求《在月亮下面》英语读后感，七年级水平，50词左右
England and Scotland in the 1500s. Two famous queens - Mary, the Catholic Queen of Scots, and Elizabeth I, the Protestant Queen of England. It was an exciting and a dangerous time to be alive, and to be a queen. Mary was Queen of Scotland when she was one week old. At sixteen, she was also Queen of France. She was tall and beautiful, with red-gold hair. Many men loved her and died for her. But she also had many enemies - men who said: 'The death of Mary is the life of Elizabeth.' --This text refers to an out of print or unavailable edition of this title.
两篇英语读后感，额、简单一点。
100个单词左右
白雪公主 读后感 I read Snow White yesterday。
It is an interesting story。
Snow White is an lovely girl。
She is very kind to people。
But her mom died。
Her new mom is a bad woman。
She thinks Show White is more beautiful than her 。
So she wants to kill her。
But she was saved by seven short boys。
And they live a happy life together。
From this story ，we can learn that kind people can be very lucky。
The god may pray for them。
But bad people must be killed by themselves。
So we should learn from Snow White 。
We should be a kind person and help each other。
老人与海读后感On Spring Festival of this year, I studied in novel old man and sea of Hemingway , famous writer of U.S.A. ,. I admire the old fisherman's will in the novel very much, he lets me understand that a person must have unremitting spirit, could succeed . What the novel is described is an old fisherman almost the sixty years old, when go to sea and fish alone once, have angled to a big fish, but can not draw. After tough fisherman and fish have socialized for a few days, just find this is a big Malin's fish which exceeds several times of one's own fishing boat, though know perfectly well that it is very difficult to win , does not give up yet
罗密欧与朱丽叶读后感1000字左右英文的
中文：故事发生在维洛那名城，有两家门第相当的巨族，累世的宿怨激起了新争，鲜血把市民的白手污渎。
是命运注定这两家仇敌，生下了一对不幸的恋人······”在一首概括性的开场诗后，这部流传了几百年的著名爱情悲剧拉开了帷幕。
在这个暑假了，我莫名地爱上了的戏剧，在看过、等后，最可惜没看到这部举世闻名的戏剧，第一次来到图书馆，就盯上了它，下定决心要在3节阅读课上把它读完。
这部书的和其他大不一样，从开头就可以感觉得到。
整部戏剧是用诗一般的语言来书写的，优雅的贵族用诗句来对话，而仆人们却很普通，足以显出地位的悬殊，通篇洋溢着人文的浪漫的基调。
凯普莱特家族与蒙太玖家族是世仇，正如剧本里所描写的，他们一见面就会打起来，势不两立的两个家族的儿女却成了一对苦恋情人，这是不是上帝
“她是天上明珠降落人间
”罗密欧这样形容朱丽叶。
舞会当晚，在月夜的花园里，浪漫的薄纱般的白色月光下，一对情人互诉衷肠，到这儿全局本到了中间部分，正在向高潮推进，他们秘密地结婚，似乎是喜剧的路线却来了个大转弯。
谁也不会想到，在他们成婚几小时后，罗密欧因为朱丽叶的表哥杀死了朋友而把他杀了。
他被放逐了，朱丽叶悲痛万分，因为她的表哥，因为她的丈夫。
祸不单行，准备把“童贞献给死亡”的她又被父母自作主张地许配给了伯爵。
那天晚上，罗密欧偷偷爬到朱丽叶房里。
似乎是他对她的告别，他得在天亮时离开。
不光是男女主角，就是我这个读者，也不希望黎明的到来，希望代表黑夜的夜莺永远唱出婉转的曲调，赶走代表黎明的云雀。
我特别喜欢朱丽叶服安眠药前以及罗密欧在她墓中服毒自杀之前的那大段独白。
其中的最后一句极其相似。
朱丽叶：“我为你干了这一杯
”罗密欧：“为了我的爱人，我干了这一杯
”朱丽叶在不清楚这药到底是什么，会有什么作用之前，毅然饮下了它，她为了她的爱情、她的计划，干了这一杯。
接着她就昏睡过去。
可是，，给罗密欧的信没有送出去，他带着悲痛与疯狂，带着，来到了墓室。
他杀了伯爵，原本温文尔雅的罗密欧为了爱情显得多么疯狂，他服毒就像喝普通饮料一样毫无差别。
正在这时，朱丽叶醒了，她看到自己的爱人死在身边，手里还握着毒酒杯，正伤心拔出他的匕首，殉了情。
可恶的时差，我在心里咒骂着，如果朱丽叶早点醒来该多好。
一对情人的死，换来了两个家族的融合，他们成了朋友。
维洛那城里竖起了的金塑像，象征着自由、浪漫的爱情，它终于冲破的世俗的阻碍，冲破了家族的仇恨与矛盾。
一对青年的牺牲，换来了两个家族之间的春天。
