关于Jane Austen 的一句名言
这个应该是比较准群的一个女人,尤其当她不幸地无所不知,应尽她所能隐藏她的锋芒。
这是机器翻译的，呵呵，只供参考女人，尤其是如果她不幸明白了某些事情的话，就应该尽可能把它隐藏起来。
——如果是一个人引用这句话写给另一个人的(可能是暗恋对象)我的理解是无论这个女人多么强势（褒义的），多么有能力的，都愿意在爱人身边展露小鸟依人的那一面下面复制在大多数情况下，男人总是愿意充当一个强大的保护者的角色，这跟中国或外国历史的一贯思想是有关系的。
在传统思想中，男人是去打仗，挣钱养家糊口的顶梁柱，而女人从来就被认为是只要起辅助作用就好，因此，太过好强的女人往往会让男人望而却步，因为在她们身上，男人找不到自己的角色归属，无法完成自己心里既定的行为要求，心里会产生自卑感，慢慢就会发展成对生活的厌恶，这是中国传统思想造成的根深蒂固的思维定式。
很难改变。
不复制了当然不是绝对的啊，我不是说所有人都这样啊。
女强人当然也有喜欢的，社会上也有小白脸……总之，这是一句哲理性的话，当然说不爱小鸟依人型的，这也并不矛盾……重点是在于女性那份心，并非针对男性希望对你有帮助
有关于Jane Austen 的一句名言
诺桑觉寺Northanger Abbey
关于Jane Austen 的一句名言
这个应该是比较准群的一个女人,尤其当她不幸地无所不知,应尽她所能隐藏她的锋芒。
这是机器翻译的，呵呵，只供参考女人，尤其是如果她不幸明白了某些事情的话，就应该尽可能把它隐藏起来。
——如果是一个人引用这句话写给另一个人的(可能是暗恋对象)我的理解是无论这个女人多么强势（褒义的），多么有能力的，都愿意在爱人身边展露小鸟依人的那一面下面复制在大多数情况下，男人总是愿意充当一个强大的保护者的角色，这跟中国或外国历史的一贯思想是有关系的。
在传统思想中，男人是去打仗，挣钱养家糊口的顶梁柱，而女人从来就被认为是只要起辅助作用就好，因此，太过好强的女人往往会让男人望而却步，因为在她们身上，男人找不到自己的角色归属，无法完成自己心里既定的行为要求，心里会产生自卑感，慢慢就会发展成对生活的厌恶，这是中国传统思想造成的根深蒂固的思维定式。
很难改变。
不复制了当然不是绝对的啊，我不是说所有人都这样啊。
女强人当然也有喜欢的，社会上也有小白脸……总之，这是一句哲理性的话，当然说不爱小鸟依人型的，这也并不矛盾……重点是在于女性那份心，并非针对男性希望对你有帮助
傲慢与偏见的作者Jane Austin的英文简介
The English author Jane Austen lived from 1775 to 1817. Her novels are highly prized not only for their light irony, humor, and depiction of contemporary English country life, but also for their underlying serious qualities.Jane Austen was born December 16th, 1775 at Steventon, Hampshire, England (near Basingstoke). She was the seventh child (out of eight) and the second daughter (out of two), of the Rev. George Austen, 1731-1805 (the local rector, or Church of England clergyman), and his wife Cassandra, 1739-1827 (née Leigh). (See the silhouettes of Jane Austen's father and mother, apparently taken at different ages.) He had a fairly respectable income of about £600 a year, supplemented by tutoring pupils who came to live with him, but was by no means rich (especially with eight children), and (like Mr. Bennet in Pride and Prejudice) couldn't have given his daughters much to marry on.Jane Austen did a fair amount of reading, of both the serious and the popular literature of the day (her father had a library of 500 books by 1801, and she wrote that she and her family were great novel readers, and not ashamed of being so). However decorous she later chose to be in her own novels, she was very familiar with eighteenth century novels, such as those of Fielding and Richardson, which were much less inhibited than those of the later (near-)Victorian era. She frequently reread Richardson's Sir Charles Grandison, and also enjoyed the novels of Fanny Burney (a.k.a. Madame D'Arblay). She later got the title for Pride and Prejudice from a phrase in Burney's Cecilia, and when Burney's Camilla came out in 1796, one of the subscribers was Miss J. Austen, Steventon. The three novels that she praised in her famous Defense of the Novel in Northanger Abbey were Burney's Cecilia and Camilla, and Maria Edgeworth's Belinda. (See also the diagram of Jane Austen's literary influences).Jane Austen enjoyed social events, and her early letters tell of dances and parties she attended in Hampshire, and also of visits to London, Bath, Southampton etc., where she attended plays and such. There is a famous statement by one Mrs. Mitford that Jane was the the prettiest, silliest, most affected, husband-hunting butterfly she ever remembers (however, Mrs. Mitford seems to have had a personal jealousy against Jane Austen, and it is hard to reconcile this description with the Jane Austen who wrote The Three Sisters before she was eighteen).There have been only two authentic surviving portraits of Jane Austen, both by her sister Cassandra, one of which is a back view! (A poor-quality greycale JPEG and a poor-quality color JPEG of this are available.) The other is a rather disappointing pen and wash drawing made about 1810 (a somewhat manipulated JPEG of this original sketch is available). The main picture of Jane Austen referenced at this site (JPEG) is a much more æsthetically pleasing adaptation of the same portrait, but should be viewed with caution, since it is not the original (for a more sentimentalized Victorian version of this portrait, see this image, and for an even sillier version of the portrait, in which poor Jane has a rather pained expression and is decked out in cloth-of-gold or something, see this image -- for some strange reason, it is this last picture which has been frequently used to illustrate popular media articles on Jane Austen). Here's the silliest version of this portrait ever.For a fun modern re-creation of the Jane Austen portrait, see the Photograph of Jane Austen lounging at a Hollywood poolside
