求《七宗罪》1500字的电影观后感，从心理学角度
Seven, a dark, grisly, horrifying and intelligent thriller, may be too disturbing for many people, I imagine, although if you can bear to watch, it you will see filmmaking of a high order. It tells the story of two detectives - one ready to retire, the other at the start of his career - and their attempts to capture a perverted serial killer who is using the Seven Deadly Sins as his scenario.As the movie opens, we meet Somerset (Morgan Freeman), a meticulous veteran cop who lives a lonely bachelor's life in what looks like a furnished room. Then he meets Mills (Brad Pitt), an impulsive young cop who actually asked to be transferred into Somerset's district. The two men investigate a particularly gruesome murder, in which a fat man was tied hand and feet and forced to eat himself to death.His crime was the crime of Gluttony. Soon Somerset and Mills are investigating equally inventive murders involving Greed, Sloth, Lust and the other deadly sins. In each case, the murder method is appropriate, and disgusting (one victim is forced to cut off a pound of his own flesh; another is tied to a bed for a year; a third, too proud of her beauty, is disfigured and then offered the choice of a call for help or sleeping pills). Somerset concludes that the killer, John Doe, is using his crimes to preach a sermon.The look of Seven is crucial to its effect. This is a very dark film, the gloom often penetrated only by the flashlights of the detectives. Even when all the lights are turned on in the apartments of the victims, they cast only wan, hopeless pools of light.Although the time of the story is the present, the set design suggests the 1940s; Gary Wissner, the art director, goes for dark blacks and browns, deep shadows, lights of deep yellow, and a lot of dark wood furniture. It rains almost all the time.In this jungle of gloom, Somerset and Mills tread with growing alarm. Somerset intuits that the killer is using books as the inspiration for his crimes, and studies Dante, Milton and Chaucer for hints. Mills settles for the Cliff Notes versions. A break in the case comes with Somerset's sudden hunch that the killer might have a library card. But the corpses pile up, in cold fleshy detail, as disturbingly graphic as I've seen in a commercial film. The only glimmers of life and hope come from Tracy (Gwyneth Paltrow), Mills' wife.A movie like this is all style. The material by itself could have been handled in many ways, but the director, David Fincher (Alien 3), goes for evocative atmosphere, and the writer, Andrew Kevin Walker, writes dialogue that for Morgan Freeman, in particular, is wise, informed and poetic. (Anyone who spends a significant amount of time with me, he says, finds me disagreeable.) Eventually, it becomes clear that the killer's sermon is being preached directly to the two policemen, and that in order to understand it, they may have to risk their lives and souls.Seven is unique in one detail of its construction; it brings the killer onscreen with half an hour to go, and gives him a speaking role. Instead of being simply the quarry in a chase, he is revealed as a twisted but articulate antagonist, who has devised a horrible plan for concluding his sermon. (The actor playing the killer is not identified by name in the ads or opening credits, and so I will leave his identity as another of his surprises.) Seven is well-made in its details, and uncompromising in the way it presents the disturbing details of the crimes. It is certainly not for the young or the sensitive. Good as it is, it misses greatness by not quite finding the right way to end. All of the pieces are in place, all of the characters are in position, and then - I think the way the story ends is too easy. Satisfying, perhaps. But not worthy of what has gone before.
七宗罪观后感200字就行 用心理学阐述
《七宗罪》讲述了老探员萨默塞特和年轻的警察米尔斯追查连续杀人案的故事，而杀人犯John是一个变态的宗教杀手，自己认为自己是神派来的使者，代表神以七宗罪的来惩罚世人。
老探员萨默塞特则看多了太多的杀人案件和了解很多犯人的性格，在侦查案件事表现出冷静，特别是最后车子里，一句话都没有说，对于犯人解释表现出习惯以至于不去和犯人反驳。
年轻的警察米尔斯一心想抓到犯人，但由于自己的冲动，被犯人诱导去犯罪，最终由执法者变成犯罪人。
影片的john不是没有文化，相反是受过高等教育，智商也极高，但反而却成为了危害社会的人。
由于受到宗教的影响，加上社会上的种种原因，犯人就用七宗罪来衡量这个社会，对犯有七宗罪之一的人连续杀害，但对自己所犯的罪，却只有七宗罪之一的嫉妒，完全没有对自己杀人而感到罪恶，自己认为自己是替神办事，帮助社会。
影片中的john是典型的反社会人员，他们的人格扭曲，开始异化，脱离现实社会思想。
他想用七宗罪来告诫世人，但自己却制造人去犯七宗罪，而不是去感化和告诫，把罪行强加于别人，只顾及自己的计划，只是用自己的角度来看一个人的罪行，他所说的罪行其实都是他自己想的，没有用社会角度来衡量他的罪恶程度。
所以犯人john是一个严重的偏执狂，思想过度夸张。
至于年轻的警察米尔斯，最终无法控制自己的情绪而私自杀死犯人。
作为一个警察，却无法控制自己的情绪。
可以看出，人性的脆弱，造成了冲动性犯罪。
米尔斯是由于自己的性格，然后被外界因素影响也导致他犯罪，说明犯罪人有些是无法控制自己的性格而导致犯罪，性格也是犯罪的起源之一。
老探员萨默塞特则是办案的老手，当他看到犯人留下的暴食和贪婪时，知道犯人是以七宗罪来连续杀人，然后就去查看有关七宗罪的书，来猜测犯人的心理和作案方法。
说明了，猜测犯人的心理是破案关键和线索。
《七宗罪》讲述了3个人的故事，表现出犯罪和心理的关联性。
七宗罪影评
