小女跪求一篇50字的读后感
今天我读了一个很有教育性的故事，名叫《灰姑娘》。
这个故事主要讲有一个叫仙蒂的小姑娘，失去了妈妈。
过了一年之后她爸爸又娶了一个妻子，这个女人还带了她两个女儿来。
从此仙蒂就开始受苦了。
有一天，国王下令举办舞会，给王子选个妻子。
仙蒂央求她继母让她去，但她继母怎么也不给她去。
她伤心地哭了起来，突然，一个仙女出现在她面前，仙女变了一条非常漂亮的裙子给她，还给了她一双玻璃鞋。
仙蒂就高高兴兴地去了舞会。
最后她就和王子一起在城堡里过着幸福快乐的生活。
读了这个故事我体会到了，要做一个善良的人，做好人就一定会有好报。
骆驼祥子读后感求一篇越少越好，最好50字左右
读了老舍的《骆驼祥子》,让我仿佛走进了祥子的内心世界——那个摧残人的肉体和灵魂的地狱时代。
在《骆驼祥子》中，祥子经过“三起三落”，由最初的为买车而奋斗，到后来的堕落成性，让我了解到祥子生活的那个时代，不让好人有好过。
求一篇英语读后感，要西游记的，50字左右
Monkey the most enchanting character is Sun Wukong, this all-resourceful monkey ascends the sky into, comes and goes freely, unrestrained, has become the children ideal symbol and reposing. West travels 81 with difficulty and a group mysterious strange, the moving heart and soul god evil spirit conflict, reflects learns from experienced people the tribulation which in the process suffers and difficult. “the Daoist scripture” has become “the success” and “the goal” symbol. When often I bump into the difficulty, I would to remember Sun Wukong to help skilled worker the Tang Xuanzang to take the Daoist scripture, did not fear that difficult, indomitable spirit, I will be brave, will overcome another difficulty. A Journey to the West 西游记 英语读后感 Western literature has no equivalent to The journey to the West. Imagine Dante mixed with Kabala, and peopled by Daniel Boone, Mother Teresa and Wile E. Coyote. This sixteenth-century epic is both one of the half-dozen most venerated works in classical Chinese literature and a staple of popular culture. Its ubiquitous characters and stories appear in comic books, advertisements, even postage stamps. It is, simultaneously, a dragons-and-demons adventure, an allegory of self-mastery, a political satire, an anthology of rich, symbolic poetry, and an esoteric alchemical recipe book. It's picaresque, fantastical, wise. And hilarious.
求一下几个文章的读后感，每篇50字
有时幸福并不遥远 也许就在你身边 重点是你是否能够发现它 树下的宝藏 女子的爱情 本来你已经唾手可得 但却选择了继续寻找那虚无缥缈的运气 最后死于狼腹 不仅愚蠢 而且可悲 亲情的宝贵之处在于他不能用金钱衡量 父母说的不值钱是与你的生命相比 而不是真的毫无价值让你去践踏那份深沉的爱有时间多关心一下父母吧 不要让树欲静而风不止 子欲养而亲不待的悲剧重演在这个世界上有一种爱不求回报 那就是父母的爱 有一种情永不改变 那就是亲情即使世界背叛了你 ：朋友背叛 爱人背叛......但是父母永远会在那个名为家的地方守候着你
求一篇 老人与海 的英文读后感 50字
1The Old Man and the Sea is the most classic and concernful novel of Hemmingway's. Its compendious expression and exciting fighting narrative attracts numerous readers. The author repeatedly emphasized his customary key thoughts in the story: despairing courage, struggling on both physically and psychologically, and the hero's brave, glory and noble character. One of the pivotal sentences, a man can be destroyed but not defeated draws our attention. This sentence is gorgeous in surface but a little doubtful in a certain angle. In the end of the story the old man told to the boy that he was a loser who beaten by the sharks. With his bloody hands and the skeleton of the fish, it was really difficult to judge that he was defeated or not. However, he was undoubtedly destroyed in the fighting at the hopeless sea. Therefore, the difference between destroy and defeated was just something untraceable. We are not expected to tell one word form another, but to feel the antinomy and contact of them. This sentence from the old man was also a reflection of the author himself. Sometimes we may treat a novel as some individual and emotional words. The old man and the sea were the symbols of the author and his life and destiny. As we know, Hemingway suffered a lot from his broken life during two ruthless world wars. In his late years, he was a successful litterateur but also a disable old man. He ended up his life with suicide. It's too arbitrary to say he was defeated from his fate, and also too shallow to use the word destroy in his experiences. In my opinion, the most splendid thing in Hemmingway and his the Old Man and the Sea is not the VICTORY OF DEFEAT, but the relationship between the two words defeat and destroy as well as the novel and the author.2I have read the American well-known Hemingway’s book ‘’ the old man and the sea’’, which came out in 1976. This is a true story about an old fisherman battling with a giant marlin in the sea.The old fisherman, who names Santiago, have not caught any fish for 84 days , other fishermen looks down him as a loser, but he never gives up. Finally 85th days, he fishes a big marlin fish which is bigger than his skiff and over fifteen hundred pounds. The fish begins to tow him farther and farther out to the sea, but he still holds onto the line, even though a hand is cramping, he don’t give up it. After two days and two nights’ crucifixion, at the end he kills the