尼科罗·帕格尼尼为什么广泛被80后的小说所提到?
anini ，1782.10.27--1840.5.27），意大利小提琴演奏家、作曲家。
他的技巧影响了后来的小提琴作品，也影响了钢琴的技巧和作品。
他的作品有《bE大调协奏曲》、《二十四首随想曲》、《女巫之舞》、《无穷动》、《威尼斯狂欢节》、《军队奏鸣曲》、《拿破仑奏鸣曲》、《爱的场面》、《魔女》、《D大调小提琴协奏曲》。
另外，还作有吉他曲二百首，以及各种室内乐曲。
尼科罗·帕格尼尼创作的乐曲在乐坛中有着怎样的地位
Op.1: 24 Caprices for violin solo, No.1-24 24首小提琴随想曲 Op.3 No.1: Sonata No.1 for Violin and Guitar in A major, M.S.27 No.1, A大一小提琴与吉它奏 Op.3 No.4: Sonata for Violin and Guitar in A minor, M.S.27 No.4, A小调第四小提琴与吉它奏鸣曲 Op.3 No.6: Sonata for Violin and Guitar in E minor, M.S.27 No.6, E小调小提琴与吉它奏鸣曲 Op.6: Violin Concerto No.1 in D major, M.S.21, D大调第一小提琴协奏曲 Op.7: Violin Concerto No.2 in B minor La Campanella, M.S.48, B小调第二小提琴协奏曲《钟》 Op.8: Le Streghe, Variations on a theme from the ballet Il noce di Benevento by Franz Xaver Süssmayr, in D major, (M.S.19), D大调女巫舞曲，芭蕾《贝内文托的胡桃》主题变奏 Op.9: Variations on the English national anthem for Violin and Orchestra, God Save the King (Introduzione e variazioni su), M.S. 56, 变奏《天佑吾王》，源自英国国歌 Op.10: The Carnival of Venice (Il Carnevale di Venezia): Variations on the Neapolitan song O mamma, mamma cara, in A major, M.S. 59, A大调变奏，《威尼斯狂欢节》，源自那不勒斯歌曲《哦，妈妈，亲爱的妈妈》 Op.11: Moto Perpetuo (Allegro vivace a movimento perpetuo) in C major, M.S.72, 无穷动 Op.13: I Palpiti, Introduction and Variations on Di tanti palpiti, from Rossini's Tancredi, for violin & orchestra, M.S.77, A大调主题变奏曲《跳动》，源自罗西尼歌剧《坦克雷迪》 Op.17: Cantabile in D major, M.S.109, D大调如歌的柔板 Op.27: Maestosa sonata sentimentale, for violin & orchestra, (Variations on the Austrian National Hymn), M.S.51, 深情的庄严奏鸣曲，（奥地利国歌变奏），源自海顿《上帝保佑弗兰茨皇帝》M.S.2: Sonata concertata in A major A大调奏鸣曲协奏 M.S.3: Grand Sonata for Violin and Guitar in A major, A大调小提琴与吉它大奏鸣曲 M.S.5: Sonata with variations for the fourth string, in E flat major, 降E大调小提琴奏鸣曲M.S.18: Polacca with variations (Polacca con variazioni) in A major, A大调波兰变奏曲 M.S.23: Sonata a Preghiera (aka. Moses Fantasy): Variations for the fourth string on the theme Dal tuo stellato soglio from the opera Mosè by Giacomo Rossini, in F minor, 祈祷奏鸣曲（《摩西幻想曲》），主题变奏曲，源自罗西尼的歌剧《摩西》中祷告时的一段音乐 M.S.47: Sonata and Variations on 'Pria ch'io l'impegno', from Weigl's L'amor Marinaro for violin & orchestra in E major, E大调小提琴变奏奏鸣曲，源自魏格尔歌剧《海上情缘》 M.S.50: Violin Concerto No.3 in E major, E大调第三小提琴协奏曲 M.S.57: Sonata Varsavia, Variations on a mazurka by J. Elsner, 华沙奏鸣曲，变奏，源自埃尔斯纳的玛祖卡舞曲 M.S.60: Violin Concerto No.4 in D minor, D小调第四小提琴协奏曲 M.S.66: Sonata movimento perpetuo, Version 'A', 无穷动奏鸣曲，甲种 M.S.66: Sonata movimento perpetuo, Version 'B', 无穷动奏鸣曲，乙种 M.S.70: Sonata for large viola (Sonata per la Grand Viola), for viola and orchestra in C minor, C小调中提琴奏鸣曲 M.S.74: Balletto Campestre: Variations on a comic theme：乡村芭蕾，滑稽主题变奏 M.S.75: Violin Concerto No.6 in E minor, E小调第六小提琴协奏曲 M.S.78: Violin Concerto No.5 in A minor A小调第五小提琴协奏曲 M.S.79: Sonata for Violin and Guitar in E major, Marie Luisa, E大调小提琴与吉它奏鸣曲《玛丽·路易莎》 M.S.112 No.2: Sonata for Violin and Guitar in D major D大调第二小提琴与吉它奏鸣曲 M.S.112 No.4: Sonata for Violin and Guitar in A major A大调第四小提琴与吉它奏鸣曲
1184和1210这对亲和数，真的是小提琴家尼科罗·帕格尼尼发现的吗
As a soloist, Paganini captivated his auditors by his pyrotechnics. During an engagement in Livorno he so impressed a wealthy French merchant that he was rewarded with a valuable violin. With the arrival of Princess Elisa Baciocchi, the sister of Napoleon, as ruler of Lucca (1805), musical life there was reorganized. The 2 major orchestras were dissolved and replaced by a chamber orchestra. Paganini was retained as 2nd violinist, and then was made solo court violinist (1807). After the chamber orchestra itself was dissolved (Jan. 1, 1808), he played in the court string quartet and also served as violin teacher to Prince Felix Baciocchi. Dissastisfied with his position, he broke with the court in Dec. 1809 and pursued a career as a virtuoso. He came to national prominence in 1813 with a series of sensationally successful concerts in Milan. He subsequently toured throughout Italy, his renown growing from year to year and his vast technical resources maturing and augmenting such that he easily displaced the would-be rivals Lafont in Milan (1816) and Lipinski in Piacenza (1818). In 1824 he met the singer Antonia Bianchi, who became his mistress; she bore him a son, Achilles, in 1825, whom Paganini had legitimized in 1837. In 1827 he was made a Knight of the Golden Spur by Pope Leo XII. When he left Italy for his 1st tour abroad in 1828, he immediately gained a triumph with his opening concert in Vienna (March 29). He gave 14 concerts during his stay in Vienna, and was accorded the honorary title of chamber virtuoso by the Emperor and presented with the city's medal of St. Salvator. He made his first appearance in Berlin on March 4, 1829. He also played in Frankfurt am Main, Darmstadt, Mannheim, and Leipzig. In 1831 he made his Paris (March 9) and London (June 3) debuts. He subsequently gave concerts throughout Great Britain (1831-33).