Although not originating from the bible, the concept of deadly sins is almost as old as Christian doctrine itself. Theologians like 4th century Greek monk Evagrius of Pontus first compiled catalogues of deadly offenses against the divine order, which 6th century pope Gregory the Great consolidated into a list of seven sins, which in turn formed the basis of the works of medieval\\\/renaissance writers like St. Thomas Aquinas (Summa Theologiae), Geoffrey Chaucer (Canterbury Tales), Christopher Marlowe (Dr. Faustus), Edmund Spenser (The Faerie Queene) and Dante Alighieri (Commedia Divina\\\/Purgatorio). And in times when the ability to read was a privilege rather than a basic skill, the depiction of sin in paintings wasn't far behind; particularly resulting from the 16th century's reformulation of church doctrine, the works of artists like Hieronymus Bosch and Pieter Bruegel the Elder brought the horrific results of humankind's penchant to indulge in vice back into general consciousness with surrealistic eloquence, reminding their viewers that no sin goes unseen (Bosch, The Seven Deadly Sins) and that its commission leads straight into a hell reigned by gruesome, grotesque demons and devils whose sole purpose is to torture those fallen into their hands (Bosch, The Hay-Wagon and The Last Judgment; Bruegel, The Triumph of Death and The Tower of Babel). More recently, the seven deadly sins have been the subject of Stephen Sondheim's play Getting Away With Murder and a ballet by George Balanchine (Seven Deadly Sins); and on the silver screen the topic has been addressed almost since the beginning of filmmaking (Cabiria [1914], Intolerance [1916]). Thus, Se7en builds on a solid tradition both in its own domain and in other art forms, topically as well as in its approach, denouncing society's apathy towards vice and crime. Yet - and although expressly referencing the writings of St. Thomas Aquinas, Chaucer and Dante - David Fincher's movie eschews well-trodden paths and grabs the viewer's attention from the beginning; and it does so not merely by the depiction of serial killer John Doe's (Kevin Spacey's) crimes, which could easily degenerate into a mindless bloodfest that would defeat the movie's purpose. (Not that there isn't a fair share of blood and gore on display; both visually and in the characters' dialogue regarding those details not actually shown; but Fincher uses the crimes' gruesome nature to create a sense of stark realism, rather than for shock value alone.) In addition, Doe's mindset is painstakingly presented by the opening credits' jumpy nature, his lair's apocalyptic makeup and his notebooks, all of which were actually written out (at considerable expense), and whose compilation is shown underlying the credits. The movie's atmosphere of unrelenting doom is further underscored by a color scheme dominated by brown, gray and only subdued hues of other colors, and by the fact that almost every outdoors scene is set in rain. Moreover, although screenwriter Andrew Kevin Walker explains on the DVD that the story was inspired by his observations in New York (and the movie was shot partly there, partly in L.A.), it is set in a faceless, nameless city, thus emphasizing that its concern isn't a specific location but society generally. Central to the movie is the contrast between world-weary Detective Somerset (Morgan Freeman) who, while decrying the rampant occurrence of violence in society, for much of the movie seems to have resigned himself to his inability to do something meaningful about this (and therefore seems to accept apathy for himself, too, until his reluctant final turnaround), and younger Detective Mills (Brad Pitt), who fought for a reassignment to this particular location, perhaps naively expecting his contributions to actually make a difference; only to become a pawn in Doe's scheme instead and thus show that, given the right trigger, nobody is beyond temptation. As such, Somerset and Mills are not merely another incarnation of the well-known old-cop-young-cop pairing. Rather, their characters' development over the course of the film forces each viewer to examine his\\\/her own stance towards vice. Morgan Freeman and Brad Pitt perfectly portray the two detectives; while Freeman imbues his Will Somerset with a quiet dignity, professionalism and learning, muted by profound but not yet wholly irreversible resignation, Pitt's David Mills is a brash everyman from the suburbs with an undeniable streak of prejudice, a penchant for quick judgment and a thorough lack of sophistication, both personally and culturally. Notable are also the appearances of Gwyneth Paltrow (significantly Brad Pitt's real-life girlfriend at the time) as