看变形金刚的英文观后感(70个词左右)急!!!!
1Two things that should not be placed in close proximity of each other: Michael Bay and camera. It is almost unthinkable that anyone could make a boring movie of Transformers. But that’s just what Bay has done.Transformers is mind-numbingly boring, consisting largely of many, many minutes of annoying humans talking and talking and talking and … yes, you wish the Autobots would just break their self-imposed rule of not killing humans and just pulverize these puny beings on screen.It’s a big mistake to make the humans the main characters of the story. We all know how Bay is with characters – caricatures at best, racial stereotypes at worst. And that’s what we get here. Quite a few racial stereotypes and a bunch of bad actors hamming it up for no good reason, while Bay tries to inject extremely lame comedy into the scenes which are supposed to “establish” the characters.We came to see the robots, Michael Bay, so give us the fucking robots!But no, he teases us with a few transformations, glimpses here and there. And when the big moment finally comes – the arrival of the Autobots – we get … more talking with the puny humans!But later, we come to understand why this is so. It’s a story that gives humanity too much credit, that despite our tendencies for great destruction, we’re also very capable of great heroism. Right. And in the absolute worst moments of the film, it takes shots at the Iranians, the Chinese and the Russians, and goes for Bush-friendly lines like “Freedom is the right of every sentient being” or something to that effect. Not surprising, since this is the guy who made the awful Bad Boys II, which has its ending in, of all places, Guantanamo.And the action? I’m tempted to say “What action?” Nothing really happens until the last moments of the film, and the action is the usual disappointing bunch of blurry, shaky nonsense done further damage by choppy, steroid-enhanced editing. We came to see robots fight, but Bay gives us an absolute auto-wreck in which it’s hard to distinguish just who’s fighting who, or even what’s exactly happening on screen. But by the last half hour, my brain had gone into auto-pilot and my eyes had given up trying to follow the messy action. You can also fault that on the over-designed robots.At this point I must quote John Boorman, who coined the term “new brutalism” to contrast the new kind of action sequences that we now see much too often, consisting of fast cuts and action going out of frame, with the more classical style of action. In fact, I think if you were to time the action sequences in Transformers, each cut probably doesn’t last more than 1.5 seconds.It was Boorman who said the new brutalism “is a form of naivete, because it’s made by people who I think don’t really have a grasp of cinema’s history. It’s the MTV kind of editing, where the main idea is that the more disorienting it is, the more exciting. And you see it creeping into mainstream cinema more and more. You look at something like Armageddon and you see all the things that would have been forbidden in classical cinema, like crossing the line, camera jumping from side to side. It is a way to artificially generate excitement but it doesn’t really have any basis to it. And I find it kind of sad, because it’s like an old man trying to dress like a teenager.”I couldn’t agree more.This is a case of the trailer being much better than the film, and promising much more than what is delivered by the actual film. Bay should have learned something from the original cartoon series or even the animated film, at least in regard to what should be