英语：The story takes place in Verona city, there are two huge doors first significant group, the scores aroused a new struggle between the white blood to the public sewage ditch. Is doomed to the fate of the two enemies, gave birth to a pair of unfortunate lovers, a general in the opening poem, the film has been passed down for hundreds of years of well-known tragedy of love began. In this summer, I fell in love with a nameless to Shakespeare's drama, in reading Hamlet, King Lear and so on, the most unfortunate not to see this world-famous drama, the first time to the library, on the mark on it, determined to read in three classes to finish it. Book and other writing style are very different, can be felt from the beginning. Drama poem is written in the language, the aristocratic elegance to the dialogue with verse, and the servants are very general, sufficient to show the status of the poor, and full of filled with the romantic tone of the humanities. Montague family and凯普莱特Jiu family feud, as described in the script, they will fight a meeting, the two irreconcilable family of sons and daughters has become a lover, this is not God people get good luck ? She is the pearl of the sky to land the world! Romeo Juliet described. Dance the night garden in the Spring River, romantic white tulle like the moonlight, a pair of Valentine's aware that certain , the overall situation here to the middle part of this, is to promote the climax, they secretly married, it seems that the line is a comedy but to a big turn. No one would have thought that after a few hours in their marriage, because Romeo killed Juliet's cousin and friend to the homicide. He was banished, and Juliet great sorrow, because her cousin, as her husband. Misfortunes never come singly, is prepared to dedicated to the death of virginity, she was betrothed to the parents a free hand to the count. That night, Romeo Juliet secretly climbed room. She seems to be his farewell, he had to leave in the morning. Not only is the male and female, that is, my readers, it is hoped that the arrival of dawn, I hope on behalf of the nightingale will never sing the night of tunes indirectly, on behalf of the dawn lark off. I am particularly fond of sleeping pills before Juliet and Romeo in her suicide by taking poison in the tomb before the big monologue. Which is extremely similar to the last sentence. Juliet: I did the cup for you! Romeo: To my love, I did the cup! Juliet in this medicine is not clear what is in the end, what role will be before it took a drink, she love for her, she plans to do the Cup. Then she sleeping past. However,to Romeo not to send out the letter, he with grief and madness, with poison, came to the tomb. The homicide count, the original Romeo gentle how crazy it is for love, he is like drinking poison, like there is no difference between an ordinary beverage. Just then, Juliet woke up, she saw his wife dead in the side, also holding han dsCup, is pulled out his dagger sad, devadasi the situation. The time difference between hateful, cursing in my mind, if Juliet nice to wake up as soon as possible. A pair of lover's death, in exchange for the integration of the two families, they became friends. The city of Verona Romeo and Juliet put up a statue of gold, a symbol of freedom, romantic love, it finally broke through the barriers of the secular to break the family's hatred and conflicts. A pair of young people to sacrifice in return for the spring between the two families.
