小鹿斑比读后感(用英语写!!!)
【CLASSICS-1】 Snow White and Seven Dwarfs（白雪公主）（1937年） 【CLASSICS-2】Pinocchio（木偶奇遇记）（1940年） 【CLASSICS-3】Fantasia（幻想曲）（1940年） 【CLASSICS-4】Dumbo（小飞象）（1941年） 【CLASSICS-5】Bambi（小鹿斑比）（1942年） 【CLASSICS-6】Saludos Amigos（致候吾友）（1943年） 【CLASSICS-7】The Three Caballeros（三骑士）（1945年） 【CLASSICS-8】Make Mine Music（为我谱上乐章）（1946年） 【CLASSICS-9】Fun and Fancy Free（米奇与魔豆）（1947年） 【CLASSIC-10】Melody Time（旋律时光）（1948年） 【CLASSICS-11】The Adventures of Ichabod and Mr. Toad（伊老师与小蟾蜍大历险）（1949年） 【CLASSICS-12】Cinderella（仙履奇缘）（1950年） 【CLASSICS-13】Alice in Wonderland（艾丽斯梦游仙境）（1951年） 【CLASSICS-14】Peter Pan（小飞侠）（1953年） 【CLASSICS-15】Lady and the Tramp（小姐与流氓）（1955年） 【CLASSICS-16】Sleeping Beauty（睡美人） （1959年） 【CLASSICS-17】101 Dalmatians（101忠狗）（1961年） 【CLASSICS-18】The Sword in the Stone（石中剑）（1963年） 【CLASSICS-19】The Jungle Book（森林王子）（1967年） 【CLASSICS-20】The Aristocats（猫儿历险记）（1970年） 【CLASSICS-21】 Robin Hood（罗宾汉） （1973年） 【CLASSICS-22】The Many Adventures of Winnie the Pooh（小熊维尼历险记）（1977年） 【CLASSICS-23】The Rescuers（救难小英雄）（1977年） 【CLASSICS-24】The Fox and the Hound（狐狸与猎狗）（1981年） 【CLASSICS-25】The Black Cauldron（黑神锅传奇）（1985年） 【CLASSICS-26】The Great Mouse Detective（妙妙探）（1986年） 【CLASSICS-27】Oliver & Company（奥丽华历险记）（1988年） 【CLASSICS-28】The Little Mermaid（小美人鱼）（1989年） 【CLASSICS-29】The Rescuers Down Under（救难小英雄澳洲历险记）（1990年） 【CLASSICS-30】Beauty and the Beast（美女与野兽）（1991年） 【CLASSICS-31】Aladdin（阿拉丁）（1992年） 【CLASSICS-32】The Lion King（狮子王）（1994年） 【CLASSICS-33】Pocahontas（风中奇缘）（1995年） 【CLASSICS-34】The Hunchback of Notre Dame（钟楼怪人）（1996年） 【CLASSICS-35】Hercules（大力士）（1997年） 【CLASSICS-36】Mulan（花木兰）（1998年） 【CLASSICS-37】Tarzan（泰山）（1999年） 【CLASSICS-38】Fantasia\\\/2000（幻想曲2000）（2000年） 【CLASSICS-39】The Emperor's New Groove（变身国王）（2000年） 【CLASSICS-40】Atlantis: The Lost Empire（失落的帝国）（2001年） 【CLASSICS-41】Lilo & Stitch（星际宝贝）（2002年） 【CLASSICS-42】Treasure Planet（星银岛）（2002年） 【CLASSICS-43】Brother Bear（熊的传说）（2003年） 【CLASSICS-44】Home on the Range（放牛吃草）（2004年） 【CLASSICS-45】Chicken Little（四眼天鸡）（2005年）
给《小鹿斑比》读后感配置什么样的音乐
猪八戒背媳妇
怎么写看了小鹿斑比你学到了什么?什么感情?讲了什么
I had to admitted that the sequels of most the original Disney Picture movie were often disappointing. However, after I had seen Bambi 2, I found that it was an enchanting, funny and warm movie, it is definitely one of the fewest best sequels came from the original one.The story happened to be in between the scene that Bambi's mother was gone and the prince, his father, took him; and the scene he grew up. It is talking about how Bambi lives with his father. At the beginning, his father took care of Bambi temporarily until he find the suitable one to take care of him. As a prince, his father appeared to be quite tough to him at the beginning. However, when they lives longer and longer, the father and son relationship grew. Bambi started to enjoy living with his father. Though they were living so happy, his father found the suitable one and Bambi was sent away. Through an accident, finally, the great prince changed his mind and determined to raise Bambi by his own.The film is well organized. The characters are well-designed and redrew and the story unfold naturally. The background music was so pleasant to be listened to and match the scene very well. Some scenes were quite memorable, Bambi plays with his father and his father slowly unfold his mind. I can see that he really care about Bambi. it is so warm.Although the original one was more than 60 years ago, the sequel gave me the feeling of the movies of 19th. The original movie gave me a little bit sorrow and made me sad; But this one gave me warmth and hope.All above are just my personal opinions, other may not agree perfectly, but, for me, it is worth watching and it is one of the fewest best sequels from the original one.
<泰坦尼克号》英语观后感