the focus of the story. Instead, he’s much too busy orchestrating military action and trying to make Jon Voight be in his most official and most Rumsfeld, while completely wasting a great talent like John Turturro. But then again, Bay has never been good with characterization and actors anyway.Maybe Bay should just stick to making military recruitment videos, since he’s so adept at magic-hour shots of military aircraft and personnel, moving in slow-motion or otherwise, making it all look so cool and stylish. There are so many of these shots in the movie that you might just begin to wonder if some of them are stock footage or scenes cut out from his other films that are recycled here. Even when it’s totally unnecessary, he slips some in with pulsing, official-sounding music.Let’s face it, Michael Bay is cliché, and cliché is Michael Bay. And what we have here is a cliché-ridden adaptation of one of the most beloved cartoon series that misplaces its concerns and completely squanders what could have been a timely live-action revival for Optimus Prime and gang. Instead, we get a yawn-inducing and overlong meditation on how great humanity is, so much so that powerful alien robots think we’re so worth saving that they’re ready to put their lives on the line for us.2There are two ways to review this movie. The right way is to look at it objectively, examining how the film is put together and picking apart the script by pointing out the gaping logical gaps present in it. I’ll be reviewing the film the wrong way, as a man who was once a little boy crying because Optimus Prime was dead. Now whatever is left of that kid inside me has had a wakeup call. The movie he’s been waiting twenty years to see is finally here; Optimus Prime is back from the grave and he needs my help.Transformers director Michael Bay has done the impossible. He’s created a wholly modern, action extravaganza while staying completely true to all the things that have ever been good about the Transformers. Alright maybe Optimus Prime didn’t need to have flames painted on him, but that’s such a minor detail in a movie with characters that are quite literally so big. Otherwise, Transformers is so much like the 80s cartoon many of us loved that it nearly forgets to be cinematic and becomes almost silly. Transformers is astoundingly goofy, but it knows it’s goofy and simply doesn’t care, which is why Bay’s film is so much giant freakin robot There’s no attempt to be serious. That’s not to say the movie doesn’t try to be as real as it can be, after all the goal here is to take giant transforming robots and put them believably in our world. It attempts to seem real, but never at the expense of the essence of what the Transformers have always been. Because of that, Transformers isn’t just dorky, it’s gloriously dorky. The film absolutely revels in how completely looney this premise is, and is all the better for it.Transformers wastes no time getting right to the incredible robot action we’re all hungering for, and rushes directly from the credits to eye-popping, rampant robot destruction. What really holds the film together though is that even when it’s knee deep in save the world, all out, brawling in the streets, giant freakin robot war, at the core of everything is the simple story of a boy and his first car. For a man, there are few things more powerful than the relationship he has with his first automobile, and it’s no different for Sam Witwicky (Shia LaBeouf).Once Bay wisely satiates our lust for effects sequences, he gets right to the heart of his story by taking us along with Sam and his dad as they go