谁能帮我写两篇英语文章读后感
【第一篇】I've just fininshed reading Harry Potter books , and they're just as magical and affecting as they have ever been. Everything is in here: suspense, adventure, mystery, humour, danger.I think the thing I like best about these books is the message that it's okay to be different - to be not normal. I would love for everyone in school to have hear that message. It would probably reduce the bullying around the school. These books value real thoughts. Much has been made of Harry's rule breaking, but only once in the series so far does he break a rule for arbitrary personal gain. Most of the time he makes a decision that what's right is more important than what's written. And you know what? Life's like that sometimes. I think it's great that kids are getting an example of how to do what's right even when it involves breaking rules. The Potter books also show that there are consequences for rule breaking. If not getting caught and getting a detention, then a spell going wrong and someone getting turned into a cat. This shows that when you make a decision to go against the rules that things may not go as you expected and you have to take responsibility for the outcome.【第二篇】Harry Potter these books with him on his two best friends in school Huogewoci magic in the story. Where records of their fighting together, sharing happiness together, with little Didi Fenyou disturbed things. Everything is so magical! In that magical world of the shaman lived, there are fewer old. When the messenger owl. Cups, hats, are believed to be his opening remarks. Flying broom is their means of transport, and more can be compared to the birds and the sky, and Qizhao Ta can quickly fly in less than a few minutes you can reach the place you want to visit. Chess masters will follow the case, the owner let it go it will go. Order - G, their will to move. There are so many wonderful! No wonder our small magician Harry Potter magic will be popular throughout the world. I admire the most is Harry Potter and his partners, and the difficulties they face the evil spirit never flinched I always memorable. They always had a conviction: We must overcome all, defeat evil, and we learn, understand and know the magic and common sense to defeat our enemies, as long as we work together, we can overcome evil, justice will never defeat evil. With this conviction, they will win, because evil always Doubu Guo justice.
清辅音和浊辅音怎样读
一个最简单的办法：清辅音发音时喉咙那没有明显的震动浊辅音则有强烈的震动感，不信你试下索罗学院 回答 请采纳 谢谢
看变形金刚的英文观后感(70个词左右)急!!!!
1Two things that should not be placed in close proximity of each other: Michael Bay and camera. It is almost unthinkable that anyone could make a boring movie of Transformers. But that’s just what Bay has done.Transformers is mind-numbingly boring, consisting largely of many, many minutes of annoying humans talking and talking and talking and … yes, you wish the Autobots would just break their self-imposed rule of not killing humans and just pulverize these puny beings on screen.It’s a big mistake to make the humans the main characters of the story. We all know how Bay is with characters – caricatures at best, racial stereotypes at worst. And that’s what we get here. Quite a few racial stereotypes and a bunch of bad actors hamming it up for no good reason, while Bay tries to inject extremely lame comedy into the scenes which are supposed to “establish” the characters.We came to see the robots, Michael Bay, so give us the fucking robots!But no, he teases us with a few transformations, glimpses here and there. And when the big moment finally comes – the arrival of the Autobots – we get … more talking with the puny humans!But later, we come to understand why this is so. It’s a story that gives humanity too much credit, that despite our tendencies for great destruction, we’re also very capable of great heroism. Right. And in the absolute worst moments of the film, it takes shots at the Iranians, the Chinese and the Russians, and goes for Bush-friendly lines like “Freedom is the right of every sentient being” or something to that effect. Not surprising, since this is the guy who made the awful Bad Boys II, which has its ending in, of all places, Guantanamo.And the action? I’m tempted to say “What action?” Nothing really happens until the last moments of the film, and the action is the usual disappointing bunch of blurry, shaky nonsense done further damage by choppy, steroid-enhanced editing. We came to see robots fight, but Bay gives us an absolute auto-wreck in which it’s hard to distinguish just who’s fighting who, or even what’s exactly happening on screen. But by the last half hour, my brain had gone into auto-pilot and my eyes had given up trying to follow the messy action. You can also fault that on the over-designed robots.At this point I must quote John Boorman, who coined the term “new brutalism” to contrast the new kind of action sequences that we now see much too often, consisting of fast cuts and action going out of frame, with the more classical style of action. In fact, I think if you were to time the action sequences in Transformers, each cut probably doesn’t last more than 1.5 seconds.It was Boorman who said the new brutalism “is a form of naivete, because it’s made by people who I think don’t really have a grasp of cinema’s history. It’s the MTV kind of editing, where the main idea is that the more disorienting it is, the more exciting. And you see it creeping into mainstream cinema more and more. You look at something like Armageddon and you see