The heart of ocean which is the name of the diamond in Titanic. It's also the space which a woman's heart could be. And how deep could a woman's heart be so that it keeps a secret for over 84 years without telling anyone the man she has loved, without the only picture of him, however, he retains, he retains in her heart forever. The woman's heart is as deep as the ocean, thats what firmly stamped in my mind of Titanic.The love goes forever, the heart go on and on...... For many times ive saw the film. Everytime i am deeply touched, everytime from diffrent sites. Facing the right to go to America with the largest and luxurious ship in the world, Rose feels like to go for a jail which could bind her to a life she doesnt like; Jack feels like to go to Paradise which would offer him many chances to lead a good life. For the poor people it's just like a honour to get on the Titanic. For the designer and the captain of Titanic it's a timing to praise their achievements. Titanic, a ship of dreams, it's it carries a mount of dreams to America; and its also it which broke up all kinds of dreams. As it begins to sink, all beautiful dreams have broken up. Facing dead, different people have different indications. For the designer and the Captain of Titanic its their fault to let it sink. For the third class people, its a lucky thing to get the chance into the lifeboat for survive. For the mother of Rose it's still a time to divise people into different boats according to their classes. For the fiance of Rose who is Cal its still the time to use his money to drive people help him. For Rose instead of getting into the boat she has choosen to be with Jack together. And for Jack even at the time going to die he stills feel lucky have got the ticket so that he could meet Rose. It's the love which keeps Rose's life on, and it's the love which indicates the worth of Jack's life. At the end of the film the old Rose throws the diamond into the water instead of handing it over. For her it's the only memory which could remind her of Jack, as the diamond falls into the water, the love of Rose comes also with it till it gets the bottom of the ocean
急求人猿泰山观后感英文版
1999年版动画片(Tarzan)观后感：Without a doubt, t is the most visually impressive animated movie has ever created. In the entire visual tory of animated films, t one stands head and shoulders with the best, and above most. The concept of incorporating all or part of the actual person's face and mannerisms who provides the voice for an animated character (which pioneered), has been raised to near art form in this movie. The casting of voices for the characters is excellent, and adds greatly to the impact of the animated performances. Indeed it adds immensely to the entire movie. The visual richness in this film is absolutely awe inspiring.I look for little things, that rmally get overlooked, as a guide for how devoted animators are to bringing quality to the screen. For a small example of this, check out the scene (pretty early in the film) where boy Tarzan asks Terk if he can come with to play. Terk says , because `...you can't keep up'. The next scene Terk comes through a group of ferns and starts talking to his friends. Check out the movement of the ferns behind Terk, and also when boy Tarzan comes through them. They are incredibly detailed and are constantly moving (realistically). All this requires time, money and talent and WHERE in this film is that scrimped on. Canvas, the new technique created by , adds immeasurably to Tarzan. This film wouldn't be NEAR what it is without it. Normally for animation to occur where we follow the action `into' the frame or toward and away from you, the background has to be redrawn continuously because (for instance) elements get larger as you move toward them. This, In contrast to action that moves side-to-side where the background can be drawn once and only character cells need be redrawn. Its like moving `into' a painting, rather than back and forth across the canvas (hence the name probably).Animators rarely do much action `into' the frame, because the time and cost involved is very great. Canvas uses backgrounds, hand drawn into the computer, to computerize (to an extent) this process. This not only