求剪刀手爱德华英文原创读后感一篇
影片讲述了这样一个故事，故事发生在一个安静祥和的南半球小镇里(南半球是我推算出来的，因为影片后半段全镇的人要过圣诞节，但他们身着的还是夏装，并且没有下雪，因此我推算是南半球的小镇)。
一位中年妇女是雅芳化妆品（电影字幕翻译）的推销员，她向她的邻居四处推销自己的化妆品，但是屡屡碰壁。
在心灰意冷之际她把目光投向了离小镇不远的一个古堡之上。
西方人总喜欢把一些光怪陆离的事情安插在古堡之中，比如吸血鬼，比如幽灵，这就好像我们中国神话中的古宅或者破庙。
反正就像nba的广告词，where amazing happens。
接着中年妇女见到了在古堡独自生活了很多年的爱德华。
就像影片的名字一样爱德华是个与众不同的人，他有一双剪刀手。
他有剪刀手的原因是因为此前古堡住着一个很老的发明家，是他把爱德华造了出来。
所以爱德华是个机器人。
爱德华有着人类的外表（虽然他的外表很颓废，蓬松油腻的黑发，惨白的脸庞，和满脸的疤痕，我甚至觉得他这个长相不去唱摇滚都糟践了，还有他的剪刀手，天生弹吉他的嘛
其实叫吉他手or贝司手爱德华也不赖啊。
）他有着人类的感情，他可以像人类一样喜怒哀乐，他也可以像人类那样吃饭睡觉。
除了他那双剪刀手剪刀手以外，你可以把他称之为人类。
爱德华不能像人类那样拥有一双灵巧的手原因很简单，我要是说编剧这么设计的你肯定要抽我，呵呵。
是因为老发明家还没有来的及给他造手就挂掉了。
后来这位中年妇女把他带回了小镇。
接着爱德华成为了小镇的焦点，因为他的剪刀手帮他成为了一个园艺高手和发型设计师。
他可以把居民院子里的小树修成恐龙，小熊，甚至全家福。
他也可以用他的剪刀手让小镇里的寂寞妇女到达高潮，别想歪了
我说的是剪刀手爱德华为她们剪发的时候让她们体验到剪发的高潮。
接着爱德华成为了小镇之星。
当然，电影嘛，哪里能没有爱情。
这时候爱德华的心门被那个中年妇女的闺女一脚踹开了，爱德华爱上了这个姑娘。
老实说，这妞长得真的很好看
红颜祸水啊
啧啧。
但是不幸的是爱德华给这个女孩的第一印象很不好，这个女孩把他视为了怪胎。
我好想有点啰嗦了，闲话少说吧。
后来因为种种原因，爱德华先是被人诬陷，接着因为这个姑娘进了私闯民宅，进了派出所，奥，对不起，是警局。
然后是一系列的种种误会，爱德华从小镇之星变为了过街老鼠。
于是乎他又回到了自己居住的城堡，那个奇迹再生之地，于是乎奇迹发生，那个美女对爱德华说出了我爱你。
奇迹之后都是要回归平庸的，美女在说完我爱你后，就拍拍屁股闪人了。
故事over 老实说这片子拍的真的很牛b，把人性拍的如此透明，又如此讽刺。
比如故事发生的小镇的房子，车，还有服装都是采用那种很猥琐的颜色，比如淡蓝淡绿淡粉，给人一派和谐的假象。
只有爱德华是一身黑衣死亡摇滚歌手打扮。
但与这种颜色相悖的是黑衣爱德华的性格单纯善良之极，而小镇居民除中年妇女那一家外都是孙子之极。
所以他在小镇的出现是那么的突兀，这似乎也注定了爱德华的命运，不合群的东西终归是要被排挤出这个群落的，没有善良与邪恶之分。
这就跟婊子谈忠贞，和流氓谈道德是一个道理。
爱德华不是圣“人”，那自然就没有鹤立鸡群之说，对于爱德华这种人来说，就是鸡立鹤群，结局注定是要被踢出局的。
我们可以看到，当爱德华踏入小镇的第一刻起，全镇的中年女人都骚动起来了。
在爱德华展现了自己园艺天赋之后。
更成了小镇妇女趋之若鹜的对象。
这便有了后来，有位骚到骨子里的妇女勾引爱德华未遂，有反咬爱德华强奸了她的事情。
俗话说的好啊，30不浪40浪，50的女人浪打浪，这种年龄段的妇女正是猛如虎的时候，让爱德华这种不谙世事的小羊羔，羊入虎口，真是太悲哀了。
善哉善哉，罪过罪过。
还有一处值得注意的地方是影片只出现了一位黑人，他扮演了一位警官。
这似乎与影片拍摄的时期有关（80年代末）。
所幸的是，这位黑人警官最后放走了爱德华，总的来说，他是个好人。
所以这部片子不仅仅是一段凄美的爱情故事，更是深刻揭露了人与人之间相处的问题和西方世界由来已久的种族歧视问题。