fish, and attaches the marlin to the outside of the skiff with rope, it’s blood leaves a trail in the water and attracts sharks in return journey, he comes to strike back against and uses to all tools which are harpoon, knife, and quant . When Santiago returns to harbor is left over with the fish head fishtail and one backbone. Although the flesh of fish has been got rid of all quilt barking, what also has no way to devastate his brave will. When he lay down on the bed at home, he makes a usual dream of lions at play on the beaches of Africa.This story happened in 1940th near a Gulf Stream in Cuba. The main character Santiago is an old man, who fishes alone in a skiff in the Gulf Stream and lives a small village. He is characterized as someone struggling against defeat. The second character Manolin is a young boy whom Santiago teaches to fish. The litter boy is his loyal friend. Language is great simplicity and power. The theme of courage in the face of defeat, of personal triumph won from loss. It is a song of praise of heroism. The Author, Ernest Miller Hemingway is a famous writer in the literary world. ‘’The old man and the sea’’ was written in 1952, and it is one of Hemingway’s most enduring works .It won the 1954 Nobel Prize for Literature. The author wants to told readers ,you will be supposed to like this old person same mind lofty aspiration, and will even better pursue even better, the bigger goal, don’t easy give up your goal in your life. The novel shows a view about struggle of life, even in the face of nature can’t be conquered, but still can be moral victory. Perhaps the result of a failure, but I n the struggle of process, the reader can see how a person become an indomitable spirit of man. I like the main character Santiago and the classic saying ‘’But man is not made for defeat. A man can be destroyed but not defeated’’, because this is Santiago’s faith of life, and the human will not fail also, the enterprise spirit of a carols. It is encouraging me to face up to life with smiles no matter what happens. It's a simple story, but offers the reader much to think about without lapsing into the didactic. I am strongly recommend that book.3THE OLD MAN AND THE SEA Ernest Hemingway New York: Charles Scribner�s Sons, 1952127 pages.Comments by Bob CorbettJanuary 2006Once again I return to the work of Ernest Hemingway after an almost 50 year hiatus. The Old Man and the Sea is a magnificent story. At one level it is the tale of a man and a fish, at another, a story of man versus nature, at yet another, the story of the culture of manhood, courage, bravery in the face of existence, and at yet another a history of what life was like when individuals were more the central actors on the human stage and not groups or organizations. At the most basic level the very elderly fisherman, Santiago, goes out in his small fishing boat after 84 days without hooking a decent fish. He goes far out, and hooks a gigantic 18 foot long sword fish. The battle then begins, and the fish drags the small boat and Santiago far out to sea. For two days they battle, and Santiago wins that battle, but then loses the great fish on the way home to the scavenger sharks who find him easy prey. Hemingway celebrates the courage and raw guts of this old man, even recounting a time in Casablanca when he had spent an entire day in an arm wrestling match with a much larger man in a seaside tavern. Hemingway celebrates a concept of humans as beings who go it alone, fierce, brave, courageous without even thinking about it, oozing strength from the nature of the best of the species. The story is told with incredible economy of words and description, yet nothing is sacrificed which drives home the power and inner strength of this man, who just takes it as what he does, what it is to be a serious fisherman. Hemingway�s world is not my world. I am no Santiago, no macho man. And the culture of today has little place left for the radical individual whom Hemingway celebrates and Santiago portrays. Yet the power of Hemingway�s telling is such that I couldn�t help but be on Santiago�s side, to admire him, to ache with his loss in the end to forces greater than he. There is a side tale as well. This great individual, the man who stands alone, is not alone completely by choice. He has developed a friendship, a working relationship, a love with a young boy who began fishing with him when the boy was only five. Now the boy has moved on to another boat, a more successful one, at his parents� behest, but he pines to work with Santiago, and when the battle with the great fish has been engaged, Santiago pleads over and over and over: �I wish the boy were here.