黑布林dang in the sun读后感英文
Unbelievable, this little book moved me a lot. I seldom think about the true meaning of love and life before. Well, now I can say, with my short sixteen-year’s life experience, it’s like the stars in the sky that lit my heart. The little prince is not only an ordinary fairy-tale for children, but also for grown-ups, and our teenagers. Nevertheless, when I read this book, I feel a little sad – about ourselves, whom are losing more and more innocenceHere I am sitting on a couch alone, thinking about what I have just finished reading with tears of sadness filling my eyes and fire of indignation filling my heart, which revived my exhausted soul that has already been covered by the cruelty and the selfishness of the secular world for a long time. It is truly what I felt after reading Oliver Twist, written by the prominent British author Charles Dickens.
黑布林英语阅读莫格利的兄弟读后感
黑英语阅读利弟读Unbelievable, this little book moved me a lot. I seldom think about the true meaning of love and life before. Well, now I can say, with my short sixteen-year’s life experience, it’s like the stars in the sky that lit my heart. The little prince is not only an ordinary fairy-tale for children, but also for grown-ups, and our teenagers. Nevertheless, when I read this book, I feel a little sad – about ourselves, whom are losing more and more innocence Here I am sitting on a couch alone, thinking about what I have just finished reading with tears of sadness filling my eyes and fire of indignation filling my heart, which revived my exhausted soul that has already been covered by the cruelty and the selfishness of the secular world for a long time. It is truly what I felt after reading Oliver Twist, written by the prominent British author Charles Dickens.
求几篇读后感
水浒读后感 读完水浒，感慨颇多，其中情节令人热血沸腾，恨不能以身代之。
与诸好汉征战沙场，惩恶锄奸，杀贪官，斩污吏。
然转念一想，此种想法却是要不得。
何也，圣人金圣叹有言“少不读水浒，老不看三国”。
细思其中道理，恍然大悟，水浒中如杀人者有多处，有心不顺着即杀人，少年人血气方刚，不能受一点儿委屈，若看水浒，必热血沸腾，受屈则必报，而不能忍。
看新闻上经常有报道，某某学校学生因一点小纠纷而斗殴以至于酿成惨剧，我所上过的中学曾经发生两个不懂事的初一男同学因为喜欢上同一个女同学而决斗，不是单挑，而是群殴，最终有两个同学受重伤，多人轻伤。
我听到此事，愕然叹息，两个少年就这样毁了。
由此事我想起了以前港片《古惑仔》，此片播出之初，有多少年轻人效仿，整天不务正业，只知道拉帮结派，打架斗殴，寻衅滋事，有多少人受其害，社会治安很是不好。
当然这样写我不是否定水浒，不是否定好汉之间的义气，人无义不行，只是在讲义气的时候要有方法，比如谁欺负了你的朋友，你的朋友叫你帮他出气，你就不能像古惑仔里面的一样去拿刀砍人，也不能想水浒里面的鲁智深拳打镇关西一样，毕竟社会不一样，他们打死人，打伤人还有梁山可去，我们打伤人有什么地方可去呢。
所以说在生活中我们受了委屈的时候，要想开一点，不要一受委屈就想去报复。
俗话说忍一时风平浪静，退一步海阔天空，忍一时之气，得一世平安。
当然我不说什么事都要忍，如果别人侵犯了你的正当权益，我们可以走法律途径，虽说有时候有少数的政府执法人员可能和你的仇人有勾结，以至于有冤无处伸，但万不可向武松醉打蒋门神里一样，动怒而灭人满门。
在这个社会，干什么也别杀人，正当防卫除外。
楼主以上纯是我手打出来的，希望你能给我一个最佳答案
英语短篇小说读后感(英文版,应付作业)
Island of gold and silver is a classic masterpiece in the world, is the author of the famous British writer Steven Health. This book describes Jim as a juvenile pedestrian island to find a sea pirate treasure buried money, and with the arrival led to John piracy groups conducted soul-stirring fierce fighting, the story itself. Editorial delicate fluid novels, romantic story novel, readers will stimulate the imagination, allowing readers to experience the wonderful adventure with the world moving heartstrings. Novels praised poor, vagrants, orphans, on the noble, courageous and well intentioned, who have expanded the evil, cowardly and insidious way to pay tribute to character and good people.