下面谈谈影片的爱情。
本身这就是一部爱情影片。
诚恳的说我一向对爱情片不屑一顾，当然当然要是男女造人工程的镜头有很多的话，那就另当别论了。
但就这部片子来说我还是相当喜欢的。
我不是所谓的爱情学家，自然不可能告诉你这个片子到底诠释了一份怎样的爱情。
但就我看来，这部片子宣扬的是一种纯粹的爱情，是一种原始的爱情，一种所有人都会具有的初恋般的爱情。
都说初恋美好么。
爱德华先是对那个美女的照片一见钟情，这与大部分人的初恋都一样，都是见色起义，我貌似说得有点粗俗了，那就换个词，是大部分人初恋的源动力——对美好事物的向往。
接着爱德华在知情的情况下，还是帮着这个美女和他的男朋友等一干人众私闯民宅，结果民宅警报响起，爱德华被困在屋内，美女一干人等便人作鸟兽散，拍拍屁股闪人了。
爱德华在锒铛入狱的时候也没有说出女孩的名字。
所以，这就看出，爱德华他撒谎了。
老师打小教育我们要做诚实守信的好孩子。
以爱德华这种单纯之极的性格来看，他不可能撒谎的。
因为即使是在小镇的那位骚到骨子里的中年妇女勾引他未遂的事件发生后。
他还是跟美女一家说了“xxx夫人把我带到储藏室后，她便把衣服脱了”这样的话。
由此可见爱德华是不会撒谎的，但是后来他又因为这个姑娘而撒谎了。
我想他之所以会撒谎完全是出于保护自己心爱的人的心理，无师自通了。
阿弥陀佛，祸水啊，祸水。
不过这倒和老子的泡妞哲学不谋而合——衣带渐宽终不悔，为妞消得人憔悴。
这比先下那些无病呻吟，脑残智障的非主流强上千倍万倍都不止。
剪刀手爱德华观后感300字
我很喜欢爱德华，也不因为什么，但是你说他是人，可惜他不是，但是你说他不是，也许他是，有人说他不是，但至少我觉得是，可是我觉得是，有人觉得他不是....（重复重复再重复此处省略n字）
剪刀手爱德华英文版影评
这么美的童话，那么悲凉的结局；这么怪异的剪刀手，那么纯洁的Edward。
刚开始看到电影海报时觉得片子像恐怖惊悚悬疑片，因为海报里幽暗神秘的古堡，Edw惨白且无表情的侧脸，怪异的发型，还有那冷冰冰又吓人的剪刀，总体给人就是毛骨悚然的感觉。
但是看完影片后我觉得这张海报是如此地揪人心，让你浑身都感到他的那种孤独感，犹如一把冰冷的刺刀刺进你心里，你痛你难受却哭不出来，他的面无表情并不是没有任何感情，反而正是通过他的眼神精彩而真实地表达了一切，那种眼神似有魔力般穿越时空透过屏幕径直深入人心，紧接着你全身就像触电般为之颤抖，然后你的心开始一阵阵刺痛，最后慢慢地碎掉，在你还没有来得及将这种痛这种情转化成眼泪前。
这种感觉憋在心中煎熬着内心的感觉，真的很难受，相比于歇斯底里嚎啕大哭更要难受。
其实影片中的剪刀手外表很怪异，但是他却是最美丽最动人最有雪有肉。
他为了爱情执著着，Kim公主般的美貌，大大的眼睛，牛奶般的皮肤着实令人着迷。
Edward第一次从照片中看到Kim时，他的眼神已将一切爱意毫无保留地倾述出来了，只是在现实生活中他知道他不能够明确地将那深刻炙热的爱表达，他知道自己不能够像正常人一样去拥有享受爱情，甚至在Kim说“Hold me”的时候，他只能说“I can't”，多么揪心的痛啊，明明那样真挚热烈地爱着却只无能无力地说“我不能”，连一句“sorry”都没有，Edward当时是何等的煎熬难受啊。
他的爱从不以物质、语言的形式表达，只有在电视台做节目是，当观众问他是否有心仪的女孩时，他用眼神通过镜头真实地传达了那份深沉的爱，而此时Kim第一次感觉到了这份震撼；还有当Kim被男友伤害时，Edward迅速变得狂躁起来。
这就是他爱的特殊方式，甚至知道自己在做坏事却只因“you asked me to”就义无反顾。
“I knew it was Jim;s house.”“Then...why did you do it?”“Because you asked me to.”这是最单纯的回答却是最真挚的爱。