car shopping. Sam has worked and saved to afford a car, and is disappointed to discover that he can’t afford any better than a clunker. However, his clunker is no ordinary POS, it’s more than meets the eye. Sam’s relationship with his car, the Autobot Bumblebee is what connects this movie to the audience. The film takes the same formula that has worked so well in other car movies, and applies it to Sam and Bumbelee. In many ways, Bumblebee ends up being a lot like Herbie the Love Bug crossed with shades of Steven Spielberg’s . Sam develops a strong attachment to his beat up little Camaro, long before he discovers it’s more than four tires and a radio. When he does, because of an old war injury Bumblebee can only speak using beeps and by changing radio stations. That too works wonderfully, only deepening their relationship as Bumblebee stands up to protect Sam and the two struggle to communicate with one another. Sam’s relationship with his car is brilliantly written, even better directed, and it’s the super glue that holds this gigantic summer blockbuster tightly together when things go mad in a flurry of one-liners and special effects.Because this is a Michael Bay film, Transformers mixes in the parallel storylines of other characters embroiled in Earth’s sudden alien robot problem. The film cuts between stories, one minute we’re following Sam as his car gets him caught up in a battle that’s way over his head, the next it’s a group of government geeks trying to decode a strange alien signal, the next a group of soldiers under attack from an unknown and evil, alien force of mechanical beings with the ability to disguise themselves as everyday items. Eventually everything collides together and the film’s three separate factions join up with the Autobots, an alien robot force for good, to kick some Decepticon butt. Still, the film is smart enough to ensure thatl Sam’s story remains at the center and heart of the film no matter how big it gets.Just because this is a movie about a boy and his car doesn’t mean it skimps on robot action. In that way, the film plays out almost exactly like the old cartoon series. Sam, for all intents and purposes is just like the humans in the cartoon, a guy who befriends a group of alien beings known as Autobots and helps them fight the good fight against their enemies the Decepticons. One the film gets going there’s barely a frame that doesn’t have some sort of Transformer in it. That might seem like a given, but so many movies of this ilk end up going cheap on the big effects pieces, either to save on budget or in some misguided attempt to heighten the reality of what’s happening. Transformers says screw that and gives you Optimus Prime and his friends hanging out, talking, and fighting the good fight to defend mankind. Occasionally fight sequences suffer but Transformers knows you’re here to see robots thrash the hell out of each other and never shies away from laying that on thick. Bay shows his robots in perfect hero poses with blinding sunlight streaming over their shoulders and Optimus talks about loyalty, duty, and freedom like he’s just stepped off an Autobot recruiting poster. In another movie it would be ridiculous, in Transformers it’s the sort of thing you’ll feel welling up in the pit of your stomach.If there’s any problem with the film, it’s that at 140 minutes it runs slightly long. I’m not proposing that they should have cut back on robots, but some of the movie’s more irrelevant moments involving characters other than Sam could have been truncated without much negative impact. That’s not to say they aren’t entertaining, when