all the things that would have been forbidden in classical cinema, like crossing the line, camera jumping from side to side. It is a way to artificially generate excitement but it doesn’t really have any basis to it. And I find it kind of sad, because it’s like an old man trying to dress like a teenager.”I couldn’t agree more.This is a case of the trailer being much better than the film, and promising much more than what is delivered by the actual film. Bay should have learned something from the original cartoon series or even the animated film, at least in regard to what should be the focus of the story. Instead, he’s much too busy orchestrating military action and trying to make Jon Voight be in his most official and most Rumsfeld, while completely wasting a great talent like John Turturro. But then again, Bay has never been good with characterization and actors anyway.Maybe Bay should just stick to making military recruitment videos, since he’s so adept at magic-hour shots of military aircraft and personnel, moving in slow-motion or otherwise, making it all look so cool and stylish. There are so many of these shots in the movie that you might just begin to wonder if some of them are stock footage or scenes cut out from his other films that are recycled here. Even when it’s totally unnecessary, he slips some in with pulsing, official-sounding music.Let’s face it, Michael Bay is cliché, and cliché is Michael Bay. And what we have here is a cliché-ridden adaptation of one of the most beloved cartoon series that misplaces its concerns and completely squanders what could have been a timely live-action revival for Optimus Prime and gang. Instead, we get a yawn-inducing and overlong meditation on how great humanity is, so much so that powerful alien robots think we’re so worth saving that they’re ready to put their lives on the line for us.2There are two ways to review this movie. The right way is to look at it objectively, examining how the film is put together and picking apart the script by pointing out the gaping logical gaps present in it. I’ll be reviewing the film the wrong way, as a man who was once a little boy crying because Optimus Prime was dead. Now whatever is left of that kid inside me has had a wakeup call. The movie he’s been waiting twenty years to see is finally here; Optimus Prime is back from the grave and he needs my help.Transformers director Michael Bay has done the impossible. He’s created a wholly modern, action extravaganza while staying completely true to all the things that have ever been good about the Transformers. Alright maybe Optimus Prime didn’t need to have flames painted on him, but that’s such a minor detail in a movie with characters that are quite literally so big. Otherwise, Transformers is so much like the 80s cartoon many of us loved that it nearly forgets to be cinematic and becomes almost silly. Transformers is astoundingly goofy, but it knows it’s goofy and simply doesn’t care, which is why Bay’s film is so much giant freakin robot There’s no attempt to be serious. That’s not to say the movie doesn’t try to be as real as it can be, after all the goal here is to take giant transforming robots and put them believably in our world. It attempts to seem real, but never at the expense of the essence of what the Transformers have always been. Because of that, Transformers isn’t just dorky, it’s gloriously dorky. The film absolutely revels in how completely looney this premise is, and is all the better for it.Transformers wastes no time getting right to the incredible robot action we’re all hungering for, and rushes directly from the credits to eye-popping, rampant robot destruction. What really holds the film together though is that even when it’s knee deep in save the world, all out, brawling in the streets, giant freakin robot war, at the core of everything is the simple story of a boy and his first car. For a man, there are few things more powerful than the relationship he has with his first automobile, and it’s no different for Sam Witwicky (Shia LaBeouf).Once Bay wisely satiates our lust for effects sequences, he gets right to the heart of his story by taking us along with Sam and his dad as they go car shopping. Sam has worked and saved to afford a car, and is disappointed to discover that he can’t afford any better than a clunker. However, his clunker is no ordinary POS, it’s more than meets the eye. Sam’s relationship with his car, the Autobot Bumblebee is what connects this movie to the audience. The film takes the same formula that has worked so well in other car movies, and applies it to Sam and Bumbelee. In many ways, Bumblebee ends up being a lot like Herbie the Love Bug crossed with shades of Steven Spielberg’s . Sam develops a strong attachment to his beat up little Camaro, long before he discovers it’s more than four tires and a radio. When he does, because of an old war injury Bumblebee can only speak using beeps and by changing radio stations. That too works wonderfully, only deepening their relationship as Bumblebee stands up to protect Sam and the two struggle to communicate with one another. Sam’s relationship with his car is brilliantly written, even better directed, and it’s the super glue that holds this gigantic summer blockbuster tightly together when things go mad in a flurry of one-liners and special effects.Because this is a Michael Bay film, Transformers mixes in the parallel storylines of other characters embroiled in Earth’s sudden alien robot problem. The film cuts