泰坦尼克号里JACK参加PARTY时讲的话
Jack在参加晚宴时说：享受每一天 Life is a game of luck 生命是上帝给的，我们不应该去浪费它”。
怎样评价《泰坦尼克号》
泰坦尼克号的经典台词有哪些
CUT TO: 74 INT. RECEPTION ROOM \\\/ D-DECK - DAY Ruth is having tea with NOEL LUCY MARTHA DYER-EDWARDES, the COUNTESS OF ROTHES, a 35ish English blue-blood with patrician features. Ruth sees someone coming across the room and lowers her voice. RUTH Oh no, that vulgar Brown woman is coming this way. Get up, quickly before she sits with us. Molly Brown walks up, greeting them cheerfully as they are rising. MOLLY Hello girls, I was hoping I'd catch you at tea. RUTH We're awfully sorry you missed it. The Countess and I are just off to take the air on the boat deck. MOLLY That sounds great. . I need to catch up on the ssip. Ruth grits her teeth as the three of them head for the Grand Staircase to up. TRACKING WITH THEM, as they cross the room, the SHOT HANDS OFF to Bruce Ismay and Captain Smith at another table. ISMAY So you've not lit the last four boilers then? SMITH No, but we're making excellent time. ISMAY (impatiently) Captain, the press knows the size of Titanic, let them marvel at her speed too. We must give them something new to print. And the maiden voyage of Titanic must make headlines! SMITH I prefer not to push the engines until they've been properly run in. ISMAY Of course I leave it to your good offices to decide what's best, but what a glorious end to your last crossing if we get into New York Tuesday night and surprise them all. (Ismay slaps his hand on the table) Retire with a bang, eh, E.J? A beat. Then Smith nods, stiffly. CUT TO: 75 EXT. A DECK PROMENADE - DAY Rose and Jack stroll aft, past people lounging on deck chairs in the slanting late-afternoon light. Stewards scurry to serve tea or hot cocoa. ROSE (girlish and excited) You know, my dream has always been to just chuck it all and become an artist... living in a garret, poor but JACK (laughing) You wouldn't last two days. There's no hot water, and hardly ever any caviar. ROSE (angry in a flash) Listen, buster... I hate caviar! And I'm tired of people dismissing my dreams with a chuckle and a pat on the head. JACK I'm sorry. Really... I am. ROSE Well, alright. There's something in me, Jack. I feel it. I don't know what it is, whether I should be an artist, or, I don't know... a dancer. Like Isadora Duncan.... a wild pagan spirit... She leaps forward, lands deftly and whirls like a dervish. Then she sees something ahead and her face lights up. ROSE ...or a moving picture actress! She takes his hand and runs, pulling him along the deck toward-- DANIEL AND MARY MARVIN. Daniel is cranking the big wooden movie camera as she poses stiffly at the rail. MARVIN You're sad. Sad, sad, sad. You've left your lover on the shore. You may never see him again. Try to be sadder, darling. SUDDENLY Rose shoots into the shot and strikes a theatrical pose at the rail next to Mary. Mary bursts out laughing. Rose pulls Jack into the picture and makes him pose. Marvin grins and starts yelling and gesturing. We see this in CUTS, with music and no dialogue. SERIES OF CUTS: Rose posing tragically at the rail, the back of her hand to her forehead. Jack on a deck chair, pretending to be a Pasha, the two girls pantomiming fanning him like slave girls. Jack, on his knees, pleading with his hands clasped while Rose, standing, turns her head in bored disdain. Rose cranking the camera, while Daniel and Jack have a western shoot-out. Jack wins and leers into the lens, twirling an air moustache like Snidely Whiplash. CUT TO: 76 EXT. A DECK PROMENADE \\\/ AFT - SUNSET Painted with orange light, Jack and Rose lean on the A-deck rail aft, shoulder to shoulder. The ship's lights come on. It is a magical moment... perfect. ROSE So then what, Mr. Wandering Jack? JACK Well, then logging got to be too much like work, so I went down to Los Angeles to the pier in Santa Monica. That's a swell place, they even have a rollercoaster. I sketched portraits there for ten cents a piece. ROSE A whole ten cents?! JACK (not getting it) Yeah; it was great