the movie’s not wowing you with spectacle it’s pretty good at being flat out funny. At 140 minutes though, Bay could have dropped a few things. Jon Voight has far too many lines, Anthony Anderson seems to serve no real purpose, and though John Turturro is hilarious as the head of a secret government organization, it wouldn’t have hurt the film to have less of him.Minor length issues aside, Transformers is a truly great summer blockbuster. As an action movie it’s a huge success; with awe-inspiring effects, tremendous set pieces, a sexy style, and jaw-dropping things which you have absolutely never seen before in any other movie. As a nostalgia trip for the kids who were sitting next to me in 1986 the last time these characters were in theaters, it’s an even bigger hit. Like many old school Transformers fans I was incredibly skeptical about what Bay was doing. Much of the early information leaked out about the film just didn’t seem right. We were wrong to doubt. For you adults and the kid inside who was there back in the 80s cheering Prime on, this movie is like a rallying cry to your inner child. You’ll want to leap through the screen to stand at Optimus Prime’s side to fight the good fight against Megatron. For your kids, to whom the Transformers are now entirely new, this will be without a doubt the greatest movie they have ever seen. Don’t let them miss it.There are two ways to review this movie. The right way is to look at it objectively, examining how the film is put together and picking apart the script by pointing out the gaping logical gaps present in it. I’ll be reviewing the film the wrong way, as a man who was once a little boy crying because Optimus Prime was dead. Now whatever is left of that kid inside me has had a wakeup call. The movie he’s been waiting twenty years to see is finally here; Optimus Prime is back from the grave and he needs my help.Transformers director Michael Bay has done the impossible. He’s created a wholly modern, action extravaganza while staying completely true to all the things that have ever been good about the Transformers. Alright maybe Optimus Prime didn’t need to have flames painted on him, but that’s such a minor detail in a movie with characters that are quite literally so big. Otherwise, Transformers is so much like the 80s cartoon many of us loved that it nearly forgets to be cinematic and becomes almost silly. Transformers is astoundingly goofy, but it knows it’s goofy and simply doesn’t care, which is why Bay’s film is so much giant freakin robot There’s no attempt to be serious. That’s not to say the movie doesn’t try to be as real as it can be, after all the goal here is to take giant transforming robots and put them believably in our world. It attempts to seem real, but never at the expense of the essence of what the Transformers have always been. Because of that, Transformers isn’t just dorky, it’s gloriously dorky. The film absolutely revels in how completely looney this premise is, and is all the better for it.Transformers wastes no time getting right to the incredible robot action we’re all hungering for, and rushes directly from the credits to eye-popping, rampant robot destruction. What really holds the film together though is that even when it’s knee deep in save the world, all out, brawling in the streets, giant freakin robot war, at the core of everything is the simple story of a boy and his first car. For a man, there are few things more powerful than the relationship he has with his first automobile, and it’s no different for Sam Witwicky (Shia LaBeouf).Once Bay wisely satiates our lust for