� Like many readers who might come upon this novel today, I live a life of citified ease and comfort. A life far removed from harsh confrontations with nature. But Hemingway forces me to remember and acknowledge the individual, the struggle for the most basic existence, the battle with nature for survival itself. But most importantly he makes one acknowledge the importance of the individual and the magnificence of courage, skill, art and endurance.5The Old Man and the SeaSimon & SchusterThe Old Man and the Sea was an enormous success for Ernest Hemingway when it was published in 1952. At first glance, the story appears to be an extremely simple story of an old Cuban fisherman (Santiago), who catches an enormously large fish then loses it again. But, there's much more to the story than that...The Old Man and the Sea helped to revive Hemingway's reputation as a writer of great acclaim. This slim volume also contributed enormously to Hemingway's recognition as a world-renowned writer--with the award of the Nobel Prize for literature. The popular reception of the novel comes from its part-parable, part-eulogy style--recollecting a by-gone age in this spiritual quest for discovery. Touching and powerful in turns, the story is told in Hemingway's simple, brittle style. The book reaches out to a very human need--for stability and certainty.Overview: The Old Man and the SeaSantiago is an old man, and many are starting to think that he can no longer fish. He has gone for many months without landing any kind of fish to speak of; and his apprentice, a young man named Manolin, has gone to work for a more prosperous boat. The fisherman sets out into the open sea and goes a little further out than he normally would in his desperation to catch a fish. At noon, a big Marlin takes hold of one of the lines, but the fish is far too big for him to handle.Hemingway pays great attention to the skill and dexterity that Santiago uses in coping with the fish. Santiago lets the fish have enough line, so that it won't break his pole; but he and his boat are dragged out to sea for three days. Finally, the fish--an enormous and worthy opponent--grows tired; and Santiago kills it. Even this final victory does not end the Santiago's journey; he is a still far, far out to sea. To make matters worse, Santiago drags the Marlin behind the boat (and the blood from the dead fish attracts sharks).Santiago does his best to beat the sharks away, but his efforts are not enough. The sharks eat the flesh off the Marlin, and Santiago is left with only the bones. Santiago gets back to shore--weary and tired--with nothing to show for his pains but the skeletal remains of a large Marlin. Even with just the bare remains of the fish, the experience has changed him, and altered the perception others have of him. Manolin wakes him the morning after his return and suggests that they once more fish together.6I was very surprised when I finally tried to read this, and discovered that it bored the living crap out of me. I just couldn't get into it, I don't know why, maybe it was just my mood or something....? I mean, I do like Hemingway. I love the sea, and baseball. I am relatively fond of both old men and little boys (not like that, you fool).... and this is supposed to be really terrific and all, but I just.... I mean, I could've finished it of course, it's short, and it wouldn't have been like torture at all, but I just wasn't feeling it.... so I stopped. Sometimes I think about making an okay-so-does-this-mean-i'm-stupid-or-something? shelf, but my ideological opposition to the idea has overridden that impulse every time.... so far.
求120回的《水浒传》每回的读后感（50字左右），再加一篇1000左右的读后感，急急急
民逼民反，逼上梁山 ------读《水浒传》有感 一本将封建统治者视为“盗贼草寇”的起义农民给予充分肯定，并深刻揭示了农民起义的社会根源的名著-------题记 情节引人入胜小时候第一次读水浒,就被其细致的描写和几近完美的框架所深深吸引,正如金圣叹先生所说,《水浒传》这本书整体从宏观的视角出发，把作品的宏旨要义和框架结构表现的淋漓尽致,从而让人感受作品的整体美。
不错,《水浒传》的情节生动曲折,大小事件都写得腾挪跌宕,引人入胜。
有一些段落,集中了很多人物、精彩的场面,给我印象最深的有《智取生辰纲》、《三打祝家庄》等等。
而每一组的情节又往往是人物的性格发展史,如听到《景阳冈打虎》、《斗杀西门庆》、《醉打蒋门神》、《大闹飞云浦》、《血溅鸳鸯楼》这一连串的情节,就会使人不期然想起武松。
手法耐人寻味 这本书还有一个特点就是各个年龄都能读,都能从中读到不同的东西,有着不同的感受。
比如说我们在小学五年级就学过《林冲棒打洪教头》这一回，当时我在写作方面学到了如何对人物的语言、动作、神态和心理活动等方面进行的细致描写，而对全书的中心或者说是精神方面，我的理解却甚微，只是对打打杀杀有着浓厚的兴趣，有空就会和同学交流，还买了很多书中的武器。
但现在我读水浒，就读出了农民因被压迫而反抗的精神，也体现了他们的“义”衬托出贪官污吏的不义，给了我很多做人的启发。
中心思想明确毫无疑问，水浒是一本讽刺封建社会，歌颂农民起义的小说，这本书由于把封建压迫社会贬低的一文不值，以至于明政府将《水浒传》在全国各地收缴，企图阻止人们的思想获得解放。
而今天，相信大家一定从书中学到了很多，我也希望国家的领导能更关注名声，不让水浒的悲剧重演。