money... I could make a dollar a day, sometimes. But only in summer. When it got cold, I decided to go to Paris and see what the real artists were doing. ROSE (looks at the dusk sky) Why can't I be like you Jack? Just head out for the horizon whenever I feel like it. (turning to him) Say we'll go there, sometime... to that pier... even if we only ever just talk about it. JACK Alright, we're going. We'll drink cheap beer and go on the rollercoaster until we throw up and we'll ride horses on the beach... right in the surf... but you have to ride like a cowboy, none of that side-saddle stuff. ROSE You mean one leg on each side? Scandalous! Can you show me? JACK Sure. If you like. ROSE (smiling at him) I think I would. (she looks at the horizon) And teach me to spit too. Like a man. Why should only men be able to spit. It's unfair. JACK They teach you that in finishing school? Here, it's easy. Watch closely. He spits. It arcs out over the water. JACK Your turn. Rose screws up her mouth and spits. A pathetic little bit of foamy spittle which mostly runs down her chin before falling off into the water. JACK Nope, that was pitiful. Here, like this... you hawk it down... HHHNNNK!... then roll it on your tongue, up to the front, like thith, then a big breath and PLOOOW!! You see the range on that thing? She goes through the steps. Hawks it down, etc. He coaches her through it (ad lib) while doing the steps himself. She lets fly. So does he. Two comets of gob fly out over the water. JACK That was great! Rose turns to him, her face alight. Suddenly she blanches. He sees her expression and turns. RUTH, the Countess of Rothes, and Molly Brown have been watching them hawking lugees. Rose becomes instantly composed. ROSE Mother, may I introduce Jack Dawson. RUTH Charmed, I'm sure. Jack has a little spit running down his chin. He doesn't know it. Molly Brown is grinning. As Rose proceeds with the introductions, we hear... OLD ROSE (V.O.) The others were gracious and curious about the man who'd saved my life. But my mother looked at him like an insect. A dangerous insect which must be squashed quickly. MOLLY Well, Jack, it sounds like you're a good man to have around in a sticky spot-- They all jump as a BUGLER sounds the meal call right behind them. MOLLY Why do they insist on always announcing dinner like a damn cavalry charge? ROSE Shall we go dress, mother? (over her shoulder) See you at dinner, Jack. RUTH (as they walk away) Rose, look at you... out in the sun with no hat. Honestly! The Countess exits with Ruth and Rose, leaving Jack and Molly alone on deck. MOLLY Son, do you have the slightest comprehension of what you're doing? JACK Not really. MOLLY Well, you're about to go into the snakepit. I hope you're ready. What are you planning to wear? Jack looks down at his clothes. Back up at her. He hadn't thought about that. MOLLY I figured. CUT TO: 77 INT. MOLLY BROWN'S STATEROOM Men's suits and jackets and formal wear are strewn all over the place. Molly is having a fine time. Jack is dressed, except for his jacket, and Molly is tying his bow tie. MOLLY Don't feel bad about it. My husband still can't tie one of these damn things after 20 years. There you go. She picks up a jacket off the bed and hands it to him. Jack goes into the bathroom to put it on. Molly starts picking up the stuff off the bed. MOLLY I gotta buy everything in three sizes 'cause I never know how much he's been eating while I'm away. She turns and sees him, though we don't. MOLLY My, my, my... you shine up like a new penny. CUT TO: 78 EXT. BOAT DECK \\\/ FIRST CLASS ENTRANCE - DUSK A purple sky, shot with orange, in the west. Drifting strains of classic music. We TRACK WITH JACK along the deck. By Edwardian standards he looks badass. Dashing in his borrowed white-tie outfit, right down to his pearl studs. A steward bows and smartly opens the door to the First Class Entrance. STEWARD Good evening, sir. Jack plays the role smoothly. Nods with just the right degree of disdain. CUT TO: 79 INT. UPPER LANDING \\\/ GRAND STAIRCASE AND