effects sequences, he gets right to the heart of his story by taking us along with Sam and his dad as they go car shopping. Sam has worked and saved to afford a car, and is disappointed to discover that he can’t afford any better than a clunker. However, his clunker is no ordinary POS, it’s more than meets the eye. Sam’s relationship with his car, the Autobot Bumblebee is what connects this movie to the audience. The film takes the same formula that has worked so well in other car movies, and applies it to Sam and Bumbelee. In many ways, Bumblebee ends up being a lot like Herbie the Love Bug crossed with shades of Steven Spielberg’s . Sam develops a strong attachment to his beat up little Camaro, long before he discovers it’s more than four tires and a radio. When he does, because of an old war injury Bumblebee can only speak using beeps and by changing radio stations. That too works wonderfully, only deepening their relationship as Bumblebee stands up to protect Sam and the two struggle to communicate with one another. Sam’s relationship with his car is brilliantly written, even better directed, and it’s the super glue that holds this gigantic summer blockbuster tightly together when things go mad in a flurry of one-liners and special effects.Because this is a Michael Bay film, Transformers mixes in the parallel storylines of other characters embroiled in Earth’s sudden alien robot problem. The film cuts between stories, one minute we’re following Sam as his car gets him caught up in a battle that’s way over his head, the next it’s a group of government geeks trying to decode a strange alien signal, the next a group of soldiers under attack from an unknown and evil, alien force of mechanical beings with the ability to disguise themselves as everyday items. Eventually everything collides together and the film’s three separate factions join up with the Autobots, an alien robot force for good, to kick some Decepticon butt. Still, the film is smart enough to ensure thatl Sam’s story remains at the center and heart of the film no matter how big it gets.Just because this is a movie about a boy and his car doesn’t mean it skimps on robot action. In that way, the film plays out almost exactly like the old cartoon series. Sam, for all intents and purposes is just like the humans in the cartoon, a guy who befriends a group of alien beings known as Autobots and helps them fight the good fight against their enemies the Decepticons. One the film gets going there’s barely a frame that doesn’t have some sort of Transformer in it. That might seem like a given, but so many movies of this ilk end up going cheap on the big effects pieces, either to save on budget or in some misguided attempt to heighten the reality of what’s happening. Transformers says screw that and gives you Optimus Prime and his friends hanging out, talking, and fighting the good fight to defend mankind. Occasionally fight sequences suffer but Transformers knows you’re here to see robots thrash the hell out of each other and never shies away from laying that on thick. Bay shows his robots in perfect hero poses with blinding sunlight streaming over their shoulders and Optimus talks about loyalty, duty, and freedom like he’s just stepped off an Autobot recruiting poster. In another movie it would be ridiculous, in Transformers it’s the sort of thing you’ll feel welling up in the pit of your stomach.If there’s any problem with the film, it’s that at 140 minutes it runs slightly long. I’m not proposing that they should have cut back on robots, but some of the movie’s more irrelevant moments involving characters other