一直觉得Edward是个孤单的人，即使他被好心的Peg领到人们住的城市却依旧孤单，因为他怪异的外表、冷冰冰的见到都使人从内心戒备着，虽然他免费帮助大家修饰草坪、修剪狗狗和发型，但当他无意伤害到人逃到古堡时，大家却执意要去看他到底死没死，人类的虚伪面具在此刻被撕掉，内心的丑恶在次暴露无遗。
Edward一直很想交朋友，一如他在电视台做节目时所说的，但也正因为他的剪刀手他没有交到朋友，就连好心救了即将被车撞到的男孩都被误会成要杀人。
但也正是因为他的剪刀手，他造就了Kim在雪中翩翩起舞的动人场景，也通过自己善良的内心、真诚的眼神和正义的行为换来了心爱女孩Kim的“I love you”和那甜蜜得痛心的吻。
当他和Kim在古堡分别时那场景是多么凄美动人。
在Kim年老之时，她会给她的小孙女讲有关Edward的故事：“You see,before he come down here,it never snowed.And afterwards,it did.If he weren't up here now...I don't think it would be snowing.Sometimes you can still catch me dancing in it.” 片子结尾将Edward又放回那荒凉的古堡之中，其实这是他最好的结局，因这世界太过尖锐和残酷，制造他的博士只教他如何去爱人去感受时间的美，却没有告诫他这世界是如此的黑暗如此的广阔，却广阔到容不下他Edward。
片子在场景布置上就以表明了美与丑。
古堡在外表上看虽是神秘黑暗恐怖的，但里面却是童话般的别有洞天，美丽传神的雕塑犹如天堂般。
而人们住的城镇，外表看是色彩斑斓但却是无情的冷冰冰。
人们称这部影片是部，是部有关机器人的电影，而我想说它是部有关孤单有关爱的悲情剧 疯狂地迷恋Depp
片中Depp虽只说了169个单词，但却将Edward塑造得完美无暇，出神入化。
被杂志百位电影史上最伟大的电影角色之一。
剪刀手爱德华的英文简介
Runtime: 105 min Country: USA Language: English Color: Color (DeLuxe) Sound Mix: 70 mm 6-Track (analog 70 mm prints) \\\/ CDS (digital 70 mm prints) \\\/ Dolby SR (35 mm prints) Certification: Finland:K-11 (uncut) (2003) (DVD) \\\/ Finland:K-12 (cut) (1991) (video) \\\/ Finland:K-10 (cut) (1991) (theater release) \\\/ Portugal:M\\\/12 \\\/ Iceland:12 \\\/ Italy:T \\\/ Spain:T \\\/ Argentina:13 \\\/ Australia:PG \\\/ Canada:PG \\\/ Chile:14 \\\/ France:U \\\/ Germany:6 \\\/ Israel:PG \\\/ Netherlands:MG6 \\\/ New Zealand:PG \\\/ Norway:10 (cut) \\\/ Singapore:PG \\\/ Sweden:11 \\\/ UK:PG (cut) \\\/ USA:PG-13 内容介绍如下：Once upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn t quite perfect. The inventor s sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward s fantastical adventures in a pastel paradise known as Suburbia.