between stories, one minute we’re following Sam as his car gets him caught up in a battle that’s way over his head, the next it’s a group of government geeks trying to decode a strange alien signal, the next a group of soldiers under attack from an unknown and evil, alien force of mechanical beings with the ability to disguise themselves as everyday items. Eventually everything collides together and the film’s three separate factions join up with the Autobots, an alien robot force for good, to kick some Decepticon butt. Still, the film is smart enough to ensure thatl Sam’s story remains at the center and heart of the film no matter how big it gets.Just because this is a movie about a boy and his car doesn’t mean it skimps on robot action. In that way, the film plays out almost exactly like the old cartoon series. Sam, for all intents and purposes is just like the humans in the cartoon, a guy who befriends a group of alien beings known as Autobots and helps them fight the good fight against their enemies the Decepticons. One the film gets going there’s barely a frame that doesn’t have some sort of Transformer in it. That might seem like a given, but so many movies of this ilk end up going cheap on the big effects pieces, either to save on budget or in some misguided attempt to heighten the reality of what’s happening. Transformers says screw that and gives you Optimus Prime and his friends hanging out, talking, and fighting the good fight to defend mankind. Occasionally fight sequences suffer but Transformers knows you’re here to see robots thrash the hell out of each other and never shies away from laying that on thick. Bay shows his robots in perfect hero poses with blinding sunlight streaming over their shoulders and Optimus talks about loyalty, duty, and freedom like he’s just stepped off an Autobot recruiting poster. In another movie it would be ridiculous, in Transformers it’s the sort of thing you’ll feel welling up in the pit of your stomach.If there’s any problem with the film, it’s that at 140 minutes it runs slightly long. I’m not proposing that they should have cut back on robots, but some of the movie’s more irrelevant moments involving characters other than Sam could have been truncated without much negative impact. That’s not to say they aren’t entertaining, when the movie’s not wowing you with spectacle it’s pretty good at being flat out funny. At 140 minutes though, Bay could have dropped a few things. Jon Voight has far too many lines, Anthony Anderson seems to serve no real purpose, and though John Turturro is hilarious as the head of a secret government organization, it wouldn’t have hurt the film to have less of him.Minor length issues aside, Transformers is a truly great summer blockbuster. As an action movie it’s a huge success; with awe-inspiring effects, tremendous set pieces, a sexy style, and jaw-dropping things which you have absolutely never seen before in any other movie. As a nostalgia trip for the kids who were sitting next to me in 1986 the last time these characters were in theaters, it’s an even bigger hit. Like many old school Transformers fans I was incredibly skeptical about what Bay was doing. Much of the early information leaked out about the film just didn’t seem right. We were wrong to doubt. For you adults and the kid inside who was there back in the 80s cheering Prime on, this movie is like a rallying cry to your inner child. You’ll want to leap through the screen to stand at Optimus Prime’s side to fight the good fight against Megatron. For your kids, to whom the Transformers are now entirely new, this will be without a doubt the greatest movie they have ever seen. Don’t let them miss it.There are two ways to review this movie. The right way is to look at it objectively, examining how the film is put together and picking apart the script by pointing out the gaping logical gaps present in it. I’ll be reviewing the film the wrong way, as a man who was once a little boy crying because Optimus Prime was dead. Now whatever is left of that kid inside me has had a wakeup call. The movie he’s been waiting twenty years to see is finally here; Optimus Prime is back from the grave and he needs my help.Transformers director Michael Bay has done the impossible. He’s created a wholly modern, action extravaganza while staying completely true to all the things that have ever been good about the Transformers. Alright maybe Optimus Prime didn’t need to have flames painted on him, but that’s such a minor detail in a movie with characters that are quite literally so big. Otherwise, Transformers is so much like the 80s cartoon many of us loved that it nearly forgets to be cinematic and becomes almost silly. Transformers is astoundingly goofy, but it knows it’s goofy and simply doesn’t care, which is why Bay’s film is so much giant freakin robot There’s no attempt to be serious. That’s not to say the movie doesn’t try to be as real as it can be, after all the goal here is to take giant transforming robots and put them believably in our world. It attempts to seem real, but never at the expense of the essence of what the Transformers have always been. Because of that, Transformers isn’t just dorky, it’s gloriously dorky. The film absolutely revels in how completely looney this premise is, and is all the better for it.Transformers wastes no time getting right to the incredible robot action we’re all hungering for, and rushes directly from the credits to eye-popping, rampant robot destruction. What really holds