than Sam could have been truncated without much negative impact. That’s not to say they aren’t entertaining, when the movie’s not wowing you with spectacle it’s pretty good at being flat out funny. At 140 minutes though, Bay could have dropped a few things. Jon Voight has far too many lines, Anthony Anderson seems to serve no real purpose, and though John Turturro is hilarious as the head of a secret government organization, it wouldn’t have hurt the film to have less of him.Minor length issues aside, Transformers is a truly great summer blockbuster. As an action movie it’s a huge success; with awe-inspiring effects, tremendous set pieces, a sexy style, and jaw-dropping things which you have absolutely never seen before in any other movie. As a nostalgia trip for the kids who were sitting next to me in 1986 the last time these characters were in theaters, it’s an even bigger hit. Like many old school Transformers fans I was incredibly skeptical about what Bay was doing. Much of the early information leaked out about the film just didn’t seem right. We were wrong to doubt. For you adults and the kid inside who was there back in the 80s cheering Prime on, this movie is like a rallying cry to your inner child. You’ll want to leap through the screen to stand at Optimus Prime’s side to fight the good fight against Megatron. For your kids, to whom the Transformers are now entirely new, this will be without a doubt the greatest movie they have ever seen. Don’t let them miss it.
看变形金刚的英文观后感(70个词左右)急!!!!
Transformer is a good movie for both children and adults.It tells us the righteous will definitely beat the evil. Also, it's important to get together and help each other when we face challenges and dangers.High technology is widely used in this movie and this makes it so interesting and exciting. I like the movie very much.
变形金刚3英语读后感80词左右
Transformers: Dark of the Moon is a 2011 American science fiction-action film. It is the third film of the live-action Transformers film series, directed by Michael Bay and produced by Steven Spielberg. It was released on June 29, 2011. The film is presented in regular 2D, Real D 3D and IMAX 3D, featuring Dolby Surround 7.1 sound. The film currently stands as the 29th highest-grossing film of all-time and is currently the 2nd highest grossing film of 2011 internationally.变形3：月黑之时是一部2011年美国科幻动作片，它是列的第三部，由迈克•贝导演，史蒂文•斯皮尔伯格制片。
它已在2011年6月29日发行。
该片会以2D，3D和IMAX的形式发行，并以7.1环绕立体声展示出来。
该片目前是29日最高票房的电影，目前也是国际上第二卖座的电影。
1Two things that should not be placed in close proximity of each other: Michael Bay and camera. It is almost unthinkable that anyone could make a boring movie of Transformers. But that’s just what Bay has done.Transformers is mind-numbingly boring, consisting largely of many, many minutes of annoying humans talking and talking and talking and … yes, you wish the Autobots would just break their self-imposed rule of not killing humans and just pulverize these puny beings on screen.It’s a big mistake to make the humans the main characters of the story. We all know how Bay is with characters – caricatures at best, racial stereotypes at worst. And that’s what we get here. Quite a few racial stereotypes and a bunch of bad actors hamming it up for no good reason, while Bay tries to inject extremely lame comedy into the scenes which are supposed to “establish” the characters.We came to see the robots, Michael Bay, so give us the fucking robots!But no, he teases us with a few transformations, glimpses here and there. And when the big moment finally comes – the arrival of the Autobots – we get … more talking with the puny humans!But later, we