剪刀手爱德华影评 英文版
取你看得部分写…Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally feel the vibe of this picture, its heart pulsing black blood.The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese\\\/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichs and becomes quite a unique film in its own little world.
电影剪刀手爱德华100字内容简介
《剪刀手爱德华》是蒂姆·波顿执导的一部关于机器人的影片，由约翰尼·德普、薇诺娜·瑞德、黛安娜·维斯特、文森特·普莱斯等主演。
影片讲述的是机器人爱德华独自在古堡生活，直到佩格误闯城堡把他带回了自己的家，与佩格的女儿金相恋后却无法在一起的悲剧童话 。
该片于1990年12月14日在美国首映，获第18届土星奖最佳奇幻电影奖、第45届英国电影和电视艺术学院奖最佳艺术指导等多个奖项
关于《剪刀手爱德华》的英语影评，
Once upon a time, an inventor lived in an old castle isolated on top of a hill. He created many ingenious devices and one day, he decided to create a man whom he call Edward. The good-natured scientist took care of him like if he was his own son, but he was old and died before he could complete him. Left all alone with scissors instead of human hands, Edward remains in the castle until he is befriended by Peg, a woman from the neighbouring town who feels pity for his loneliness and decides to bring him to her home. His difference quickly becomes an obstacle which prevent him from being fully accepted as a member of society. Soon, the unsuspecting Edward, becomes the focus of much gossip and awakes either curiosity, hilarity, anger or fear amongst the whole neighbourhood. Also, his innocence and good nature make him an easy victim for the unscrupulous. His artistic talent are exploited by all. And as he falls in love with Peg's daughter, she abuses his kindness and tricks him into helping her and her boyfriend burglar a house. His initial naivety leaves place to feelings of frustration, reject and revolt at people's ways. Edward also comes to realise, that he can be dangerous to others, that he is unable to even touch others without inadvertently harming them because of the sharpness of the blades he has instead of hands. Soon false rumours start spreading. People begin to fear him and wish him away. This is a wonderful tale about love and kindness, but also about rejection and estrangement. It shows the limits of people's tolerance for what is different from them and how strangers, those who stray from the norm, commonly named 'misfits', awake mockery or fear from a society which will use them and ultimately reject them, thus breaking their innocence and goodness. Though a harsh satire of people's vices, such as deceit, gossip, jealousy, hypocrisy, as well as a tragic witness to the pain and frustration linked to being unable to be accepted as one is by others, the tone is still infused with an ever constant sweetness, gentleness and innocence. The acting is impeccable. Depp's performance as Edward is truly touching and Keaton and Price's characters are full of gentleness. Their good-nature shows humanity at its best while some other characters efficiently show its least pleasant aspects. The photography is quite beautiful and is thematically based on a strong contrast between Edward's universe, the dark noiseless castle, strongly influenced by the gothic visual style, with the town, filled with bright colours and voices. The apparently gloomy castle is in fact a shelter from the seemingly happy outside world, which is in fact, much darker and sinister underneath its bright colours. The music is simply great, Danny Elfman being one of the most talented contemporary composer. His style is at times moving, soft, wild, silly, weird and crazy. He has worked on many musical soundtracks since, but this one is probably the most beautiful he ever created.