the star 是什么意思
star作名词时，意思有：1.星,恒星;(日、月等)天体2.星形物;星号3.(表示等级等的)星级;星形勋章While in Taipei she stayed at a four star hotel. 她在台北逗留期间住在一家四星级旅馆。
4.命运;星象[P1]5.(电影、体育等的)明星,杰出人物His wish to become a football star has come true. 他想当的愿望实现了。
所以the star的意思可以是那个明星，那颗星星，那个星形物望采纳，(*^__^*) 嘻嘻……
莎士比亚四大悲剧读后感
《莎士比亚悲剧读后感》 莎士比亚确实是位伟大的作家，在他的作品中悲喜剧皆有，可以说他的戏剧包含着十分深刻的含义。
正如文艺复兴时期其他杰出的作家、艺术家一样，他的创作中充满了对人性的关怀，如诗人一样满怀激情的对白、如哲人一样深邃的思想，莎士比亚的四大悲剧正是其中的代表。
悲剧具有其独特的魅力，古希腊时代的剧作家，如索福克勒斯、埃斯库罗斯都是以悲剧扬名希腊。
一部不朽的《俄底甫斯王》被后人研究了几千年也不能穷尽其中的奥妙，心理学、宗教学、文学都从这部剧作中得到了启发。
莎士比亚的悲剧又是一个不可逾越的高峰，他完全可以和古希腊多产的作家相媲美。
这些作品就像甘泉一样不可干涸，总能让我们思考生命乃至宇宙的意义。
我认为悲剧应该具备以下四个元素，无论是哪出悲剧，或多或少都可以找到这四种基本的元素。
第一，理想和现实的冲突。
第二，人性的缺点所造成的不可避免的悲剧。
第三，对所谓命运的无可奈何。
第四，悲剧人物理想人格的彻底破灭，通常以悲剧人物的死亡而告终。
《奥塞罗》中明显的悲剧元素就是奥塞罗性格的缺陷，只要是人总会有些嫉妒心的。
可是这出戏中的悲剧并不是奥塞罗的性格作祟，也不能归罪于那个蛇蝎心肠的恶汗亚果（我甚至有点喜欢这个敢于剖析自己心理的阴谋家），在戏剧的刚开始我们就能感受到奥塞罗和玳丝德摩娜的爱情注定是个悲剧。
玳丝德摩娜并不了解奥塞罗，她喜欢奥塞罗的理由很简单，她喜欢他讲述那些颇具传奇性的经历，一句话她只喜欢一个浪漫的理想。
当亚果的妻子告诫玳丝德摩娜当心奥塞罗的妒忌的时候，她却说“我想他在出生地让阳光把这种气质（妒忌）都吸去了。
”而奥塞罗有点明白自己的妻子为什么喜欢自己，或者说他对自己妻子的爱本来就不放心，在这种情况下他对玳丝德摩娜又爱又恨又怕。
最终，亚果只是起了一个导火索的作用，将这种虚假的、毫无信任的、不牢固的爱情炸个粉碎，而真正具有爆炸力的火药却在奥塞罗和玳丝德摩娜的身上。
由此看来这出悲剧倒有些主人公咎由自取的味道，可能是这种惩罚太重了——以男女主人公的死而结束，所以才有了很强的悲剧色彩。
《里亚王》的悲剧似乎在我们的生活中绝少见到，毕竟我们认为亲情是最温暖的也是最牢固的。
可是我们要注意戏剧的背景一个充满谋求权力和财富的宫廷政治斗争，政治可以让一切变的肮脏，对触手可及的权力和财富的谋求可以让人变成魔鬼。
西方有这样一个故事是讨论人性的，有一个善良的牧羊人，他绝对是一个正直的人，可是有一天他得到了一枚戒指，戴上它之后可以隐身。
于是这个牧羊人可以做一些他以前不能做的事情，终于有一天他进入了王宫，勾引了王后并密谋杀死了国王，从此他和以前的自己判若两人，成了一个十足的暴君。
我们可以想象如果他没有得到那枚充满魔力的戒指，他一定还是一位善良的人。
叔本华说过，人每时每刻都是有作恶的想法的，这其实是有一定道理的，关键是人有时候没有作恶的能力而已。
里亚王的悲剧的根源也许就在这里。
日本导演黑泽明的力作《乱》就是根据《里亚王》改编的，故事的背景是日本的战国时代，这让我们感觉更加真实了，如果是太平盛世，毫无权力的寻常百姓中怎么可能发生这样的事呢
。
其实我们翻一翻历史就会发现这样为权力而父子、兄弟相残的事情简直太多了。
里亚王的悲剧就在于人性的沦落，莎士比亚在这部作品中也时刻反思着人性的本质。
《里亚王》的结局是悲惨的，但是注意，我们只要稍稍改变一下结局，那么悲剧就能够马上变成喜剧。
如果最后，里亚王的小女儿考黛丽亚活着，里亚王也没有死，那么这就是个皆大欢喜的结局，悲剧就能够成为喜剧。
法国剧作家莫里哀的喜剧《伪君子》同样也可以很简单的转变成悲剧。
结局可以这样设计，伪君子答尔丢夫很顺利的霸占了奥尔恭的财产，他的女儿玛丽亚娜也不得已嫁给答尔丢夫，玛丽亚娜的情人瓦赖尔刺杀答尔丢夫未遂而入狱，奥尔恭的妻子郁郁而逝，奥尔恭沦为乞丐。
鲁迅先生说过“悲剧就是把美好的东西打碎给人看。
”这是比较形象的说法但似乎也没有涉及到悲剧的根源。
《麦克白斯》颇似古希腊悲剧，其中很强调命运对人嘲弄。
麦克白斯原本功成名就，可是他却相信三女巫的预言，最终预言一一应验，但是麦克白斯也身败名裂。
这让我想起索福克勒斯的《俄底甫斯王》以及埃斯库罗斯的《阿伽门农王》，人的举动都受到神的干涉，当然其中也体现着主人公性格的缺陷。
可是《俄底甫斯王》中几乎没有表现出俄底甫斯王的人格或者是性格带来必然的毁灭，可以说俄底甫斯是一个生性善良的人，当必然的命运来袭却无力逃避。
也许悲剧的悲就体现在人的无辜和无助上，悲剧的美表现为主人公的抗争上，虽然看起来是徒劳的。
可以看到悲剧中必然会出现痛苦和死亡，人们喜欢悲剧正是由于每个人都是悲剧的主角，因为同悲剧一样，人的一生也要以死亡作为结局而谢幕。
但是悲剧并不是悲观，我们的结局是不可避免的，但是在短暂的悲剧中却表达了一种不妥协的永恒的精神。
因此，明知理想遥不可及我们还是执著追求，明知人无完人但还是要不断完善自我，明知命运无常可是一点也不畏惧，死亡是生命的终结，但不是生命存在的目标。
life of ma parker 读后感
When the literary gentleman, whose flat old Ma Parker cleaned every Tuesday, opened the door to her that morning, he asked after her grandson. Ma Parker stood on the doormat inside the dark little hall, and she stretched out her hand to help her gentleman shut the door before she replied. We buried 'im yesterday, sir, she said quietly.Oh, dear me! I'm sorry to hear that, said the literary gentleman in a shocked tone. He was in the middle of his breakfast. He wore a very shabby dressing-gown and carried a crumpled newspaper in one hand. But he felt awkward. He could hardly go back to the warm sitting-room without saying something--something more. Then because these people set such store by funerals he said kindly, I hope the funeral went off all right.Beg parding, sir? said old Ma Parker huskily.Poor old bird! She did look dashed. I hope the funeral was a--a-- success, said he. Ma Parker gave no answer. She bent her head and hobbled off to the kitchen, clasping the old fish