威尼斯的泪经典台词
威尼斯的泪，像琉璃易碎说到感情有人懂得转换有人太绝对为你湿的————————
威尼斯狂欢节 简谱
不好意思，你留的评论刚看见，谱子发你邮箱了,主题venice
求威尼斯狂欢节的英文简介～～～
Carnival of VeniceExample of masks used during the carnivalThe carnival of Venice was first recorded in 1268. The subversive nature of the festival is reflected in the many laws created over the centuries in Italy attempting to restrict celebrations and often banning the wearing of masks.Masks have always been a central feature of the Venetian carnival; traditionally people were allowed to wear them between the festival of Santo Stefano (St. Stephen's Day, December 26) at the start of the carnival season and midnight of Shrove Tuesday. As masks were also allowed during Ascension and from October 5 to Christmas, people could spend a large proportion of the year in disguise [1]. Maskmakers (mascareri) enjoyed a special position in society, with their own laws and their own guild.In 1797 Venice became part of the Austrian-held Kingdom of Lombardy-Venetia when Napoleon signed the Treaty of Campo Formio. The Austrians took control of the city on January 18, 1798 and it fell into a decline which also effectively brought carnival celebrations to a halt for many years. Carnival was outlawed by the fascist government in the 1930's. It was not until a modern mask shop was founded in the 1980s that a revival of old traditions began.Carnival starts on February 2nd and ends on Shrove Tuesday (Fat Tuesday or Mardi Gras), the day before Ash Wednesday.Contents [hide]1 The Masks 2 The Mask Makers 3 Venetian Masks History 4 See also 5 External links [edit] The MasksThe masks can be made in leather or with the original papier-mâché technique. The original masks were rather simple in design and decoration. They often had a symbolic and practical function. Nowadays, most of them are made with the application of gesso and gold leaf and are all hand-painted using natural feathers and gems to decorate. Most masks sold in the tourist shops in venice have nothing to do with the original venetian masks.Traditional mask shapes include the bauta (pronounced bah- outah), a mask that that cover only the upper part of the face from the forehead to the nose and upper cheeks, thereby concealing identity but enabling the wearer to talk and eat or drink easily. Other masks styles include the moretta This is an oval mask of black velvet that was usually worn by women visiting convents. It was invented in France and rapidly became popular in Venice as it brought out the beauty of feminine features. The mask was finished off with a veil. The larva or volto mask. Mainly white, typically Venetian, this was worn with a tricorn and cloak to make up the Bauta. It is thought the word larva comes from the Latin meaning mask or ghost. It is easy to imagine the effect of a Venetian all dressed in black with a white mask and a black tricorn, going past in the moonlight. Like the bauta, the shape of the mask allowed the bearer to breathe and drink easily, and so there was no need to take it off, thus preserving anonymity. These masks were made of fine wax cloth and so were much lighter and were not irritating to wear making them ideal for eating, dancing and flirting.[edit] The Mask MakersThe maschereri, or mask-makers, from the days of Doge Foscari onwards, had their own statute dated 10th April 1436.They belonged to the fringe of painters and were helped in their task by sign-painters who drew faces onto plaster in a range of different shapes and paying extreme attention to detail[edit] Venetian Masks HistorySome masks at the Carnival of VeniceVenetian masks have a long history of protecting their wearer's identity during promiscuous or decadent activities. Made for centuries in Venice, these distinctive masks were formed from papier-mâché and wildly decorated with fur, fabric, gems, or ribbons. Eventually, Venetian masks re-emerged as the emblem of Carnevale, a pageant and street fair celebrating hedonism.Venetian masks emerged in a climate of cultural and religious repression during the Medieval era in Italy. People donned the colorful masks to free themselves from judging neighbors, all of whom knew each other in such a small city. The gentry class and peasants alike sought anonymity for promiscuity, gambling, and other indiscretions. Even the clergy were known to dress up to go dancing.After the 1100s, the masquerade went through periods of being outlawed by the Catholic Church, especially during holy days. Their policy lead to eventual acceptance when they declared the months between Christmas and Shrove Tuesday free for Venetian mask-attired decadence. This period evolved into Carnevale, the pre-Lent celebration meaning, remove meat. Although Carnevale lost popularity as Venice's cultural production faltered during the Enlightenment, it was officially reintroduced in 1979.The modern celebration of Carnevale has reinvigorated the art and craft of making Venetian masks. The traditional method involves sculpting a form out of clay as a base for the mask. Most masks are made from papier-mâché, a sticky paste made from paper strips and glue. This plaster material is layered over the base, dries, and gets removed to form the basic mask. The fun part comes when the craftsperson paints designs in gold, silver, royal purple, sunny yellow, and other bright colors. Further decorations include sequins, silk ribbons, exotic bird feathers, faux fur, rhinestones, leather, gold charms, glitter, and any other outlandish trinkets.Recognizable types of Venetian masks continue to dazzle tourists, dancers, and pageant participants during Carnevale and year round. The Bauta mask covers the whole face, with a stubborn chin line, no mouth, and lots of gilding. A half-mask with gold and silver stripes and jeweled eyes is called a Columbino that you hold up to your face with an attached stick. Other popular shapes include large, hooked noses, black and white checkered diamonds called a Harlequin pattern, and bright red, pursed lips. Wearing Venetian masks has spread to Halloween masquerade balls and what North and South Americans call Mardi Gras, but they always carry their rich Italian history.