come to understand why this is so. It’s a story that gives humanity too much credit, that despite our tendencies for great destruction, we’re also very capable of great heroism. Right. And in the absolute worst moments of the film, it takes shots at the Iranians, the Chinese and the Russians, and goes for Bush-friendly lines like “Freedom is the right of every sentient being” or something to that effect. Not surprising, since this is the guy who made the awful Bad Boys II, which has its ending in, of all places, Guantanamo.And the action? I’m tempted to say “What action?” Nothing really happens until the last moments of the film
变形金刚4的英语观后感，50词以上
《变形金刚4》：一首钢铁诗歌#变形金刚4：绝迹重生#其实是一首钢铁诗歌，人类自取灭亡的偏执愚昧与机器拯救地球的热情坚持一样疯狂，浩瀚银河的伟大包容与钢铁烈焰的激烈碰撞，形成变形金刚独有的温情。
时而空濛时而雄壮的音乐让影片充满律动，也让台词在彷如诗歌吟咏与激情呐喊中，绝迹重生，并寻找到人类情感的共鸣。
如果说#变形金刚4：绝迹重生# 改造更新正反派角色形象是对细节的加强，那么把镜头从城市拉进河谷森林，则是借由空间的放大增加气势的恢弘。
而麻将、鸟笼、石狮、牌坊、自行车、汉字等等中国元素的展现，代表影片对中国观众及巨大市场的迎合，在漂移金属披风的映衬下，中国文化随电影工业走向世界。
《变形金刚4：绝迹重生》除了人类班底更新，钢铁机器兵团也有力量补充，由威震天改造升级的惊破天，赏金猎人禁闭以及人类仿照大黄蜂自行制造的毒刺让狂派实力大增，而探长、十字线、漂移以及恐龙军团，更是让博派有了激荡人心的战斗力。
尤其新变形金刚的杀招，脸炮、折叠镰刀、风火轮……充满震撼效果《变形金刚》首部让人惊喜，青年汽车梦与保卫地球的强大反差保持了故事惊喜的持续，续集系列第2、第3两部则太过差强人意，深感故事力不从心。
《变形金刚4：绝迹重生》则让迈克尔•贝扳回一城，以中年人反击落魄生活的勇气与父女之情的温情，给暴烈的钢铁之战注入一丝成年人的悲怆与担此重任的坚毅。
《变形金刚4：绝迹重生》堪称电影高度工业化的巅峰代表作品，借由数字化的先进，可以完全无视空间束缚，将钢铁机器的破坏力发挥到极致，数字技术上的成功，则更注重制造和提升视听效果，让观影的愉悦感体现到最大。
在香港的一场“华丽”搏杀中，国产灾难片与之相比，显现犹如手工业者般的拙朴。
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求:<<金刚>>英文版,观后感,.
据说一片在美国上映时，票房平平。
但据本人分析派拉蒙和梦工厂大可不必担心票房收入，单单中国一地的票房收入就足够他们满仓满谷的了。
想想看凡是七十年代的人哪个不知道“擎天柱”“威震天”的。
胡同里踏勒着鞋高喊着“库库喀喀，汽车人变形，出击
”的孩子们现在都成了GDP的主力，谁又在乎花个70大洋，寻找一下童年的感觉呢。
7月11日，首映当天，顶着烈日2点多跑到西单，就这么着才定到了晚上6点的票，还是中文版，没辙
大片就是大片。
2小时12分钟，看完后有种如释重负的感觉。
总体来说还是不错的，值得一看。
本来这种题材的影片很容易拍的“金属”味道过重，丁丁当当的弄得跟打铁的似的。
导演可能也注意到这一点，很注意节奏的调节。
一般地说，都是一个机器打斗镜头后穿插一个轻松的人类的插科打诨的镜头，避免紧张刺激的镜头造成观众的审美疲劳，台词对话，也极尽幽默之能事，除了不少的经典。
比如特工和互相用枪指着对方的头。
一边说：“我数到五，你再不把枪放下，后果自负。
”大兵答道“那我就数到三”。
（美国的军方就是牛
）还有威震天最后的台词“今天不是你死就是我活
”（真是不吃亏呀
）小女孩手里拿着自己的牙，看着从游泳池爬出来的变形金刚，问道：“你是牙神吗
”（此女以后必成大事
）此外，沙漠接线员，总统的红袜子，第七区的阿Q特工，和男主人公的脱线父母，人人都是喜剧天才，给这个“金属片”添了不少“彩虹色”。
CG部分也是不错的，虽然变身的镜头有点杂乱，感觉嘁哩喀喳就变了，还没来得及欣赏呢，没了~~。
但比起动画片的2D来说，自是不可同日而语。
就是打斗的时候有点混乱，就算是有穿帮也看不出来，人和CG地结合很不错，基本上看不出痕迹。
但从头至尾，也有不少硬伤。
硬伤一：广告 完全理解好莱坞商业片运作过程中对经济利益的追求。
但赤裸裸到这个地步还是有点让人不太舒服。
雪弗莱自不必说，变身镜头给得最多的就是“大黄蜂”。
本来不过一个配角，就是因为作了雪弗莱的代言人，镜头前得以大展身手。
这点上庞蒂克显然投资不够，“爵士”出场没两个镜头就让威震天给“劈”了。
汽车人嘛给车做做广告也无可厚非，不过连易趣网，，sony也来凑热闹就有点那个了~~总体看来就像是看着一部中间时常插播广告的电视剧，唯一的区别在于，不想看还不能调台，纯属“视觉强奸”。
不过，凭心而论，人家的广告拍的是不错，在剧情里一点都不显得突兀，这水平有待国人努力。
特别是剧中7区特工的那句“一切皆有可能”太绝了。
我要看看英文版，以便确认到底是耐克有投资，还是中国区的翻译收了他们的回扣…… 硬伤二，比例 巨大的“魔方”在大黄蜂的触摸下一点点地分解叠加变成一个普通大小的盒子。
看过该片的人应该不会忘记这个镜头。
本人认为这是本片CG中经典的经典，创意超好
大有孙悟空如意棒的神髓。
（强烈建议有关部门加强本国知识产权的保护力度，避免别国再次剽窃我们伟大祖先的智慧，反过来还挣我们的钱
）魔方大小可变也就罢了。
怎么汽车人也好，霸天虎也好大小也是变来变去的
“爵士”是辆“迷你”跑车是没错，但被威震天“生劈”的时候看上去就比人类大不了多少。
大黄蜂被维奇看到变身时那伟岸的身姿，怎么一受伤就变得跟拖车差不多大小了
不过想想看也就理解了，“魔方”的力量嘛，大大小小很正常。
但维奇爷爷的眼镜怎么也会变大小呢
那么小个眼镜在擎天柱手里有半个人那么大，真不知道维奇爷爷的脸到底有多大…… 硬伤三 猩猩
本人一直认为擎天柱是很帅的，我的一个好朋友甚至以擎天柱做为找男朋友的标准（此人至今未婚）。
严格意义上讲“变变”们的设计还是很成功的。
金属的质感，每个零件的细致处理，说话时的口型等等。
但总觉得差了点什么。
差什么呢
个性
先说霸天虎，红蜘蛛的贪婪野心愚蠢的个性一点没有得到体现，整体上感觉就是想SHOW一下美国本世纪的新型主战战机F-22的英姿，一开始时候的那个直升机倒是给人留下了深刻的印象，可是此后的警车，坦克都是什么来头，连名字也没能记住。
倒是那个叫“迷乱”的音响，居功至尾，戏份比老大威震天都多得多。
可惜就是语言功底不好，说话唧唧呀呀的，好像这是霸天虎们的通病，那个坦克更绝连台词都不用背。
警车给人们留下了深刻的印象：“眼镜在哪
”就这一句台词听上去就像是唱片跳了针
再说汽车人，大黄蜂以代言人的身份抢了大量的戏份，但人物性格又是什么样子呢
看不出来，非要说出点来的话，我看他有点自恋倾向，不然，干嘛人家一说它是破车他就把人从车上轰下去，然后摇身一变~~。
铁皮号称“”可是给人的感觉有点家暴倾向，不是展示自己的武器吓唬主人公，就是威胁要干掉主人公的父母。
真打起仗来，没觉得有多厉害呀
救护车就更过分，严重违反医学道德，暴晒主人公的“”指数，完全不顾职业缄默原则。
再次提到“爵士”之死，惨呀
~~临死连个豪言壮语没说上一句，他就……彻彻底底的“匪兵甲，路人乙”。
唉~~也罢，毕竟是配角，太突出抢了主角的风头不好，那我们就再来看看两位“老大”。
威震天，电影演了2\\\/3才出场，够大牌的。
但怎么看也不想是个老谋深算的反派老大，倒像是一只刚从动物园笼子里跑出来的大猩猩，楼顶上“生劈”爵士一幕更是让我联想到了。
擎天柱脸上那帅帅的“大口罩”当初不知道迷死了多少女生，现在却变成了长长的下巴加上大兜齿，怎么看怎么像某种“类人”动物。