请问Jane Austen的理智与情感里引用莎士比亚的十四行诗是那首
第116首。
我最喜欢那句说变心就变心，哪能算是爱
简奥斯丁的英文简介
Jane Austen was a major English novelist, whose brilliantly witty, elegantly structured satirical fiction marks the transition in English literature from 18th century neo-classicism to 19th century romanticism. Jane Austen was born on 16 December, 1775, at the rectory in the village of Steventon, near Basingstoke, in Hampshire. The seventh of eight children of the Reverend George Austen and his wife, Cassandra, she was educated mainly at home and never lived apart from her family. She had a happy childhood amongst all her brothers and the other boys who lodged with the family and whom Mr Austen tutored. From her older sister, Cassandra, she was inseparable. To amuse themselves, the children wrote and performed plays and charades, and even as a little girl Jane was encouraged to write. The reading that she did of the books in her father's extensive library provided material for the short satirical sketches she wrote as a girl. At the age of 14 she wrote her first novel, Love and Freindship (sic) and then A History of England by a partial, prejudiced and ignorant Historian, together with other very amusing juvenilia. In her early twenties Jane Austen wrote the novels that were later to be re-worked and published as Sense and Sensibility, Pride and Prejudice and Northanger Abbey. She also began a novel called The Watsons which was never completed. As a young woman Jane enjoyed dancing (an activity which features frequently in her novels) and she attended balls in many of the great houses of the neighbourhood. She loved the country, enjoyed long country walks, and had many Hampshire friends. It therefore came as a considerable shock when her parents suddenly announced in 1801 that the family would be moving away to Bath. Mr Austen gave the Steventon living to his son James and retired to Bath with his wife and two daughters. The next four years were difficult ones for Jane Austen. She disliked the confines of a busy town and missed her Steventon life. After her father's death in 1805, his widow and daughters also suffered financial difficulties and were forced to rely on the charity of the Austen sons. It was also at this time that, while on holiday in the West country, Jane fell in love, and when the young man died, she was deeply upset. Later she accepted a proposal of marriage from Harris Bigg-Wither, a wealthy landowner and brother to some of her closest friends, but she changed her mind the next morning and was greatly upset by the whole episode. After the death of Mr Austen, the Austen ladies moved to Southampton to share the home of Jane's naval brother Frank and his wife Mary. There were occasional visits to London, where Jane stayed with her favourite brother Henry, at that time a prosperous banker, and where she enjoyed visits to the theatre and art exhibitions. However, she wrote little in Bath and nothing at all in Southampton. Then, in July, 1809, on her brother Edward offering his mother and sisters a permanent home on his Chawton estate, the Austen ladies moved back to their beloved Hampshire countryside. It was a small but comfortable house, with a pretty garden, and most importantly it provided the settled home which Jane Austen needed in order to write. In the seven and a half years that she lived in this house, she revised Sense and Sensibility and Pride and Prejudice and published them ( in 1811 and 1813) and then embarked on a period of intense productivity. Mansfield Park came out in 1814, followed by Emma in 1816 and she completed Persuasion (which was published together with Northanger Abbey in 1818, the year after her death). None of the books published in her life-time had her name on them — they were described as being written By a Lady. In the winter of 1816 she started Sanditon, but illness prevented its completion. Jane Austen had contracted Addisons Disease, a tubercular disease of the kidneys (see Jane Austen's Illness by Sir Zachary Cope, British Medical Journal, 18 July 1964 and Australian Addisons Disease Assoc.). No longer able to walk far, she used to drive out in a little donkey carriage which can still be seen at the Jane Austen Museum at Chawton. By May 1817 she was so ill that she and Cassandra, to be near Jane's physician, rented rooms in Winchester. Tragically, there was then no cure and Jane Austen died in her sister's arms in the early hours of 18 July, 1817. She was 41 years old. She is buried in Winchester Cathedral.