A-DECK Jack steps in and his breath is taken away by the splendor spread out before him. Overhead is the enormous glass dome, with a crystal chandelier at its center. Sweeping down six stories is the First Class Grand Staircase, the epitome of the opulent naval architecture of the time. And the people: the women in their floor length dresses, elaborate hairstyles and abundant jewelry... the gentlemen in evening dress, standing with one hand at the small of the back, talking quietly. Jack descends to A deck. Several men nod a perfunctory greeting. He nods back, keeping it simple. He feels like a spy. Cal comes down the stairs, with Ruth on his arm, covered in jewelry. They both walk right past Jack, neither one recognizing him. Cal nods at him, one gent to another. But Jack barely has time to be amused. Because just behind Cal and Ruth on the stairs is Rose, a vision in red and black, her low-cut dress showing off her neck and shoulders, her arms sheathed in white gloves that come well above above the elbow. Jack is hypnotized by her beauty. CLOSE ON ROSE as she approaches Jack. He imitates the gentlemen's stance, hand behind his back. She extends her gloved hand and he takes it, kissing the back of her fingers. Rose flushes, beaming noticeably. She can't take her eyes off him. JACK I saw that in a nickelodeon once, and I always wanted to do it. ROSE Cal, surely you remember Mr. Dawson. CAL (caught off guard) Dawson! I recognize you. (studies him) Amazing! You could almost pass for a gentlemen. CUT TO: 80 INT. D-DECK RECEPTION ROOM CUT TO THE RECEPTION ROOM ON D DECK, as the party descends to dinner. They encounter Molly Brown, looking good in a beaded dress, in her own busty broad-shouldered way. Molly grins when she sees Jack. As they are going into the dining saloon she walks next to him, speaking low: MOLLY Ain't nothin' to it, is there, Jack? JACK Yeah, you just dress like a pallbearer and keep your nose up. MOLLY Remember, the only thing they respect is money, so just act like you've got a lot of it and you're in the club. As they enter the swirling throng, Rose leans close to him, pointing out several notables. ROSE There's the Countess Rothes. And that's John Jacob Astor... the richest man on the ship. His little wifey there, Madeleine, is my age and in a delicate condition. See how trying to hide it. Quite the scandal. (nodding toward a couple) And over there, that's Sir Cosmo and Lucile, Lady Duff-Gordon. She designs naughty lingerie, among her many talents. Very popular with the royals. Cal becomes engrossed in a conversations with Cosmo Duff-Gordon and Colonel Gracie, while Ruth, the Countess and Lucille discuss fashion. Rose picots Jack smoothly, to show him another couple, dressed impeccably. ROSE And that's Benjamin Guggenheim and his mistress, Madame Aubert. Mrs. Guggenheim is at home with the children, of course. Cal, meanwhile, is accepting the praise of his male counterparts, who are looking at Rose like a prize show horse. SIR COSMO Hockley, she is splendid. CAL Thank you. GRACIE Cal's a lucky man. I know him well, and it can only be luck. Ruth steps over, hearing the last. She takes Cal's arm, somewhat coquettishly. RUTH How can you say that Colonel? Caledon Hockley is a great catch. The entourage strolls toward the dining saloon, where they run into the Astor's going through the ornate double doors. ROSE J.J., Madeleine, I'd like you to meet Jack Dawson. ASTOR (shaking his hand) Good to meet you Jack. Are you of the Boston Dawsons? JACK No, the Chippewa Falls Dawsons, actually. J.J. nods as if he's heard of them, then looks puzzled. Madeleine Astor appraises Jack and whispers girlishly to Rose: MADELEINE It's a pity we're both spoken for, isn't it?
泰坦尼克号的一段曲子 An Irish Party In Third Class
这类是爱尔兰舞曲欢快的：the legacy jip lord of the dance siamsa lotus jones 悠扬的：the level plainwomen of irelandthe black rosethe south wind
泰坦尼克号中杰克和露丝跳舞时的那段背景音乐叫什么名字
就是在下等舱开party时的那段音乐
地道的苏格兰音乐风格，使用了苏格兰风笛。
全片都是苏格兰音乐风格，那个年代在美国电影中很流行，勇敢的心、魔界好像都是这种音乐风格
《泰坦尼克号》中杰克与露丝在开派对的那个舱里狂欢时的背景音乐是什么?