威尼斯狂欢节有什么历史意义
威尼斯狂欢节是当今世界上历史最久规模最大的狂欢节之一欧洲的狂欢节据说都起源于古代的神农节。
每年的冬去春来之际，人们自动聚集在一起，载歌载舞，欢庆新的一年的农事活动开始。
而威尼斯狂欢节的起源则还有一说：公元12世纪，古老的威尼斯城邦共和国日渐强盛，1162年的初春，它战胜附近的阿奎莱亚封建城邦国，称霸一方。
为庆祝这一胜利，威尼斯人走上街头高歌欢舞，时到1296年，这个尊崇天主教的城邦国根据宗教节日的安排，正式把一年一度的欢庆活动时间固定下来，即从2月初到3月初之间到来的四旬斋的前一天开始，延续大约两周时间。
威尼斯狂欢节最大的特点是它的面具，其次是它的华丽服饰。
这一传统可追述到1700年前。
权贵和穷人可以通过面具融合在一起。
在面具的后面，社会差异暂时被消除。
富人变成了穷人，而穷人成了富人。
他们互相尊敬地打着招呼。
威尼斯狂欢节又称威尼斯面具节，起源于西元11世纪，18世纪间蔚为风尚，工业革命后一度没落。
威尼斯狂欢节作为意大利历史最悠久的狂欢节之一，每年都吸引着来自世界各地的人们参与其中。
精致的面具、华丽的服饰，是威尼斯狂欢节中最大的亮色。
威尼斯狂欢节与巴西嘉年华及法国尼斯嘉年华并列为世界3大嘉年华。
面具节在每年复活节（3月22日到4月25日之间）前40天“四旬斋”的封斋期之前举行，一般在2月之间。
在这一年一度的嘉年华里，伯爵可以是乞丐，农夫可以是王子，所有的阶级与身分地位，在这时期不再有意义，平民与贵族，都可以尽情享乐，戴上面具，享受平等的欢愉，演出属于自己的人生大戏。
欧洲的狂欢节据说都起源于古代的神农节。
每年的冬去春来之际，人们自动聚集在一起，载歌载舞，欢庆新的一年的农事活动开始。
而威尼斯狂欢节的起源则还有一说：公元12世纪，古老的威尼斯城邦共和国日渐强盛。
1162年的初春，它战胜附近的阿奎莱亚封建城邦国，称霸一方。
为庆祝这一胜利，威尼斯人走上街头高歌欢舞，一连数日不休。
从此，他们每年这个时候都举行欢庆活动。
时到200多年后的1296年，这个尊崇天主教的城邦国根据宗教节日的安排，正式把一年一度的欢庆活动时间固定下来，即从2月初到3月初之间到来的四旬斋的前一天开始，延续大约两周时间。
到18世纪，狂欢活动盛极一时，欧洲各国的王公大臣、绅士淑女都赶到威尼斯，观看精彩的室内音乐和戏剧演出，参与街头和广场上的民众狂欢。
威尼斯遂赢得“狂欢节之城”的称号。
19世纪之后，威尼斯共和国逐渐衰亡，狂欢节逐渐失去活力。
直到近20年前，随着旅游事业的发展，威尼斯的狂欢活动重新恢复，威尼斯狂欢节得以重放光彩。