Mills's wife Tracy and ex-marine R. Lee Ermey as the police captain. Yet, from his very first appearance onwards, this is entirely Kevin Spacey's film. Reportedly, Brad Pitt especially fought hard for his casting; and it is indeed hard to imagine Se7en with anybody other than the guy who, that same year, also won an Oscar for portraying devilish Keyser Soze in The Usual Suspects: No living actor has Spacey's ability to simultaneously express spine-chilling villainy, laconic indifference and limitless superiority with merely a few gestures and vocal inflections. While Se7en can certainly claim the sledgehammer effect on its viewers sought by its fictional killer, the punishment meted out to Doe's victims - taking their perceived sins to the extreme - pales in comparison to that awaiting sinners according to medieval teachings. (Inter alia, gluttons would thus be forced to eat vermin, toads and snakes, greed-mongers put in cauldrons of boiling oil and those guilty of lust smothered in fire and brimstone.) Most serial killers have decidedly more mundane motivations than Doe. And after all, this is only a movie. Seven is a very disturbing thriller about a serial killer,John Doe(Kevin Spacey), killing people via examples of the seven deadly sins - gluttony, greed, sloth, lust, pride, envy and wrath. The story begins with Detective Mills (Brad Pitt) being assigned to Detective Somerset (Morgan Freeman). Detective Somerset is due to retire at the end of the week, and Detective Mills is moving up in the world, and is to take Somerset's place. This is a very disturbing movie. It will keep you enthralled and glued to your seat for the entire 127 minutes. Indeed, I was staggered that I never once lost concentration or was bored with this movie.This is a movie with an unexpected ending that is absolutely unpredictable and which is not at all a Hollywood style ending.I saw this movie a couple times, and I liked it as a scary movie on a rainy day or whatever.... it's just that, I know too many people who take this stuff seriously. It's filled with Christian or more specifically Catholic, mythology - the seven deadly sins Lust, Vanity, Gluttony, Pride, Wrath, Sloth and Greed. It's basically a vigilante who goes around killing people in horrific manners as a punishment for their sins. It has a surprise ending which was cleverly thought out more or less, but innocents suffered at this guy's hands and the plot doesn't really make sense. In no way does it make moral sense. First of all, Catholics practice child sacrifice and torture and enslave women, which does not qualify them as the best moral judges. The bible in itself is tyrannical and abusive, as well as chock full of lunacy - not the reasoned judge I'd want making decisions on my moral life that's for sure. Also this guy does not really mete out justice. A person guilty of gluttony, sloth or vanity, does not deserve death, not even in the Catholic church and they loooove to kill and torture people. Usually, you go to confession and say a Hail Mary or two. I think the psycho in this movie was just looking for an excuse to kill people and get his pic in the paper, or whatever, and con a bunch of suckers into thinking he was some underground hero instead of what he was - a cruel psychotic, not-very-bright, jerk. Actually I have a lot of compassion for people who mess up in life, controlling the worst of your nature is difficult, most people mess up often on all counts - and Catholics can be overly critical - not to mention psychotic - about details anyway. You really have to know a person's whole life to know what they are. Maybe that guy was injured and gained weight because he couldn't move around very well, maybe the guy having sex was lonely and frightened and needed physical contact... who knows? You can't judge people on an outward, shallow look-over of their lives. If you want to help people out with their struggles for virtue why not invite the gluttony guy out to walk with you, or ask the lustful guy what intimate relationships mean to him, or why he's lonely or out of control? Maybe they're looking for help, virtue is it's own reward and all that - and lack of it is it's own justice in many ways. I think the psycho killer could've stayed at home and worked on himself, it would've worked out on it's own.
有什么经典电影没
像《七宗罪》那样的
七宗罪经典吗
经典在什么地方
套用了宗教七宗罪的框架
布拉德皮特
大卫分歧
作为一部悬疑惊悚片让人能猜到结局已经是败笔了
中间的剧情发展也毫无悬念，如果去除了宗教，这部片子可以说是毫无亮点可言
好莱坞的这种片子多如牛毛，如果你看这种类型的片子多了，自然就不觉得经典了
在我看来，电锯惊魂1和小岛惊魂〈名字翻译太烂〉是这种类型电影的巅峰之作，剧情紧绷，结局极端震撼，无出其右
穆贺兰道也很经典，悬疑片里最难懂但确最具智慧的一部，不看影�的话估没几个人能读懂导演的良苦用心
虽然就整体而言刺激紧张程度不高，但绝对值得好好欣赏，慢慢思考
求一篇观后感，3000字，电影分别是《七宗罪》《逍遥法外》《辛德勒名单》《云端漫步》其中一个电影的
《漫步云端》观后感这是连接，请采纳