看到擎天柱大哥在桥下单臂挂桥，像一样身手敏捷的荡来荡去的时候，我恍然大悟。
怪不得他那么爱护人类……原来我们是同根同源的硬伤四：美女 能做的女主角，必能一夜成名。
想想看在那么一群钢铁猛男之中，就算是也算是娇小可人型的了。
导演在这点上可谓是精益求精，找到了身材超级火辣的来做女主角，此女5岁就开始学习舞蹈，身材相貌自是不必说，和健康黝黑的肤色也与动作电影的题材和谐一致。
导演慧眼识珠，在整体安排上一路绿灯，整部电影有台词的女性一共5人：维奇的母亲（50岁上下，属于只能养儿，不能养眼的范畴了。
）大兵哥老婆（开篇结尾露一下脸，点点人类“生生不息”的主题。
重要台词“宝宝，你爸爸会回来的。
”好像生怕男观众们对她起歹心似的。
）女科研人员（从戏份上讲应该算是女二号了，人长得也挺漂亮，还是精英属于智慧与美貌并存型。
导演生怕她抢了女主角的戏，所以从头至尾都让她穿风衣，郁闷呀~~）最后一位隆重推出女服务员（一句：“我参军好像就是为了给他送蛋糕”道破了美国军人的悲哀，一场伊战说白了就是为了小布一句话：“我要一块伊拉克蛋糕”。
结果蛋糕没吃到嘴里掉到了地上。
总统是吃不到了，只好女服务员自己吃。
一句：“真难吃”道出了目前的美军士兵们的心态。
）就是这么几个女性角色，在她们之间穿梭，再加上“变变”们的陪衬，女主角占尽天时地利人和，所以演技也就没什么意义了。
吹毛求疵点地说，女主角注意一下紫外线，晒斑多了有碍观瞻倒是次要的，主要是小心皮肤癌……硬伤五：剧情 我是个很不厚道，喜欢钻牛角尖的人，我深刻地反省。
但我还是怎么也不能想明白。
美国国防部找来的电脑专家们都是干什么吃的，一点忙都帮不上也就罢了，还竟裹乱。
最可气的就是那个什么号称专家的专家的黑人胖子，他的出场除了增加点笑料实在对剧情没有任何帮助。
第七区的特务们一个个很神秘的样子，带着国防部长参观时基地时却显得那么的训练有素，就象是每天接待中学生参观的白宫讲解员。
有着高科技的美国秘密基地，用喷枪给机制人降温制冻（太原始了吧）。
一八几几年就有船到过北极，没有资料不敢质疑，但好歹也是艘有着破冰能力的破冰船吧，维奇爷爷的两桅帆船后来怎么离开的北极实在是个谜
小地方也就罢了，最后的结尾实在是不能忍--既然把“魔方”塞到威震天的身上它就会死，主角干嘛还玩了命的跑到大楼上（主角的体力和耐力及其爆发力是惊人的）擎天柱没完没了地重复：“如果我失败了，把魔方放进我的心脏，我要用我的生命毁掉它
”男主角还在一边敲边鼓：“没有牺牲就不能成功
”整个气氛搞得像是“一场悲剧就要上演”似的。
搞这种“噱头”在好莱坞这种水平下，是不是也太小儿科了。
不如这样：擎天柱从维奇手中接过魔方，趁威震天来抢夺之机抛给侧方掩护的救护车，救护车在卡咔嚓嚓的变形声中完成汽车形态，在市中心混杂的道路上飞驰，威震天抛下擎天柱，变身飞机继续追赶，超低空飞机和救护车在道路上你追我赶。
镜头以救护车视角为准，全场观众一起体验一下宽银幕《卡本》的快乐。
突然对面铁皮迎面驶来，眼看就要撞上了，两辆车同时变形，（这时给慢镜）在双方侧面划过的时刻，一个默契的背后传球（程序可参考NBA2007）魔方被顺利的转移到铁皮手里，威震天转弯不急，重重的甩到身后的大楼上，大楼缓缓倒塌（可调用世贸倒塌镜头，同时点出威震天是恐怖主义分子。
）恼羞成怒的威震天变回机器人形态，向铁皮射击。
铁皮终于可以发挥它“武器专家”的特长，左手炮，右手枪，背后火箭筒，两脚烽火轮……一通乱打后，毕竟老大是老大，连擎天柱都不是对手的威震天一枪打在铁皮的手腕上，魔方落地（慢镜），每个“变变”特写闪回，音效关闭一片寂静，突然所有的“变变”冲向魔方（参考《最后一码》）你压我我压你，魔方在众“变变”的手上跳来跳去，背景音乐可以用欢快一点的波尔卡舞曲，以突显出这场战斗的幼稚和不成熟，照顾广大学龄前儿童们的欣赏趣味（说白了就是几个孩子抢着要玩魔方）。
终于魔方被一只手牢牢地抓住了，镜头下摇威震天得意的神情，继续下摇，他脚下的“变变”们挤插插的扭做一团，成了一座机器山，这时可以给大威两句台词，反正也就是恐怖主义分子们常叫嚣的：“我要让这个世界充满恐惧
”“没有人可以忽视我的存在，我是世界之王，宇宙之王
”之类的。
就在他高举“魔方”之际，脚下伸出六只手死死的抱住他的腿，原来是汽车人变变们的策略，擎天柱趁机冲上去一拳打晕威震天拿到了“魔方”。
大获全胜的汽车人们聚到了一起，正要讨论下一步的计划。
威震天的真正力量觉醒，霸天虎们使出了“爆豆必杀”—合体（变形金刚动画版的精髓，无论如何电影版应该涉及一下，不然大大失色）5个霸天虎合体成为新的“大力神”（借用名字），形势瞬间倾覆，汽车人们个个成了“武大郎”只有挨打的份，（尽量减少血腥成分，比如“桥下割头”镜头，毕竟在暑期档上映，照顾一下家长们的情绪。
）奄奄一息们的汽车人横七竖八的躺在地上，威震天狂笑着变身成了他本来的模样一把激光炮，“大力神”把激光炮抗在身上，魔方成了弹夹。
黑洞洞的炮口对准了擎天柱和他身下的地球，所有人都在屏息，所有人都在质疑
就没有英雄挺身而出吗
（奥特曼，你在哪里
）炮口在发红，大力神的手在战抖，抖动越来越厉害，突然庞大的合体金刚岿然解体，激光炮被甩到了一边。
魔方巨大的能量让普通的霸天虎“变变”们无法驾驭，重重摔到地上的威震天恨恨得爬起来，手中紧紧地攥着已经发红的魔方，擎天柱慢慢的爬起，众汽车人慢慢爬起（参考圣斗士青铜五小强），威震天显然由于多年的幽居恐惧变得有点丧心病狂，发红的魔方正一点点地烤化它的金属躯壳，但他仍不肯放手。
口中一直念叨着：“It’s mine! It’s mine!!”（有点象丧子的祥林嫂）擎天柱突的跃起，扑到威震天身上抢夺过程中，两人之间一阵刺眼的红光伴随着一阵剧烈的抽搐，两位老大一动不动的蜷缩在了一起。
（背景音乐给悲伤的蓝调）众人凑过来，几个有力量的分开了两人，擎天柱身上到处是短路，噼噼啪啪的闪着火花，威震天的胸口上魔方的碎片依然发着红光。
擎天柱缓缓的睁开碧蓝的眼睛，看看躺在身边的老对手。
缓缓地说：“You are right, It’s yours now! ”（主题：物欲是可怕的，人为财死，鸟为食亡；天作孽有可恕，自作孽不可活；玩火者必自焚，等等）众人欢呼，男女主人公互吻相拥，镜头的另一边魔方的红色渐渐褪去几个矢量图形变幻后，微缩成了更小的一块魔方落进了威震天的身体残骸里，威震天的眼睛，像电压不稳的灯泡一样闪动了一下（为了拍续集做准备）。
后面的镜头可以保留，特别是男女主人公躺在车厢盖上看日落那个镜头，很精典，估计日后的自驾车人士会争相效仿。
胡批乱点了一通，心里痛快了。
正格的这部片子的观赏度还是蛮高的。
看了你就知道了。
自己清理下文章 不要的删去， 差不多就100字了。
变形金刚的英文观后感
Transformers: Revenge of the Fallen is the fast paced sequel to the 2007 summer blockbuster movie Transformers. This time round, their is more action, more robots, more fight scenes and more explosions. Everything a sequel is supposed to be. They are supposed to be more action packed and each action scene is more elaborate. In this movie, Sam Witwicky is sent to college and the autobots are fighting with the military to fight off the decepticons that are scattered all over the globe. The cinematography and action scenes were very well shot and planned out. And the acting was superb. If you liked the first movie and the television shows, you will very likely like this movie. It is not as good as the first movie or the third, but is still quite enjoyable. It is worth a watch.