greatly reduces the time and cost involved, but it also adds new tools at the animators disposal. Really, it allows the background to come alive. It doesn't look computerized though, it looks like traditional animation. The technique resulted in many spectacular sequences in Tarzan. The scenes where he `surfs' the trees showcases just how awesome this new tool is. There is MUCH more to Canvas than my over-simplified definition. There is MUCH to like in Tarzan... the visual lushness, excellent character animation and voice performances, the music (even if you aren't a Phil Collins fan, it's good) and it has an excellent sense of humor. It also shies away from the overly cute depictions of animals (as in Bambi) for more realistic ones which really took a big turn for the better in The Lion King. The sequences with babies and children (human and animal) and interactions between parent and child also rang very true, something else that began to really take off in The Lion King.Some scenes are very powerful, and will rock even adults. One scene in particular comes to mind. Directly after the fight sequence with Sabor (the leopard), Tarzan does his traditional Tarzan yell. This raised the hair on top of my head. I have found myself watching this over and over again. It's just about as perfect as animation can get. The yell itself is new and fresh, not the traditional yell we have heard so many times before (which is great, but shows it's age). Tremendous power and emotion is translated by less than six seconds of screen time. You will feel yourself fighting back your own yell, or tears when you watch this.Disney did so much right in this movie, but they continued one long, bad tradition. Which is the weak writing and casting of the villain. Indeed the whole conceptualization and portrayal of the antagonist in Disney films, including this one, needs a massive overhaul.Alfred Hitchcock, above all others, understood how important the villain or antagonist was to a film. Hitch made the `heavy' attractive and intelligent. Often the villain was a much better person in most respects than the protagonist of the film, with only one fatal flaw marring . The villain might be a person that you would really want as a friend or a lover, if it weren't for that ONE thing - which was a BIG thing, like he (or she) was a psycho or a traitor or a murderer. On one hand you wanted the `good-guy' to triumph, but you could identify with the villain and you often liked more. Making the villain a desirable and multi-faceted character created incredible tension in the audience.I mention all this because this is one area where Disney REPEATEDLY fails in it's animated films, and Tarzan is no exception. The anti-hero in Tarzan is one-dimensional, and we don't identify with him in any way. He is the `bad hunter', used often as a villain in recent Disney movies, e.g., Beauty and the Beast and Pocahontas. We are drawn into the way Tarzan himself is torn between his adoptive gorilla family, and his identity with the human race. This tension is well done in the film, in every way from the writing and casting to the actual animation of emotion. We aren't however, a bit drawn in by the antagonist of the film.That aside, overall this film was GREAT. I loved it and anyone who likes animated films will love it too. Even if you don't like animation you will probably like this one. It far surpasses most if not all in recent memory. The only gripe I have is the cardboard cut-out villain. I long for more three dimensional antagonists that can get the audience thinking and emotionally involved in the struggle occurring on screen. Enrolling all the writers of the Disney animated movies in a college-level course on the films of Alfred Hitchcock could do WONDERS for their next projects. But that's about the only area where they need help. In every other way Disney is holding class, and all other feature animation studios could do well to sign up for a course or two.