bag that held her cleaning things and an apron and a pair of felt shoes. The literary gentleman raised his eyebrows and went back to his breakfast.Overcome, I suppose, he said aloud, helping himself to the marmalade.Ma Parker drew the two jetty spears out of her toque and hung it behind the door. She unhooked her worn jacket and hung that up too. Then she tied her apron and sat down to take off her boots. To take off her boots or to put them on was an agony to her, but it had been an agony for years. In fact, she was so accustomed to the pain that her face was drawn and screwed up ready for the twinge before she'd so much as untied the laces. That over, she sat back with a sigh and softly rubbed her knees...Gran! Gran! Her little grandson stood on her lap in his button boots. He'd just come in from playing in the street.Look what a state you've made your gran's skirt into--you wicked boy!But he put his arms round her neck and rubbed his cheek against hers.Gran, gi' us a penny! he coaxed.Be off with you; Gran ain't got no pennies.Yes, you 'ave.No, I ain't.Yes, you 'ave. Gi' us one!Already she was feeling for the old, squashed, black leather purse.Well, what'll you give your gran?He gave a shy little laugh and pressed closer. She felt his eyelid quivering against her cheek. I ain't got nothing, he murmured...The old woman sprang up, seized the iron kettle off the gas stove and took it over to the sink. The noise of the water drumming in the kettle deadened her pain, it seemed. She filled the pail, too, and the washing-up bowl.It would take a whole book to describe the state of that kitchen. During the week the literary gentleman did for himself. That is to say, he emptied the tea leaves now and again into a jam jar set aside for that purpose, and if he ran out of clean forks he wiped over one or two on the roller towel. Otherwise, as he explained to his friends, his system was quite simple, and he couldn't understand why people made all this fuss about housekeeping.You simply dirty everything you've got, get a hag in once a week to clean up, and the thing's done.The result looked like a gigantic dustbin. Even the floor was littered with toast crusts, envelopes, cigarette ends. But Ma Parker bore him no grudge. She pitied the poor young gentleman for having no one to look after him. Out of the smudgy little window you could see an immense expanse of sad-looking sky, and whenever there were clouds they looked very worn, old clouds, frayed at the edges, with holes in them, or dark stains like tea.While the water was heating, Ma Parker began sweeping the floor. Yes, she thought, as the broom knocked, what with one thing and another I've had my share. I've had a hard life.Even the neighbours said that of her. Many a time, hobbling home with her fish bag she heard them, waiting at the corner, or leaning over the area railings, say among themselves, She's had a hard life, has Ma Parker. And it was so true she wasn't in the least proud of it. It was just as if you were to say she lived in the basement-back at Number 27. A hard life!...At sixteen she'd left Stratford and come up to London as kitching-maid. Yes, she was born in Stratford-on-Avon. Shakespeare, sir? No, people were always arsking her about him. But she'd never heard his name until she saw it on the theatres.Nothing remained of Stratford except that sitting in the