我有它全部的音乐：CD1：01. Never an Absolution [3:03]02. Distant Memories [2:24]03. Southampton [4:02]04. Rose [2:52]05. Leaving Port [3:26]06. Take Her to Sea, Mr. Murdoch“ [4:31]07. Hard to Starboard“ [6:52]08. Unable to Stay, Unwilling to Leave [3:56]09. The Sinking [5:05]10. Death of Titanic [8:26]11. A Promise Kept [6:02]12. A Life So Changed [2:12]13. An Ocean of Memories [7:58]14. My Heart Will Go On (performed by Celine Dion) [5:10]15. Hymn to the Sea [6:25]CD2：01. Titanic Suite [19:05]02. An Irish Party In Third Class (Includes ''John Ryan's Polka'' And ''Blarney Pilgrim'') (Gaelic Storm) [3:49]03. Alexander's Ragtime Band ( I Salonisti) [2:31]04. The Portrait [4:49]05. Jack Dawson's Luck (Includes ''Humours Of Caledon'', ''The Red-Haired Lass'', ''The Boys On The Hilltop'' & ''The Bucks Of Oranmore'') [5:39]06. A Building Panic [8:09]07. Nearer My God To Thee (I Salonisti) [2:50]08. Come Josephine, In My Flying Machine [3:33]09. Lament (Includes ''A Spailpin A Run'') [4:36]10. A Shore Never Reached [4:27]11. My Heart Will Go On (Dialogue Mix) (Celine Dion) [4:43]12. Nearer My God To Thee [2:23]13. Epilogue - The Deep And Timeless Sea [12:37]CD3：01. Valse Septembre [3:41]02. Marguerite Waltz [2:36]03. Wedding Dance [2:33]04. Poet and Peasant [6:51]05. Blue Danube [6:57]06. Song Without Words [2:39]07. Estudiantina [3:13]08. Vision of Salome [2:44]09. Titsy Bitsy Girl [1:37]10. Alexander's Ragtime Band [2:30]11. Sphinx [3:50]12. Barcarole [3:33]13. Orpheus [8:42]14. Song of Autumn [3:55]15. Nearer My God to Thee [2:51]CD4：01. It's a Long Way to Tipperary (John McCormack) [3:12]02. Let Me Call You Sweetheart (Halfway House Dance Orchestra) [3:06]03. Vilia (Guy Lombardo & His Orchestra) [2:47]04. My Gal Sal (Chick Bullock & His Levee Loungers) [2:59]05. Oh! You Beautiful Doll (Chuck Foster & His Orchestra) [2:54]06. Martha (Adrian Rollinoi Trio) [3:00]07. In the Shade of the Old Apple Tree (Duke Ellington & His Orchestra) [3:13]08. Waiting at the Church (Beatrice Kay) [2:40]09. Frasquita Serenade (John Kirby & His Orchestra) [2:42]10. Shine On, Harvest Moon (Hal Kemp) [3:07]11. From the Land of the Sky Blue Water (Mildred Bailey & Her Orchestra) [2:49]12. Loch Lomond (Maxine Sullivan & Her Orchestra) [2:54]13. A Hot Time in the Old Town Tonight (Miff Mole’s Molers) [2:48]14. Nearer My God To Thee (Nelson Eddy) [3:10] 给你邮箱来。
一首好像是泰坦尼克号里面的歌曲
就几个字
啊啊啊什么的女的唱的高音
《Titanic》(影片配乐)： 01. Never An Absolution 没有绝对 02. Distant Memories 遥远的记忆 03. Southampton 南安普顿 04. Rose 罗丝 05. Leaving Port 起航时分 06. Take Her To Sea, Mr. Murdoch 麦尔特先生 带她去看海 07. Hard To Starboard 无能为力 08. Unable To Stay, Unwilling To Leave 去留之间 09. The Sinking 沉船 10. Death Of Titanic 泰坦尼克号死亡 11. A Promise Kept 坚守诺言 12. A Life So Changed 世事难料 13. An Ocean Of Memories 大海的记忆深处 14. My Heart Will Go On 爱无止尽（亦译《我心永恒》） 15. Hymn To The Sea 大海的咏叹 《Back To Titanic》（TITANIC第二张原声发烧大碟《重返铁达尼号》）： 01. Titanic Suite (19:05) (Sissel\\\/London Symphony Orchestra) 02. An Irish Party In Third Class (3:49) (Gaelic Storm) 03. Alexander's Ragtime Band (2:30) (I Salonisti) 04. The Portrait (4:43) (James Horner) 05. Jack Dawson's Luck (5:38) 06. A Building Panic (8:09) 07. Nearer My God To Thee (2:49) (I Salonisti) 08. Come, Josephine In My Flying Machine (3:32) (Maire Brennan) 09. Lament (4:36) 10. A Shore Never Reached (4:27) (London Symphony Orchestra) 11. My Heart Will Go On (4:43) (Celine Dion\\\/movie dialogue) 12. Nearer My God To Thee (2:22) (Eileen Ivers) 13. Epilogue - The Deep and Timeless Sea (12:37) (Sissel\\\/London Symphony Orchestra) 自己找了听吧
泰坦尼克号插曲（三等舱的爱尔兰party），这样的曲风在给推荐几首
推荐 Hills Of Connemara