the film together though is that even when it’s knee deep in save the world, all out, brawling in the streets, giant freakin robot war, at the core of everything is the simple story of a boy and his first car. For a man, there are few things more powerful than the relationship he has with his first automobile, and it’s no different for Sam Witwicky (Shia LaBeouf).Once Bay wisely satiates our lust for effects sequences, he gets right to the heart of his story by taking us along with Sam and his dad as they go car shopping. Sam has worked and saved to afford a car, and is disappointed to discover that he can’t afford any better than a clunker. However, his clunker is no ordinary POS, it’s more than meets the eye. Sam’s relationship with his car, the Autobot Bumblebee is what connects this movie to the audience. The film takes the same formula that has worked so well in other car movies, and applies it to Sam and Bumbelee. In many ways, Bumblebee ends up being a lot like Herbie the Love Bug crossed with shades of Steven Spielberg’s . Sam develops a strong attachment to his beat up little Camaro, long before he discovers it’s more than four tires and a radio. When he does, because of an old war injury Bumblebee can only speak using beeps and by changing radio stations. That too works wonderfully, only deepening their relationship as Bumblebee stands up to protect Sam and the two struggle to communicate with one another. Sam’s relationship with his car is brilliantly written, even better directed, and it’s the super glue that holds this gigantic summer blockbuster tightly together when things go mad in a flurry of one-liners and special effects.Because this is a Michael Bay film, Transformers mixes in the parallel storylines of other characters embroiled in Earth’s sudden alien robot problem. The film cuts between stories, one minute we’re following Sam as his car gets him caught up in a battle that’s way over his head, the next it’s a group of government geeks trying to decode a strange alien signal, the next a group of soldiers under attack from an unknown and evil, alien force of mechanical beings with the ability to disguise themselves as everyday items. Eventually everything collides together and the film’s three separate factions join up with the Autobots, an alien robot force for good, to kick some Decepticon butt. Still, the film is smart enough to ensure thatl Sam’s story remains at the center and heart of the film no matter how big it gets.Just because this is a movie about a boy and his car doesn’t mean it skimps on robot action. In that way, the film plays out almost exactly like the old cartoon series. Sam, for all intents and purposes is just like the humans in the cartoon, a guy who befriends a group of alien beings known as Autobots and helps them fight the good fight against their enemies the Decepticons. One the film gets going there’s barely a frame that doesn’t have some sort of Transformer in it. That might seem like a given, but so many movies of this ilk end up going cheap on the big effects pieces, either to save on budget or in some misguided attempt to heighten the reality of what’s happening. Transformers says screw that and gives you Optimus Prime and his friends hanging out, talking, and fighting the good fight to defend mankind. Occasionally fight sequences suffer but Transformers knows you’re here to see robots thrash the hell out of each other and never shies away from laying that on thick. Bay shows his robots in perfect hero poses with blinding sunlight streaming over their shoulders and Optimus talks about loyalty, duty, and freedom like he’s just stepped off an Autobot recruiting poster. In another movie it would be ridiculous, in Transformers it’s the sort of thing you’ll feel welling up in the pit of your stomach.If there’s any problem with the film, it’s that at 140 minutes it runs slightly long. I’m not proposing that they should have cut back on robots, but some of the movie’s more irrelevant moments involving characters other than Sam could have been truncated without much negative impact. That’s not to say they aren’t entertaining, when the movie’s not wowing you with spectacle it’s pretty good at being flat out funny. At 140 minutes though, Bay could have dropped a few things. Jon Voight has far too many lines, Anthony Anderson seems to serve no real purpose, and though John Turturro is hilarious as the head of a secret government organization, it wouldn’t have hurt the film to have less of him.Minor length issues aside, Transformers is a truly great summer blockbuster. As an action movie it’s a huge success; with awe-inspiring effects, tremendous set pieces, a sexy style, and jaw-dropping things which you have absolutely never seen before in any other movie. As a nostalgia trip for the kids who were sitting next to me in 1986 the last time these characters were in theaters, it’s an even bigger hit. Like many old school Transformers fans I was incredibly skeptical about what Bay was doing. Much of the early information leaked out about the film just didn’t seem right. We were wrong to doubt. For you adults and the kid inside who was there back in the 80s cheering Prime on, this movie is like a rallying cry to your inner child. You’ll want to leap through the screen to stand at Optimus Prime’s side to fight the good fight against Megatron. For your kids, to whom the Transformers are now entirely new, this will be without a doubt the greatest movie they have ever seen. Don’t let them miss it.