fire-place of a evening you could see the stars through the chimley, and Mother always 'ad 'er side of bacon, 'anging from the ceiling. And there was something- -a bush, there was--at the front door, that smelt ever so nice. But the bush was very vague. She'd only remembered it once or twice in the hospital, when she'd been taken bad.That was a dreadful place--her first place. She was never allowed out. She never went upstairs except for prayers morning and evening. It was a fair cellar. And the cook was a cruel woman. She used to snatch away her letters from home before she'd read them, and throw them in the range because they made her dreamy...And the beedles! Would you believe it?-- until she came to London she'd never seen a black beedle. Here Ma always gave a little laugh, as though--not to have seen a black beedle! Well! It was as if to say you'd never seen your own feet.When that family was sold up she went as help to a doctor's house, and after two years there, on the run from morning till night, she married her husband. He was a baker.A baker, Mrs. Parker! the literary gentleman would say. For occasionally he laid aside his tomes and lent an ear, at least, to this product called Life. It must be rather nice to be married to a baker!Mrs. Parker didn't look so sure.Such a clean trade, said the gentleman.Mrs. Parker didn't look convinced.And didn't you like handing the new loaves to the customers?Well, sir, said Mrs. Parker, I wasn't in the shop above a great deal. We had thirteen little ones and buried seven of them. If it wasn't the 'ospital it was the infirmary, you might say!You might, indeed, Mrs. Parker! said the gentleman, shuddering, and taking up his pen again.Yes, seven had gone, and while the six were still small her husband was taken ill with consumption. It was flour on the lungs, the doctor told her at the time...Her husband sat up in bed with his shirt pulled over his head, and the doctor's finger drew a circle on his back.Now, if we were to cut him open here, Mrs. Parker, said the doctor, you'd find his lungs chock-a-block with white powder. Breathe, my good fellow! And Mrs. Parker never knew for certain whether she saw or whether she fancied she saw a great fan of white dust come out of her poor dead husband's lips...But the struggle she'd had to bring up those six little children and keep herself to herself. Terrible it had been! Then, just when they were old enough to go to school her husband's sister came to stop with them to help things along, and she hadn't been there more than two months when she fell down a flight of steps and hurt her spine. And for five years Ma Parker had another baby--and such a one for crying!--to look after. Then young Maudie went wrong and took her sister Alice with her; the two boys emigrimated, and young Jim went to India with the army, and Ethel, the youngest, married a good-for-nothing little waiter who died of ulcers the year little Lennie was born. And now little Lennie--my grandson...The piles of dirty cups, dirty dishes, were washed and dried. The ink- black knives were cleaned with a piece of potato and finished off with a piece of cork. The table was scrubbed, and the dresser and the sink that had sardine tails swimming in it...He'd never been a strong child--never from the first. He'd been one of those fair babies that everybody took for a girl. Silvery