inspiring effects, tremendous set pieces, a sexy style, and jaw-dropping things which you have absolutely never seen before in any other movie. As a nostalgia trip for the kids who were sitting next to me in 1986 the last time these characters were in theaters, it’s an even bigger hit. Like many old school Transformers fans I was incredibly skeptical about what Bay was doing. Much of the early information leaked out about the film just didn’t seem right. We were wrong to doubt. For you adults and the kid inside who was there back in the 80s cheering Prime on, this movie is like a rallying cry to your inner child. You’ll want to leap through the screen to stand at Optimus Prime’s side to fight the good fight against Megatron. For your kids, to whom the Transformers are now entirely new, this will be without a doubt the greatest movie they have ever seen. Don’t let them miss it.There are two ways to review this movie. The right way is to look at it objectively, examining how the film is put together and picking apart the script by pointing out the gaping logical gaps present in it. I’ll be reviewing the film the wrong way, as a man who was once a little boy crying because Optimus Prime was dead. Now whatever is left of that kid inside me has had a wakeup call. The movie he’s been waiting twenty years to see is finally here; Optimus Prime is back from the grave and he needs my help.Transformers director Michael Bay has done the impossible. He’s created a wholly modern, action extravaganza while staying completely true to all the things that have ever been good about the Transformers. Alright maybe Optimus Prime didn’t need to have flames painted on him, but that’s such a minor detail in a movie with characters that are quite literally so big. Otherwise, Transformers is so much like the 80s cartoon many of us loved that it nearly forgets to be cinematic and becomes almost silly. Transformers is astoundingly goofy, but it knows it’s goofy and simply doesn’t care, which is why Bay’s film is so much giant freakin robot There’s no attempt to be serious. That’s not to say the movie doesn’t try to be as real as it can be, after all the goal here is to take giant transforming robots and put them believably in our world. It attempts to seem real, but never at the expense of the essence of what the Transformers have always been. Because of that, Transformers isn’t just dorky, it’s gloriously dorky. The film absolutely revels in how completely looney this premise is, and is all the better for it.Transformers wastes no time getting right to the incredible robot action we’re all hungering for, and rushes directly from the credits to eye-popping, rampant robot destruction. What really holds the film together though is that even when it’s knee deep in save the world, all out, brawling in the streets, giant freakin robot war, at the core of everything is the simple story of a boy and his first car. For a man, there are few things more powerful than the relationship he has with his first automobile, and it’s no different for Sam Witwicky (Shia LaBeouf).Once Bay wisely satiates our lust for effects sequences, he gets right to the heart of his story by taking us along with Sam and his dad as they go car shopping. Sam has worked and saved to afford a car, and is disappointed to discover that he can’t afford any better than a clunker. However, his clunker is no ordinary POS, it’s more than meets the eye. Sam’s relationship with his car, the Autobot Bumblebee is what connects this movie to the audience. The film takes the same formula that has worked so well in other car movies, and applies it to Sam and Bumbelee. In many ways, Bumblebee ends up being a lot like Herbie the Love Bug crossed with shades of Steven Spielberg’s . Sam develops a strong attachment to his beat up little Camaro, long before he discovers it’s more than four tires and a radio. When he does, because of an old war injury Bumblebee can only speak using beeps and by changing radio stations. That too works wonderfully, only deepening their relationship as Bumblebee stands up to protect Sam and the two struggle to communicate with one another. Sam’s relationship with his car is brilliantly written, even better directed, and it’s the super glue that holds this gigantic summer blockbuster tightly together when things go mad in a flurry of one-liners and special effects.Because this is a Michael Bay film, Transformers mixes in the parallel storylines of other characters embroiled in Earth’s sudden alien robot problem. The film cuts between stories, one minute we’re following Sam as his car gets him caught up in a battle that’s way over his head, the next it’s a group of government geeks trying to decode a strange alien signal, the next a group of soldiers under attack from an unknown and evil, alien force of mechanical beings with the ability to disguise themselves as everyday items. Eventually everything collides together and the film’s three separate factions join up with the Autobots, an alien robot force for good, to kick some Decepticon butt. Still, the film is smart enough to ensure thatl Sam’s story remains at the center and heart of the film no matter how big it gets.Just because this is a movie about a boy and his car doesn’t mean it skimps on robot action. In that way, the film plays out almost exactly like the old cartoon series. Sam, for all intents and purposes is just like the humans in the cartoon, a guy who befriends a group of alien beings known as Autobots and helps them fight the good fight against their enemies the Decepticons. One the film gets going there’s barely a frame that doesn’t have some sort of Transformer in it. That might seem like a given, but so many movies of this ilk end up going cheap on the big effects pieces, either to save on budget or in some misguided attempt to heighten the reality of what’s happening. Transformers says screw that and gives you Optimus Prime and his friends hanging out, talking, and fighting the good fight to defend mankind. Occasionally fight sequences suffer but Transformers knows you’re here to see robots thrash the hell out of each other and never shies away from laying that on thick. Bay shows his robots in perfect hero poses with blinding sunlight streaming over their shoulders and Optimus talks about loyalty, duty, and freedom like he’s just stepped off an Autobot recruiting poster. In another movie it would be ridiculous, in Transformers it’s the sort of thing you’ll feel welling up in the pit of your stomach.If there’s any problem with the film, it’s that at 140 minutes it runs slightly long. I’m not proposing that they should have cut back on robots, but some of the movie’s more irrelevant moments involving characters other than Sam could have been truncated without much negative impact. That’s not to say they aren’t entertaining, when the movie’s not wowing you with spectacle it’s pretty good at being flat out funny. At 140 minutes though, Bay could have dropped a few things. Jon Voight has far too many lines, Anthony Anderson seems to serve no real purpose, and though John Turturro is hilarious as the head of a secret government organization, it wouldn’t have hurt the film to have less of him.Minor length issues aside, Transformers is a truly great summer blockbuster. As an action movie it’s a huge success; with awe-inspiring effects, tremendous set pieces, a sexy style, and jaw-dropping things which you have absolutely never seen before in any other movie. As a nostalgia trip for the kids who were sitting next to me in 1986 the last time these characters were in theaters, it’s an even bigger hit. Like many old school Transformers fans I was incredibly skeptical about what Bay was doing. Much of the early information leaked out about the film just didn’t seem right. We were wrong to doubt. For you adults and the kid inside who was there back in the 80s cheering Prime on, this movie is like a rallying cry to your inner child. You’ll want to leap through the screen to stand at Optimus Prime’s side to fight the good fight against Megatron. For your kids, to whom the Transformers are now entirely new, this will be without a doubt the greatest movie they have ever seen. Don’t let them miss it.