书《the crucible》的读后感，要结合该书，越详细具体越好
，急
悬赏会加的
After Watching The CrucibleThe story began with a witchcraft ceremony, but the theme of it is not the witchcraft and even not about witchcraft. As far as I am concerned, to some extent the theme of the film is to show human nature. You can’t imagine the content of a film can be so rich. Love, revenge, bad system, dignity, compromise and so on, all of the above are involved in this film. Though the film is not very long, it is necessary to watch it for one more time. Even so, I think I still understand a little about it. “The Crucible is a 1950s play about the Salem Witch Trials by Arthur Miller. Miller wrote this play during the time of McCarthyism in America. Many people were afraid that communism would stop the American way of life. Some people falsely accused their enemies of being communists during this time. Miller writes about the ideas of fear and false accusation in this play.” This is the description of the book’s background from Wikipedia. We can see from the words above that the film not only shows the cultural significance but also indicates the political significance. Here I want to express my opinions and feelings about this film from three aspects including love, human nature and system. First part is about love. What is love? Love is selfless dedication and give, loving someone doesn’t mean occupying him. In the film, there are two kinds of love. One is between Abigail and Proctor, the other is between Proctor and his wife Elizabeth. The former was not legal and allowable and it resulted in the tragedy which killed 19 innocent lives in the end of the film. Abigail was previously the maid for the Proctor’s house. She was fired by proctor’s wife Elizabeth when Elizabeth discovered her affair with Proctor. Since then, she hated Elizabeth damage her fame and shewanted to kill Elizabeth and occupy Proctor through the witchcraft. However, her uncle Parris discovered when the witchcraft ceremony was held. After, a series of disaster happened. In order to protect herself, Abigail told lies to framed others. Gradually, she found that all people were cheated by her lies. Finally, she accused Elizabeth of witchcraft. Proctor, who had been keeping silence for a long time, wanted to expose her lies and tell the truth. To our surprise, lies covered up the truth. Because of Abigail’s lies, 19 innocent people were killed. In the end, Proctor chose death to protect his dignity and name and Abigail had to leave on her own. Her jealousy led to the tragedy and she finally got nothing but Proctor’s death. The love between Proctor and Elizabeth was touching. Proctor made a mistake that he had improper relationship with Abigail. Therefore, Elizabeth felt sad about her husband’s infidelity and quarreled with Proctor. Though she can’t forgive her husband, she still told lies for her husband’s fame. Here we can see Elizabeth loved her husband. Also, Proctor decided to admit the improper relationship with Abigail just to save his wife’s life without caring his own fame and safety. In my opinion, the love between the couple was so deep that the mistake Proctor made couldn’t destroy it. Elizabeth didn’t stop Proctor when he decided to give up his life for his dignity and name. This plot showed her understanding and support for her husband despite she loved him too much. This was true love which is selfless and respectable. Obviously, the film isn’t just a love story. Humanity is another theme of the film. In the second part, I will talk about the opinions on the human nature. Never judge a person only by his or her appearance. Abigail looked beautiful, kind and pure. If I didn’t finish the film, I am sure I can’t help loving her for her beauty. Buy when I finished the