fair curls he had, blue eyes, and a little freckle like a diamond on one side of his nose. The trouble she and Ethel had had to rear that child! The things out of the newspapers they tried him with! Every Sunday morning Ethel would read aloud while Ma Parker did her washing.Dear Sir,--Just a line to let you know my little Myrtil was laid out for dead...After four bottils...gained 8 lbs. in 9 weeks, and is still putting it on.And then the egg-cup of ink would come off the dresser and the letter would be written, and Ma would buy a postal order on her way to work next morning. But it was no use. Nothing made little Lennie put it on. Taking him to the cemetery, even, never gave him a colour; a nice shake-up in the bus never improved his appetite.But he was gran's boy from the first...Whose boy are you? said old Ma Parker, straightening up from the stove and going over to the smudgy window. And a little voice, so warm, so close, it half stifled her--it seemed to be in her breast under her heart-- laughed out, and said, I'm gran's boy!At that moment there was a sound of steps, and the literary gentleman appeared, dressed for walking.Oh, Mrs. Parker, I'm going out.Very good, sir.And you'll find your half-crown in the tray of the inkstand.Thank you, sir.Oh, by the way, Mrs. Parker, said the literary gentleman quickly, you didn't throw away any cocoa last time you were here--did you?No, sir. Very strange. I could have sworn I left a teaspoonful of cocoa in the tin. He broke off. He said softly and firmly, You'll always tell me when you throw things away--won't you, Mrs. Parker? And he walked off very well pleased with himself, convinced, in fact, he'd shown Mrs. Parker that under his apparent carelessness he was as vigilant as a woman.The door banged. She took her brushes and cloths into the bedroom. But when she began to make the bed, smoothing, tucking, patting, the thought of little Lennie was unbearable. Why did he have to suffer so? That's what she couldn't understand. Why should a little angel child have to arsk for his breath and fight for it? There was no sense in making a child suffer like that....From Lennie's little box of a chest there came a sound as though something was boiling. There was a great lump of something bubbling in his chest that he couldn't get rid of. When he coughed the sweat sprang out on his head; his eyes bulged, his hands waved, and the great lump bubbled as a potato knocks in a saucepan. But what was more awful than all was when he didn't cough he sat against the pillow and never spoke or answered, or even made as if he heard. Only he looked offended.It's not your poor old gran's doing it, my lovey, said old Ma Parker, patting back the damp hair from his little scarlet ears. But Lennie moved his head and edged away. Dreadfully offended with her he looked--and solemn. He bent his head and looked at her sideways as though he couldn't have believed it of his gran.But at the last...Ma Parker threw the counterpane over the bed. No, she simply couldn't think about it. It was too much--she'd had too much in her life to bear. She'd borne it up till now, she'd kept herself to herself, and never once had she been seen to cry. Never by a living soul. Not even her own children had seen Ma break down. She'd kept a proud face always. But now! Lennie gone--what had she? She had nothing. He was all she'd got from life, and now he was took too. Why must it all have happened to me? she wondered. What have I done? said old Ma Parker. What have I done?As she said those words she suddenly let fall her brush. She found herself in the kitchen. Her misery was so terrible that she pinned on her hat, put on her jacket and walked out of the flat like a person in a dream. She did not know what she was doing. She was like a person so dazed by the horror of what has happened that he walks away--anywhere, as though by walking away he could escape...It was cold in the street. There was a wind like ice. People went flitting by, very fast; the men walked like scissors; the women trod like cats. And nobody knew--nobody cared. Even if she broke down, if at last, after all these years, she were to cry, she'd find herself in the lock-up as like as not.But at the thought of crying it was as though little Lennie leapt in his gran's arms. Ah, that's what she wants to do, my dove. Gran wants to cry. If she could only cry now, cry for a long time, over everything, beginning with her first place and the cruel cook, going on to the doctor's, and then the seven little ones, death of her husband, the children's leaving her, and all the years of misery that led up to Lennie. But to have a proper cry over all these things would take a long time. All the same, the time for it had come. She must do it. She couldn't put it off any longer; she couldn't wait any more...Where could she go?She's had a hard life, has Ma Parker. Yes, a hard life, indeed! Her chin began to tremble; there was no time to lose. But where? Where?She couldn't go home; Ethel was there. It would frighten Ethel out of her life. She couldn't sit on a bench anywhere; people would come arsking her questions. She couldn't possibly go back to the gentleman's flat; she had no right to cry in strangers' houses. If she sat on some steps a policeman would speak to her.Oh, wasn't there anywhere where she could hide and keep herself to herself and stay as long as she liked, not disturbing anybody, and nobody worrying her? Wasn't there anywhere in the world where she could have her cry out-- at last?Ma Parker stood, looking up and down. The icy wind blew out her apron into a balloon. And now it began to rain. There was nowhere.
number the stars主要内容是什么，急求
成长小说.<数星星>是众多的成长小说中的一篇,作品中的小主人公在恐怖的战争环境中走向成熟.安玛丽本是一个单纯的小女孩,战争让她迅速地成长为一个勇敢、坚强、有责任心的姑娘,为反法西斯战争做出了自己的贡献. 本书即是讲述丹麦的人民、反抗军和警察同心协力，将七千名犹太人救出纳粹魔掌，送往瑞典的真实故事。
主角安?莉是??十?q小女孩，她最要好的朋友伊?是犹太人，而纳粹士兵下令所有犹太人都必?被遣送至集中营，她?如何保护伊?
主角安玛莉是个十岁小女孩，她最要好的朋友伊莲是犹太人，而纳粹士兵下令所有犹太人都必须被遣送至集中营，她该如何保护伊莲
求5.篇读后感、几句话也行
急~
—— 是英国文学史上的一部经典传世之作，它成功地塑造了英国文学史中第一个对爱情、生活、社会以及宗教都采取了独立自主的积极进取态度和敢于斗争、敢于争取自由平等地位的女性形象。
. 读后感，我是一口气读完的。
虽然我没有流泪，可是我的心知道这是一本洗涤心灵的书籍。
吸引我的，似乎并不是其有多高，而在于那平凡而细腻的笔触中体现出来的近乎完美的亲子之爱、师生之情、朋友之谊、乡国之恋……这部处处洋溢着爱的小说所蕴涵散发出的那种深厚、浓郁的情感力量真的很伟大。
《爱的教育》在诉说崇高纯真的人性之爱就是一种最为真诚的教育,而教育使爱在升华。
虽然，每个人的人生阅历不同，但是你会从《爱的教育》中体会到曾经经历过的那些类似的情感，它让我感动的同时，也引发了我对于爱的一些思索。
是一本带有自传性质的家庭小说，作者是美国的。
这本书主要讲的是马奇家的四个不同性格的女孩通过自己的善良和勤劳找到了自己幸福的故事。
小说没有跌岩起伏的情节，没有引人入胜的悬念，但作者用朴实的语言描写了马奇家的天伦之爱。
她们的善良、忠诚及对亲情的渴望深深地感动了我。
作者只描写了生活中很平凡的细节，但却处处显露出对爱与美好生活的憧憬。
“不管我活着，还是我死去，我都是一只牛虻，快乐地飞来飞去。
” 合上小说，我已是泪水涟涟。
我被这本外国名著深深打动了。
回顾牛虻的一生，我的眼前仿佛出现了一条波涛汹涌的大江，它闯过浅滩和激流，浪花撞击在礁石上，奔腾着，跳跃着，又义无反顾地向大海奔去。
从打开小说的第一页起，我就不由自主地被这浪潮所席卷，欲罢不能。
我深深震撼于这惊心动魄的故事。
即使沦落到拖着残废的身躯在甘蔗园卖苦力，甚至当一名杂耍戏团的小丑，牛虻始终没有放弃追求，我的耳边回响起亚瑟坚定的话语：“献身于意大利，帮她从奴役和苦难中解放出来!”我读先生的这篇充满对童年回忆的散文,正如读着发处先生心底的那份热爱自然,向往自由的童真童趣.突然间,我仿佛看到了幼年的.趁大人不注意,钻进了.他与昆虫为伴,又采摘野花野果,然后与玩伴一起捕鸟,但由于性急,总是捕不到很多;他又常听保姆长妈妈讲故事,因而非常害怕中的那条赤练蛇.在三味书屋,虽然有寿先生严厉的教诲,却仍耐不过学生们心中的孩子气,当他读书读得入神时,却没发现他的学生正在干着各式各样的事,有的正用纸糊的盔甲套在指甲上优质戏,而鲁迅正聚精会神地在画画……
麻烦各位同志帮我弄2篇观后感，1篇读后感，急啊，要开学啦~·
英语读后感 《飘》 Scarlett , a very personality figures ，the two mans she love ,neither does she know about.To her, I was compelled to admire, admire her strong and brave, admire her to lay down in the environment, farm workers previously suffered education, admire her to disregard the community to create their own expression of the cause .She is in the whole story, all a person full of fighting will full of vitality . I appreciated most , it is this Tomorrow is another day of hers. . Promising forever, full of fighting will , will never give up, never desperate. I think I'm moved by her.So, whenever I meet difficulty, the mood is not good, I will tell oneself : Tomorrow is another day. 'Gone with the Wind' is absolutely a good book that is worth sampling repeatedly, the characters are graceful , the plot rises and falls, exciting boldly and unconstrainedly, though the subjective factor because of the author among them , the appraisal on U.S.A.'s Civil War is not objective and overall, but as to angle of literature, this one fine piece of writing generation definitely absolutely, worth visiting.喜剧动物片 101真狗 my personal favorite 101D medium is Disney's 101 Dalmatians: the Series. It combines many themes of the existing material (Dodie Smith book, 1961 and 1996 movies). But still does its own things, too. Our main pups include brave Lucky, who gets a strong personality mirroring his character in the book, lovable Rolly, the gourmand of the pups, and sweet little Cadpig, who is the true runt of the litter. Also there is Spot the chicken, who longs to be a dog. I find them all extremely amiable and enjoyable to watch. They are usually foiling Cruella's schemes for their land, or outwitting Lt. Pug (I'll get to him later), or sneaking into Grutely, or...just having fun, making a very likable show. 动画喜剧 海底总动员 Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away. Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son... The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running Feel by heart After reading the article called ‘A Gift’, I think the boy is pitiable. He had not seen his father since that graduation day just for a car, much less received his father’s gift in another way. His father loved him very much, but he didn’t treasure this love. So he didn’t thank his father in time, and there is no chance for his father to hear his thank and apology. As many people said, ‘Desires let people be not able to see the fact.’ The boy just wanted the car too much. This cause he can just see the real things he received before his eyes but can’t see things his father wanted to show him in fact behind of the gift. When we were born, parents have been being concerned about us. Even if they can’t meet the goals we expect, they are going to try their best to make us happy. As their children, we should understand our parents. They are so hard to raise us from we are young to we are grown-ups. There is a sentence I heard before ‘Something must be said as early as possible in case that we have no time to say it later.’ Now, let us say ’Thanks’ to our parents, and feel their love by heart. 凑合着用吧!~
